#cycling74 — Public Fediverse posts

New device for loading samples randomly into multiple instances of Simpler at the same time.

https://killihu.vstskins.com/simpler-sample-loader/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Presets device updated to v1.2, changelog available on the web: https://killihu.vstskins.com/presets/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Device Navigator v2 has been released with chain browser for navigating within effects racks and other improvements. Full details at:

https://killihu.vstskins.com/device-navigator/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Clip Cloner copies the contents of a MIDI clip to all clips with the same name on the same track.

https://killihu.vstskins.com/clip-cloner/

#ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicstudio #sounddesign

Max for Live devices to control Arturia effects plugins. Screenshots at the following link.

https://killihu.vstskins.com/epc-database/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicstudio #sounddesign

Master Pitch Pro updated to support MPE message passing.

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Mapping tool for Ableton Live 12 with custom curves and details of mapped values.

https://killihu.vstskins.com/single-mapper/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Mod of the Boba device by OspreyInstruments.

https://killihu.vstskins.com/boba-mod/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

Max/MSP, and mostly Max nowadays, has been my new Heroes of Might and Magic II, or III

#cycling74 #3do

Max/MSP, and mostly Max nowadays, has been my new Heroes of Might and Magic II, or III

#cycling74 #3do

https://www.youtube.com/watch?v=uERiy_JImQs

Where is the fun Step8 sebairstein Sound Mirror Max9 by Cycling' 74 #maxmsp #sebairstein #soundmirror #cycling74

https://youtu.be/lEizeJt7LQw?si=f41n9_beCx1Fgn63
#sebairstein #maxmsp #soundmirror #cycling74

https://youtu.be/3Z60GJNDUOo?si=-60OiFgIJCwwJwFj
I had the pleasure of being commissioned by Cycling' 74 to participate in the Sound Mirror project. I invite you to take a step-by-step guide to creating your oscillator, exporting your wavetables, and have fun :) with Max9
#sebairstein #maxmsp #soundmirror #cycling74

https://youtu.be/3Z60GJNDUOo?si=-60OiFgIJCwwJwFj
I had the pleasure of being commissioned by Cycling' 74 to participate in the Sound Mirror project. I invite you to take a step-by-step guide to creating your oscillator, exporting your wavetables, and have fun :) with Max9
#sebairstein #maxmsp #soundmirror #cycling74

Hello world.
#maxmsp #cycling74 #gen~
#electronicmusic #digitalart

Hello world.
#maxmsp #cycling74 #gen~
#electronicmusic #digitalart

Hello world.
#maxmsp #cycling74 #gen~
#electronicmusic #digitalart

Hello world.
#maxmsp #cycling74 #gen~
#electronicmusic #digitalart

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings #MaxMSP #Cycling74 #Glitch #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings #MaxMSP #Cycling74 #Glitch #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction

And here's the results of the mp3 glitching script (reillyspitzfaden.com/posts/2025/0...) played with the MuBu concatenative synthesis tools in @cycling74.bsky.social's Max/MSP #MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction

And here's the results of the mp3 glitching script (reillyspitzfaden.com/posts/2025/0...) played with the MuBu concatenative synthesis tools in @cycling74.bsky.social's Max/MSP #MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction

And here's the results of the mp3 glitching script (https://reillyspitzfaden.com/posts/2025/04/databending-part-3/) played with the MuBu concatenative synthesis tools in Max/MSP

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings

#MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction #Musodon

And here's the results of the mp3 glitching script (https://reillyspitzfaden.com/posts/2025/04/databending-part-3/) played with the MuBu concatenative synthesis tools in Max/MSP

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings

#MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction #Musodon

And here's the results of the mp3 glitching script (https://reillyspitzfaden.com/posts/2025/04/databending-part-3/) played with the MuBu concatenative synthesis tools in Max/MSP

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings

#MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction #Musodon

And here's the results of the mp3 glitching script (https://reillyspitzfaden.com/posts/2025/04/databending-part-3/) played with the MuBu concatenative synthesis tools in Max/MSP

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings

#MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction #Musodon

And here's the results of the mp3 glitching script (https://reillyspitzfaden.com/posts/2025/04/databending-part-3/) played with the MuBu concatenative synthesis tools in Max/MSP

I'm analyzing the file based on transients, sorting the segments according to loudness (Y axis) and average frequency of the spectrum (X axis), then playing through those segments using those groupings

#MaxMSP #Cycling74 #Glitch #GlitchArt #ExperimentalMusic #SoundDesign #ElectronicMusic #MusicProduction #Musodon

Puls. Progress…
Kulturpool Gusental micro-residency at altes Hallenbad Gallneukirchen.

6 Audio Signal powered LEDs, sequenced with Max/msp
Slowly developing first prototypes of audiorate-sequencers

Sound is coming from a solarpanel which is installed in front of each LED, and is connected directly to the Speakers

#maxmsp #cycling74 #audiovisual #strobe #strobo #pulse @kulturpool.gusental

Yesterday I received this book, I heard about it on an interview with Gregory Taylor (#cycling74) by Darwin Grosse on his podcast (how I miss his interviews 😞). I have not yet started reading it but sure looks amazing. Book was permanently sold out but some copies recently surfaced so I grabbed one. Free PDF is also available here https://v2.nl/on-the-threshold-of-beauty

Yesterday I received this book, I heard about it on an interview with Gregory Taylor (#cycling74) by Darwin Grosse on his podcast (how I miss his interviews 😞). I have not yet started reading it but sure looks amazing. Book was permanently sold out but some copies recently surfaced so I grabbed one. Free PDF is also available here https://v2.nl/on-the-threshold-of-beauty

Yesterday I received this book, I heard about it on an interview with Gregory Taylor (#cycling74) by Darwin Grosse on his podcast (how I miss his interviews 😞). I have not yet started reading it but sure looks amazing. Book was permanently sold out but some copies recently surfaced so I grabbed one. Free PDF is also available here https://v2.nl/on-the-threshold-of-beauty

Yesterday I received this book, I heard about it on an interview with Gregory Taylor (#cycling74) by Darwin Grosse on his podcast (how I miss his interviews 😞). I have not yet started reading it but sure looks amazing. Book was permanently sold out but some copies recently surfaced so I grabbed one. Free PDF is also available here https://v2.nl/on-the-threshold-of-beauty

Doing a talk tomorrow for the Centre for Digital Music at 2PM GMT which will be also be streamed online.

If you're in London you can find it here:
https://comma.eecs.qmul.ac.uk/timbre-tools-hackathon/

It will also be streamed here:
https://www.youtube.com/watch?v=qhOeLHZ_sIU

I'll be talking about SP-Tools: Machine Learning tools for low latency real-time performance

#machinelearning #maxmsp #cycling74

Doing a talk tomorrow for the Centre for Digital Music at 2PM GMT which will be also be streamed online.

If you're in London you can find it here:
https://comma.eecs.qmul.ac.uk/timbre-tools-hackathon/

It will also be streamed here:
https://www.youtube.com/watch?v=qhOeLHZ_sIU

I'll be talking about SP-Tools: Machine Learning tools for low latency real-time performance

#machinelearning #maxmsp #cycling74

Doing a talk tomorrow for the Centre for Digital Music at 2PM GMT which will be also be streamed online.

If you're in London you can find it here:
https://comma.eecs.qmul.ac.uk/timbre-tools-hackathon/

It will also be streamed here:
https://www.youtube.com/watch?v=qhOeLHZ_sIU

I'll be talking about SP-Tools: Machine Learning tools for low latency real-time performance

#machinelearning #maxmsp #cycling74

Doing a talk tomorrow for the Centre for Digital Music at 2PM GMT which will be also be streamed online.

If you're in London you can find it here:
https://comma.eecs.qmul.ac.uk/timbre-tools-hackathon/

It will also be streamed here:
https://www.youtube.com/watch?v=qhOeLHZ_sIU

I'll be talking about SP-Tools: Machine Learning tools for low latency real-time performance

#machinelearning #maxmsp #cycling74

Doing a talk tomorrow for the Centre for Digital Music at 2PM GMT which will be also be streamed online.

If you're in London you can find it here:
https://comma.eecs.qmul.ac.uk/timbre-tools-hackathon/

It will also be streamed here:
https://www.youtube.com/watch?v=qhOeLHZ_sIU

I'll be talking about SP-Tools: Machine Learning tools for low latency real-time performance

#machinelearning #maxmsp #cycling74

@ramin_hal9001 nice, I hadn't seen cabbage before. But yeah, Pd is pretty bare bones. I used to be a #MaxMSP power user, which I think is the most advanced implementation of visual *programming* to date, both in the ridiculously customizable development environment that allows you to design GUIs, and with all kinds of interesting debugging tools and the low level gen~ languages that include a jit compiler that allows you to do signal manipulation with the per/sample precision needed to implement zero-delay filters (which are necessary for producing nonlinearities in signal harmonics characteristic of studio analog tape echoes), an area of programming where the stop-the-world effect of garbage collection rules out most high-level languages.

Its really such an amazing system, and something #Ableton would GPL if they knew whats good for them; too much incredible software has been created in Max by important artists and composers to keep it from the world, and Max is being held back by keeping it under the control of #cycling74. C74 should become the cycling74 foundation, then Max could explode, C74 folks could keep their jobs, and Ableton would get integrations with the massive realm of FOSS software by way of Max's expanded reach and rapid development that comes with a free and open source project. And they'd be able to direct a non-profit foundation, which would expand their reach as a company significantly.

I had to stop using it because its proprietary nature creates to many hurdles in the Max SDK to keep up with the rest of the world at the required pace to deliver interactive installations to production events. Jitter in particular is stuck in the stone ages, only reaching openGL 2 with gpu accelerated instancing in like 2017, something I needed in 2010.

I like ableton, ive met Robert Henke and am an old monolake fan. But I hope they can, as artist, think about how important Max has been in art and how it shouldn't remain locked down. Ableton fine, idc, musicians don't share their arrangements anyway. But Max was always this pretending-to-be-open project. It should finally become one.

@ramin_hal9001 nice, I hadn't seen cabbage before. But yeah, Pd is pretty bare bones. I used to be a #MaxMSP power user, which I think is the most advanced implementation of visual *programming* to date, both in the ridiculously customizable development environment that allows you to design GUIs, and with all kinds of interesting debugging tools and the low level gen~ languages that include a jit compiler that allows you to do signal manipulation with the per/sample precision needed to implement zero-delay filters (which are necessary for producing nonlinearities in signal harmonics characteristic of studio analog tape echoes), an area of programming where the stop-the-world effect of garbage collection rules out most high-level languages.

Its really such an amazing system, and something #Ableton would GPL if they knew whats good for them; too much incredible software has been created in Max by important artists and composers to keep it from the world, and Max is being held back by keeping it under the control of #cycling74. C74 should become the cycling74 foundation, then Max could explode, C74 folks could keep their jobs, and Ableton would get integrations with the massive realm of FOSS software by way of Max's expanded reach and rapid development that comes with a free and open source project. And they'd be able to direct a non-profit foundation, which would expand their reach as a company significantly.

I had to stop using it because its proprietary nature creates to many hurdles in the Max SDK to keep up with the rest of the world at the required pace to deliver interactive installations to production events. Jitter in particular is stuck in the stone ages, only reaching openGL 2 with gpu accelerated instancing in like 2017, something I needed in 2010.

I like ableton, ive met Robert Henke and am an old monolake fan. But I hope they can, as artist, think about how important Max has been in art and how it shouldn't remain locked down. Ableton fine, idc, musicians don't share their arrangements anyway. But Max was always this pretending-to-be-open project. It should finally become one.

@ramin_hal9001 nice, I hadn't seen cabbage before. But yeah, Pd is pretty bare bones. I used to be a #MaxMSP power user, which I think is the most advanced implementation of visual *programming* to date, both in the ridiculously customizable development environment that allows you to design GUIs, and with all kinds of interesting debugging tools and the low level gen~ languages that include a jit compiler that allows you to do signal manipulation with the per/sample precision needed to implement zero-delay filters (which are necessary for producing nonlinearities in signal harmonics characteristic of studio analog tape echoes), an area of programming where the stop-the-world effect of garbage collection rules out most high-level languages.

Its really such an amazing system, and something #Ableton would GPL if they knew whats good for them; too much incredible software has been created in Max by important artists and composers to keep it from the world, and Max is being held back by keeping it under the control of #cycling74. C74 should become the cycling74 foundation, then Max could explode, C74 folks could keep their jobs, and Ableton would get integrations with the massive realm of FOSS software by way of Max's expanded reach and rapid development that comes with a free and open source project. And they'd be able to direct a non-profit foundation, which would expand their reach as a company significantly.

I had to stop using it because its proprietary nature creates to many hurdles in the Max SDK to keep up with the rest of the world at the required pace to deliver interactive installations to production events. Jitter in particular is stuck in the stone ages, only reaching openGL 2 with gpu accelerated instancing in like 2017, something I needed in 2010.

I like ableton, ive met Robert Henke and am an old monolake fan. But I hope they can, as artist, think about how important Max has been in art and how it shouldn't remain locked down. Ableton fine, idc, musicians don't share their arrangements anyway. But Max was always this pretending-to-be-open project. It should finally become one.

@ramin_hal9001 nice, I hadn't seen cabbage before. But yeah, Pd is pretty bare bones. I used to be a #MaxMSP power user, which I think is the most advanced implementation of visual *programming* to date, both in the ridiculously customizable development environment that allows you to design GUIs, and with all kinds of interesting debugging tools and the low level gen~ languages that include a jit compiler that allows you to do signal manipulation with the per/sample precision needed to implement zero-delay filters (which are necessary for producing nonlinearities in signal harmonics characteristic of studio analog tape echoes), an area of programming where the stop-the-world effect of garbage collection rules out most high-level languages.

Its really such an amazing system, and something #Ableton would GPL if they knew whats good for them; too much incredible software has been created in Max by important artists and composers to keep it from the world, and Max is being held back by keeping it under the control of #cycling74. C74 should become the cycling74 foundation, then Max could explode, C74 folks could keep their jobs, and Ableton would get integrations with the massive realm of FOSS software by way of Max's expanded reach and rapid development that comes with a free and open source project. And they'd be able to direct a non-profit foundation, which would expand their reach as a company significantly.

I had to stop using it because its proprietary nature creates to many hurdles in the Max SDK to keep up with the rest of the world at the required pace to deliver interactive installations to production events. Jitter in particular is stuck in the stone ages, only reaching openGL 2 with gpu accelerated instancing in like 2017, something I needed in 2010.

I like ableton, ive met Robert Henke and am an old monolake fan. But I hope they can, as artist, think about how important Max has been in art and how it shouldn't remain locked down. Ableton fine, idc, musicians don't share their arrangements anyway. But Max was always this pretending-to-be-open project. It should finally become one.

@ramin_hal9001 nice, I hadn't seen cabbage before. But yeah, Pd is pretty bare bones. I used to be a #MaxMSP power user, which I think is the most advanced implementation of visual *programming* to date, both in the ridiculously customizable development environment that allows you to design GUIs, and with all kinds of interesting debugging tools and the low level gen~ languages that include a jit compiler that allows you to do signal manipulation with the per/sample precision needed to implement zero-delay filters (which are necessary for producing nonlinearities in signal harmonics characteristic of studio analog tape echoes), an area of programming where the stop-the-world effect of garbage collection rules out most high-level languages.

Its really such an amazing system, and something #Ableton would GPL if they knew whats good for them; too much incredible software has been created in Max by important artists and composers to keep it from the world, and Max is being held back by keeping it under the control of #cycling74. C74 should become the cycling74 foundation, then Max could explode, C74 folks could keep their jobs, and Ableton would get integrations with the massive realm of FOSS software by way of Max's expanded reach and rapid development that comes with a free and open source project. And they'd be able to direct a non-profit foundation, which would expand their reach as a company significantly.

I had to stop using it because its proprietary nature creates to many hurdles in the Max SDK to keep up with the rest of the world at the required pace to deliver interactive installations to production events. Jitter in particular is stuck in the stone ages, only reaching openGL 2 with gpu accelerated instancing in like 2017, something I needed in 2010.

I like ableton, ive met Robert Henke and am an old monolake fan. But I hope they can, as artist, think about how important Max has been in art and how it shouldn't remain locked down. Ableton fine, idc, musicians don't share their arrangements anyway. But Max was always this pretending-to-be-open project. It should finally become one.

Early tests of an accelerometer controlling a synth. Working on a piece in which minute movements of a still body control sound.

@arduino @adafruit
#cycling74
#maxmsp
#doepfer
#experimentalmusic

Early tests of an accelerometer controlling a synth. Working on a piece in which minute movements of a still body control sound.

@arduino @adafruit
#cycling74
#maxmsp
#doepfer
#experimentalmusic

Early tests of an accelerometer controlling a synth. Working on a piece in which minute movements of a still body control sound.

@arduino @adafruit
#cycling74
#maxmsp
#doepfer
#experimentalmusic

I opened up Max again.

It's starting.

#Max #cycling74 #composition #newmusic

I opened up Max again.

It's starting.

#Max #cycling74 #composition #newmusic

I opened up Max again.

It's starting.

#Max #cycling74 #composition #newmusic

I opened up Max again.

It's starting.

#Max #cycling74 #composition #newmusic

I opened up Max again.

It's starting.

#Max #cycling74 #composition #newmusic