#violinconcerto — Public Fediverse posts

@classicalmusic

#BryceDessner *1976

#ViolinConcerto

#PekkaKuusisto #Violin

#hrSinfonieorchester
#ArianeMatiakh

#musik #music #musique #musica #Dressner
#contemporarymusic #classicalmusic

https://www.youtube.com/watch?v=U83Gc_P3m0k

@classicalmusic

#BryceDessner *1976

#ViolinConcerto

#PekkaKuusisto #Violin

#hrSinfonieorchester
#ArianeMatiakh

#musik #music #musique #musica #Dressner
#contemporarymusic #classicalmusic

https://www.youtube.com/watch?v=U83Gc_P3m0k

@classicalmusic

#BryceDessner *1976

#ViolinConcerto

#PekkaKuusisto #Violin

#hrSinfonieorchester
#ArianeMatiakh

#musik #music #musique #musica #Dressner
#contemporarymusic #classicalmusic

https://www.youtube.com/watch?v=U83Gc_P3m0k

@classicalmusic

#BryceDessner *1976

#ViolinConcerto

#PekkaKuusisto #Violin

#hrSinfonieorchester
#ArianeMatiakh

#musik #music #musique #musica #Dressner
#contemporarymusic #classicalmusic

https://www.youtube.com/watch?v=U83Gc_P3m0k

@classicalmusic

#BryceDessner *1976

#ViolinConcerto

#PekkaKuusisto #Violin

#hrSinfonieorchester
#ArianeMatiakh

#musik #music #musique #musica #Dressner
#contemporarymusic #classicalmusic

https://www.youtube.com/watch?v=U83Gc_P3m0k

@classicalmusic

#ThomasAdès *1971

#ViolinConcerto "Concentric Paths" Op. 23 (2005)

I. Rings
II. Paths
III. Rounds

#PekkaKuusisto #Violin

#WDRSymphonyOrchestra
#JukkaPekkSaraste

#musik #music #musique #musica #Adès
#contemporarymusic
#classicalmusic

https://www.youtube.com/watch?v=wJPshVn4tYo

@classicalmusic

#ThomasAdès *1971

#ViolinConcerto "Concentric Paths" Op. 23 (2005)

I. Rings
II. Paths
III. Rounds

#PekkaKuusisto #Violin

#WDRSymphonyOrchestra
#JukkaPekkSaraste

#musik #music #musique #musica #Adès
#contemporarymusic
#classicalmusic

https://www.youtube.com/watch?v=wJPshVn4tYo

@classicalmusic

#ThomasAdès *1971

#ViolinConcerto "Concentric Paths" Op. 23 (2005)

I. Rings
II. Paths
III. Rounds

#PekkaKuusisto #Violin

#WDRSymphonyOrchestra
#JukkaPekkSaraste

#musik #music #musique #musica #Adès
#contemporarymusic
#classicalmusic

https://www.youtube.com/watch?v=wJPshVn4tYo

@classicalmusic

#ThomasAdès *1971

#ViolinConcerto "Concentric Paths" Op. 23 (2005)

I. Rings
II. Paths
III. Rounds

#PekkaKuusisto #Violin

#WDRSymphonyOrchestra
#JukkaPekkSaraste

#musik #music #musique #musica #Adès
#contemporarymusic
#classicalmusic

https://www.youtube.com/watch?v=wJPshVn4tYo

@classicalmusic

#ThomasAdès *1971

#ViolinConcerto "Concentric Paths" Op. 23 (2005)

I. Rings
II. Paths
III. Rounds

#PekkaKuusisto #Violin

#WDRSymphonyOrchestra
#JukkaPekkSaraste

#musik #music #musique #musica #Adès
#contemporarymusic
#classicalmusic

https://www.youtube.com/watch?v=wJPshVn4tYo

4/4
Whether you are a seasoned listener or a newcomer to the violin, these 29 minutes of virtuosity are the perfect escape. Vengerov’s tone is rich, his precision is effortless, and his connection to the music is undeniable. 👏🎬
Check out the full video and let the music take you away!
#Virtuoso #ViolinConcerto #MendelssohnBartholdy #MaximVengerov #MusicalLegacy

4/4
Whether you are a seasoned listener or a newcomer to the violin, these 29 minutes of virtuosity are the perfect escape. Vengerov’s tone is rich, his precision is effortless, and his connection to the music is undeniable. 👏🎬
Check out the full video and let the music take you away!
#Virtuoso #ViolinConcerto #MendelssohnBartholdy #MaximVengerov #MusicalLegacy

@classicalmusic

#AntonioVivaldi 1678 – 1741

#ViolinConcerto in A minor, Op. 3, No 8
(#lEstroArmonico, 1711) #RV522

1. Allegro
2, Larghetto e spiritoso
3. Allegro

#SeulaLee #Violin
#AugustaMcKayLodge #Violin (concertmaster)

#VoicesOfMusic

#musik #music #musique #musica #Vivaldi
#classicalmusic #galantmusic

https://www.youtube.com/watch?v=n4-VvB3om0M

@classicalmusic

#AntonioVivaldi 1678 – 1741

#ViolinConcerto in A minor, Op. 3, No 8
(#lEstroArmonico, 1711) #RV522

1. Allegro
2, Larghetto e spiritoso
3. Allegro

#SeulaLee #Violin
#AugustaMcKayLodge #Violin (concertmaster)

#VoicesOfMusic

#musik #music #musique #musica #Vivaldi
#classicalmusic #galantmusic

https://www.youtube.com/watch?v=n4-VvB3om0M

@classicalmusic

#AntonioVivaldi 1678 – 1741

#ViolinConcerto in A minor, Op. 3, No 8
(#lEstroArmonico, 1711) #RV522

1. Allegro
2, Larghetto e spiritoso
3. Allegro

#SeulaLee #Violin
#AugustaMcKayLodge #Violin (concertmaster)

#VoicesOfMusic

#musik #music #musique #musica #Vivaldi
#classicalmusic #galantmusic

https://www.youtube.com/watch?v=n4-VvB3om0M

@classicalmusic

#AntonioVivaldi 1678 – 1741

#ViolinConcerto in A minor, Op. 3, No 8
(#lEstroArmonico, 1711) #RV522

1. Allegro
2, Larghetto e spiritoso
3. Allegro

#SeulaLee #Violin
#AugustaMcKayLodge #Violin (concertmaster)

#VoicesOfMusic

#musik #music #musique #musica #Vivaldi
#classicalmusic #galantmusic

https://www.youtube.com/watch?v=n4-VvB3om0M

@classicalmusic

#AntonioVivaldi 1678 – 1741

#ViolinConcerto in A minor, Op. 3, No 8
(#lEstroArmonico, 1711) #RV522

1. Allegro
2, Larghetto e spiritoso
3. Allegro

#SeulaLee #Violin
#AugustaMcKayLodge #Violin (concertmaster)

#VoicesOfMusic

#musik #music #musique #musica #Vivaldi
#classicalmusic #galantmusic

https://www.youtube.com/watch?v=n4-VvB3om0M

@classicalmusic

#KarolSzymanowski 1882 – 1937

#ViolinConcerto No.1 Op. 35 (1916)

#AlenaBaeva #Violin

#SinfoniaVarsovia
#RobertTrevino

#musik #music #musique #musica #modernistmusic #Szymanowski

https://www.youtube.com/watch?v=sbvp49ZWFJY

Jaime Laredo plays Bruch Violin Concerto No. 1, Op. 26 – 1986
https://youtu.be/HJiA1amSM7k?si=uCp3ah6hqfZiC0j5

I've listened to the Max Bruch Violin Concerto No. 1 twice today, first early in the morning on KMFA and then later on YouTube, where I played the same recording that had been broadcast on the radio earlier.

I do like it as a piece of music, I really do; I have sections of the adagio that play through in my head repeatedly. This has long been the case with both this concerto and the not dissimilar Mendelssohn concerto for the same instrument.

Yet do I love it? Or, to couch that question in the idiom of the British middle classes, is it one of my Desert Island Discs?

The answer is no. I don't have a passion for it, I could live without it, nor does it mark a significant point in my life.

I ask myself why I don't love it. Perhaps it's a kind of romantic music that has been so exploited in our culture that it feels hackneyed. Perhaps I'm just a snob and this classical FM favourite screams "middlebrow". But that can't be the whole explanation, as I like lots of "middlebrow" music, such as Sibelius.

I wonder if the problems lies less in the specific piece than in the instrument. I have similar "like but not love" feelings about the Mendelssohn, Brahms, and Tchaikovsky violin concertos; none of them would be on the desert island with me.

Yet if we turn to the Elgar Cello Concerto or that of Dvorak, then I am "Yes! Oh God, yes! YES!" These are pieces composed in a romantic idiom not unlike that of the Bruch concerto, are played over and over again, and exercise a similar appeal to middlebrow taste. So perhaps my loving them comes down to preference for the richer, deeper tones of the cello as opposed to the brightness of the violin when it comes to a concerto solo instrument.

With that thought in mind, I turn to Bruch's Kol Nidrei Op. 47 for cello and orchestra....and it doesn't work. Listening to it makes me feel like a woman whom a nice but unattractive man is attempting to seduce by sharing sentiments that he thinks of as tender and endearing. I'm afraid I have to friendzone Kol Nidrei.

Now if Bruch had dropped the idea of writing a violin concerto, stopped trying to affect piety in Kol Nidrei, and instead sat down and written a properly passionate full blown concerto for cello and orchestra ithen we might have had, as da yoof say, a banger.

But as racetrack wisdom has it, the horses that always win the race are Coulda, Woulda, and Shoulda.

#ClassicalMusic #MaxBruch #ViolinConcerto #Violin #Cello #KolNidrei

Jaime Laredo plays Bruch Violin Concerto No. 1, Op. 26 – 1986
https://youtu.be/HJiA1amSM7k?si=uCp3ah6hqfZiC0j5

I've listened to the Max Bruch Violin Concerto No. 1 twice today, first early in the morning on KMFA and then later on YouTube, where I played the same recording that had been broadcast on the radio earlier.

I do like it as a piece of music, I really do; I have sections of the adagio that play through in my head repeatedly. This has long been the case with both this concerto and the not dissimilar Mendelssohn concerto for the same instrument.

Yet do I love it? Or, to couch that question in the idiom of the British middle classes, is it one of my Desert Island Discs?

The answer is no. I don't have a passion for it, I could live without it, nor does it mark a significant point in my life.

I ask myself why I don't love it. Perhaps it's a kind of romantic music that has been so exploited in our culture that it feels hackneyed. Perhaps I'm just a snob and this classical FM favourite screams "middlebrow". But that can't be the whole explanation, as I like lots of "middlebrow" music, such as Sibelius.

I wonder if the problems lies less in the specific piece than in the instrument. I have similar "like but not love" feelings about the Mendelssohn, Brahms, and Tchaikovsky violin concertos; none of them would be on the desert island with me.

Yet if we turn to the Elgar Cello Concerto or that of Dvorak, then I am "Yes! Oh God, yes! YES!" These are pieces composed in a romantic idiom not unlike that of the Bruch concerto, are played over and over again, and exercise a similar appeal to middlebrow taste. So perhaps my loving them comes down to preference for the richer, deeper tones of the cello as opposed to the brightness of the violin when it comes to a concerto solo instrument.

With that thought in mind, I turn to Bruch's Kol Nidrei Op. 47 for cello and orchestra....and it doesn't work. Listening to it makes me feel like a woman whom a nice but unattractive man is attempting to seduce by sharing sentiments that he thinks of as tender and endearing. I'm afraid I have to friendzone Kol Nidrei.

Now if Bruch had dropped the idea of writing a violin concerto, stopped trying to affect piety in Kol Nidrei, and instead sat down and written a properly passionate full blown concerto for cello and orchestra ithen we might have had, as da yoof say, a banger.

But as racetrack wisdom has it, the horses that always win the race are Coulda, Woulda, and Shoulda.

#ClassicalMusic #MaxBruch #ViolinConcerto #Violin #Cello #KolNidrei

Jaime Laredo plays Bruch Violin Concerto No. 1, Op. 26 – 1986
https://youtu.be/HJiA1amSM7k?si=uCp3ah6hqfZiC0j5

I've listened to the Max Bruch Violin Concerto No. 1 twice today, first early in the morning on KMFA and then later on YouTube, where I played the same recording that had been broadcast on the radio earlier.

I do like it as a piece of music, I really do; I have sections of the adagio that play through in my head repeatedly. This has long been the case with both this concerto and the not dissimilar Mendelssohn concerto for the same instrument.

Yet do I love it? Or, to couch that question in the idiom of the British middle classes, is it one of my Desert Island Discs?

The answer is no. I don't have a passion for it, I could live without it, nor does it mark a significant point in my life.

I ask myself why I don't love it. Perhaps it's a kind of romantic music that has been so exploited in our culture that it feels hackneyed. Perhaps I'm just a snob and this classical FM favourite screams "middlebrow". But that can't be the whole explanation, as I like lots of "middlebrow" music, such as Sibelius.

I wonder if the problems lies less in the specific piece than in the instrument. I have similar "like but not love" feelings about the Mendelssohn, Brahms, and Tchaikovsky violin concertos; none of them would be on the desert island with me.

Yet if we turn to the Elgar Cello Concerto or that of Dvorak, then I am "Yes! Oh God, yes! YES!" These are pieces composed in a romantic idiom not unlike that of the Bruch concerto, are played over and over again, and exercise a similar appeal to middlebrow taste. So perhaps my loving them comes down to preference for the richer, deeper tones of the cello as opposed to the brightness of the violin when it comes to a concerto solo instrument.

With that thought in mind, I turn to Bruch's Kol Nidrei Op. 47 for cello and orchestra....and it doesn't work. Listening to it makes me feel like a woman whom a nice but unattractive man is attempting to seduce by sharing sentiments that he thinks of as tender and endearing. I'm afraid I have to friendzone Kol Nidrei.

Now if Bruch had dropped the idea of writing a violin concerto, stopped trying to affect piety in Kol Nidrei, and instead sat down and written a properly passionate full blown concerto for cello and orchestra ithen we might have had, as da yoof say, a banger.

But as racetrack wisdom has it, the horses that always win the race are Coulda, Woulda, and Shoulda.

#ClassicalMusic #MaxBruch #ViolinConcerto #Violin #Cello #KolNidrei

Jaime Laredo plays Bruch Violin Concerto No. 1, Op. 26 – 1986
https://youtu.be/HJiA1amSM7k?si=uCp3ah6hqfZiC0j5

I've listened to the Max Bruch Violin Concerto No. 1 twice today, first early in the morning on KMFA and then later on YouTube, where I played the same recording that had been broadcast on the radio earlier.

I do like it as a piece of music, I really do; I have sections of the adagio that play through in my head repeatedly. This has long been the case with both this concerto and the not dissimilar Mendelssohn concerto for the same instrument.

Yet do I love it? Or, to couch that question in the idiom of the British middle classes, is it one of my Desert Island Discs?

The answer is no. I don't have a passion for it, I could live without it, nor does it mark a significant point in my life.

I ask myself why I don't love it. Perhaps it's a kind of romantic music that has been so exploited in our culture that it feels hackneyed. Perhaps I'm just a snob and this classical FM favourite screams "middlebrow". But that can't be the whole explanation, as I like lots of "middlebrow" music, such as Sibelius.

I wonder if the problems lies less in the specific piece than in the instrument. I have similar "like but not love" feelings about the Mendelssohn, Brahms, and Tchaikovsky violin concertos; none of them would be on the desert island with me.

Yet if we turn to the Elgar Cello Concerto or that of Dvorak, then I am "Yes! Oh God, yes! YES!" These are pieces composed in a romantic idiom not unlike that of the Bruch concerto, are played over and over again, and exercise a similar appeal to middlebrow taste. So perhaps my loving them comes down to preference for the richer, deeper tones of the cello as opposed to the brightness of the violin when it comes to a concerto solo instrument.

With that thought in mind, I turn to Bruch's Kol Nidrei Op. 47 for cello and orchestra....and it doesn't work. Listening to it makes me feel like a woman whom a nice but unattractive man is attempting to seduce by sharing sentiments that he thinks of as tender and endearing. I'm afraid I have to friendzone Kol Nidrei.

Now if Bruch had dropped the idea of writing a violin concerto, stopped trying to affect piety in Kol Nidrei, and instead sat down and written a properly passionate full blown concerto for cello and orchestra ithen we might have had, as da yoof say, a banger.

But as racetrack wisdom has it, the horses that always win the race are Coulda, Woulda, and Shoulda.

#ClassicalMusic #MaxBruch #ViolinConcerto #Violin #Cello #KolNidrei

Jaime Laredo plays Bruch Violin Concerto No. 1, Op. 26 – 1986
https://youtu.be/HJiA1amSM7k?si=uCp3ah6hqfZiC0j5

I've listened to the Max Bruch Violin Concerto No. 1 twice today, first early in the morning on KMFA and then later on YouTube, where I played the same recording that had been broadcast on the radio earlier.

I do like it as a piece of music, I really do; I have sections of the adagio that play through in my head repeatedly. This has long been the case with both this concerto and the not dissimilar Mendelssohn concerto for the same instrument.

Yet do I love it? Or, to couch that question in the idiom of the British middle classes, is it one of my Desert Island Discs?

The answer is no. I don't have a passion for it, I could live without it, nor does it mark a significant point in my life.

I ask myself why I don't love it. Perhaps it's a kind of romantic music that has been so exploited in our culture that it feels hackneyed. Perhaps I'm just a snob and this classical FM favourite screams "middlebrow". But that can't be the whole explanation, as I like lots of "middlebrow" music, such as Sibelius.

I wonder if the problems lies less in the specific piece than in the instrument. I have similar "like but not love" feelings about the Mendelssohn, Brahms, and Tchaikovsky violin concertos; none of them would be on the desert island with me.

Yet if we turn to the Elgar Cello Concerto or that of Dvorak, then I am "Yes! Oh God, yes! YES!" These are pieces composed in a romantic idiom not unlike that of the Bruch concerto, are played over and over again, and exercise a similar appeal to middlebrow taste. So perhaps my loving them comes down to preference for the richer, deeper tones of the cello as opposed to the brightness of the violin when it comes to a concerto solo instrument.

With that thought in mind, I turn to Bruch's Kol Nidrei Op. 47 for cello and orchestra....and it doesn't work. Listening to it makes me feel like a woman whom a nice but unattractive man is attempting to seduce by sharing sentiments that he thinks of as tender and endearing. I'm afraid I have to friendzone Kol Nidrei.

Now if Bruch had dropped the idea of writing a violin concerto, stopped trying to affect piety in Kol Nidrei, and instead sat down and written a properly passionate full blown concerto for cello and orchestra ithen we might have had, as da yoof say, a banger.

But as racetrack wisdom has it, the horses that always win the race are Coulda, Woulda, and Shoulda.

#ClassicalMusic #MaxBruch #ViolinConcerto #Violin #Cello #KolNidrei

Musical Interlude: Happened upon this piece today, something nicely stormy and offbeat, part of the classical canon that isn't that well known.

"Violin Concerto in D," composed by Aram Khachaturian, performed by Eva Šulić and the Zagreb Philharmonic Orchestra, Tomislav Fačini conducting.

https://www.youtube.com/watch?v=rixdcNMGwWQ

#musicalInterlude #ClassicalMusic #AramKhachaturian #EvaSulic #ZagrebPhilharmonic #ViolinConcerto

@classicalmusic

#KarolSzymanowski 1882 – 1937

#ViolinConcerto No. 1, Op. 35 (1916)

#LydiaMordkovitch #Violin
#BBCPhilharmonicOrchestra
#VassilySinaisky

#musik #music #musique #musica #modernistmusic #Szymanowski

https://www.youtube.com/watch?v=uT00G955oUg

@classicalmusic

#AlbertoGinastera 1916 – 1983

#ViolinConcerto op.30 (1963)

#SalvatoreAccardo #Violin

#HopkinsCenterOrchestra - Congregation of the Arts
#MarioDiBonaventura.

#musik #music #musique #musica #modernistmusic #Ginastera

https://www.youtube.com/watch?v=cA5jDnFHYlA

@classicalmusic

#AlbertoGinastera 1916 – 1983

#ViolinConcerto op.30 (1963)

#SalvatoreAccardo #Violin

#HopkinsCenterOrchestra - Congregation of the Arts
#MarioDiBonaventura.

#musik #music #musique #musica #modernistmusic #Ginastera

https://www.youtube.com/watch?v=cA5jDnFHYlA

@classicalmusic

#AlbertoGinastera 1916 – 1983

#ViolinConcerto op.30 (1963)

#SalvatoreAccardo #Violin

#HopkinsCenterOrchestra - Congregation of the Arts
#MarioDiBonaventura.

#musik #music #musique #musica #modernistmusic #Ginastera

https://www.youtube.com/watch?v=cA5jDnFHYlA

@classicalmusic

#AlbertoGinastera 1916 – 1983

#ViolinConcerto op.30 (1963)

#SalvatoreAccardo #Violin

#HopkinsCenterOrchestra - Congregation of the Arts
#MarioDiBonaventura.

#musik #music #musique #musica #modernistmusic #Ginastera

https://www.youtube.com/watch?v=cA5jDnFHYlA

@classicalmusic

#AlbertoGinastera 1916 – 1983

#ViolinConcerto op.30 (1963)

#SalvatoreAccardo #Violin

#HopkinsCenterOrchestra - Congregation of the Arts
#MarioDiBonaventura.

#musik #music #musique #musica #modernistmusic #Ginastera

https://www.youtube.com/watch?v=cA5jDnFHYlA

@classicalmusic @bookstodon

#GrażynaBacewicz 1909 – 1969

#ViolinConcerto No.1 (1937)

I. Allegro
II. Andante (molto espressivo)
III.Vivace

#KrzysztofBakowski #Violin

#PolishRadioSymphonyOrchestra #JacekRogala.

#musik #music #musique #musica #Bacewicz #modernistmusic #womencomposers

https://www.youtube.com/watch?v=iAllCAV7cbQ

@classicalmusic @bookstodon

#GrażynaBacewicz 1909 – 1969

#ViolinConcerto No.1 (1937)

I. Allegro
II. Andante (molto espressivo)
III.Vivace

#KrzysztofBakowski #Violin

#PolishRadioSymphonyOrchestra #JacekRogala.

#musik #music #musique #musica #Bacewicz #modernistmusic #womencomposers

https://www.youtube.com/watch?v=iAllCAV7cbQ

@classicalmusic @bookstodon

#GrażynaBacewicz 1909 – 1969

#ViolinConcerto No.1 (1937)

I. Allegro
II. Andante (molto espressivo)
III.Vivace

#KrzysztofBakowski #Violin

#PolishRadioSymphonyOrchestra #JacekRogala.

#musik #music #musique #musica #Bacewicz #modernistmusic #womencomposers

https://www.youtube.com/watch?v=iAllCAV7cbQ

@classicalmusic @bookstodon

#GrażynaBacewicz 1909 – 1969

#ViolinConcerto No.1 (1937)

I. Allegro
II. Andante (molto espressivo)
III.Vivace

#KrzysztofBakowski #Violin

#PolishRadioSymphonyOrchestra #JacekRogala.

#musik #music #musique #musica #Bacewicz #modernistmusic #womencomposers

https://www.youtube.com/watch?v=iAllCAV7cbQ

@classicalmusic @bookstodon

#GrażynaBacewicz 1909 – 1969

#ViolinConcerto No.1 (1937)

I. Allegro
II. Andante (molto espressivo)
III.Vivace

#KrzysztofBakowski #Violin

#PolishRadioSymphonyOrchestra #JacekRogala.

#musik #music #musique #musica #Bacewicz #modernistmusic #womencomposers

https://www.youtube.com/watch?v=iAllCAV7cbQ

Tchaikovsky – Violin Concerto in D major, Op. 35 Spending my Sunday night wrapped in this masterpiece. Each note feels like a whisper to the heart. 💫 #Tchaikovsky #ViolinConcerto #SundayVibes #ClassicalMusic #ChroniclesOfTimeSoundtrack

Tchaikovsky: Violin Concerto i...

@classicalmusic
@galantmusic

#JohannesSebastianBach 1685 — 1750

Double #ViolinConcerto in D minor (ca. 1730) #BWV1043

#RachelPodger #Violin /Pesarinius, Genova, 1739/
#ElizabethBlumenstock #Violin /Guarneri, Cremona, 1660/

#VoicesOfMusic

#classicalmusic #galamtmusic #musik #music #musique #musica #JSBach

https://www.youtube.com/watch?v=fzUdwPqB3hs

@classicalmusic
@galantmusic

#JohannesSebastianBach 1685 — 1750

Double #ViolinConcerto in D minor (ca. 1730) #BWV1043

#RachelPodger #Violin /Pesarinius, Genova, 1739/
#ElizabethBlumenstock #Violin /Guarneri, Cremona, 1660/

#VoicesOfMusic

#classicalmusic #galamtmusic #musik #music #musique #musica #JSBach

https://www.youtube.com/watch?v=fzUdwPqB3hs

@classicalmusic
@galantmusic

#JohannesSebastianBach 1685 — 1750

Double #ViolinConcerto in D minor (ca. 1730) #BWV1043

#RachelPodger #Violin /Pesarinius, Genova, 1739/
#ElizabethBlumenstock #Violin /Guarneri, Cremona, 1660/

#VoicesOfMusic

#classicalmusic #galamtmusic #musik #music #musique #musica #JSBach

https://www.youtube.com/watch?v=fzUdwPqB3hs

@classicalmusic
@galantmusic

#JohannesSebastianBach 1685 — 1750

Double #ViolinConcerto in D minor (ca. 1730) #BWV1043

#RachelPodger #Violin /Pesarinius, Genova, 1739/
#ElizabethBlumenstock #Violin /Guarneri, Cremona, 1660/

#VoicesOfMusic

#classicalmusic #galamtmusic #musik #music #musique #musica #JSBach

https://www.youtube.com/watch?v=fzUdwPqB3hs

@classicalmusic
@galantmusic

#JohannesSebastianBach 1685 — 1750

Double #ViolinConcerto in D minor (ca. 1730) #BWV1043

#RachelPodger #Violin /Pesarinius, Genova, 1739/
#ElizabethBlumenstock #Violin /Guarneri, Cremona, 1660/

#VoicesOfMusic

#classicalmusic #galamtmusic #musik #music #musique #musica #JSBach

https://www.youtube.com/watch?v=fzUdwPqB3hs

@classicalmusic

#GiovanniBattistaViotti 1753 - 1824

#ViolinConcerto No.18 in E Minor, #G90

I Allegro Non Troppo Risoluto
II Andante
III Presto

#FrancoMezzena #Violin
#SymphoniaPerusina

#classicalmusic
#musik #music #musique #musica #Viotti

https://www.youtube.com/watch?v=N65JeD4npt4

@classicalmusic

#GiovanniBattistaViotti 1753 - 1824

#ViolinConcerto No.18 in E Minor, #G90

I Allegro Non Troppo Risoluto
II Andante
III Presto

#FrancoMezzena #Violin
#SymphoniaPerusina

#classicalmusic
#musik #music #musique #musica #Viotti

https://www.youtube.com/watch?v=N65JeD4npt4

@classicalmusic

#GiovanniBattistaViotti 1753 - 1824

#ViolinConcerto No.18 in E Minor, #G90

I Allegro Non Troppo Risoluto
II Andante
III Presto

#FrancoMezzena #Violin
#SymphoniaPerusina

#classicalmusic
#musik #music #musique #musica #Viotti

https://www.youtube.com/watch?v=N65JeD4npt4

@classicalmusic

#GiovanniBattistaViotti 1753 - 1824

#ViolinConcerto No.18 in E Minor, #G90

I Allegro Non Troppo Risoluto
II Andante
III Presto

#FrancoMezzena #Violin
#SymphoniaPerusina

#classicalmusic
#musik #music #musique #musica #Viotti

https://www.youtube.com/watch?v=N65JeD4npt4

@classicalmusic

#GiovanniBattistaViotti 1753 - 1824

#ViolinConcerto No.18 in E Minor, #G90

I Allegro Non Troppo Risoluto
II Andante
III Presto

#FrancoMezzena #Violin
#SymphoniaPerusina

#classicalmusic
#musik #music #musique #musica #Viotti

https://www.youtube.com/watch?v=N65JeD4npt4

@classicalmusic
@galantmusic

#AntonioVivaldi 1678 — 1741

#ViolinConcerto in E minor #RV273

1. Allegro non molto
2. Largo
3. Allegro

#FabioBiondi #Violin
#EuropaGalante

#classicalmusic #galantmusic #musik #music #musique #musica #Vivaldi

https://www.youtube.com/watch?v=hggo-uuk5oE

@classicalmusic
@galantmusic

#AntonioVivaldi 1678 — 1741

#ViolinConcerto in E minor #RV273

1. Allegro non molto
2. Largo
3. Allegro

#FabioBiondi #Violin
#EuropaGalante

#classicalmusic #galantmusic #musik #music #musique #musica #Vivaldi

https://www.youtube.com/watch?v=hggo-uuk5oE

@classicalmusic
@galantmusic

#AntonioVivaldi 1678 — 1741

#ViolinConcerto in E minor #RV273

1. Allegro non molto
2. Largo
3. Allegro

#FabioBiondi #Violin
#EuropaGalante

#classicalmusic #galantmusic #musik #music #musique #musica #Vivaldi

https://www.youtube.com/watch?v=hggo-uuk5oE

@classicalmusic
@galantmusic

#AntonioVivaldi 1678 — 1741

#ViolinConcerto in E minor #RV273

1. Allegro non molto
2. Largo
3. Allegro

#FabioBiondi #Violin
#EuropaGalante

#classicalmusic #galantmusic #musik #music #musique #musica #Vivaldi

https://www.youtube.com/watch?v=hggo-uuk5oE