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1000 results for “Angelike”
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Tonight’s stream is Phasmophobia x Alan Wake with Angeliela and Dragonrose_Lady_of_Chaos — investigating hauntings, dodging shadows, and diving into the crossover’s cinematic chaos.
Play along with the Ghost Guessing game using !GhostGame.
Join the Nexus for the run.🟪 http://twitch.tv/RealKeithBoaz
#smallcreator #gamingcommunity #NeonNexus -
Today’s stream is Deep Rock Galactic with Angeliela — mining through the chaos, fighting off swarms, and embracing the mayhem together.
Join the Nexus for the run.🟪 http://twitch.tv/RealKeithBoaz
#smallcreator #gamingcommunity #NeonNexus -
‘Love, Brooklyn’ Sees A Top Per Screen Opening Of The Year At NYC’s Angelika – Specialty Box Office
#News #ALittlePrayver #AndreHolland #HoneyDon039t #LoveBrooklyn #Lurker #Relay #SpecialtyBoxOffice #Splitsville -
‘Love, Brooklyn’ Sees A Top Per Screen Opening Of The Year At NYC’s Angelika – Specialty Box Office
#News #ALittlePrayver #AndreHolland #HoneyDon039t #LoveBrooklyn #Lurker #Relay #SpecialtyBoxOffice #Splitsville -
‘Love, Brooklyn’ Sees A Top Per Screen Opening Of The Year At NYC’s Angelika – Specialty Box Office
#News #ALittlePrayver #AndreHolland #HoneyDon039t #LoveBrooklyn #Lurker #Relay #SpecialtyBoxOffice #Splitsville -
‘Love, Brooklyn’ Sees A Top Per Screen Opening Of The Year At NYC’s Angelika – Specialty Box Office
#News #ALittlePrayver #AndreHolland #HoneyDon039t #LoveBrooklyn #Lurker #Relay #SpecialtyBoxOffice #Splitsville -
Am 13.10. begrüßten wir 450 Interessierte beim "Münchner Elternabend Medien" in der Alten Kongresshalle.
Thema: „Fake oder Real?“ mit Impuls von Prof. Angelika Beranek, als Video verfügbar unter https://medienbildung-muenchen.de/elternabend/
Vielen Dank an die LH München für die gute Kooperation!
(C) Fotos: Hannes Rohrer
#Elternabend #Medienerziehung #Medienpädagogik #Medienkompetenz
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[19:19] Martin urges closure over Oireachtas dispute with Kerins
Taoiseach Micheál Martin has urged the Oireachtas to bring closure to its dispute with former Rehab Group CEO Angela Kerins.
https://www.rte.ie/news/politics/2025/0227/1499359-taoiseach-kerins-oireachtas/
#MicheálMartin #Oireachtas #RehabGroup #AngelaKerins -
𝗪𝗵𝗮𝘁 𝗜'𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗪𝗮𝗿𝗿𝗶𝗼𝗿 𝗚𝗶𝗿𝗹 𝗨𝗻𝗲𝗮𝗿𝘁𝗵𝗲𝗱" 𝗯𝘆 𝗔𝗻𝗴𝗲𝗹𝗶𝗻𝗲 𝗕𝗼𝘂𝗹𝗹𝗲𝘆 -
It's taken me too long to get to acclaimed and Michigan-based Ojibwe author Boulley, and I know I'm reading her stuff out of order, but I was told it was allowed! 𝘍𝘪𝘳𝘦𝘬𝘦𝘦𝘱𝘦𝘳'𝘴 𝘋𝘢𝘶𝘨𝘩𝘵𝘦𝘳 will be next!#books #bookreviews #bookworm #tbr #tbrpile #tbrlist #quotes #reading #angelineboulley #ya #warriorgirluneathed #indigenousliterature #ojibweliterature
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“Heaven hears the screams too.” 🔥
This week’s #WisdomWednesdays dives into Chapter 7 of #SOLADBookII where Angeline rises in the rubble to protect Memphis.
💥 Your intercession has power.
💥 Your calling has purpose.Read the full post: https://wix.to/ODtFCkp
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“Heaven hears the screams too.” 🔥
This week’s #WisdomWednesdays dives into Chapter 7 of #SOLADBookII where Angeline rises in the rubble to protect Memphis.
💥 Your intercession has power.
💥 Your calling has purpose.Read the full post: https://wix.to/ODtFCkp
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Sometimes the fight finds you.
Kevin & Juanita didn’t wait for rescue—they became the rescue. 💥🔥 #Angelo #Angeline #SOLAD
You’re not powerless. You’re already equipped. 🛡️
Read more: https://wix.to/kGRyplI#ReedsReadsOfWisdom #FaithInAction #SpiritualWarfare #BlackSuperheroes #blackmastodon #BookMastodon
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Sometimes the fight finds you.
Kevin & Juanita didn’t wait for rescue—they became the rescue. 💥🔥 #Angelo #Angeline #SOLAD
You’re not powerless. You’re already equipped. 🛡️
Read more: https://wix.to/kGRyplI#ReedsReadsOfWisdom #FaithInAction #SpiritualWarfare #BlackSuperheroes #blackmastodon #BookMastodon
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[MAUVAIS GENRES] 📻🗣️ Merci à François Angelier d'avoir annoncé le Festival des Sortilèges lors du Mauvais Genres du 7/6 sur France Culture🙏🏻
🌞 2è édition les 20 & 21 juin soirs @ Espace Saint Michel (Paris Vè) :
ℹ️ www.festivaldessortileges.fr/2025.html
📆 www.facebook.com/events/707994621563657
🎟️ https://achat.espacesaintmichel.com/reserver#festival #cinéma #film #horreur #fantastique #filmdegenre #cinémabis #sérieB #sorcellerie #sorcière #Indonésie #Suzzanna #SundelBolong #ᬭᬗ᭄ᬤ #Rangda #Calonarang
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[MAUVAIS GENRES] 📻🗣️ Merci à François Angelier d'avoir annoncé le Festival des Sortilèges lors du Mauvais Genres du 7/6 sur France Culture🙏🏻
🌞 2è édition les 20 & 21 juin soirs @ Espace Saint Michel (Paris Vè) :
ℹ️ www.festivaldessortileges.fr/2025.html
📆 www.facebook.com/events/707994621563657
🎟️ https://achat.espacesaintmichel.com/reserver#festival #cinéma #film #horreur #fantastique #filmdegenre #cinémabis #sérieB #sorcellerie #sorcière #Indonésie #Suzzanna #SundelBolong #ᬭᬗ᭄ᬤ #Rangda #Calonarang
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@ProjectFearlessness Grand bit of #spin and #greenwashing there. You make it all sound throughly handknitted.
But #AngelikaStogia's opponents are unlikely to buy into this novel picture of a good corporate lobbyist. Spin it how you like, it's still privatisation of public planning.
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https://www.europesays.com/ie/191006/ The year South Africa finally turned the corner #Aesop #AngelikaGoliger #bb #BerBusinessConfidenceIndex #BudgetPolicyStatement #Business #DigitalTransformationRoadmap #Economy #Éire #eskom #EY #fatf #IE #IndependentMedia #iol #Ireland #jse #OperationVulindlela #powerpoint #rmb #S&PGlobalRatings #SouthAfrica
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https://www.europesays.com/uk/582123/ The year South Africa finally turned the corner #Aesop #AngelikaGoliger #bb #BerBusinessConfidenceIndex #BudgetPolicyStatement #Business #DigitalTransformationRoadmap #Economy #eskom #ey #FATF #IndependentMedia #iol #jse #OperationVulindlela #powerpoint #rmb #S&PGlobalRatings #SouthAfrica #UK #UnitedKingdom
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The year South Africa finally turned the corner
Angelika Goliger|Published 56 minutes ago For the past decade, South Africa has felt like a country stuck in…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Economy #Aesop #angelikagoliger #B&B #berbusinessconfidenceindex #budgetpolicystatement #Business #digitaltransformationroadmap #eskom #EY #FATF #independentmedia #iol #jse #operationvulindlela #powerpoint #rmb #S&PGlobalRatings #SouthAfrica
https://www.newsbeep.com/us/302791/ -
The year South Africa finally turned the corner
Angelika Goliger|Published 56 minutes ago For the past decade, South Africa has felt like a country stuck in…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Economy #Aesop #angelikagoliger #B&B #berbusinessconfidenceindex #budgetpolicystatement #Business #digitaltransformationroadmap #eskom #EY #FATF #independentmedia #iol #jse #operationvulindlela #powerpoint #rmb #S&PGlobalRatings #SouthAfrica
https://www.newsbeep.com/us/302791/ -
Liveticker: #Ostsee -Wal vor Poel wieder aktiver - so läuft der Rettungsversuch
Eine private Initiative will den #Buckelwal vor #Poel lebend bergen und in die Nordsee transportieren. Mobilkräne, Schwimmpontons und Rohre wurden dafür gestern angeliefert. Das Tier soll heute per Luftkissen angehoben werden
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Unmother – State Dependent Memory Review By TymeIndependent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?
State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.
State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.
Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.
Rating: 3.0/5.0
#2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026 -
Unmother – State Dependent Memory Review By TymeIndependent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?
State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.
State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.
Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.
Rating: 3.0/5.0
#2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026 -
Unmother – State Dependent Memory Review By TymeIndependent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?
State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.
State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.
Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.
Rating: 3.0/5.0
#2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026 -
Unmother – State Dependent Memory Review By TymeIndependent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?
State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.
State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.
Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.
Rating: 3.0/5.0
#2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026
