#herbiehancock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #herbiehancock, aggregated by home.social.
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Miles Davis au Festival de jazz d'Antibes Juan-les-Pins le 26 juillet 1963
#MilesDavis (tp), #GeorgeColeman (ts), #HerbieHancock (p), #RonCarter (b), #TonyWilliams (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-1-2-7325948
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-2-2-5559919 -
Miles Davis au Festival de jazz d'Antibes Juan-les-Pins le 26 juillet 1963
#MilesDavis (tp), #GeorgeColeman (ts), #HerbieHancock (p), #RonCarter (b), #TonyWilliams (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-1-2-7325948
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-2-2-5559919 -
Miles Davis au Festival de jazz d'Antibes Juan-les-Pins le 26 juillet 1963
#MilesDavis (tp), #GeorgeColeman (ts), #HerbieHancock (p), #RonCarter (b), #TonyWilliams (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-1-2-7325948
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-2-2-5559919 -
Miles Davis au Festival de jazz d'Antibes Juan-les-Pins le 26 juillet 1963
#MilesDavis (tp), #GeorgeColeman (ts), #HerbieHancock (p), #RonCarter (b), #TonyWilliams (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-1-2-7325948
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-2-2-5559919 -
Miles Davis au Festival de jazz d'Antibes Juan-les-Pins le 26 juillet 1963
#MilesDavis (tp), #GeorgeColeman (ts), #HerbieHancock (p), #RonCarter (b), #TonyWilliams (dr)
#jazz #podcast #francemusique en 2 parties:
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-1-2-7325948
https://www.radiofrance.fr/francemusique/podcasts/les-legendes-du-jazz/miles-davis-a-juan-les-pins-en-1963-2-2-5559919 -
`Miles Davis Quintet, Stockholm 1967`
https://www.youtube.com/watch?v=-NSJtCdlhe4
#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams
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`Miles Davis Quintet, Stockholm 1967`
https://www.youtube.com/watch?v=-NSJtCdlhe4
#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams
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`Miles Davis Quintet, Stockholm 1967`
https://www.youtube.com/watch?v=-NSJtCdlhe4
#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams
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`Miles Davis Quintet, Stockholm 1967`
https://www.youtube.com/watch?v=-NSJtCdlhe4
#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams
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`Miles Davis Quintet, Stockholm 1967`
https://www.youtube.com/watch?v=-NSJtCdlhe4
#jazz #music #MilesDavis #RonCarter #WayneShorter #HerbieHancock #TonyWIlliams
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OK, thanks so much for revisiting with me, the music of my high school years.
Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums) -
OK, thanks so much for revisiting with me, the music of my high school years.
Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums) -
OK, thanks so much for revisiting with me, the music of my high school years.
Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums) -
OK, thanks so much for revisiting with me, the music of my high school years.
Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums) -
OK, thanks so much for revisiting with me, the music of my high school years.
Let's close with a beautiful ballad: "My Funny Valentine," live at the Philharmonic Hall, Feb. 1964, NAACP benefit concert.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trump.)
#GeorgeColeman (t. sax)
#HerbieHancock (piano)
#RonCarter (bass)
#TonyWilliams (drums) -
Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.
https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.
https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.
https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.
https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Following up on this...the report from Tracking Angle is correct: the long-out-of-print Mosaic version of this is, indeed, significantly better sounding, for whatever reason.
https://trackingangle.com/music/the-miles-davis-quintets-live-10-lp-masterpiece
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming) -
After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming) -
After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming) -
After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming) -
After "Nefertiti" (1968), Miles Davis began to move away from a fully acoustic sound and toward what would be called fusion. Listen to "Tout de Suite," from "Filles de Kilimanjaro" (1968), as they make their way forward:
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#MilesDavis (trumpet)
#HerbieHancock (electric piano)
#WayneShorter (tenor saxophone)
#RonCarter (bass guitar)
#TonyWilliams (drumming) -
Miles Davis - The Complete Live at the Plugged Nickel 1965
Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.
It can skirt right up to free playing, but then gets reined in...
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Miles Davis - The Complete Live at the Plugged Nickel 1965
Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.
It can skirt right up to free playing, but then gets reined in...
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
-
Miles Davis - The Complete Live at the Plugged Nickel 1965
Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.
It can skirt right up to free playing, but then gets reined in...
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
-
Miles Davis - The Complete Live at the Plugged Nickel 1965
Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.
It can skirt right up to free playing, but then gets reined in...
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
-
Miles Davis - The Complete Live at the Plugged Nickel 1965
Slowly working my way through this huge 10LP set of the Second Great Quintet (Miles Davis/Herbie Hancock/Wayne Shorter/Ron Carter/Tony Williams) push-push-PUSHing towards a new way of playing, namely: if you're bored with what's expected, do the opposite.
It can skirt right up to free playing, but then gets reined in...
#nowplaying #vinyl #jazz #MilesDavisQuintet #MilesDavis #RonCarter #HerbieHancock #WayneShorter #TonyWilliams
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Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).
#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams -
Miles Davis' second great quintet, on "Nefertiti," their last fully acoustic album. Listen to "Fall" (recorded in 1967).
#BlackHistoryMonth
#BlackMusic
#MilesDavis
#HerbieHancock
#RonCarter
#WayneShorter
#TonyWilliams -
A white character answers why reparations can never be paid:
Admitting to an error on this scale would have exposed our government to colossal damages and compensation claims.
(1/4)
#movie #greatmovie #greatscifi #blackactors #rihanna #herbiehancock
-
A white character answers why reparations can never be paid:
Admitting to an error on this scale would have exposed our government to colossal damages and compensation claims.
(1/4)
#movie #greatmovie #greatscifi #blackactors #rihanna #herbiehancock
-
A white character answers why reparations can never be paid:
Admitting to an error on this scale would have exposed our government to colossal damages and compensation claims.
(1/4)
#movie #greatmovie #greatscifi #blackactors #rihanna #herbiehancock
-
A white character answers why reparations can never be paid:
Admitting to an error on this scale would have exposed our government to colossal damages and compensation claims.
(1/4)
#movie #greatmovie #greatscifi #blackactors #rihanna #herbiehancock
-
A white character answers why reparations can never be paid:
Admitting to an error on this scale would have exposed our government to colossal damages and compensation claims.
(1/4)
#movie #greatmovie #greatscifi #blackactors #rihanna #herbiehancock