#egregore — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #egregore, aggregated by home.social.
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https://www.europesays.com/ch-fr/211968/ Mylène Farmer intrigue avec une mystérieuse affiche de cinéma #Cinéma #Divertissement #Égrégore #Entertainment #Film #FrançoisHanss #JeanBaptisteMondino #Music #Musique #MylèneFarmer #Nevermore #NouvelAlbum #PathéLive #PopFrançaise #Suisse
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https://www.europesays.com/be-fr/169678/ Mylène Farmer intrigue avec une mystérieuse affiche de cinéma #BE #BEFr #Belgique #Belgium #Cinéma #Divertissement #Égrégore #Entertainment #Film #FrançoisHanss #JeanBaptisteMondino #Music #Musique #MylèneFarmer #Nevermore #NouvelAlbum #PathéLive #PopFrançaise
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
#anthropology #cruelty #egregore #evil #history #humanity #ignorance #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
#anthropology #cruelty #egregore #evil #history #humanity #ignorance #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
#anthropology #cruelty #egregore #evil #history #humanity #ignorance #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
#anthropology #cruelty #egregore #evil #history #humanity #ignorance #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
#anthropology #cruelty #egregore #evil #history #humanity #ignorance #psychology #socialjustice #society #sociology
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🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Egregore:
🎵 Voice on the West Wind#Egregore
#newRelease 🆕 albumhttps://listen.20buckspin.com/track/voice-on-the-west-wind
https://open.spotify.com/track/5kqVKWyFLRMK92SiQBBgam
🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Egregore:
🎵 Voice on the West Wind#Egregore
#newRelease 🆕 albumhttps://listen.20buckspin.com/track/voice-on-the-west-wind
https://open.spotify.com/track/5kqVKWyFLRMK92SiQBBgam
🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Egregore:
🎵 Voice on the West Wind#Egregore
#newRelease 🆕 albumhttps://listen.20buckspin.com/track/voice-on-the-west-wind
https://open.spotify.com/track/5kqVKWyFLRMK92SiQBBgam
🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Egregore:
🎵 Voice on the West Wind#Egregore
#newRelease 🆕 albumhttps://listen.20buckspin.com/track/voice-on-the-west-wind
https://open.spotify.com/track/5kqVKWyFLRMK92SiQBBgam
🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Egregore:
🎵 Voice on the West Wind#Egregore
#newRelease 🆕 albumhttps://listen.20buckspin.com/track/voice-on-the-west-wind
https://open.spotify.com/track/5kqVKWyFLRMK92SiQBBgam
🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
EGREGORE (Canadà) presenta nou àlbum: "It Echoes in the Wild" #Egregore #BlackMetal #DeathMetal #Març2026 #Canadà #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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EGREGORE (Canadà) presenta nou àlbum: "It Echoes in the Wild" #Egregore #BlackMetal #DeathMetal #Març2026 #Canadà #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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Excellente session d'Egregore, la journée sera dure, mais on a bien avancé dans l'intrigue.
Mes trois 20 naturels y sont probablement un peu pour quelque chose. On joue cette campagne en Chroniques Oubliées Contemporain de chez BBE.
Serait-ce la chance du dé-butant ? 😁
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Excellente session d'Egregore, la journée sera dure, mais on a bien avancé dans l'intrigue.
Mes trois 20 naturels y sont probablement un peu pour quelque chose. On joue cette campagne en Chroniques Oubliées Contemporain de chez BBE.
Serait-ce la chance du dé-butant ? 😁
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Excellente session d'Egregore, la journée sera dure, mais on a bien avancé dans l'intrigue.
Mes trois 20 naturels y sont probablement un peu pour quelque chose. On joue cette campagne en Chroniques Oubliées Contemporain de chez BBE.
Serait-ce la chance du dé-butant ? 😁
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There's no disambiguity of any kind here when it comes to genre - goes straight to @lpl's #SaturDoom:
#Dispossessed: Dêmocide
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There's no disambiguity of any kind here when it comes to genre - goes straight to @lpl's #SaturDoom:
#Dispossessed: Dêmocide
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There's no disambiguity of any kind here when it comes to genre - goes straight to @lpl's #SaturDoom:
#Dispossessed: Dêmocide
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There's no disambiguity of any kind here when it comes to genre - goes straight to @lpl's #SaturDoom:
#Dispossessed: Dêmocide
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
🏷 T a g s #anthropology #cowardice #cruelty #egregore #evil #history #humanity #ignorance #mobness #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
🏷 T a g s #anthropology #cowardice #cruelty #egregore #evil #history #humanity #ignorance #mobness #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
🏷 T a g s #anthropology #cowardice #cruelty #egregore #evil #history #humanity #ignorance #mobness #psychology #socialjustice #society #sociology
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👹 "My study of history has led me to believe that there is a kind of dark matter inside the human race.
"It’s some combination of evil, cruelty, ignorance, cowardice, mob-ness. It is a kind of dark oppositional energy that goes from issue to issue, era to era."
You Must Avoid Getting Corrupted By This https://ryanholiday.net/you-must-avoid-getting-corrupted-by-this/?ref=refind
🏷 T a g s #anthropology #cowardice #cruelty #egregore #evil #history #humanity #ignorance #mobness #psychology #socialjustice #society #sociology
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Egregores, Thought Forms, and Collective Consciousness #Egregore #ThoughtForms #energyfield
Full article here:
https://spiritualseek.com/blog/egregores-and-thought-forms-how-emotions-and-thoughts-shape-reality/Mini Test - ARE YOU A VICTIM OF GROUPTHINK?
https://spiritualseek.com/mini-test-are-you-a-victim-of-groupthink/ -
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My egregore can beat up your egregore
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My egregore can beat up your egregore
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My egregore can beat up your egregore
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My egregore can beat up your egregore
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My egregore can beat up your egregore
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Most Online Chaos Magick Is Naming Mnemonic Variables
No matter how intricate your sigil is, it’s still just a semiotic identifier—a signifier. You could call it x, and it would carry the same ontological weight. Sigils point to concepts, entities, or they act as a signature. At the end of the day, you’ve just created a decorative label. Sigils are glyphs, not alphabets or languages like Theban, Celestial, Enochian, or the Alphabet of Daggers.
Sigils made using Austin Spare’s method aren’t languages—they’re stylized abstractions. You’re not writing a sentence in some hidden tongue; you’re making a visual variable. A graphic tag with no linguistic scaffolding. There’s nothing to “read” in it—no syntax, no grammar, no pronunciation. Just an intentional scribble pointing toward a thought.
Compare that to Theban, Celestial, Enochian, or the Alphabet of Daggers. Those are actual alphabets. Magical languages. They follow consistent letter-for-letter substitutions. They can obscure meaning—because there’s real meaning to obscure. You can encode texts, chants, names. They operate like ciphers, because that’s exactly what they are.
Spare-style sigils don’t encrypt—they erase. When you compress a phrase into a symbol, you’re not hiding language, you’re letting it go. You’re collapsing intention into a single mark that doesn’t depend on literacy, just mental association.
Magical languages at least do something. They obscure. They encode. Run a sentence through Theban or Celestial, and you get something arcane-looking and unreadable—because it is, unless you know the key. That’s the point: symbolic misdirection. Encryption with intent.
Sigils, especially the Spare-style ones, don’t do that. You’re not concealing a message; you’re flattening it into a shape. It’s not code—it’s a label. A name tag. You take a phrase, compress it into a glyph, and suddenly it’s a “magickal symbol.” But it’s really just a symbolic pointer—a variable, like in programming. And just like with variables, the more convoluted the name, the more annoying it is to use. If your sigil looks like a spiky eldritch mandala, congrats: you’ve made a beautiful, unreadable label.
Honestly, watching people crank these out like they’re reinventing the arcane wheel—when they’re just decorating the same psychological placeholder—it’s almost a relief. The more time someone spends designing a stylized faux ceremonial symbol symbol for “money now please,” the less likely they are to be doing anything dangerously effective. A lot of what gets called “chaos magick” online is really just overdesigned variable naming by people who think the aesthetic is the spell.
Sure, sigils, metaphors, and myths all operate symbolically—but they don’t hit the same. A sigil is a symbol boiled down to a label. A shortcut. It points to something. A mythology doesn’t just point—it breathes. It moves through story, layers, archetypes. That’s why mythic metaphors and ritual drama land harder: they’re not just signs, they’re immersive systems of meaning.
A myth doesn’t just say “this is like that.” It binds symbols into patterns. It creates tension, resonance, transformation. Allegory can carry cosmology. Sigils don’t do that. They’re more like programming variables—arbitrary labels you assign meaning to. Useful? Sure. But flat. A box with a name. Writing “dragon” on the lid doesn’t conjure the force of a real dragon narrative.
That’s why stories, dreams, and rituals move people—and sigils usually don’t, unless you’ve already decided they will. Metaphor speaks to the deep mind. It speaks with symbols, not just about them. Sigils? They’re like filing tabs. Metaphors are the stories inside the folders.
So yeah—they’re both symbols. But one is a placeholder. The other is a living structure.
Exactly—whether you sketch a swirling, ornate sigil or just scrawl an x, you’re still tagging the same conceptual box. The content doesn’t change just because the outside is fancier. That’s the point: the sigil isn’t the thing. It’s the pointer. It’s the tag that says, “this is where I stored that intention,” or “this represents that entity.” It doesn’t gain power because it looks more esoteric.
People get caught up in the design and forget the purpose. A sigil doesn’t summon anything by itself—it’s a reference. It’s not the payload. You’re not conjuring a spirit with the shape; you’re doing it with the meaning you’ve assigned. The symbol just helps you focus—like putting a label on a folder.
This is why making the sigil “look magickal” is mostly cosmetic. Dress up the label all you want—it still opens the same box. The real work isn’t in the glyph; it’s in what the glyph means and how your mind interacts with that meaning. So yes, swap the sigil for an x—the box still holds the demon. All you’ve changed is the font.
Fediverse Reactions
#Archetypes #ceremonialMagic #ceremonialMagick #chaosMagick #Crowley #demons #Discordians #egregore #egregores #exemplification #fascist #grimoire #grimoires #HermeticOrderOfTheGoldenDawn #hermeticism #hyperSigils #invocation #JungianArchetypes #magicalLanguages #magick #mythologies #mythology #myths #occult #occultism #occulture #Ontology #ostension #pagan #paganism #paranormal #paranormalCommunities #postmodernism #poststructuralism #Semiotics #sigil #sigilMagic #sigilMagick #sigils #sorcery #urbanMyth
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Ruinous Power – EXTREME DANGER: Prototype Weaponry Review
By Kenstrosity
As I get older, I grow ever more tired of labels. Yes, it’s helpful to have a baseline frame of reference for what something is, but lately, I find myself abandoning these kinds of single-use terms in favor of something more substantial and descriptive. So, when Canada’s Ruinous Power entered my review rotation, I allowed myself more room than ever before to interpret what they craft outside of the multitudinous boxes in which they could fit. A newer outfit comprised by members of Egregore and Mitochondrion (among many other bands) in 2021, Ruinous Power incubated their debut record EXTREME DANGER: Prototype Weaponry until its inevitable escape from the confines of twisted minds into meatspace, where it corrupts all who would encounter it.
Based on the lore and aesthetics of the Warhammer 40k franchise, Prototype Weaponry takes what on the surface sounds like blackened death metal, endows it with a raucous thrall of thrash, and imbues within it an eerie, synth-woven atmosphere. Comparisons to both Mitochondrion and Egregore are apt, placing Ruinous Power comfortably inside that family tree of skronked-up up blackened death pedigree. However, that extra dose of mutated thrash allows a twist of The Outer Limits Voivod to pulse beneath the skin, while Ulthar‘s unearthly, necrotic limb hovers just over Ruinous Power’s writhing flesh. Juggling long-form excursions into the murky abyss with violent expulsions of a much more expeditious nature, Ruinous Power embodies Prototype Weaponry with a restless, anxious energy and equips it with lethal armaments liable to destroy us all.
Prototype Weaponry wields those armaments with aplomb despite its unpredictable nature, expertly balancing impenetrable discordance with highly accessible rhythms and infectious repetition. Ten-minute opening epic “But What of Sacred Mars?” takes tumbling, scraping riffs in stride, sticking the landing with a proggy companion motif that ripples with lean power. Pumping that momentum for five minutes, this track takes its rest and allows a bass-led, Mare Cognitum-esque second act to immerse the listener with lush instrumental developments. In doing this, Ruinous Power prepare the listener for what’s to come, and what’s to come is unchecked destruction. “The Long Game,” “Kneel,” and album highlight “+++ Engine Kill +++” represent Prototype Weaponry’s most vicious salvos. All three toss the listener clear across a dystopian battlefield with tearing leads evoking a sooty and scrawled Portal-ish visage (“The Long Game”), relentless riffs that refuse to adhere to either death metal or thrash metal conventions while still inheriting many of their physical traits (“Kneel,” “+++ Engine Kill +++”), and an uncanny sense of melody that defies Ruinous Power’s inhuman lust for aural obliteration (“The Long Game”). So as to not deprive the listener of a cohesive experience, Ruinous Power stitches these divergent anatomies together with strange, but never unfamiliar, connective tissue in such a way that transitions between seemingly incompatible segments provide the context necessary to justify their positioning at every joint.
In this way, Prototype Weaponry proves that Ruinous Power’s experience with the weird and wild pays dividends even when crafting more straightforward material than their more notable main projects. However, a few nagging concerns remain. Though its myriad riffs and motifs feel fresh and vital in the context of the greater metalverse, Protoype Weaponry also toys with self-plagiarism a little too closely in its album-wide microcosm. “The Descent of the Host” inherits an assortment of its constituent building blocks from the motifs introduced by “But What of Sacred Mars?” and “+++ Engine Kill +++,” and some of the arpeggiated wiggles and runs featured on “Cerebrum Malefice” feel all too familiar to those on earlier cuts like “Kneel.” On a separate note, with an album as tight as Prototype Weaponry—a mere thirty-one minutes, rounding up—instrumental interludes like the title track provide very little outside of superficial atmosphere, taking away from the whole rather than bolstering it.
As the dust clears and the bodies are counted, Prototype Weaponry stands strong and victorious, but the battle left a few weak points exposed. Not to be deterred by mere flesh wounds, Ruinous Power used their extensive past experience crafting dense, oppressive extreme metal to make a bold statement inside a more accessible framework. Thus, Prototype Weaponry earns my overall recommendation. Its riffs break necks as easily as they invite spirited imagination. Its dynamic structures immerse as readily as they immolate. Its presence enthralls as deeply as it terrifies. If that entices you even in the slightest, and you crave EXTREME DANGER, secure yourself some Prototype Weaponry today!
Rating: Very Good
DR: 8 | Format Reviewed: 192 kbps mp3
Label: I, Voidhanger Records
Website: Too Kvlt for Webz
Releases Worldwide: February 28th, 2025#2025 #35 #BlackMetal #CanadianMetal #DeathMetal #DissonantBlackMetal #DissonantDeathMetal #Egregore #EXTREMEDANGERPrototypeWeaponry #Feb25 #I #MareCognitum #Mitochondrion #Portal #Review #Reviews #RuinousPower #ThrashMetal #Ulthar #VoidhangerRecords #Voivod
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Ruinous Power – EXTREME DANGER: Prototype Weaponry Review
By Kenstrosity
As I get older, I grow ever more tired of labels. Yes, it’s helpful to have a baseline frame of reference for what something is, but lately, I find myself abandoning these kinds of single-use terms in favor of something more substantial and descriptive. So, when Canada’s Ruinous Power entered my review rotation, I allowed myself more room than ever before to interpret what they craft outside of the multitudinous boxes in which they could fit. A newer outfit comprised by members of Egregore and Mitochondrion (among many other bands) in 2021, Ruinous Power incubated their debut record EXTREME DANGER: Prototype Weaponry until its inevitable escape from the confines of twisted minds into meatspace, where it corrupts all who would encounter it.
Based on the lore and aesthetics of the Warhammer 40k franchise, Prototype Weaponry takes what on the surface sounds like blackened death metal, endows it with a raucous thrall of thrash, and imbues within it an eerie, synth-woven atmosphere. Comparisons to both Mitochondrion and Egregore are apt, placing Ruinous Power comfortably inside that family tree of skronked-up up blackened death pedigree. However, that extra dose of mutated thrash allows a twist of The Outer Limits Voivod to pulse beneath the skin, while Ulthar‘s unearthly, necrotic limb hovers just over Ruinous Power’s writhing flesh. Juggling long-form excursions into the murky abyss with violent expulsions of a much more expeditious nature, Ruinous Power embodies Prototype Weaponry with a restless, anxious energy and equips it with lethal armaments liable to destroy us all.
Prototype Weaponry wields those armaments with aplomb despite its unpredictable nature, expertly balancing impenetrable discordance with highly accessible rhythms and infectious repetition. Ten-minute opening epic “But What of Sacred Mars?” takes tumbling, scraping riffs in stride, sticking the landing with a proggy companion motif that ripples with lean power. Pumping that momentum for five minutes, this track takes its rest and allows a bass-led, Mare Cognitum-esque second act to immerse the listener with lush instrumental developments. In doing this, Ruinous Power prepare the listener for what’s to come, and what’s to come is unchecked destruction. “The Long Game,” “Kneel,” and album highlight “+++ Engine Kill +++” represent Prototype Weaponry’s most vicious salvos. All three toss the listener clear across a dystopian battlefield with tearing leads evoking a sooty and scrawled Portal-ish visage (“The Long Game”), relentless riffs that refuse to adhere to either death metal or thrash metal conventions while still inheriting many of their physical traits (“Kneel,” “+++ Engine Kill +++”), and an uncanny sense of melody that defies Ruinous Power’s inhuman lust for aural obliteration (“The Long Game”). So as to not deprive the listener of a cohesive experience, Ruinous Power stitches these divergent anatomies together with strange, but never unfamiliar, connective tissue in such a way that transitions between seemingly incompatible segments provide the context necessary to justify their positioning at every joint.
In this way, Prototype Weaponry proves that Ruinous Power’s experience with the weird and wild pays dividends even when crafting more straightforward material than their more notable main projects. However, a few nagging concerns remain. Though its myriad riffs and motifs feel fresh and vital in the context of the greater metalverse, Protoype Weaponry also toys with self-plagiarism a little too closely in its album-wide microcosm. “The Descent of the Host” inherits an assortment of its constituent building blocks from the motifs introduced by “But What of Sacred Mars?” and “+++ Engine Kill +++,” and some of the arpeggiated wiggles and runs featured on “Cerebrum Malefice” feel all too familiar to those on earlier cuts like “Kneel.” On a separate note, with an album as tight as Prototype Weaponry—a mere thirty-one minutes, rounding up—instrumental interludes like the title track provide very little outside of superficial atmosphere, taking away from the whole rather than bolstering it.
As the dust clears and the bodies are counted, Prototype Weaponry stands strong and victorious, but the battle left a few weak points exposed. Not to be deterred by mere flesh wounds, Ruinous Power used their extensive past experience crafting dense, oppressive extreme metal to make a bold statement inside a more accessible framework. Thus, Prototype Weaponry earns my overall recommendation. Its riffs break necks as easily as they invite spirited imagination. Its dynamic structures immerse as readily as they immolate. Its presence enthralls as deeply as it terrifies. If that entices you even in the slightest, and you crave EXTREME DANGER, secure yourself some Prototype Weaponry today!
Rating: Very Good
DR: 8 | Format Reviewed: 192 kbps mp3
Label: I, Voidhanger Records
Website: Too Kvlt for Webz
Releases Worldwide: February 28th, 2025#2025 #35 #BlackMetal #CanadianMetal #DeathMetal #DissonantBlackMetal #DissonantDeathMetal #Egregore #EXTREMEDANGERPrototypeWeaponry #Feb25 #I #MareCognitum #Mitochondrion #Portal #Review #Reviews #RuinousPower #ThrashMetal #Ulthar #VoidhangerRecords #Voivod
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Ruinous Power – EXTREME DANGER: Prototype Weaponry Review
By Kenstrosity
As I get older, I grow ever more tired of labels. Yes, it’s helpful to have a baseline frame of reference for what something is, but lately, I find myself abandoning these kinds of single-use terms in favor of something more substantial and descriptive. So, when Canada’s Ruinous Power entered my review rotation, I allowed myself more room than ever before to interpret what they craft outside of the multitudinous boxes in which they could fit. A newer outfit comprised by members of Egregore and Mitochondrion (among many other bands) in 2021, Ruinous Power incubated their debut record EXTREME DANGER: Prototype Weaponry until its inevitable escape from the confines of twisted minds into meatspace, where it corrupts all who would encounter it.
Based on the lore and aesthetics of the Warhammer 40k franchise, Prototype Weaponry takes what on the surface sounds like blackened death metal, endows it with a raucous thrall of thrash, and imbues within it an eerie, synth-woven atmosphere. Comparisons to both Mitochondrion and Egregore are apt, placing Ruinous Power comfortably inside that family tree of skronked-up up blackened death pedigree. However, that extra dose of mutated thrash allows a twist of The Outer Limits Voivod to pulse beneath the skin, while Ulthar‘s unearthly, necrotic limb hovers just over Ruinous Power’s writhing flesh. Juggling long-form excursions into the murky abyss with violent expulsions of a much more expeditious nature, Ruinous Power embodies Prototype Weaponry with a restless, anxious energy and equips it with lethal armaments liable to destroy us all.
Prototype Weaponry wields those armaments with aplomb despite its unpredictable nature, expertly balancing impenetrable discordance with highly accessible rhythms and infectious repetition. Ten-minute opening epic “But What of Sacred Mars?” takes tumbling, scraping riffs in stride, sticking the landing with a proggy companion motif that ripples with lean power. Pumping that momentum for five minutes, this track takes its rest and allows a bass-led, Mare Cognitum-esque second act to immerse the listener with lush instrumental developments. In doing this, Ruinous Power prepare the listener for what’s to come, and what’s to come is unchecked destruction. “The Long Game,” “Kneel,” and album highlight “+++ Engine Kill +++” represent Prototype Weaponry’s most vicious salvos. All three toss the listener clear across a dystopian battlefield with tearing leads evoking a sooty and scrawled Portal-ish visage (“The Long Game”), relentless riffs that refuse to adhere to either death metal or thrash metal conventions while still inheriting many of their physical traits (“Kneel,” “+++ Engine Kill +++”), and an uncanny sense of melody that defies Ruinous Power’s inhuman lust for aural obliteration (“The Long Game”). So as to not deprive the listener of a cohesive experience, Ruinous Power stitches these divergent anatomies together with strange, but never unfamiliar, connective tissue in such a way that transitions between seemingly incompatible segments provide the context necessary to justify their positioning at every joint.
In this way, Prototype Weaponry proves that Ruinous Power’s experience with the weird and wild pays dividends even when crafting more straightforward material than their more notable main projects. However, a few nagging concerns remain. Though its myriad riffs and motifs feel fresh and vital in the context of the greater metalverse, Protoype Weaponry also toys with self-plagiarism a little too closely in its album-wide microcosm. “The Descent of the Host” inherits an assortment of its constituent building blocks from the motifs introduced by “But What of Sacred Mars?” and “+++ Engine Kill +++,” and some of the arpeggiated wiggles and runs featured on “Cerebrum Malefice” feel all too familiar to those on earlier cuts like “Kneel.” On a separate note, with an album as tight as Prototype Weaponry—a mere thirty-one minutes, rounding up—instrumental interludes like the title track provide very little outside of superficial atmosphere, taking away from the whole rather than bolstering it.
As the dust clears and the bodies are counted, Prototype Weaponry stands strong and victorious, but the battle left a few weak points exposed. Not to be deterred by mere flesh wounds, Ruinous Power used their extensive past experience crafting dense, oppressive extreme metal to make a bold statement inside a more accessible framework. Thus, Prototype Weaponry earns my overall recommendation. Its riffs break necks as easily as they invite spirited imagination. Its dynamic structures immerse as readily as they immolate. Its presence enthralls as deeply as it terrifies. If that entices you even in the slightest, and you crave EXTREME DANGER, secure yourself some Prototype Weaponry today!
Rating: Very Good
DR: 8 | Format Reviewed: 192 kbps mp3
Label: I, Voidhanger Records
Website: Too Kvlt for Webz
Releases Worldwide: February 28th, 2025#2025 #35 #BlackMetal #CanadianMetal #DeathMetal #DissonantBlackMetal #DissonantDeathMetal #Egregore #EXTREMEDANGERPrototypeWeaponry #Feb25 #I #MareCognitum #Mitochondrion #Portal #Review #Reviews #RuinousPower #ThrashMetal #Ulthar #VoidhangerRecords #Voivod
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Ruinous Power – EXTREME DANGER: Prototype Weaponry Review
By Kenstrosity
As I get older, I grow ever more tired of labels. Yes, it’s helpful to have a baseline frame of reference for what something is, but lately, I find myself abandoning these kinds of single-use terms in favor of something more substantial and descriptive. So, when Canada’s Ruinous Power entered my review rotation, I allowed myself more room than ever before to interpret what they craft outside of the multitudinous boxes in which they could fit. A newer outfit comprised by members of Egregore and Mitochondrion (among many other bands) in 2021, Ruinous Power incubated their debut record EXTREME DANGER: Prototype Weaponry until its inevitable escape from the confines of twisted minds into meatspace, where it corrupts all who would encounter it.
Based on the lore and aesthetics of the Warhammer 40k franchise, Prototype Weaponry takes what on the surface sounds like blackened death metal, endows it with a raucous thrall of thrash, and imbues within it an eerie, synth-woven atmosphere. Comparisons to both Mitochondrion and Egregore are apt, placing Ruinous Power comfortably inside that family tree of skronked-up up blackened death pedigree. However, that extra dose of mutated thrash allows a twist of The Outer Limits Voivod to pulse beneath the skin, while Ulthar‘s unearthly, necrotic limb hovers just over Ruinous Power’s writhing flesh. Juggling long-form excursions into the murky abyss with violent expulsions of a much more expeditious nature, Ruinous Power embodies Prototype Weaponry with a restless, anxious energy and equips it with lethal armaments liable to destroy us all.
Prototype Weaponry wields those armaments with aplomb despite its unpredictable nature, expertly balancing impenetrable discordance with highly accessible rhythms and infectious repetition. Ten-minute opening epic “But What of Sacred Mars?” takes tumbling, scraping riffs in stride, sticking the landing with a proggy companion motif that ripples with lean power. Pumping that momentum for five minutes, this track takes its rest and allows a bass-led, Mare Cognitum-esque second act to immerse the listener with lush instrumental developments. In doing this, Ruinous Power prepare the listener for what’s to come, and what’s to come is unchecked destruction. “The Long Game,” “Kneel,” and album highlight “+++ Engine Kill +++” represent Prototype Weaponry’s most vicious salvos. All three toss the listener clear across a dystopian battlefield with tearing leads evoking a sooty and scrawled Portal-ish visage (“The Long Game”), relentless riffs that refuse to adhere to either death metal or thrash metal conventions while still inheriting many of their physical traits (“Kneel,” “+++ Engine Kill +++”), and an uncanny sense of melody that defies Ruinous Power’s inhuman lust for aural obliteration (“The Long Game”). So as to not deprive the listener of a cohesive experience, Ruinous Power stitches these divergent anatomies together with strange, but never unfamiliar, connective tissue in such a way that transitions between seemingly incompatible segments provide the context necessary to justify their positioning at every joint.
In this way, Prototype Weaponry proves that Ruinous Power’s experience with the weird and wild pays dividends even when crafting more straightforward material than their more notable main projects. However, a few nagging concerns remain. Though its myriad riffs and motifs feel fresh and vital in the context of the greater metalverse, Protoype Weaponry also toys with self-plagiarism a little too closely in its album-wide microcosm. “The Descent of the Host” inherits an assortment of its constituent building blocks from the motifs introduced by “But What of Sacred Mars?” and “+++ Engine Kill +++,” and some of the arpeggiated wiggles and runs featured on “Cerebrum Malefice” feel all too familiar to those on earlier cuts like “Kneel.” On a separate note, with an album as tight as Prototype Weaponry—a mere thirty-one minutes, rounding up—instrumental interludes like the title track provide very little outside of superficial atmosphere, taking away from the whole rather than bolstering it.
As the dust clears and the bodies are counted, Prototype Weaponry stands strong and victorious, but the battle left a few weak points exposed. Not to be deterred by mere flesh wounds, Ruinous Power used their extensive past experience crafting dense, oppressive extreme metal to make a bold statement inside a more accessible framework. Thus, Prototype Weaponry earns my overall recommendation. Its riffs break necks as easily as they invite spirited imagination. Its dynamic structures immerse as readily as they immolate. Its presence enthralls as deeply as it terrifies. If that entices you even in the slightest, and you crave EXTREME DANGER, secure yourself some Prototype Weaponry today!
Rating: Very Good
DR: 8 | Format Reviewed: 192 kbps mp3
Label: I, Voidhanger Records
Website: Too Kvlt for Webz
Releases Worldwide: February 28th, 2025#2025 #35 #BlackMetal #CanadianMetal #DeathMetal #DissonantBlackMetal #DissonantDeathMetal #Egregore #EXTREMEDANGERPrototypeWeaponry #Feb25 #I #MareCognitum #Mitochondrion #Portal #Review #Reviews #RuinousPower #ThrashMetal #Ulthar #VoidhangerRecords #Voivod
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Mitochondrion – Vitriseptome Review
By Dear Hollow
Vancouver’s Mitochondrion has a knack for violence. The quartet has always hinted that its signature relentless breed of dissonant black/death war metal is a façade for a much darker reality, contrary to the lurid barbarousness of its counterparts. Longwinded compositions of unhinged brutality suddenly align into chuggy riffs and experimental prowess at the guidance of its triple-vocal attack from hell, making cohorts with just as much of the likes of Teitanblood and Adversarial as Ulcerate and Portal.1 Deceptively straightforward, incessantly pulverizing, and neck deep in otherworldly ambitions, it’s non-Euclidean punishment from men who are alchemists at heart. Mitochondrion returns.
Otherworldly ambition has largely separated Mitochondrion from its counterparts since its 2003 inception. Vitriseptome is the lineup of their classic albums, 2008’s Archaeaeon and 2011’s Parasignosis, with bassist Sebastian Montesi of Auroch and Atemporal the only new addition in 2012. It has been thirteen long years since Mitochondrion’s formidable Parasignosis, only an EP (Antinumerology) and a split with Auroch (In Cronian Hour) to fill the absence. What 2024’s Vitriseptome does is ambitious to compensate, a ninety-three-minute affair described as a trilogy in two phases, separated by a flurry of ambient interludes – often the only respite from the intensity. With classical alchemy in mind, Mitochondrion concocts this mixture: the two phases or halves representing “Dissolution” and “Coagulation,” the trilogy denoting the three classical alchemical elements salt, sulfur, and mercury, and its quarter movements coined “Separation,” “Confusion,” “Initiation,” and “Return.” Each portion consists of a distinct sound palette while adhering to its emphasis on non-Euclidean and claustrophobic punishment rooted in sinister blackened death, cavernous OSDM, and bellicose war metal while venturing into the realms of dark ambient and noise. While its length is challenging and ambition alienating, it is worth a trek through Mitochondrion’s darkness where the smoke curls up and the crooked galaxies hang.
Each division encapsulates a certain mood or focus. Opening five-track suite “Separation” would feel right at home in an Adversarial album, gashing the ears with relentless blasting, unhinged tremolo, wailing solos, and putrid roars amid shifting sands of jarring tempo shifts, aligning like rotten stars in pulsing staccato climaxes (“Increatum Vox,” “Oblithemesis”). The seven tracks of “Initiation” balance its muscular character with a thick shroud of grime-crusted noise (“The Cruxitome,” “Ignis Caecus”), punishing concrete riffage emerging like colossal fists (“Argentum Mortifixion,” “The Protanthrofuge”). Contrary to these blasting behemoths of excess, latter halves “Confusion” and “Return” are far more restrained,2 comparatively meditative explorations that encapsulate the respective war metal attack and noisy approach (“Vacuuole,” “Viabyssm”), while expanding into filthy oceans of emptiness with Ulcerate-esque dissonance and haunting solos (“Flail, Faexregem!,” “Antitonement”) – a darker place to land that serves as a reminder as to who holds the key on this intense journey. The mix is dense and nearly impenetrable, a key contrast to the likewise ambitious organic treks of Ingurgitating Oblivion or Orgone.
As disparate as the styles are within Vitriseptome’s various divisions, they never stray from Mitochondrion’s signature breed. The punishment is still all-encompassing and incessantly pulverizing, but balance is the priority. Its moments of relative stillness there is a tension to the looming attack (“Viabyssm,” “The Protanthrofuge”), and there are moments of tense placidity in the more warfaring partitions (“The Erythapside,” “Ignis Caecus”). Dynamically, the band utilizes its interludes and its underlying approach extremely effectively, with smooth transitions (“Oblithemesis” to “[]” to “Vitriseptome;” “Ignis Caecus” to “[antimonphoresis]” to “Vacuuole”) guiding the proceeds from experimental and unhinged former to patient and contemplative latter. As such, nary a second feels wasted on Vitriseptome despite its interlude-heavy tracklist and demanding runtime. Its two-then-three-then-four thematic divisions don’t feel confused or convoluted, because the density of the music and intricate construction lend purpose and distinction. Vitriseptome offers undeniable proof that Mitochondrion remains atop the death metal echelon, in spite of its thirteen-year quiet.
Vitriseptome is challenging, but it’s a challenge well worth undertaking. A puzzle unlocked, its secrets are revealed with every listen – a harrowing and putrid collection of knowledge. The dynamics therein tell a story of alchemical rage and occult obsession, fueled by madness and horror. Undeniably a test of patience, its first impression of unhinged insanity slowly gives way to intensely calculated brutishness, bolstered by its atmospheric prowess and bared teeth of noise. Mitochondrion hasn’t missed a beat after thirteen years: Vitriseptome succeeds as a reminder of their formidable greatness and sets the tone for the act’s pulverizing future.
Rating: 4.0/5.0
DR: 53 | Format Reviewed: 320 kb/s mp3
Label: Profound Lore Records
Websites: mitochondrion.bandcamp.com | facebook.com/mitochondrion137
Releases Worldwide: November 1st, 2024#2024 #40 #Adversarial #AtmosphericDeathMetal #Auroch #BlackenedDeathMetal #CanadianMetal #DarkAmbient #DeathMetal #DissonantDeathMetal #Egregore #IngurgitatingOblivion #Mitochondrion #Noise #Nov24 #Orgone #Portal #ProfoundLoreRecords #Review #Reviews #Teitanblood #Ulcerate #Vitriseptome #WarMetal
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Mitochondrion – Vitriseptome Review
By Dear Hollow
Vancouver’s Mitochondrion has a knack for violence. The quartet has always hinted that its signature relentless breed of dissonant black/death war metal is a façade for a much darker reality, contrary to the lurid barbarousness of its counterparts. Longwinded compositions of unhinged brutality suddenly align into chuggy riffs and experimental prowess at the guidance of its triple-vocal attack from hell, making cohorts with just as much of the likes of Teitanblood and Adversarial as Ulcerate and Portal.1 Deceptively straightforward, incessantly pulverizing, and neck deep in otherworldly ambitions, it’s non-Euclidean punishment from men who are alchemists at heart. Mitochondrion returns.
Otherworldly ambition has largely separated Mitochondrion from its counterparts since its 2003 inception. Vitriseptome is the lineup of their classic albums, 2008’s Archaeaeon and 2011’s Parasignosis, with bassist Sebastian Montesi of Auroch and Atemporal the only new addition in 2012. It has been thirteen long years since Mitochondrion’s formidable Parasignosis, only an EP (Antinumerology) and a split with Auroch (In Cronian Hour) to fill the absence. What 2024’s Vitriseptome does is ambitious to compensate, a ninety-three-minute affair described as a trilogy in two phases, separated by a flurry of ambient interludes – often the only respite from the intensity. With classical alchemy in mind, Mitochondrion concocts this mixture: the two phases or halves representing “Dissolution” and “Coagulation,” the trilogy denoting the three classical alchemical elements salt, sulfur, and mercury, and its quarter movements coined “Separation,” “Confusion,” “Initiation,” and “Return.” Each portion consists of a distinct sound palette while adhering to its emphasis on non-Euclidean and claustrophobic punishment rooted in sinister blackened death, cavernous OSDM, and bellicose war metal while venturing into the realms of dark ambient and noise. While its length is challenging and ambition alienating, it is worth a trek through Mitochondrion’s darkness where the smoke curls up and the crooked galaxies hang.
Each division encapsulates a certain mood or focus. Opening five-track suite “Separation” would feel right at home in an Adversarial album, gashing the ears with relentless blasting, unhinged tremolo, wailing solos, and putrid roars amid shifting sands of jarring tempo shifts, aligning like rotten stars in pulsing staccato climaxes (“Increatum Vox,” “Oblithemesis”). The seven tracks of “Initiation” balance its muscular character with a thick shroud of grime-crusted noise (“The Cruxitome,” “Ignis Caecus”), punishing concrete riffage emerging like colossal fists (“Argentum Mortifixion,” “The Protanthrofuge”). Contrary to these blasting behemoths of excess, latter halves “Confusion” and “Return” are far more restrained,2 comparatively meditative explorations that encapsulate the respective war metal attack and noisy approach (“Vacuuole,” “Viabyssm”), while expanding into filthy oceans of emptiness with Ulcerate-esque dissonance and haunting solos (“Flail, Faexregem!,” “Antitonement”) – a darker place to land that serves as a reminder as to who holds the key on this intense journey. The mix is dense and nearly impenetrable, a key contrast to the likewise ambitious organic treks of Ingurgitating Oblivion or Orgone.
As disparate as the styles are within Vitriseptome’s various divisions, they never stray from Mitochondrion’s signature breed. The punishment is still all-encompassing and incessantly pulverizing, but balance is the priority. Its moments of relative stillness there is a tension to the looming attack (“Viabyssm,” “The Protanthrofuge”), and there are moments of tense placidity in the more warfaring partitions (“The Erythapside,” “Ignis Caecus”). Dynamically, the band utilizes its interludes and its underlying approach extremely effectively, with smooth transitions (“Oblithemesis” to “[]” to “Vitriseptome;” “Ignis Caecus” to “[antimonphoresis]” to “Vacuuole”) guiding the proceeds from experimental and unhinged former to patient and contemplative latter. As such, nary a second feels wasted on Vitriseptome despite its interlude-heavy tracklist and demanding runtime. Its two-then-three-then-four thematic divisions don’t feel confused or convoluted, because the density of the music and intricate construction lend purpose and distinction. Vitriseptome offers undeniable proof that Mitochondrion remains atop the death metal echelon, in spite of its thirteen-year quiet.
Vitriseptome is challenging, but it’s a challenge well worth undertaking. A puzzle unlocked, its secrets are revealed with every listen – a harrowing and putrid collection of knowledge. The dynamics therein tell a story of alchemical rage and occult obsession, fueled by madness and horror. Undeniably a test of patience, its first impression of unhinged insanity slowly gives way to intensely calculated brutishness, bolstered by its atmospheric prowess and bared teeth of noise. Mitochondrion hasn’t missed a beat after thirteen years: Vitriseptome succeeds as a reminder of their formidable greatness and sets the tone for the act’s pulverizing future.
Rating: 4.0/5.0
DR: 53 | Format Reviewed: 320 kb/s mp3
Label: Profound Lore Records
Websites: mitochondrion.bandcamp.com | facebook.com/mitochondrion137
Releases Worldwide: November 1st, 2024#2024 #40 #Adversarial #AtmosphericDeathMetal #Auroch #BlackenedDeathMetal #CanadianMetal #DarkAmbient #DeathMetal #DissonantDeathMetal #Egregore #IngurgitatingOblivion #Mitochondrion #Noise #Nov24 #Orgone #Portal #ProfoundLoreRecords #Review #Reviews #Teitanblood #Ulcerate #Vitriseptome #WarMetal
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Mitochondrion – Vitriseptome Review
By Dear Hollow
Vancouver’s Mitochondrion has a knack for violence. The quartet has always hinted that its signature relentless breed of dissonant black/death war metal is a façade for a much darker reality, contrary to the lurid barbarousness of its counterparts. Longwinded compositions of unhinged brutality suddenly align into chuggy riffs and experimental prowess at the guidance of its triple-vocal attack from hell, making cohorts with just as much of the likes of Teitanblood and Adversarial as Ulcerate and Portal.1 Deceptively straightforward, incessantly pulverizing, and neck deep in otherworldly ambitions, it’s non-Euclidean punishment from men who are alchemists at heart. Mitochondrion returns.
Otherworldly ambition has largely separated Mitochondrion from its counterparts since its 2003 inception. Vitriseptome is the lineup of their classic albums, 2008’s Archaeaeon and 2011’s Parasignosis, with bassist Sebastian Montesi of Auroch and Atemporal the only new addition in 2012. It has been thirteen long years since Mitochondrion’s formidable Parasignosis, only an EP (Antinumerology) and a split with Auroch (In Cronian Hour) to fill the absence. What 2024’s Vitriseptome does is ambitious to compensate, a ninety-three-minute affair described as a trilogy in two phases, separated by a flurry of ambient interludes – often the only respite from the intensity. With classical alchemy in mind, Mitochondrion concocts this mixture: the two phases or halves representing “Dissolution” and “Coagulation,” the trilogy denoting the three classical alchemical elements salt, sulfur, and mercury, and its quarter movements coined “Separation,” “Confusion,” “Initiation,” and “Return.” Each portion consists of a distinct sound palette while adhering to its emphasis on non-Euclidean and claustrophobic punishment rooted in sinister blackened death, cavernous OSDM, and bellicose war metal while venturing into the realms of dark ambient and noise. While its length is challenging and ambition alienating, it is worth a trek through Mitochondrion’s darkness where the smoke curls up and the crooked galaxies hang.
Each division encapsulates a certain mood or focus. Opening five-track suite “Separation” would feel right at home in an Adversarial album, gashing the ears with relentless blasting, unhinged tremolo, wailing solos, and putrid roars amid shifting sands of jarring tempo shifts, aligning like rotten stars in pulsing staccato climaxes (“Increatum Vox,” “Oblithemesis”). The seven tracks of “Initiation” balance its muscular character with a thick shroud of grime-crusted noise (“The Cruxitome,” “Ignis Caecus”), punishing concrete riffage emerging like colossal fists (“Argentum Mortifixion,” “The Protanthrofuge”). Contrary to these blasting behemoths of excess, latter halves “Confusion” and “Return” are far more restrained,2 comparatively meditative explorations that encapsulate the respective war metal attack and noisy approach (“Vacuuole,” “Viabyssm”), while expanding into filthy oceans of emptiness with Ulcerate-esque dissonance and haunting solos (“Flail, Faexregem!,” “Antitonement”) – a darker place to land that serves as a reminder as to who holds the key on this intense journey. The mix is dense and nearly impenetrable, a key contrast to the likewise ambitious organic treks of Ingurgitating Oblivion or Orgone.
As disparate as the styles are within Vitriseptome’s various divisions, they never stray from Mitochondrion’s signature breed. The punishment is still all-encompassing and incessantly pulverizing, but balance is the priority. Its moments of relative stillness there is a tension to the looming attack (“Viabyssm,” “The Protanthrofuge”), and there are moments of tense placidity in the more warfaring partitions (“The Erythapside,” “Ignis Caecus”). Dynamically, the band utilizes its interludes and its underlying approach extremely effectively, with smooth transitions (“Oblithemesis” to “[]” to “Vitriseptome;” “Ignis Caecus” to “[antimonphoresis]” to “Vacuuole”) guiding the proceeds from experimental and unhinged former to patient and contemplative latter. As such, nary a second feels wasted on Vitriseptome despite its interlude-heavy tracklist and demanding runtime. Its two-then-three-then-four thematic divisions don’t feel confused or convoluted, because the density of the music and intricate construction lend purpose and distinction. Vitriseptome offers undeniable proof that Mitochondrion remains atop the death metal echelon, in spite of its thirteen-year quiet.
Vitriseptome is challenging, but it’s a challenge well worth undertaking. A puzzle unlocked, its secrets are revealed with every listen – a harrowing and putrid collection of knowledge. The dynamics therein tell a story of alchemical rage and occult obsession, fueled by madness and horror. Undeniably a test of patience, its first impression of unhinged insanity slowly gives way to intensely calculated brutishness, bolstered by its atmospheric prowess and bared teeth of noise. Mitochondrion hasn’t missed a beat after thirteen years: Vitriseptome succeeds as a reminder of their formidable greatness and sets the tone for the act’s pulverizing future.
Rating: 4.0/5.0
DR: 53 | Format Reviewed: 320 kb/s mp3
Label: Profound Lore Records
Websites: mitochondrion.bandcamp.com | facebook.com/mitochondrion137
Releases Worldwide: November 1st, 2024#2024 #40 #Adversarial #AtmosphericDeathMetal #Auroch #BlackenedDeathMetal #CanadianMetal #DarkAmbient #DeathMetal #DissonantDeathMetal #Egregore #IngurgitatingOblivion #Mitochondrion #Noise #Nov24 #Orgone #Portal #ProfoundLoreRecords #Review #Reviews #Teitanblood #Ulcerate #Vitriseptome #WarMetal
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The thing about geometry is that it has postulates. Symbols and their relationships imply rules and formulas. So, when you combine magical symbols with geometry, it implies a relationship, rules, and postulates. It really frustrates me when people circumscribe magical ciphers and words within geometric figures where there are no underlying axioms, postulates, or theorems.
Combining magical symbols with geometry without any type of postulate that you can prove makes the entire thing pointless. What is the relationship between that magical symbol and that angle? That is a 45-degree angle. What relationship does that angle have with that magical symbol that denotes a magical entity? I can’t look at most magicians’ magical seals without cringing. They never provide formulas or explain why they used those formulas. The lack of structure undermines the potential significance or effectiveness of the magical practice if the magical system is predicated on structure.
It irks me even more when the seal has arbitrary or random planetary or zodiac symbols that have nothing to do with the geometry and angles of what those symbols denote. If you are going to use geometry in your magic, then it should have logical rules and principles and a connection to the geometry. The complex magical seals are pretty, but they mean absolutely nothing. I would rather have their fictional narrative, i.e., a mythology.
Mathematics is a symbolic language. While it is a precise language, it is a language nonetheless, so it tells a story. When you are working on an intuitive level where precision is not needed, everyday language like this will suffice, where a visual representation can be basic glyphs. Storytelling is a more intuitive and engaging approach to understanding mystical concepts compared to the opaque and cryptic symbolism of complex magical seals. The effort in appearing to be legitimate without being legitimate irks me when a basic story and illustration will suffice.
#Animism #animistic #Astral #astrology #ceremonialMagic #ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #Goetia #grimoire #grimoires #hermeticism #magick #pagan #paganism #sigil #sigilMagic #sigilMagick #sigils #Spirituality #theosophy #Theurgy #witch #witchcraft #zodiac
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The thing about geometry is that it has postulates. Symbols and their relationships imply rules and formulas. So, when you combine magical symbols with geometry, it implies a relationship, rules, and postulates. It really frustrates me when people circumscribe magical ciphers and words within geometric figures where there are no underlying axioms, postulates, or theorems.
Combining magical symbols with geometry without any type of postulate that you can prove makes the entire thing pointless. What is the relationship between that magical symbol and that angle? That is a 45-degree angle. What relationship does that angle have with that magical symbol that denotes a magical entity? I can’t look at most magicians’ magical seals without cringing. They never provide formulas or explain why they used those formulas. The lack of structure undermines the potential significance or effectiveness of the magical practice if the magical system is predicated on structure.
It irks me even more when the seal has arbitrary or random planetary or zodiac symbols that have nothing to do with the geometry and angles of what those symbols denote. If you are going to use geometry in your magic, then it should have logical rules and principles and a connection to the geometry. The complex magical seals are pretty, but they mean absolutely nothing. I would rather have their fictional narrative, i.e., a mythology.
Mathematics is a symbolic language. While it is a precise language, it is a language nonetheless, so it tells a story. When you are working on an intuitive level where precision is not needed, everyday language like this will suffice, where a visual representation can be basic glyphs. Storytelling is a more intuitive and engaging approach to understanding mystical concepts compared to the opaque and cryptic symbolism of complex magical seals. The effort in appearing to be legitimate without being legitimate irks me when a basic story and illustration will suffice.
#Animism #animistic #Astral #astrology #ceremonialMagic #ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #Goetia #grimoire #grimoires #hermeticism #magick #pagan #paganism #sigil #sigilMagic #sigilMagick #sigils #Spirituality #theosophy #Theurgy #witch #witchcraft #zodiac
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The thing about geometry is that it has postulates. Symbols and their relationships imply rules and formulas. So, when you combine magical symbols with geometry, it implies a relationship, rules, and postulates. It really frustrates me when people circumscribe magical ciphers and words within geometric figures where there are no underlying axioms, postulates, or theorems.
Combining magical symbols with geometry without any type of postulate that you can prove makes the entire thing pointless. What is the relationship between that magical symbol and that angle? That is a 45-degree angle. What relationship does that angle have with that magical symbol that denotes a magical entity? I can’t look at most magicians’ magical seals without cringing. They never provide formulas or explain why they used those formulas. The lack of structure undermines the potential significance or effectiveness of the magical practice if the magical system is predicated on structure.
It irks me even more when the seal has arbitrary or random planetary or zodiac symbols that have nothing to do with the geometry and angles of what those symbols denote. If you are going to use geometry in your magic, then it should have logical rules and principles and a connection to the geometry. The complex magical seals are pretty, but they mean absolutely nothing. I would rather have their fictional narrative, i.e., a mythology.
Mathematics is a symbolic language. While it is a precise language, it is a language nonetheless, so it tells a story. When you are working on an intuitive level where precision is not needed, everyday language like this will suffice, where a visual representation can be basic glyphs. Storytelling is a more intuitive and engaging approach to understanding mystical concepts compared to the opaque and cryptic symbolism of complex magical seals. The effort in appearing to be legitimate without being legitimate irks me when a basic story and illustration will suffice.
#Animism #animistic #Astral #astrology #ceremonialMagic #ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #Goetia #grimoire #grimoires #hermeticism #magick #pagan #paganism #sigil #sigilMagic #sigilMagick #sigils #Spirituality #theosophy #Theurgy #witch #witchcraft #zodiac
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Mysteries unravel,
In the sorcerer’s cold stare,
Human folly concocts,
Yet gods’ whispers vanish,
Drowned in magic’s deceit.Wisdom’s obscure maze,
Navigated by the reckless,
In darkness they stumble,
Divine truths they chase,
But grasp fleeting shadows.Silence holds sway,
In sorcerer’s domain,
Human ambition ensnared,
By cosmic machinations,
Gods’ presence, distant.Between realms they wander,
Sorcerer, chasing illusions,
In twilight’s suffocating grip,
Faith wavers, clinging to illusions,
Magic’s tangled deception.In the occult’s hold,
Soul finds no solace, torment,
Humanity’s folly laid bare,
Divine essence obscured,
In sorcery’s unyielding grasp.#ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #magick #occult #occultism #pagan #paganism #poem #poetry #religion #sorcery #Spirituality #Theism #writing
-
Mysteries unravel,
In the sorcerer’s cold stare,
Human folly concocts,
Yet gods’ whispers vanish,
Drowned in magic’s deceit.Wisdom’s obscure maze,
Navigated by the reckless,
In darkness they stumble,
Divine truths they chase,
But grasp fleeting shadows.Silence holds sway,
In sorcerer’s domain,
Human ambition ensnared,
By cosmic machinations,
Gods’ presence, distant.Between realms they wander,
Sorcerer, chasing illusions,
In twilight’s suffocating grip,
Faith wavers, clinging to illusions,
Magic’s tangled deception.In the occult’s hold,
Soul finds no solace, torment,
Humanity’s folly laid bare,
Divine essence obscured,
In sorcery’s unyielding grasp.#ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #magick #occult #occultism #pagan #paganism #poem #poetry #religion #sorcery #Spirituality #Theism #writing
-
Mysteries unravel,
In the sorcerer’s cold stare,
Human folly concocts,
Yet gods’ whispers vanish,
Drowned in magic’s deceit.Wisdom’s obscure maze,
Navigated by the reckless,
In darkness they stumble,
Divine truths they chase,
But grasp fleeting shadows.Silence holds sway,
In sorcerer’s domain,
Human ambition ensnared,
By cosmic machinations,
Gods’ presence, distant.Between realms they wander,
Sorcerer, chasing illusions,
In twilight’s suffocating grip,
Faith wavers, clinging to illusions,
Magic’s tangled deception.In the occult’s hold,
Soul finds no solace, torment,
Humanity’s folly laid bare,
Divine essence obscured,
In sorcery’s unyielding grasp.#ceremonialMagick #chaosMagic #chaosMagick #egregore #egregores #magick #occult #occultism #pagan #paganism #poem #poetry #religion #sorcery #Spirituality #Theism #writing
