home.social

#bondmovies — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bondmovies, aggregated by home.social.

  1. Marissa has been watching a bunch of James Bond movies on Netflix as workout fodder (or at least as much of each one as she can stand) and we have structural questions.

    The canonical opening is an action sequence completely unrelated to the rest of the plot, then title sequence, then office banter. But why?

    This actually makes more sense in the Netflix era! Now, you want to get the audience hooked so they don't switch to something else. But for theater audiences? They aren't going to walk out if nobody gets shot by James Bond in the first few minutes, are they? And just psychologically speaking the last action sequence is probably going to be more memorable.

    Is it really necessary to re-introduce James Bond each time? Does this setup serve some crucial role in engagement with the film? (One of the breaks in this pattern is the George Lazenby film where the rest of the cast seems to be reassuring us that James Bond is still James Bond, but that also seems backwards, why tell instead of show?)

    Narratively, it seems like you could be doing other things with that time. Show the villain's dastardly plan being set into motion. Then M calls for Bond, office banter, etc., but the plot is already in motion. (The Columbo structure!)

    So what function does the opening set-piece serve?

    #movies #bondmovies

  2. Marissa has been watching a bunch of James Bond movies on Netflix as workout fodder (or at least as much of each one as she can stand) and we have structural questions.

    The canonical opening is an action sequence completely unrelated to the rest of the plot, then title sequence, then office banter. But why?

    This actually makes more sense in the Netflix era! Now, you want to get the audience hooked so they don't switch to something else. But for theater audiences? They aren't going to walk out if nobody gets shot by James Bond in the first few minutes, are they? And just psychologically speaking the last action sequence is probably going to be more memorable.

    Is it really necessary to re-introduce James Bond each time? Does this setup serve some crucial role in engagement with the film? (One of the breaks in this pattern is the George Lazenby film where the rest of the cast seems to be reassuring us that James Bond is still James Bond, but that also seems backwards, why tell instead of show?)

    Narratively, it seems like you could be doing other things with that time. Show the villain's dastardly plan being set into motion. Then M calls for Bond, office banter, etc., but the plot is already in motion. (The Columbo structure!)

    So what function does the opening set-piece serve?

    #movies #bondmovies

  3. Marissa has been watching a bunch of James Bond movies on Netflix as workout fodder (or at least as much of each one as she can stand) and we have structural questions.

    The canonical opening is an action sequence completely unrelated to the rest of the plot, then title sequence, then office banter. But why?

    This actually makes more sense in the Netflix era! Now, you want to get the audience hooked so they don't switch to something else. But for theater audiences? They aren't going to walk out if nobody gets shot by James Bond in the first few minutes, are they? And just psychologically speaking the last action sequence is probably going to be more memorable.

    Is it really necessary to re-introduce James Bond each time? Does this setup serve some crucial role in engagement with the film? (One of the breaks in this pattern is the George Lazenby film where the rest of the cast seems to be reassuring us that James Bond is still James Bond, but that also seems backwards, why tell instead of show?)

    Narratively, it seems like you could be doing other things with that time. Show the villain's dastardly plan being set into motion. Then M calls for Bond, office banter, etc., but the plot is already in motion. (The Columbo structure!)

    So what function does the opening set-piece serve?

    #movies #bondmovies

  4. Marissa has been watching a bunch of James Bond movies on Netflix as workout fodder (or at least as much of each one as she can stand) and we have structural questions.

    The canonical opening is an action sequence completely unrelated to the rest of the plot, then title sequence, then office banter. But why?

    This actually makes more sense in the Netflix era! Now, you want to get the audience hooked so they don't switch to something else. But for theater audiences? They aren't going to walk out if nobody gets shot by James Bond in the first few minutes, are they? And just psychologically speaking the last action sequence is probably going to be more memorable.

    Is it really necessary to re-introduce James Bond each time? Does this setup serve some crucial role in engagement with the film? (One of the breaks in this pattern is the George Lazenby film where the rest of the cast seems to be reassuring us that James Bond is still James Bond, but that also seems backwards, why tell instead of show?)

    Narratively, it seems like you could be doing other things with that time. Show the villain's dastardly plan being set into motion. Then M calls for Bond, office banter, etc., but the plot is already in motion. (The Columbo structure!)

    So what function does the opening set-piece serve?

    #movies #bondmovies

  5. Marissa has been watching a bunch of James Bond movies on Netflix as workout fodder (or at least as much of each one as she can stand) and we have structural questions.

    The canonical opening is an action sequence completely unrelated to the rest of the plot, then title sequence, then office banter. But why?

    This actually makes more sense in the Netflix era! Now, you want to get the audience hooked so they don't switch to something else. But for theater audiences? They aren't going to walk out if nobody gets shot by James Bond in the first few minutes, are they? And just psychologically speaking the last action sequence is probably going to be more memorable.

    Is it really necessary to re-introduce James Bond each time? Does this setup serve some crucial role in engagement with the film? (One of the breaks in this pattern is the George Lazenby film where the rest of the cast seems to be reassuring us that James Bond is still James Bond, but that also seems backwards, why tell instead of show?)

    Narratively, it seems like you could be doing other things with that time. Show the villain's dastardly plan being set into motion. Then M calls for Bond, office banter, etc., but the plot is already in motion. (The Columbo structure!)

    So what function does the opening set-piece serve?

    #movies #bondmovies

  6. 🚘🍸 Nobody does it better…

    #OTD in 1977, 𝘛𝘩𝘦 𝘚𝘱𝘺 𝘞𝘩𝘰 𝘓𝘰𝘷𝘦𝘥 𝘔𝘦 premiered, bringing Roger Moore’s James Bond, an underwater Lotus Esprit, steel-toothed henchman Jaws, and one of the greatest Bond theme songs ever.

    A top-tier 007 classic. Where does it rank on your Bond list? 🎥👇

    #JamesBond #70sMovies #BondMovies

  7. 🚘🍸 Nobody does it better…

    #OTD in 1977, 𝘛𝘩𝘦 𝘚𝘱𝘺 𝘞𝘩𝘰 𝘓𝘰𝘷𝘦𝘥 𝘔𝘦 premiered, bringing Roger Moore’s James Bond, an underwater Lotus Esprit, steel-toothed henchman Jaws, and one of the greatest Bond theme songs ever.

    A top-tier 007 classic. Where does it rank on your Bond list? 🎥👇

    #JamesBond #70sMovies #BondMovies

  8. 🚘🍸 Nobody does it better…

    #OTD in 1977, 𝘛𝘩𝘦 𝘚𝘱𝘺 𝘞𝘩𝘰 𝘓𝘰𝘷𝘦𝘥 𝘔𝘦 premiered, bringing Roger Moore’s James Bond, an underwater Lotus Esprit, steel-toothed henchman Jaws, and one of the greatest Bond theme songs ever.

    A top-tier 007 classic. Where does it rank on your Bond list? 🎥👇

    #JamesBond #70sMovies #BondMovies

  9. Never Say Never Again (1983), Sean Connery's disappointing return to the role. A remake of Thunderball, it has its moments and it’s not terrible but it’s no more than a very average spy thriller and you expect a lot more from a Bond movie.

    My review: princeplanetmovies.blogspot.co

    #80smovie #80smovies #1980smovie #1980smovies #cultmovie #cultmovies #cultcinema #spies #spymovie #spymovies #seanconnery #jamesbond #bondmovie #bondmovies #bondfilm #bondfilms

  10. Never Say Never Again (1983), Sean Connery's disappointing return to the role. A remake of Thunderball, it has its moments and it’s not terrible but it’s no more than a very average spy thriller and you expect a lot more from a Bond movie.

    My review: princeplanetmovies.blogspot.co

    #80smovie #80smovies #1980smovie #1980smovies #cultmovie #cultmovies #cultcinema #spies #spymovie #spymovies #seanconnery #jamesbond #bondmovie #bondmovies #bondfilm #bondfilms

  11. Never Say Never Again (1983), Sean Connery's disappointing return to the role. A remake of Thunderball, it has its moments and it’s not terrible but it’s no more than a very average spy thriller and you expect a lot more from a Bond movie.

    My review: princeplanetmovies.blogspot.co

    #80smovie #80smovies #1980smovie #1980smovies #cultmovie #cultmovies #cultcinema #spies #spymovie #spymovies #seanconnery #jamesbond #bondmovie #bondmovies #bondfilm #bondfilms

  12. Never Say Never Again (1983), Sean Connery's disappointing return to the role. A remake of Thunderball, it has its moments and it’s not terrible but it’s no more than a very average spy thriller and you expect a lot more from a Bond movie.

    My review: princeplanetmovies.blogspot.co

    #80smovie #80smovies #1980smovie #1980smovies #cultmovie #cultmovies #cultcinema #spies #spymovie #spymovies #seanconnery #jamesbond #bondmovie #bondmovies #bondfilm #bondfilms

  13. Never Say Never Again (1983), Sean Connery's disappointing return to the role. A remake of Thunderball, it has its moments and it’s not terrible but it’s no more than a very average spy thriller and you expect a lot more from a Bond movie.

    My review: princeplanetmovies.blogspot.co

    #80smovie #80smovies #1980smovie #1980smovies #cultmovie #cultmovies #cultcinema #spies #spymovie #spymovies #seanconnery #jamesbond #bondmovie #bondmovies #bondfilm #bondfilms

  14. Somebody once stitched together the first scene from Dr. No, the second scene from From Russia with Love, the third scene from Goldfinger, etc. etc. The whole thing was over an hour long and the continuity was nearly perfect. I tried to find it again but couldn’t. Anyone know anything about this?
    #JamesBond #BondMovies

  15. Somebody once stitched together the first scene from Dr. No, the second scene from From Russia with Love, the third scene from Goldfinger, etc. etc. The whole thing was over an hour long and the continuity was nearly perfect. I tried to find it again but couldn’t. Anyone know anything about this?
    #JamesBond #BondMovies

  16. Somebody once stitched together the first scene from Dr. No, the second scene from From Russia with Love, the third scene from Goldfinger, etc. etc. The whole thing was over an hour long and the continuity was nearly perfect. I tried to find it again but couldn’t. Anyone know anything about this?
    #JamesBond #BondMovies

  17. Somebody once stitched together the first scene from Dr. No, the second scene from From Russia with Love, the third scene from Goldfinger, etc. etc. The whole thing was over an hour long and the continuity was nearly perfect. I tried to find it again but couldn’t. Anyone know anything about this?
    #JamesBond #BondMovies

  18. Somebody once stitched together the first scene from Dr. No, the second scene from From Russia with Love, the third scene from Goldfinger, etc. etc. The whole thing was over an hour long and the continuity was nearly perfect. I tried to find it again but couldn’t. Anyone know anything about this?
    #JamesBond #BondMovies