#recordings — Public Fediverse posts

I just posted this to the Blind and Fine subreddit. I wrote about it earlier, but this is much simpler and focused more on a specific program and an alternative.

Let me start by saying that I am far more familiar and comfortable with analogue audio equipment than digital. My extent of digital recording is using Virtual Recorder to record mp3s and MPCHC to play them, or using a portable recorder like the Milestone 112 ACE or the Olympus DM-720-770. So most of these terms are new to me. That said, to make a very long story short, I have a personal project in which I am attempting to make some acoustic recordings sound like early electric ones. Basically, less tinny and a bit clearer. Obviously I'm not expecting 2026 quality, but 1926 or early 1930's would be nice. I first thought this needed to be done with frequency restoration, since acoustic media, be it disks or cylinders, always fail to record certain ones. But I found that the very few programs designed for this are inaccessible with NVDA. Then, I learned that I can simply use an equalizer and an exciter and/or saturator to do essentially the same thing. I decided to try Reaper. I installed it, along with the Osara and SWS. I was able to load a file and get into the equalizer to change the numbers in the bands as a low and high shelf (this most likely equates to bass and treble). But it seems that the volume is set to 0, because even when loading a file for the first time, when I hit space, it doesn't play. I can't find the volume controls either. When I hit tab and shift+tab, there are numbers, but none appear to be volume. Can anyone help me? Is there a much simpler program that I can use? If not, can anyone recommend an analogue setup for me? It doesn't need to be new at all, just affordable (under $200). I don't need to worry about accessibility there, since it would all be knobs and sliders.

#accessibility #AcousticRecordings #analog #analogue #blind #digital #FrequencyRestoration #music #NVDA #phonographs #Reaper #recordings #records #restoration #sound #technology

I just posted this to the Blind and Fine subreddit. I wrote about it earlier, but this is much simpler and focused more on a specific program and an alternative.

Let me start by saying that I am far more familiar and comfortable with analogue audio equipment than digital. My extent of digital recording is using Virtual Recorder to record mp3s and MPCHC to play them, or using a portable recorder like the Milestone 112 ACE or the Olympus DM-720-770. So most of these terms are new to me. That said, to make a very long story short, I have a personal project in which I am attempting to make some acoustic recordings sound like early electric ones. Basically, less tinny and a bit clearer. Obviously I'm not expecting 2026 quality, but 1926 or early 1930's would be nice. I first thought this needed to be done with frequency restoration, since acoustic media, be it disks or cylinders, always fail to record certain ones. But I found that the very few programs designed for this are inaccessible with NVDA. Then, I learned that I can simply use an equalizer and an exciter and/or saturator to do essentially the same thing. I decided to try Reaper. I installed it, along with the Osara and SWS. I was able to load a file and get into the equalizer to change the numbers in the bands as a low and high shelf (this most likely equates to bass and treble). But it seems that the volume is set to 0, because even when loading a file for the first time, when I hit space, it doesn't play. I can't find the volume controls either. When I hit tab and shift+tab, there are numbers, but none appear to be volume. Can anyone help me? Is there a much simpler program that I can use? If not, can anyone recommend an analogue setup for me? It doesn't need to be new at all, just affordable (under $200). I don't need to worry about accessibility there, since it would all be knobs and sliders.

#accessibility #AcousticRecordings #analog #analogue #blind #digital #FrequencyRestoration #music #NVDA #phonographs #Reaper #recordings #records #restoration #sound #technology

I just posted this to the Blind and Fine subreddit. I wrote about it earlier, but this is much simpler and focused more on a specific program and an alternative.

Let me start by saying that I am far more familiar and comfortable with analogue audio equipment than digital. My extent of digital recording is using Virtual Recorder to record mp3s and MPCHC to play them, or using a portable recorder like the Milestone 112 ACE or the Olympus DM-720-770. So most of these terms are new to me. That said, to make a very long story short, I have a personal project in which I am attempting to make some acoustic recordings sound like early electric ones. Basically, less tinny and a bit clearer. Obviously I'm not expecting 2026 quality, but 1926 or early 1930's would be nice. I first thought this needed to be done with frequency restoration, since acoustic media, be it disks or cylinders, always fail to record certain ones. But I found that the very few programs designed for this are inaccessible with NVDA. Then, I learned that I can simply use an equalizer and an exciter and/or saturator to do essentially the same thing. I decided to try Reaper. I installed it, along with the Osara and SWS. I was able to load a file and get into the equalizer to change the numbers in the bands as a low and high shelf (this most likely equates to bass and treble). But it seems that the volume is set to 0, because even when loading a file for the first time, when I hit space, it doesn't play. I can't find the volume controls either. When I hit tab and shift+tab, there are numbers, but none appear to be volume. Can anyone help me? Is there a much simpler program that I can use? If not, can anyone recommend an analogue setup for me? It doesn't need to be new at all, just affordable (under $200). I don't need to worry about accessibility there, since it would all be knobs and sliders.

#accessibility #AcousticRecordings #analog #analogue #blind #digital #FrequencyRestoration #music #NVDA #phonographs #Reaper #recordings #records #restoration #sound #technology

I just posted this to the Blind and Fine subreddit. I wrote about it earlier, but this is much simpler and focused more on a specific program and an alternative.

Let me start by saying that I am far more familiar and comfortable with analogue audio equipment than digital. My extent of digital recording is using Virtual Recorder to record mp3s and MPCHC to play them, or using a portable recorder like the Milestone 112 ACE or the Olympus DM-720-770. So most of these terms are new to me. That said, to make a very long story short, I have a personal project in which I am attempting to make some acoustic recordings sound like early electric ones. Basically, less tinny and a bit clearer. Obviously I'm not expecting 2026 quality, but 1926 or early 1930's would be nice. I first thought this needed to be done with frequency restoration, since acoustic media, be it disks or cylinders, always fail to record certain ones. But I found that the very few programs designed for this are inaccessible with NVDA. Then, I learned that I can simply use an equalizer and an exciter and/or saturator to do essentially the same thing. I decided to try Reaper. I installed it, along with the Osara and SWS. I was able to load a file and get into the equalizer to change the numbers in the bands as a low and high shelf (this most likely equates to bass and treble). But it seems that the volume is set to 0, because even when loading a file for the first time, when I hit space, it doesn't play. I can't find the volume controls either. When I hit tab and shift+tab, there are numbers, but none appear to be volume. Can anyone help me? Is there a much simpler program that I can use? If not, can anyone recommend an analogue setup for me? It doesn't need to be new at all, just affordable (under $200). I don't need to worry about accessibility there, since it would all be knobs and sliders.

#accessibility #AcousticRecordings #analog #analogue #blind #digital #FrequencyRestoration #music #NVDA #phonographs #Reaper #recordings #records #restoration #sound #technology

*Update! This is an absolute disaster! I have no ida what I'm doing, and this thing runs on text files, not sliders, so I can't actually hear things live. I might try another digital option, but honestly, I think I'd be better off with a real mixer with manual controls. The problem is that they probably cost hundreds of dollars! I'll need to see. But the fact that nothing like this is accessible for the blind is not only dishearting, it's downright upsetting. Do we not have the right to work on such things as do the sighted?*
I have returned to my project of frequency restoration in acoustic recordings.

https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/

Because I know very little about all of this, I asked more questions of Perplexity. (This is not medical information or something so important that it requires meticulous manual research, so I do trust Perplexity here.) It seems that, even though programs which explicitly work with frequency restoration are not accessible to the blind, there is another way to do this via equalisers, harmonics, and other means. This is exactly what I was told to do. I would prefer an analogue setup, since I could hear things as I moved the sliders and knobs, but this might be more precise. This also might be more accurate in the longrun, since there is apparently no real way to restore frequencies faithfully i.e. it would be guesswork and who knows how realistic it would sound. This way, it's working with what's already present and simply enhancing it. I am going to use acoustic and electric recordings of Schipa and Bonci as my controls, so that I can judge how early electrics compare directly to acoustics.

"The good news is that you can build a usable, keyboard‑driven EQ and harmonic‑enhancement workflow without relying on mouse‑dependent GUIs. NVDA will let you navigate most of the necessary controls, and you can use a combination of host‑agnostic EQ and a simple harmonic plugin.

1. Accessible EQ setup (Windows‑friendly)
A solid, free option is Equalizer APO running system‑wide, with a simple host such as Audacity (which you already know from your post‑thread) or TagEditor‑style players. 
videoproc
+1
Typical flow:
1.
Install Equalizer APO
•
Download from equalizerapo.com and run the installer.
•
At the device‑selection screen, choose only your playback device (e.g. “Speakers” or your USB DAC) and accept the reboot.
•
After reboot, open the Equalizer APO Configurator via Start Menu or the task‑bar icon.
2.
Set up a basic config tab
•
In the Configurator, remove the default tabs if you want a clean slate.
•
Press Tab through the controls until you reach the “+” button; press Enter.
•
Choose “Control” → “Include” from the menu, then select a new text file (e.g. Tamagno.cfg).
•
Return to the main pane, press Alt+Tab to cycle to the new tab; you will now see a blank filter list.
3.
Add a shelving EQ for bass
•
Position on the “+” button again; press Enter.
•
Navigate to “Basic filters” → “PEQ” or “Low‑shelf”.
•
Use the numeric fields to set:
•
Filter type: Low‑shelf
•
Frequency: around 200–250 Hz to start.
•
Gain: +1 dB to +3 dB (very gentle).
•
Repeat with a High‑shelf around 3–5 kHz if you want subtle vocal presence, again only +1 to +2 dB.
4.
Apply and test
•
Go to File → Save in the Configurator.
•
Make sure the power‑toggle is on for your device.
•
Play your Tamagno file in Audacity or any other player and judge the warmth versus “tinniness”.
NVDA will announce labels such as “Gain”, “Frequency”, “Q”, and “Filter list”, so you can tab through each numeric field and adjust by typing the value directly. 
equalizerapo
+1

2. Harmonic enhancement (accessible workflow)
For harmonic “body” without heavy distortion, you want a straightforward exciter/saturator plugin. A free, relatively simple option is HarmonicAdder (Anarchy Sound Software), which is a VST plugin that generates overtones from the dominant frequency content. 
youtube
 
reddit
How to use it with an accessible host:
•
Install VST2 into Audacity’s plugin folder (e.g. C:\Program Files (x86)\Audacity\Plug‑Ins).
•
In Audacity:
•
Open your Tamagno file.
•
Press Alt+P → “Add / Remove Plugins…” to ensure the plugin is listed.
•
Press Alt+L to open the “Effect” list, then navigate to the exciter/saturator and select “Apply”.
•
Use a low drive setting (e.g. 10–25%) and a highpass before saturation if your host supports a simple EQ‑in‑chain, so you avoid muddying the bottom.
Because the plugin window is usually a simple dialog, you can tab through parameters such as “Drive”, “Mix”, and “High‑cut”; NVDA will read each label if the plugin is coded accessibly. 
github
+1

3. Keyboard‑driven listening‑test schema (for your comparison)
To keep the process systematic, you can adopt a simple keyboard‑driven test set:
1.
File list
•
Keep one directory for each singer: Tamagno, Affre, and one or two electric‑era references (Schipa/Bonci).
•
Use Windows Explorer with NVDA to open each folder, press Enter on one file at a time.
2.
Quick‑switch profile
•
In Equalizer APO, save one profile for Tamagno (slightly warm, cautious +‑bass), one for Affre (neutral), and one for Schipa (closer to the original, electric‑era target).
•
In the Configurator, switch tabs with Ctrl+Tab and then press File → Save after each change.
3.
Test sequence
•
Start playback (e.g. in Audacity or your preferred player).
•
Use Spacebar to play/pause, Shift+→/← to nudge by 5 seconds.
•
For each file, ask:
•
Is the voice more “body‑ful” but still recognisably Tamagno‑like?
•
Are consonants sharper without sounding artificial?
•
Has the timbre begun to resemble your 1926/30 electric reference more than the 1903 original?
Because you are already using a clean transfer, the main variables are low‑shelf gain, high‑shelf presence, and degree of harmonic saturation. You can keep a small text log (e.g. Notepad) with entries like:
•
Tamagno+2.5dB_250Hz_Sat20%
•
Tamagno+1.5dB_200Hz_Sat10%
and move back and forth with the keyboard until you find the most musically convincing setting.

4. Practical suggestions for your goal
Given your stated aim (less tinny, more like early electrics, perhaps 1926–30), I would:
•
Never boost the bass so much that the fundamental pitch of the voice goes soft or “boomy”.
•
Use the harmonic plugin only to add a thin layer of upper‑mids and lower‑highs, not to create a modern‑sounding recording.
•
Keep your original 1903 transfer as a reference file and compare it with the processed version on the same tracklist, using the same signal path and volume.
If you like, I can draft a concrete step‑by‑step checklist tailored to your usual workflow (e.g. starting from Audacity, Equalizer APO, and one exciter plugin), with explicit NVDA‑friendly key sequences and values you can try first."

We'll see what happens and how accessible all of this is.

#AcousticRecordings #FrequencyRestoration #music #phonographs #recordings #records #restoration #sound #technology

I have returned to my project of frequency restoration in acoustic recordings.

https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/

Because I know very little about all of this, I asked more questions of Perplexity. (This is not medical information or something so important that it requires meticulous manual research, so I do trust Perplexity here.) It seems that, even though programs which explicitly work with frequency restoration are not accessible to the blind, there is another way to do this via equalisers, harmonics, and other means. This is exactly what I was told to do. I would prefer an analogue setup, since I could hear things as I moved the sliders and knobs, but this might be more precise. This also might be more accurate in the longrun, since there is apparently no real way to restore frequencies faithfully i.e. it would be guesswork and who knows how realistic it would sound. This way, it's working with what's already present and simply enhancing it. I am going to use acoustic and electric recordings of Schipa and Bonci as my controls, so that I can judge how early electrics compare directly to acoustics.

"The good news is that you can build a usable, keyboard‑driven EQ and harmonic‑enhancement workflow without relying on mouse‑dependent GUIs. NVDA will let you navigate most of the necessary controls, and you can use a combination of host‑agnostic EQ and a simple harmonic plugin.

1. Accessible EQ setup (Windows‑friendly)
A solid, free option is Equalizer APO running system‑wide, with a simple host such as Audacity (which you already know from your post‑thread) or TagEditor‑style players. 
videoproc
+1
Typical flow:
1.
Install Equalizer APO
•
Download from equalizerapo.com and run the installer.
•
At the device‑selection screen, choose only your playback device (e.g. “Speakers” or your USB DAC) and accept the reboot.
•
After reboot, open the Equalizer APO Configurator via Start Menu or the task‑bar icon.
2.
Set up a basic config tab
•
In the Configurator, remove the default tabs if you want a clean slate.
•
Press Tab through the controls until you reach the “+” button; press Enter.
•
Choose “Control” → “Include” from the menu, then select a new text file (e.g. Tamagno.cfg).
•
Return to the main pane, press Alt+Tab to cycle to the new tab; you will now see a blank filter list.
3.
Add a shelving EQ for bass
•
Position on the “+” button again; press Enter.
•
Navigate to “Basic filters” → “PEQ” or “Low‑shelf”.
•
Use the numeric fields to set:
•
Filter type: Low‑shelf
•
Frequency: around 200–250 Hz to start.
•
Gain: +1 dB to +3 dB (very gentle).
•
Repeat with a High‑shelf around 3–5 kHz if you want subtle vocal presence, again only +1 to +2 dB.
4.
Apply and test
•
Go to File → Save in the Configurator.
•
Make sure the power‑toggle is on for your device.
•
Play your Tamagno file in Audacity or any other player and judge the warmth versus “tinniness”.
NVDA will announce labels such as “Gain”, “Frequency”, “Q”, and “Filter list”, so you can tab through each numeric field and adjust by typing the value directly. 
equalizerapo
+1

2. Harmonic enhancement (accessible workflow)
For harmonic “body” without heavy distortion, you want a straightforward exciter/saturator plugin. A free, relatively simple option is HarmonicAdder (Anarchy Sound Software), which is a VST plugin that generates overtones from the dominant frequency content. 
youtube
 
reddit
How to use it with an accessible host:
•
Install VST2 into Audacity’s plugin folder (e.g. C:\Program Files (x86)\Audacity\Plug‑Ins).
•
In Audacity:
•
Open your Tamagno file.
•
Press Alt+P → “Add / Remove Plugins…” to ensure the plugin is listed.
•
Press Alt+L to open the “Effect” list, then navigate to the exciter/saturator and select “Apply”.
•
Use a low drive setting (e.g. 10–25%) and a highpass before saturation if your host supports a simple EQ‑in‑chain, so you avoid muddying the bottom.
Because the plugin window is usually a simple dialog, you can tab through parameters such as “Drive”, “Mix”, and “High‑cut”; NVDA will read each label if the plugin is coded accessibly. 
github
+1

3. Keyboard‑driven listening‑test schema (for your comparison)
To keep the process systematic, you can adopt a simple keyboard‑driven test set:
1.
File list
•
Keep one directory for each singer: Tamagno, Affre, and one or two electric‑era references (Schipa/Bonci).
•
Use Windows Explorer with NVDA to open each folder, press Enter on one file at a time.
2.
Quick‑switch profile
•
In Equalizer APO, save one profile for Tamagno (slightly warm, cautious +‑bass), one for Affre (neutral), and one for Schipa (closer to the original, electric‑era target).
•
In the Configurator, switch tabs with Ctrl+Tab and then press File → Save after each change.
3.
Test sequence
•
Start playback (e.g. in Audacity or your preferred player).
•
Use Spacebar to play/pause, Shift+→/← to nudge by 5 seconds.
•
For each file, ask:
•
Is the voice more “body‑ful” but still recognisably Tamagno‑like?
•
Are consonants sharper without sounding artificial?
•
Has the timbre begun to resemble your 1926/30 electric reference more than the 1903 original?
Because you are already using a clean transfer, the main variables are low‑shelf gain, high‑shelf presence, and degree of harmonic saturation. You can keep a small text log (e.g. Notepad) with entries like:
•
Tamagno+2.5dB_250Hz_Sat20%
•
Tamagno+1.5dB_200Hz_Sat10%
and move back and forth with the keyboard until you find the most musically convincing setting.

4. Practical suggestions for your goal
Given your stated aim (less tinny, more like early electrics, perhaps 1926–30), I would:
•
Never boost the bass so much that the fundamental pitch of the voice goes soft or “boomy”.
•
Use the harmonic plugin only to add a thin layer of upper‑mids and lower‑highs, not to create a modern‑sounding recording.
•
Keep your original 1903 transfer as a reference file and compare it with the processed version on the same tracklist, using the same signal path and volume.
If you like, I can draft a concrete step‑by‑step checklist tailored to your usual workflow (e.g. starting from Audacity, Equalizer APO, and one exciter plugin), with explicit NVDA‑friendly key sequences and values you can try first."

We'll see what happens and how accessible all of this is.

#AcousticRecordings #FrequencyRestoration #music #phonographs #recordings #records #restoration #sound #technology

*Update! This is an absolute disaster! I have no ida what I'm doing, and this thing runs on text files, not sliders, so I can't actually hear things live. I might try another digital option, but honestly, I think I'd be better off with a real mixer with manual controls. The problem is that they probably cost hundreds of dollars! I'll need to see. But the fact that nothing like this is accessible for the blind is not only dishearting, it's downright upsetting. Do we not have the right to work on such things as do the sighted?*
I have returned to my project of frequency restoration in acoustic recordings.

https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/

Because I know very little about all of this, I asked more questions of Perplexity. (This is not medical information or something so important that it requires meticulous manual research, so I do trust Perplexity here.) It seems that, even though programs which explicitly work with frequency restoration are not accessible to the blind, there is another way to do this via equalisers, harmonics, and other means. This is exactly what I was told to do. I would prefer an analogue setup, since I could hear things as I moved the sliders and knobs, but this might be more precise. This also might be more accurate in the longrun, since there is apparently no real way to restore frequencies faithfully i.e. it would be guesswork and who knows how realistic it would sound. This way, it's working with what's already present and simply enhancing it. I am going to use acoustic and electric recordings of Schipa and Bonci as my controls, so that I can judge how early electrics compare directly to acoustics.

"The good news is that you can build a usable, keyboard‑driven EQ and harmonic‑enhancement workflow without relying on mouse‑dependent GUIs. NVDA will let you navigate most of the necessary controls, and you can use a combination of host‑agnostic EQ and a simple harmonic plugin.

1. Accessible EQ setup (Windows‑friendly)
A solid, free option is Equalizer APO running system‑wide, with a simple host such as Audacity (which you already know from your post‑thread) or TagEditor‑style players. 
videoproc
+1
Typical flow:
1.
Install Equalizer APO
•
Download from equalizerapo.com and run the installer.
•
At the device‑selection screen, choose only your playback device (e.g. “Speakers” or your USB DAC) and accept the reboot.
•
After reboot, open the Equalizer APO Configurator via Start Menu or the task‑bar icon.
2.
Set up a basic config tab
•
In the Configurator, remove the default tabs if you want a clean slate.
•
Press Tab through the controls until you reach the “+” button; press Enter.
•
Choose “Control” → “Include” from the menu, then select a new text file (e.g. Tamagno.cfg).
•
Return to the main pane, press Alt+Tab to cycle to the new tab; you will now see a blank filter list.
3.
Add a shelving EQ for bass
•
Position on the “+” button again; press Enter.
•
Navigate to “Basic filters” → “PEQ” or “Low‑shelf”.
•
Use the numeric fields to set:
•
Filter type: Low‑shelf
•
Frequency: around 200–250 Hz to start.
•
Gain: +1 dB to +3 dB (very gentle).
•
Repeat with a High‑shelf around 3–5 kHz if you want subtle vocal presence, again only +1 to +2 dB.
4.
Apply and test
•
Go to File → Save in the Configurator.
•
Make sure the power‑toggle is on for your device.
•
Play your Tamagno file in Audacity or any other player and judge the warmth versus “tinniness”.
NVDA will announce labels such as “Gain”, “Frequency”, “Q”, and “Filter list”, so you can tab through each numeric field and adjust by typing the value directly. 
equalizerapo
+1

2. Harmonic enhancement (accessible workflow)
For harmonic “body” without heavy distortion, you want a straightforward exciter/saturator plugin. A free, relatively simple option is HarmonicAdder (Anarchy Sound Software), which is a VST plugin that generates overtones from the dominant frequency content. 
youtube
 
reddit
How to use it with an accessible host:
•
Install VST2 into Audacity’s plugin folder (e.g. C:\Program Files (x86)\Audacity\Plug‑Ins).
•
In Audacity:
•
Open your Tamagno file.
•
Press Alt+P → “Add / Remove Plugins…” to ensure the plugin is listed.
•
Press Alt+L to open the “Effect” list, then navigate to the exciter/saturator and select “Apply”.
•
Use a low drive setting (e.g. 10–25%) and a highpass before saturation if your host supports a simple EQ‑in‑chain, so you avoid muddying the bottom.
Because the plugin window is usually a simple dialog, you can tab through parameters such as “Drive”, “Mix”, and “High‑cut”; NVDA will read each label if the plugin is coded accessibly. 
github
+1

3. Keyboard‑driven listening‑test schema (for your comparison)
To keep the process systematic, you can adopt a simple keyboard‑driven test set:
1.
File list
•
Keep one directory for each singer: Tamagno, Affre, and one or two electric‑era references (Schipa/Bonci).
•
Use Windows Explorer with NVDA to open each folder, press Enter on one file at a time.
2.
Quick‑switch profile
•
In Equalizer APO, save one profile for Tamagno (slightly warm, cautious +‑bass), one for Affre (neutral), and one for Schipa (closer to the original, electric‑era target).
•
In the Configurator, switch tabs with Ctrl+Tab and then press File → Save after each change.
3.
Test sequence
•
Start playback (e.g. in Audacity or your preferred player).
•
Use Spacebar to play/pause, Shift+→/← to nudge by 5 seconds.
•
For each file, ask:
•
Is the voice more “body‑ful” but still recognisably Tamagno‑like?
•
Are consonants sharper without sounding artificial?
•
Has the timbre begun to resemble your 1926/30 electric reference more than the 1903 original?
Because you are already using a clean transfer, the main variables are low‑shelf gain, high‑shelf presence, and degree of harmonic saturation. You can keep a small text log (e.g. Notepad) with entries like:
•
Tamagno+2.5dB_250Hz_Sat20%
•
Tamagno+1.5dB_200Hz_Sat10%
and move back and forth with the keyboard until you find the most musically convincing setting.

4. Practical suggestions for your goal
Given your stated aim (less tinny, more like early electrics, perhaps 1926–30), I would:
•
Never boost the bass so much that the fundamental pitch of the voice goes soft or “boomy”.
•
Use the harmonic plugin only to add a thin layer of upper‑mids and lower‑highs, not to create a modern‑sounding recording.
•
Keep your original 1903 transfer as a reference file and compare it with the processed version on the same tracklist, using the same signal path and volume.
If you like, I can draft a concrete step‑by‑step checklist tailored to your usual workflow (e.g. starting from Audacity, Equalizer APO, and one exciter plugin), with explicit NVDA‑friendly key sequences and values you can try first."

We'll see what happens and how accessible all of this is.

#AcousticRecordings #FrequencyRestoration #music #phonographs #recordings #records #restoration #sound #technology

I have returned to my project of frequency restoration in acoustic recordings.

https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/

Because I know very little about all of this, I asked more questions of Perplexity. (This is not medical information or something so important that it requires meticulous manual research, so I do trust Perplexity here.) It seems that, even though programs which explicitly work with frequency restoration are not accessible to the blind, there is another way to do this via equalisers, harmonics, and other means. This is exactly what I was told to do. I would prefer an analogue setup, since I could hear things as I moved the sliders and knobs, but this might be more precise. This also might be more accurate in the longrun, since there is apparently no real way to restore frequencies faithfully i.e. it would be guesswork and who knows how realistic it would sound. This way, it's working with what's already present and simply enhancing it. I am going to use acoustic and electric recordings of Schipa and Bonci as my controls, so that I can judge how early electrics compare directly to acoustics.

"The good news is that you can build a usable, keyboard‑driven EQ and harmonic‑enhancement workflow without relying on mouse‑dependent GUIs. NVDA will let you navigate most of the necessary controls, and you can use a combination of host‑agnostic EQ and a simple harmonic plugin.

1. Accessible EQ setup (Windows‑friendly)
A solid, free option is Equalizer APO running system‑wide, with a simple host such as Audacity (which you already know from your post‑thread) or TagEditor‑style players. 
videoproc
+1
Typical flow:
1.
Install Equalizer APO
•
Download from equalizerapo.com and run the installer.
•
At the device‑selection screen, choose only your playback device (e.g. “Speakers” or your USB DAC) and accept the reboot.
•
After reboot, open the Equalizer APO Configurator via Start Menu or the task‑bar icon.
2.
Set up a basic config tab
•
In the Configurator, remove the default tabs if you want a clean slate.
•
Press Tab through the controls until you reach the “+” button; press Enter.
•
Choose “Control” → “Include” from the menu, then select a new text file (e.g. Tamagno.cfg).
•
Return to the main pane, press Alt+Tab to cycle to the new tab; you will now see a blank filter list.
3.
Add a shelving EQ for bass
•
Position on the “+” button again; press Enter.
•
Navigate to “Basic filters” → “PEQ” or “Low‑shelf”.
•
Use the numeric fields to set:
•
Filter type: Low‑shelf
•
Frequency: around 200–250 Hz to start.
•
Gain: +1 dB to +3 dB (very gentle).
•
Repeat with a High‑shelf around 3–5 kHz if you want subtle vocal presence, again only +1 to +2 dB.
4.
Apply and test
•
Go to File → Save in the Configurator.
•
Make sure the power‑toggle is on for your device.
•
Play your Tamagno file in Audacity or any other player and judge the warmth versus “tinniness”.
NVDA will announce labels such as “Gain”, “Frequency”, “Q”, and “Filter list”, so you can tab through each numeric field and adjust by typing the value directly. 
equalizerapo
+1

2. Harmonic enhancement (accessible workflow)
For harmonic “body” without heavy distortion, you want a straightforward exciter/saturator plugin. A free, relatively simple option is HarmonicAdder (Anarchy Sound Software), which is a VST plugin that generates overtones from the dominant frequency content. 
youtube
 
reddit
How to use it with an accessible host:
•
Install VST2 into Audacity’s plugin folder (e.g. C:\Program Files (x86)\Audacity\Plug‑Ins).
•
In Audacity:
•
Open your Tamagno file.
•
Press Alt+P → “Add / Remove Plugins…” to ensure the plugin is listed.
•
Press Alt+L to open the “Effect” list, then navigate to the exciter/saturator and select “Apply”.
•
Use a low drive setting (e.g. 10–25%) and a highpass before saturation if your host supports a simple EQ‑in‑chain, so you avoid muddying the bottom.
Because the plugin window is usually a simple dialog, you can tab through parameters such as “Drive”, “Mix”, and “High‑cut”; NVDA will read each label if the plugin is coded accessibly. 
github
+1

3. Keyboard‑driven listening‑test schema (for your comparison)
To keep the process systematic, you can adopt a simple keyboard‑driven test set:
1.
File list
•
Keep one directory for each singer: Tamagno, Affre, and one or two electric‑era references (Schipa/Bonci).
•
Use Windows Explorer with NVDA to open each folder, press Enter on one file at a time.
2.
Quick‑switch profile
•
In Equalizer APO, save one profile for Tamagno (slightly warm, cautious +‑bass), one for Affre (neutral), and one for Schipa (closer to the original, electric‑era target).
•
In the Configurator, switch tabs with Ctrl+Tab and then press File → Save after each change.
3.
Test sequence
•
Start playback (e.g. in Audacity or your preferred player).
•
Use Spacebar to play/pause, Shift+→/← to nudge by 5 seconds.
•
For each file, ask:
•
Is the voice more “body‑ful” but still recognisably Tamagno‑like?
•
Are consonants sharper without sounding artificial?
•
Has the timbre begun to resemble your 1926/30 electric reference more than the 1903 original?
Because you are already using a clean transfer, the main variables are low‑shelf gain, high‑shelf presence, and degree of harmonic saturation. You can keep a small text log (e.g. Notepad) with entries like:
•
Tamagno+2.5dB_250Hz_Sat20%
•
Tamagno+1.5dB_200Hz_Sat10%
and move back and forth with the keyboard until you find the most musically convincing setting.

4. Practical suggestions for your goal
Given your stated aim (less tinny, more like early electrics, perhaps 1926–30), I would:
•
Never boost the bass so much that the fundamental pitch of the voice goes soft or “boomy”.
•
Use the harmonic plugin only to add a thin layer of upper‑mids and lower‑highs, not to create a modern‑sounding recording.
•
Keep your original 1903 transfer as a reference file and compare it with the processed version on the same tracklist, using the same signal path and volume.
If you like, I can draft a concrete step‑by‑step checklist tailored to your usual workflow (e.g. starting from Audacity, Equalizer APO, and one exciter plugin), with explicit NVDA‑friendly key sequences and values you can try first."

We'll see what happens and how accessible all of this is.

#AcousticRecordings #FrequencyRestoration #music #phonographs #recordings #records #restoration #sound #technology

43 years ago today, May 21, 1983, Lane Brody debuted at #86 on Billboard’s Hot Country Singles chart with “Over You”. It went on to peak at #15 and spent a total of 19 weeks on the chart.

It’s been a fun and exciting hobby to collect 45 RPM singles over the years. I liked listening to this song on the radio, which inspired me to go buy it to add to my treasured music collection 4+ decades ago.

#vinylcommunity #legendary #vocalist #countrymusic #recordings #classic #vinylcollection #musicislife

43 years ago today, May 21, 1983, Lane Brody debuted at #86 on Billboard’s Hot Country Singles chart with “Over You”. It went on to peak at #15 and spent a total of 19 weeks on the chart.

It’s been a fun and exciting hobby to collect 45 RPM singles over the years. I liked listening to this song on the radio, which inspired me to go buy it to add to my treasured music collection 4+ decades ago.

#vinylcommunity #legendary #vocalist #countrymusic #recordings #classic #vinylcollection #musicislife

43 years ago today, May 21, 1983, Lane Brody debuted at #86 on Billboard’s Hot Country Singles chart with “Over You”. It went on to peak at #15 and spent a total of 19 weeks on the chart.

It’s been a fun and exciting hobby to collect 45 RPM singles over the years. I liked listening to this song on the radio, which inspired me to go buy it to add to my treasured music collection 4+ decades ago.

#vinylcommunity #legendary #vocalist #countrymusic #recordings #classic #vinylcollection #musicislife

Day 1 of recording our debut album, together with @eggkrissi in Hanover. Things are already starting to heat up!
#mnklldbystn #recordings #postmetal #postrock

Here are two very different subreddits that I created and administrate.

This is a subreddit for those who love, or are even curious about, opera and its singers from the 1950's and earlier. Feel free to ask questions, share reviews and links, and discuss this wonderful genre of music and the singers and composers who brought it to life. Everyone, from beginners to experts, is welcome.

https://www.reddit.com/r/OldOpera/

If you want to join apositive subreddit for the blind, try r/BlindandFine. The subject matter is far less strict than at r/blind, since not everything needs to be related to blindness. This is more of a place where we can get to know each other and have fun. We allow sighted people to join as well, and we welcome questions about blindness if they are genuine, requests for feedback on surveys or technology about/for the blind, etc. However, I do ask that you join only if you are eighteen or older. Please also note that this is not a therapy/support group. If you need that, then r/blind is for you. I am not an administrator there, only of Blind and Fine.

https://www.reddit.com/r/BlindAndFine/

#accessibility #BelCanto #blind #blindness #composers #friendship #hobbies #music #opera #records #recordings #Reddit #singers #subreddits #technology

Here are two very different subreddits that I created and administrate.

This is a subreddit for those who love, or are even curious about, opera and its singers from the 1950's and earlier. Feel free to ask questions, share reviews and links, and discuss this wonderful genre of music and the singers and composers who brought it to life. Everyone, from beginners to experts, is welcome.

https://www.reddit.com/r/OldOpera/

If you want to join apositive subreddit for the blind, try r/BlindandFine. The subject matter is far less strict than at r/blind, since not everything needs to be related to blindness. This is more of a place where we can get to know each other and have fun. We allow sighted people to join as well, and we welcome questions about blindness if they are genuine, requests for feedback on surveys or technology about/for the blind, etc. However, I do ask that you join only if you are eighteen or older. Please also note that this is not a therapy/support group. If you need that, then r/blind is for you. I am not an administrator there, only of Blind and Fine.

https://www.reddit.com/r/BlindAndFine/

#accessibility #BelCanto #blind #blindness #composers #friendship #hobbies #music #opera #records #recordings #Reddit #singers #subreddits #technology

Here are two very different subreddits that I created and administrate.

This is a subreddit for those who love, or are even curious about, opera and its singers from the 1950's and earlier. Feel free to ask questions, share reviews and links, and discuss this wonderful genre of music and the singers and composers who brought it to life. Everyone, from beginners to experts, is welcome.

https://www.reddit.com/r/OldOpera/

If you want to join apositive subreddit for the blind, try r/BlindandFine. The subject matter is far less strict than at r/blind, since not everything needs to be related to blindness. This is more of a place where we can get to know each other and have fun. We allow sighted people to join as well, and we welcome questions about blindness if they are genuine, requests for feedback on surveys or technology about/for the blind, etc. However, I do ask that you join only if you are eighteen or older. Please also note that this is not a therapy/support group. If you need that, then r/blind is for you. I am not an administrator there, only of Blind and Fine.

https://www.reddit.com/r/BlindAndFine/

#accessibility #BelCanto #blind #blindness #composers #friendship #hobbies #music #opera #records #recordings #Reddit #singers #subreddits #technology

Here are two very different subreddits that I created and administrate.

This is a subreddit for those who love, or are even curious about, opera and its singers from the 1950's and earlier. Feel free to ask questions, share reviews and links, and discuss this wonderful genre of music and the singers and composers who brought it to life. Everyone, from beginners to experts, is welcome.

https://www.reddit.com/r/OldOpera/

If you want to join apositive subreddit for the blind, try r/BlindandFine. The subject matter is far less strict than at r/blind, since not everything needs to be related to blindness. This is more of a place where we can get to know each other and have fun. We allow sighted people to join as well, and we welcome questions about blindness if they are genuine, requests for feedback on surveys or technology about/for the blind, etc. However, I do ask that you join only if you are eighteen or older. Please also note that this is not a therapy/support group. If you need that, then r/blind is for you. I am not an administrator there, only of Blind and Fine.

https://www.reddit.com/r/BlindAndFine/

#accessibility #BelCanto #blind #blindness #composers #friendship #hobbies #music #opera #records #recordings #Reddit #singers #subreddits #technology

Ethiopia on Shortwave – Then and Now

https://swling.com/blog/2026/04/ethiopia-on-shortwave-then-and-now/

#AmharaStateRadioi #DanGreenall #Ethiopia #ETLF #FanaMediaCorporation #FMC #RadioFana #RadioHistory #RadioNostalgia #RadioOromiya #RadioVoiceOfRevolutionaryEthiopia #RadioVoiceOfTheGospel #Recordings #ShortwaveRadioRecordings #TheVoiceOfTigrayRevolution

Ethiopia on Shortwave – Then and Now

https://swling.com/blog/2026/04/ethiopia-on-shortwave-then-and-now/

#AmharaStateRadioi #DanGreenall #Ethiopia #ETLF #FanaMediaCorporation #FMC #RadioFana #RadioHistory #RadioNostalgia #RadioOromiya #RadioVoiceOfRevolutionaryEthiopia #RadioVoiceOfTheGospel #Recordings #ShortwaveRadioRecordings #TheVoiceOfTigrayRevolution

Ethiopia on Shortwave – Then and Now

https://swling.com/blog/2026/04/ethiopia-on-shortwave-then-and-now/

#AmharaStateRadioi #DanGreenall #Ethiopia #ETLF #FanaMediaCorporation #FMC #RadioFana #RadioHistory #RadioNostalgia #RadioOromiya #RadioVoiceOfRevolutionaryEthiopia #RadioVoiceOfTheGospel #Recordings #ShortwaveRadioRecordings #TheVoiceOfTigrayRevolution

Ethiopia on Shortwave – Then and Now

https://swling.com/blog/2026/04/ethiopia-on-shortwave-then-and-now/

#AmharaStateRadioi #DanGreenall #Ethiopia #ETLF #FanaMediaCorporation #FMC #RadioFana #RadioHistory #RadioNostalgia #RadioOromiya #RadioVoiceOfRevolutionaryEthiopia #RadioVoiceOfTheGospel #Recordings #ShortwaveRadioRecordings #TheVoiceOfTigrayRevolution

Ethiopia on Shortwave – Then and Now

https://swling.com/blog/2026/04/ethiopia-on-shortwave-then-and-now/

#AmharaStateRadioi #DanGreenall #Ethiopia #ETLF #FanaMediaCorporation #FMC #RadioFana #RadioHistory #RadioNostalgia #RadioOromiya #RadioVoiceOfRevolutionaryEthiopia #RadioVoiceOfTheGospel #Recordings #ShortwaveRadioRecordings #TheVoiceOfTigrayRevolution

All Content from Business Insider | Would recording every meeting make the world a better place? This hedge fund cofounder thinks so by Henry Chandonnet

Coatue Management cofounder Thomas Laffont argued for recording work meetings so that "you know what the problem is."Paul Morigi/Getty Images for The Hill & Valley Forum

Coatue Management's Thomas Laffont likes the idea of recording and analyzing meetings to flag worrying behavior.The hedge fund leader told TBPN that recording meetings would lead to a "better world," though it would likely hurt morale.Ray Dalio's Bridgewater famously tried recording meetings in the past in an effort to boost transparency.In the era of Zoom calls and hybrid work, white-collar workers are used to being on camera. Whether their employer should analyze the footage is another question.

Thomas Laffont, cofounder of the hedge fund giant Coatue Management, made his case for the idea on TBPN this week: "I believe that meetings should be recorded."

Should meetings be recorded? Take our surveyRead the original article on Business Insider

Read more: https://www.businessinsider.com/coatue-management-thomas-laffont-recording-work-meetings-idea-2026-4

#finance #hedge-fund #meetings #recordings #strategy

All Content from Business Insider | Would recording every meeting make the world a better place? This hedge fund cofounder thinks so by Henry Chandonnet

Coatue Management cofounder Thomas Laffont argued for recording work meetings so that "you know what the problem is."Paul Morigi/Getty Images for The Hill & Valley Forum

Coatue Management's Thomas Laffont likes the idea of recording and analyzing meetings to flag worrying behavior.The hedge fund leader told TBPN that recording meetings would lead to a "better world," though it would likely hurt morale.Ray Dalio's Bridgewater famously tried recording meetings in the past in an effort to boost transparency.In the era of Zoom calls and hybrid work, white-collar workers are used to being on camera. Whether their employer should analyze the footage is another question.

Thomas Laffont, cofounder of the hedge fund giant Coatue Management, made his case for the idea on TBPN this week: "I believe that meetings should be recorded."

Should meetings be recorded? Take our surveyRead the original article on Business Insider

Read more: https://www.businessinsider.com/coatue-management-thomas-laffont-recording-work-meetings-idea-2026-4

#finance #hedge-fund #meetings #recordings #strategy

"Years after #YounesDardashti’s death, his granddaughter #Galeet is still singing with him in #NewYork.

Using #archival #recordings of her grandfather’s voice, #GaleetDardashti created her #album #Monajat — meaning an intimate conversation with God — layering her vocals over decades-old tapes of him #singing #Selihot, religious poetry chanted nightly before the #Jewish New Year.

Across the country in #LosAngeles, #JacquelineRafii — senior #cantor of Valley Beth Shalom, one of the largest Conservative #synagogues in the U.S. — is also working to preserve her #Iranian grandfather’s traditional #Persian Jewish #music.

While in #cantorial school, Rafii rediscovered cassette tapes made of her grandfather leading a #Passover seder in #Tehran. When her family was forced to flee the country following the #IslamicRevolution in 1979, they brought that cassette tape with them."

https://forward.com/culture/816997/iran-persian-jewish-music/

"Years after #YounesDardashti’s death, his granddaughter #Galeet is still singing with him in #NewYork.

Using #archival #recordings of her grandfather’s voice, #GaleetDardashti created her #album #Monajat — meaning an intimate conversation with God — layering her vocals over decades-old tapes of him #singing #Selihot, religious poetry chanted nightly before the #Jewish New Year.

Across the country in #LosAngeles, #JacquelineRafii — senior #cantor of Valley Beth Shalom, one of the largest Conservative #synagogues in the U.S. — is also working to preserve her #Iranian grandfather’s traditional #Persian Jewish #music.

While in #cantorial school, Rafii rediscovered cassette tapes made of her grandfather leading a #Passover seder in #Tehran. When her family was forced to flee the country following the #IslamicRevolution in 1979, they brought that cassette tape with them."

https://forward.com/culture/816997/iran-persian-jewish-music/

"Years after #YounesDardashti’s death, his granddaughter #Galeet is still singing with him in #NewYork.

Using #archival #recordings of her grandfather’s voice, #GaleetDardashti created her #album #Monajat — meaning an intimate conversation with God — layering her vocals over decades-old tapes of him #singing #Selihot, religious poetry chanted nightly before the #Jewish New Year.

Across the country in #LosAngeles, #JacquelineRafii — senior #cantor of Valley Beth Shalom, one of the largest Conservative #synagogues in the U.S. — is also working to preserve her #Iranian grandfather’s traditional #Persian Jewish #music.

While in #cantorial school, Rafii rediscovered cassette tapes made of her grandfather leading a #Passover seder in #Tehran. When her family was forced to flee the country following the #IslamicRevolution in 1979, they brought that cassette tape with them."

https://forward.com/culture/816997/iran-persian-jewish-music/

"Years after #YounesDardashti’s death, his granddaughter #Galeet is still singing with him in #NewYork.

Using #archival #recordings of her grandfather’s voice, #GaleetDardashti created her #album #Monajat — meaning an intimate conversation with God — layering her vocals over decades-old tapes of him #singing #Selihot, religious poetry chanted nightly before the #Jewish New Year.

Across the country in #LosAngeles, #JacquelineRafii — senior #cantor of Valley Beth Shalom, one of the largest Conservative #synagogues in the U.S. — is also working to preserve her #Iranian grandfather’s traditional #Persian Jewish #music.

While in #cantorial school, Rafii rediscovered cassette tapes made of her grandfather leading a #Passover seder in #Tehran. When her family was forced to flee the country following the #IslamicRevolution in 1979, they brought that cassette tape with them."

https://forward.com/culture/816997/iran-persian-jewish-music/

"Years after #YounesDardashti’s death, his granddaughter #Galeet is still singing with him in #NewYork.

Using #archival #recordings of her grandfather’s voice, #GaleetDardashti created her #album #Monajat — meaning an intimate conversation with God — layering her vocals over decades-old tapes of him #singing #Selihot, religious poetry chanted nightly before the #Jewish New Year.

Across the country in #LosAngeles, #JacquelineRafii — senior #cantor of Valley Beth Shalom, one of the largest Conservative #synagogues in the U.S. — is also working to preserve her #Iranian grandfather’s traditional #Persian Jewish #music.

While in #cantorial school, Rafii rediscovered cassette tapes made of her grandfather leading a #Passover seder in #Tehran. When her family was forced to flee the country following the #IslamicRevolution in 1979, they brought that cassette tape with them."

https://forward.com/culture/816997/iran-persian-jewish-music/

This is one of the songs she talked about in the interview from the "Nature Child ~ A Dreamer's Journey" album that was finally released in 2022 after 3+ decades. The recording process began in 2020. There were about 5 storybook videos released, but this video is my favorite.

#singersongwriter #radio #hitmaker #records #legendary #vocalist #classic #albums #knockinaround #songs #nobody #countrymusic #inpirationalmusic #recordings #avalon #lifecoaching #musicislife

https://www.youtube.com/watch?v=jLKZmOsI0rA

This is one of the songs she talked about in the interview from the "Nature Child ~ A Dreamer's Journey" album that was finally released in 2022 after 3+ decades. The recording process began in 2020. There were about 5 storybook videos released, but this video is my favorite.

#singersongwriter #radio #hitmaker #records #legendary #vocalist #classic #albums #knockinaround #songs #nobody #countrymusic #inpirationalmusic #recordings #avalon #lifecoaching #musicislife

https://www.youtube.com/watch?v=jLKZmOsI0rA

This is one of the songs she talked about in the interview from the "Nature Child ~ A Dreamer's Journey" album that was finally released in 2022 after 3+ decades. The recording process began in 2020. There were about 5 storybook videos released, but this video is my favorite.

#singersongwriter #radio #hitmaker #records #legendary #vocalist #classic #albums #knockinaround #songs #nobody #countrymusic #inpirationalmusic #recordings #avalon #lifecoaching #musicislife

https://www.youtube.com/watch?v=jLKZmOsI0rA

42 years ago today, March 17, 1984, Reba McEntire debuted at #66 on Billboard’s Hot Country Singles chart with “Just a Little Love”. It went on to peak at #5 and spent a total of 19 weeks on the chart.

After a good amount of success on Mercury Records, this was her first single on MCA Records, the beginning of hit-after-hit for her throughout several years.

#rebamcentire #justalittlelove #vinylcommunity #music #1980s #vinyl #countrymusic #vinylcollection #songs #recordings #musicislife

42 years ago today, March 17, 1984, Reba McEntire debuted at #66 on Billboard’s Hot Country Singles chart with “Just a Little Love”. It went on to peak at #5 and spent a total of 19 weeks on the chart.

After a good amount of success on Mercury Records, this was her first single on MCA Records, the beginning of hit-after-hit for her throughout several years.

#rebamcentire #justalittlelove #vinylcommunity #music #1980s #vinyl #countrymusic #vinylcollection #songs #recordings #musicislife

Other than whyp.it and clyp.it, does anyone know of an accessible site where I can create a profile and upload mp3s with titles, descriptions, and tags? I am not referring to music. These recordings are things such as product reviews and demonstrations, personal opinions on various non-political things, demonstrations of how to do things blind, and general discussion. I am not interested in artwork or complicated layouts, nor in extreme sensorship (obviously barring illegal things). If you've seen Whyp and Clyp, then you know what I am seeking. Basically, it's an audio version of Youtube. For some reason, the Pricing page on Whyp won't let me select monthly, only yearly or lifetime, even if I click the monthly button. I also couldn't even get to that page from their site but had to use a search engine. AStill, the man who runs it is very responsive and kind. Maybe, I'll try sending him an e-mail.

#accessibility #audio #blind #Clyp #mp3s #recordings #reviews #Whyp

Other than whyp.it and clyp.it, does anyone know of an accessible site where I can create a profile and upload mp3s with titles, descriptions, and tags? I am not referring to music. These recordings are things such as product reviews and demonstrations, personal opinions on various non-political things, demonstrations of how to do things blind, and general discussion. I am not interested in artwork or complicated layouts, nor in extreme sensorship (obviously barring illegal things). If you've seen Whyp and Clyp, then you know what I am seeking. Basically, it's an audio version of Youtube. For some reason, the Pricing page on Whyp won't let me select monthly, only yearly or lifetime, even if I click the monthly button. I also couldn't even get to that page from their site but had to use a search engine. AStill, the man who runs it is very responsive and kind. Maybe, I'll try sending him an e-mail.

#accessibility #audio #blind #Clyp #mp3s #recordings #reviews #Whyp

Other than whyp.it and clyp.it, does anyone know of an accessible site where I can create a profile and upload mp3s with titles, descriptions, and tags? I am not referring to music. These recordings are things such as product reviews and demonstrations, personal opinions on various non-political things, demonstrations of how to do things blind, and general discussion. I am not interested in artwork or complicated layouts, nor in extreme sensorship (obviously barring illegal things). If you've seen Whyp and Clyp, then you know what I am seeking. Basically, it's an audio version of Youtube. For some reason, the Pricing page on Whyp won't let me select monthly, only yearly or lifetime, even if I click the monthly button. I also couldn't even get to that page from their site but had to use a search engine. AStill, the man who runs it is very responsive and kind. Maybe, I'll try sending him an e-mail.

#accessibility #audio #blind #Clyp #mp3s #recordings #reviews #Whyp

Other than whyp.it and clyp.it, does anyone know of an accessible site where I can create a profile and upload mp3s with titles, descriptions, and tags? I am not referring to music. These recordings are things such as product reviews and demonstrations, personal opinions on various non-political things, demonstrations of how to do things blind, and general discussion. I am not interested in artwork or complicated layouts, nor in extreme sensorship (obviously barring illegal things). If you've seen Whyp and Clyp, then you know what I am seeking. Basically, it's an audio version of Youtube. For some reason, the Pricing page on Whyp won't let me select monthly, only yearly or lifetime, even if I click the monthly button. I also couldn't even get to that page from their site but had to use a search engine. AStill, the man who runs it is very responsive and kind. Maybe, I'll try sending him an e-mail.

#accessibility #audio #blind #Clyp #mp3s #recordings #reviews #Whyp

"Pacific Echoes"

A new regional project is working to protect thousands of rare #recordings that capture #PacificLife, culture and history before they are lost forever.

The project, called Pacific Echoes, includes #audio and #films dating back nearly 80 years. Many of the recordings are stored on ageing formats such as eight-millimetre film, 16-mm reels, VHS tapes, and MiniDV, which are slowly breaking down.

#CulturalHeritage, #PacificIslands

https://pmn.co.nz/read/pacific-region/voices-of-the-pacific-preserving-stories-for-generations-to-come

"Pacific Echoes"

A new regional project is working to protect thousands of rare #recordings that capture #PacificLife, culture and history before they are lost forever.

The project, called Pacific Echoes, includes #audio and #films dating back nearly 80 years. Many of the recordings are stored on ageing formats such as eight-millimetre film, 16-mm reels, VHS tapes, and MiniDV, which are slowly breaking down.

#CulturalHeritage, #PacificIslands

https://pmn.co.nz/read/pacific-region/voices-of-the-pacific-preserving-stories-for-generations-to-come

"Pacific Echoes"

A new regional project is working to protect thousands of rare #recordings that capture #PacificLife, culture and history before they are lost forever.

The project, called Pacific Echoes, includes #audio and #films dating back nearly 80 years. Many of the recordings are stored on ageing formats such as eight-millimetre film, 16-mm reels, VHS tapes, and MiniDV, which are slowly breaking down.

#CulturalHeritage, #PacificIslands

https://pmn.co.nz/read/pacific-region/voices-of-the-pacific-preserving-stories-for-generations-to-come

"Pacific Echoes"

A new regional project is working to protect thousands of rare #recordings that capture #PacificLife, culture and history before they are lost forever.

The project, called Pacific Echoes, includes #audio and #films dating back nearly 80 years. Many of the recordings are stored on ageing formats such as eight-millimetre film, 16-mm reels, VHS tapes, and MiniDV, which are slowly breaking down.

#CulturalHeritage, #PacificIslands

https://pmn.co.nz/read/pacific-region/voices-of-the-pacific-preserving-stories-for-generations-to-come

"Pacific Echoes"

A new regional project is working to protect thousands of rare #recordings that capture #PacificLife, culture and history before they are lost forever.

The project, called Pacific Echoes, includes #audio and #films dating back nearly 80 years. Many of the recordings are stored on ageing formats such as eight-millimetre film, 16-mm reels, VHS tapes, and MiniDV, which are slowly breaking down.

#CulturalHeritage, #PacificIslands

https://pmn.co.nz/read/pacific-region/voices-of-the-pacific-preserving-stories-for-generations-to-come

What a delight it is to go back through our old cassette tape collection and discover the music that we used to listen to when we were young. Heck, even before we met each other, @jodi. Quite a time machine!

I am digitizing as I go. This journey is brought to you by nostalgia and Audacity.

#music #recordings #nostalgia

#Hanna says that the #recordings reveal that #Nixon was “not a true believer” in the #drugwar, despite being among its chief architects.

Warum startete Nixon den #warondrugs und warum wurde parallel die Golddeckung für die US-Währung aufgehoben❓ Wer kennt die Hintergründe und kann es mir in einfachen Worten erklären? 😀

https://norml.org/blog/2024/09/16/newly-uncovered-nixon-audio-marijuana-isnt-particularly-dangerous-penalties-should-be-reevaluated/

#Cannabis #Geldwäsche #FinCENFiles #Faschismus #OrganisierteKriminalität #Parallelsysteme #Steueroasen #SystemProhibition #Drogenkrieg #CSU #CDU #SPD

#Hanna says that the #recordings reveal that #Nixon was “not a true believer” in the #drugwar, despite being among its chief architects.

Warum startete Nixon den #warondrugs und warum wurde parallel die Golddeckung für die US-Währung aufgehoben❓ Wer kennt die Hintergründe und kann es mir in einfachen Worten erklären? 😀

https://norml.org/blog/2024/09/16/newly-uncovered-nixon-audio-marijuana-isnt-particularly-dangerous-penalties-should-be-reevaluated/

#Cannabis #Geldwäsche #FinCENFiles #Faschismus #OrganisierteKriminalität #Parallelsysteme #Steueroasen #SystemProhibition #Drogenkrieg #CSU #CDU #SPD

#Hanna says that the #recordings reveal that #Nixon was “not a true believer” in the #drugwar, despite being among its chief architects.

Warum startete Nixon den #warondrugs und warum wurde parallel die Golddeckung für die US-Währung aufgehoben❓ Wer kennt die Hintergründe und kann es mir in einfachen Worten erklären? 😀

https://norml.org/blog/2024/09/16/newly-uncovered-nixon-audio-marijuana-isnt-particularly-dangerous-penalties-should-be-reevaluated/

#Cannabis #Geldwäsche #FinCENFiles #Faschismus #OrganisierteKriminalität #Parallelsysteme #Steueroasen #SystemProhibition #Drogenkrieg #CSU #CDU #SPD

#Hanna says that the #recordings reveal that #Nixon was “not a true believer” in the #drugwar, despite being among its chief architects.

Warum startete Nixon den #warondrugs und warum wurde parallel die Golddeckung für die US-Währung aufgehoben❓ Wer kennt die Hintergründe und kann es mir in einfachen Worten erklären? 😀

https://norml.org/blog/2024/09/16/newly-uncovered-nixon-audio-marijuana-isnt-particularly-dangerous-penalties-should-be-reevaluated/

#Cannabis #Geldwäsche #FinCENFiles #Faschismus #OrganisierteKriminalität #Parallelsysteme #Steueroasen #SystemProhibition #Drogenkrieg #CSU #CDU #SPD

#Hanna says that the #recordings reveal that #Nixon was “not a true believer” in the #drugwar, despite being among its chief architects.

Warum startete Nixon den #warondrugs und warum wurde parallel die Golddeckung für die US-Währung aufgehoben❓ Wer kennt die Hintergründe und kann es mir in einfachen Worten erklären? 😀

https://norml.org/blog/2024/09/16/newly-uncovered-nixon-audio-marijuana-isnt-particularly-dangerous-penalties-should-be-reevaluated/

#Cannabis #Geldwäsche #FinCENFiles #Faschismus #OrganisierteKriminalität #Parallelsysteme #Steueroasen #SystemProhibition #Drogenkrieg #CSU #CDU #SPD

Hype for the Future 110L: The Photography Policy of novaTopFlex

https://novatopflex.wordpress.com/2026/02/18/hype-for-the-future-110l-the-photography-policy-of-novatopflex/

Wenn dir der Faden verloren geht...
....hilft der "Pilot" ! Wohl dem , der einen hat . Meiner heißt ( wie so oft in den letzten Jahren) : @eikefreese_official
#friedemann #recordings #liedermacher #singersongwriter #chameleonstudio