#piratemetal — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #piratemetal, aggregated by home.social.
-
🎶 Alestorm - The Storm (from the album "The Thunderfist Chronicles") 🎶.
Why is this song so good? IDK what it is but I've listened to it multiple times today... (also the lyrics could totally be form some supervillain theme song).
-
Been completely obsessed with pirate symphonic metal the past week.
-
Pirate metal goes cyberpunk today, with this Melodicka Bros cover of Alestorm. It's Fridaaaaaaay!
-
Clémentine Delauney of Visions Of Atlantis. 🏷️ #BlueTue #ColorADay #Concert #CyanTue #EastCoastKin #Metal #Music #Photography #PirateMetal #Pirates #RockyMtnKin #Singer #WestCoastKin
-
https://www.europesays.com/uk/445857/ Terra Atlantica – Oceans Review #1.5 #2025 #Entertainment #fellowship #FolkMetal #GermanMetal #Mozart #music #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce #UK #UnitedKingdom
-
Terra Atlantica – Oceans Review
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1.5 #2025 #Entertainment #fellowship #FolkMetal #GermanMetal #Mozart #oceans #PirateMetal #PowerMetal #review #reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
https://www.newsbeep.com/us/176284/ -
Terra Atlantica – Oceans Review
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1.5 #2025 #Entertainment #fellowship #FolkMetal #GermanMetal #Mozart #oceans #PirateMetal #PowerMetal #review #reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
https://www.newsbeep.com/us/176284/ -
Terra Atlantica – Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicated—and perhaps even farther away from the best—piece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlantica’s unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I don’t hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceans’ greatest downfall. Numbers that could’ve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are “Hoist the Sail,” ruined almost immediately once Terra Atlantica cribs the legendary “The Rake Hornpipe” for an overlong bridge and solo; and overblown closer “Oceans of Eternity,” which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, there’s still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (“Back to the Sea,” “Where My Brothers Await,” “Land of Submarines”).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpiece’s compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. “Raven in the Dark,” for example, might be the album’s strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. “Caribbean Shores,” too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in “Turn of the Tide.” If these novelties and convincing attributes were integrated more successfully into a greater portion of Ocean’s runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceans’ relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know what’s good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025Show 1 footnote
- We all know each of these melodies well, and I am almost completely sure they’re Mozart, but I cannot for the life of me find the name of the composition they’re from. ↩
#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
-
Terra Atlantica – Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicated—and perhaps even farther away from the best—piece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlantica’s unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I don’t hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceans’ greatest downfall. Numbers that could’ve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are “Hoist the Sail,” ruined almost immediately once Terra Atlantica cribs the legendary “The Rake Hornpipe” for an overlong bridge and solo; and overblown closer “Oceans of Eternity,” which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, there’s still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (“Back to the Sea,” “Where My Brothers Await,” “Land of Submarines”).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpiece’s compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. “Raven in the Dark,” for example, might be the album’s strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. “Caribbean Shores,” too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in “Turn of the Tide.” If these novelties and convincing attributes were integrated more successfully into a greater portion of Ocean’s runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceans’ relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know what’s good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
-
Terra Atlantica – Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicated—and perhaps even farther away from the best—piece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlantica’s unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I don’t hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceans’ greatest downfall. Numbers that could’ve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are “Hoist the Sail,” ruined almost immediately once Terra Atlantica cribs the legendary “The Rake Hornpipe” for an overlong bridge and solo; and overblown closer “Oceans of Eternity,” which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, there’s still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (“Back to the Sea,” “Where My Brothers Await,” “Land of Submarines”).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpiece’s compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. “Raven in the Dark,” for example, might be the album’s strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. “Caribbean Shores,” too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in “Turn of the Tide.” If these novelties and convincing attributes were integrated more successfully into a greater portion of Ocean’s runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceans’ relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know what’s good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
-
Terra Atlantica – Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicated—and perhaps even farther away from the best—piece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlantica’s unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I don’t hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceans’ greatest downfall. Numbers that could’ve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are “Hoist the Sail,” ruined almost immediately once Terra Atlantica cribs the legendary “The Rake Hornpipe” for an overlong bridge and solo; and overblown closer “Oceans of Eternity,” which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, there’s still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (“Back to the Sea,” “Where My Brothers Await,” “Land of Submarines”).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpiece’s compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. “Raven in the Dark,” for example, might be the album’s strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. “Caribbean Shores,” too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in “Turn of the Tide.” If these novelties and convincing attributes were integrated more successfully into a greater portion of Ocean’s runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceans’ relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know what’s good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
-
Terra Atlantica – Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicated—and perhaps even farther away from the best—piece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlantica’s unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I don’t hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceans’ greatest downfall. Numbers that could’ve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are “Hoist the Sail,” ruined almost immediately once Terra Atlantica cribs the legendary “The Rake Hornpipe” for an overlong bridge and solo; and overblown closer “Oceans of Eternity,” which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, there’s still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (“Back to the Sea,” “Where My Brothers Await,” “Land of Submarines”).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpiece’s compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. “Raven in the Dark,” for example, might be the album’s strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. “Caribbean Shores,” too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in “Turn of the Tide.” If these novelties and convincing attributes were integrated more successfully into a greater portion of Ocean’s runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceans’ relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know what’s good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025Show 1 footnote
- We all know each of these melodies well, and I am almost completely sure they’re Mozart, but I cannot for the life of me find the name of the composition they’re from. ↩
#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
-
Today be #TalkLikeAPirateDay so AHRRR, post yer best pirate metal covers, for #FridayMetalCovers
-
Well, this is going to be stuck in my head for the next week, at least. 🏷️ #Alestorm #CaptainMorgansJoggingClub #Earworm #Fitness #Jogging #MetalBands #Music #PirateMetal #Pirates
ALESTORM - The Captain Morgan ... -
New Alestorm album just dropped! 🤘 "Mountains of the Deep" really speaks to me… 🤪 Spoiler: it's about boobies. 😆 🏷️ #Metal #Music #NewMusic #PirateMetal
'The Thunderfist Chronicles' C... -
uhh neuer song von Alestorm 😍
ALESTORM - Killed to Death by Piracy
https://www.youtube.com/watch?v=VzFaEuA9FVI -
CW: Wspomnienie spożycia alkoholu w tekście piosenki (głupiej)
Dzisiejsza #PolecajkaMuzyczna trochę inna niż zwykle:
Storm Seeker — Row Row Row
Jeżeli jakimś cudem nie znacie tego zespołu, to grają folkowy, piracki metal (taki z Hurdy Gurdy i #Nyckelharpą!). A to taka śmiesznawa piosenka, która chwyta za ucho. Początek tekstu chyba najlepiej podsumowuje tematykę:
"""
Kto chce pływać, pływać, pływać po siedmiu morzach,
Ten zginie pożarty przez rekiny.
Więc ja pływam, pływam, pływam tylko na Karaibach,
Gdzie rekiny rozbijają się pijane po barach.
"""A w tym wszystkim kryje się filozoficzna perełka, czyli słowa:
"""
Jedno życie, a niezliczone cele.
""" -
CW: A (silly) mention of drinking in song lyrics
Today's #MusicRecommendation is going to be slightly different:
Storm Seeker — Row Row Row
Well, in case you don't know the band, they're playing a kind of folky #PirateMetal (with a Hurdy Gurdy and a #Nyckelharpa!). And this is a kind of funny song and a bit of an earworm. Just to give you a sample of the lyrics:
"""
Who wants to swim, swim, swim in the open seven seas
Will be killed and devoured by sharks.
So my swim, swim, swimming zone is only Caribbean
Where the sharks are hanging drunk in bars.
"""And yet, there's a philosophical pearl hidden in the middle of it. The words:
"""
One life and countless goals.
""" -
Today I learned there is a pirate metal band made up of all women. Here is Pirate Queen for #MusicWomenWednesday
-
This is going to be soooooo awesome! I am totally going to show up to their shows in my full pirate costume! 🤘
-
Pirate music be ok for any time a year, says I. Here be Skar's cover of "He's a Pirate" for #FridayMetalCovers
-
♬️ Just announced: Fri Apr 18, 6pm: VISIONS OF ATLANTIS
https://www.dnalounge.com/calendar/2025/04-18.html
#dnalounge #visionsofatlantis #symphonicmetal #piratemetal #metal #livemusic #concert #sanfrancisco -
Alestorm did a #PirateMetal cover of the classic song “Henry Martin”, for #TalkLikeAPirateDay
https://song.link/us/i/1502477751
A shame it doesn’t fall on a Friday, because I could use it for a Friday metal cover
-
#Music #PirateMetal #MultiGenre Alestorm - Leviathan
This 6-minute song packs in about 4 specific metal subgenres. I'm awestruck tbh
-
#Music #PirateMetal Alestorm - Captain Morgan's Revenge
this Invidious instance appears to be having issues where it starts a video, then restarts it after a few seconds...but it's better than fucking Google and fucking YouTube ads and fucking advertisers, who all need to die in a fucking fire, but anyway here you go:
-
#TheMetalDogArticleList
#BLABBERMOUTH
CLÉMENTINE DELAUNEY Talks How 'Pirate Metal' Has Changed Course Of VISIONS OF ATLANTIS's Career#PirateMetal #VisionsOfAtlantis #ClémentineDelauney #RunningWild #ALESTORM #SWASHBUCKLE
-
#TheMetalDogArticleList
#Loudwire
The Five Best Albums to Introduce You to Pirate Metal, Chosen by Visions of Atlantis
Set sail and conquer!https://loudwire.com/albums-introduction-pirate-metal-visions-of-atlantis/
#PirateMetal #VisionsOfAtlantis #RunningWild #YeBanishedPrivateers #Swashbuckle #TheDreadCrewOfOddwood #MicheleGuaitoli #PirateQueen
-
#TheMetalDogArticleList
#BraveWords
All Female Pirate Metal Band PIRATE QUEEN Release New Single “Ghosts”
The title song, Ghosts, is the second single from the Pirate Queen debut album. It is a dramatic and eerie conceptual song with a story about a séance where five ladies unleash demon pirate ghosts. The mysterious vocals, powerful riffs, and guitar melodies will show you a new side of...https://bravewords.com/news/all-female-pirate-metal-band-pirate-queen-release-new-single-ghosts
-
#TheMetalDogArticleList
#BraveWords
All Female Pirate Metal Band PIRATE QUEEN Launch Debut Single / Video "Pirates From The Sea"
Pirate Queen is the first all-female pirate metal band from the Bermuda Triangle. To commemorate the International Day for the Elimination of Violence Against Women, Pirate Queen’s debut single and video, "Pirates From The Sea"... -
Bei so viel Hitze brauchts ein wenig #PirateMetal für die gute Laune 😃 🤘
