#roncarter — Public Fediverse posts

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

`Miles Davis Quintet, Stockholm 1967`

https://www.youtube.com/watch?v=-NSJtCdlhe4

#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams

`Miles Davis Quintet, Stockholm 1967`

https://www.youtube.com/watch?v=-NSJtCdlhe4

#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams

`Miles Davis Quintet, Stockholm 1967`

https://www.youtube.com/watch?v=-NSJtCdlhe4

#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams

`Miles Davis Quintet, Stockholm 1967`

https://www.youtube.com/watch?v=-NSJtCdlhe4

#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams

`Miles Davis Quintet, Stockholm 1967`

https://www.youtube.com/watch?v=-NSJtCdlhe4

#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, which was reissued in 2024.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

Wayne Shorter, Schizophrenia, 1969 on Blue Note

Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing.

This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter and Hancock.

My copy as part of the Story of Blue Note Records VMP Anthology, 2024 reissue.

OK, thanks so much for revisiting with me, the music of my high school years.

Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums)

https://youtu.be/XdrAzpYdOYs

OK, thanks so much for revisiting with me, the music of my high school years.

Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums)

https://youtu.be/XdrAzpYdOYs

OK, thanks so much for revisiting with me, the music of my high school years.

Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums)

https://youtu.be/XdrAzpYdOYs

OK, thanks so much for revisiting with me, the music of my high school years.

Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums)

https://youtu.be/XdrAzpYdOYs

OK, thanks so much for revisiting with me, the music of my high school years.

Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums)

https://youtu.be/XdrAzpYdOYs

Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.

https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.

https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.

https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.

https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.

https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Sitar? Tabla? Harmon mute? 7/4 meter? Recorded a few months after the Bitches Brew sessions in 1969, here's "Great Expectations."

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#SteveGrossman (sop. sax)
#BennieMaupin (bass clar.)
#JohnMcLaughlin (elec. guit.)
#Khalil Balakrishna (elec. sitar)
#BihariSharma (tabla)
#HerbieHancock (elec. piano)
#ChickCorea (elec. piano)
#RonCarter (bass)
#HarveyBrooks (bass)
#BillyCobham (drums)
#Airto (perc.)

https://youtu.be/-UT3qeqzejI?list=RD-UT3qeqzejI

Sitar? Tabla? Harmon mute? 7/4 meter? Recorded a few months after the Bitches Brew sessions in 1969, here's "Great Expectations."

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#SteveGrossman (sop. sax)
#BennieMaupin (bass clar.)
#JohnMcLaughlin (elec. guit.)
#Khalil Balakrishna (elec. sitar)
#BihariSharma (tabla)
#HerbieHancock (elec. piano)
#ChickCorea (elec. piano)
#RonCarter (bass)
#HarveyBrooks (bass)
#BillyCobham (drums)
#Airto (perc.)

https://youtu.be/-UT3qeqzejI?list=RD-UT3qeqzejI

After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming)

https://youtu.be/_11IFHgCIK8?list=RD_11IFHgCIK8

After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming)

https://youtu.be/_11IFHgCIK8?list=RD_11IFHgCIK8

After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming)

https://youtu.be/_11IFHgCIK8?list=RD_11IFHgCIK8

After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming)

https://youtu.be/_11IFHgCIK8?list=RD_11IFHgCIK8

After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming)

https://youtu.be/_11IFHgCIK8?list=RD_11IFHgCIK8

Miles Davis - The Complete Live at the Plugged Nickel 1965

Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.

It can skirt right up to free playing, but then gets reined in...

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Miles Davis - The Complete Live at the Plugged Nickel 1965

Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.

It can skirt right up to free playing, but then gets reined in...

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Miles Davis - The Complete Live at the Plugged Nickel 1965

Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.

It can skirt right up to free playing, but then gets reined in...

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Miles Davis - The Complete Live at the Plugged Nickel 1965

Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.

It can skirt right up to free playing, but then gets reined in...

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

Miles Davis - The Complete Live at the Plugged Nickel 1965

Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.

It can skirt right up to free playing, but then gets reined in...

#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams

From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming)

https://youtu.be/RitDW7061F0?list=RDRitDW7061F0

From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming)

https://youtu.be/RitDW7061F0?list=RDRitDW7061F0

From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming)

https://youtu.be/RitDW7061F0?list=RDRitDW7061F0

From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming)

https://youtu.be/RitDW7061F0?list=RDRitDW7061F0

From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.

#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming)

https://youtu.be/RitDW7061F0?list=RDRitDW7061F0

Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).

#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams

https://youtu.be/BmWX1erp_u4?list=RDBmWX1erp_u4

Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).

#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams

https://youtu.be/BmWX1erp_u4?list=RDBmWX1erp_u4

Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).

#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams

https://youtu.be/BmWX1erp_u4?list=RDBmWX1erp_u4

Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).

#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams

https://youtu.be/BmWX1erp_u4?list=RDBmWX1erp_u4

Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).

#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams

https://youtu.be/BmWX1erp_u4?list=RDBmWX1erp_u4

Paul Desmond, Pure Desmond, 1975 on CTI Records

Desmond (who composed Take Five and was a critical part of the Dave Brubeck Quartet) playing here with Ron Carter, Ed Bickert, and Connie Kay – recorded at Rudy Van Gelder’s studio in 1974 and produced by Creed Taylor.

One of five albums Desmond put out on CTI in the late 60s and 70s. including Summertime and Skylark (with Gabor Szabo). It’s very fusion, and features Ed Bickert on guitar as much as (or more so than) Desmond.

My copy, via Crossroads Records in Portland OR, is a 1975 issue with Van Gelder in the runouts.

Wayne Shorter - "Moto Grosso Feio" (1974)

https://youtube.com/playlist?list=OLAK5uy_lH4sVHlq3KWVbzArT8Gj-zs10KpFlbIi4

#NowPlaying #WayneShorter #RonCarter #DaveHolland #ChickCorea #JohnMcLaughlin #vinyl #VinylRecords @vinylrecords

Wayne Shorter - "Moto Grosso Feio" (1974)

https://youtube.com/playlist?list=OLAK5uy_lH4sVHlq3KWVbzArT8Gj-zs10KpFlbIi4

#NowPlaying #WayneShorter #RonCarter #DaveHolland #ChickCorea #JohnMcLaughlin #vinyl #VinylRecords @vinylrecords