#ericdolphy — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ericdolphy, aggregated by home.social.
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Jazz Journal vol 67 n°12 (UK) - Eric Dolphy - December 2014
#jazz #EricDolphy -
Jazz Journal vol 67 n°12 (UK) - Eric Dolphy - December 2014
#jazz #EricDolphy -
Jazz Hot #163 (France) - mars 1961 - Eric Dolphy
#jazz #EricDolphy -
Jazz Hot #163 (France) - mars 1961 - Eric Dolphy
#jazz #EricDolphy -
From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming) -
From Eric Dolphy's 1961 album, "Out There," here's "17 West." He has such an energetic, fluid voice on the flute.
#BlackHistoryMonth
#BlackMusic
#20thCenturyMusic
#EricDolphy (flute)
#RonCarter (cello!)
#GeorgeDuvivier (bass)
#RoyHaynes (drumming) -
John Coltrane and Eric Dolphy
#JohnColtrane #EricDolphy -
c'est enfin le week-end !
En route pour la joie !Eric Dolphy - Eclipse
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Shop open ce dimanche jusqu'à 18h dans le cadre de la release party Nelly Mousset Chiendent +Collectif Zone d'Appui Provisoire organisée par Nage Libre. Cheers. #ericdolphy #completeuppsalaconcertvol1 #vinyl #transatrecordshop #confortmoderne #poitiers @nagelibre.poitiers
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Shop open ce dimanche jusqu'à 18h dans le cadre de la release party Nelly Mousset Chiendent +Collectif Zone d'Appui Provisoire organisée par Nage Libre. Cheers. #ericdolphy #completeuppsalaconcertvol1 #vinyl #transatrecordshop #confortmoderne #poitiers @nagelibre.poitiers
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Oliver Nelson - The Blues and the Abstract Truth
This post-bop classic from 1961 has a pretty incredible lineup of collaborators, including Bill Evans (piano), Roy Haynes (drums), Eric Dolphy (alto, flute), Oliver Nelson (tenor & alto sax), Paul Chambers (bass), and Freddie Hubbard (trumpet). George Barrow (baritone sax) is not on the cover, because he doesn't solo, but everyone else does...and well.
#nowplaying #vinyl #postbop #jazz #OliverNelson #BillEvans #FreddieHubbard #EricDolphy
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Oliver Nelson - The Blues and the Abstract Truth
This post-bop classic from 1961 has a pretty incredible lineup of collaborators, including Bill Evans (piano), Roy Haynes (drums), Eric Dolphy (alto, flute), Oliver Nelson (tenor & alto sax), Paul Chambers (bass), and Freddie Hubbard (trumpet). George Barrow (baritone sax) is not on the cover, because he doesn't solo, but everyone else does...and well.
#nowplaying #vinyl #postbop #jazz #OliverNelson #BillEvans #FreddieHubbard #EricDolphy
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Jazztodon artist of the week: Eric Dolphy!
From our friends at @aaj :
Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists; he is arguably the greatest jazz improviser on either instrument. On early recordings, he occasionally played B-flat soprano clarinet. His style was characterized by a near volcanic flow of ideas, utilizing wide intervals based largely on the 12-tone scale, in addition to using an array of animal-like effects which almost made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was definitively avant-garde. In the years after his death his music was more aptly described as being "too out to be in and too in to be out.” -
Jazztodon artist of the week: Eric Dolphy!
From our friends at @aaj :
Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists; he is arguably the greatest jazz improviser on either instrument. On early recordings, he occasionally played B-flat soprano clarinet. His style was characterized by a near volcanic flow of ideas, utilizing wide intervals based largely on the 12-tone scale, in addition to using an array of animal-like effects which almost made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was definitively avant-garde. In the years after his death his music was more aptly described as being "too out to be in and too in to be out.” -
I added this nice album to my collection last week. Dolphy & McIntyre both on also sax and flute, plus Walter Bishop Jr., Sam Jones and Arthur Taylor.
Ken McIntyre With Eric Dolphy - Looking Ahead
(1977 – Japan, Reissue, Prestige – SMJ-6566)
#nowplaying #nowspinning #jazz #vinylrecords #vinylcommunity #ericdolphy #kenmcintyre #walterbishopjr #samjones #arthurtaylor
