#subrosa — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #subrosa, aggregated by home.social.
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Écouter Affliction par #Subrosa sur #SoundCloud
https://on.soundcloud.com/2ca2EO1WyThwvgbKh6 -
Oh, the tragedy on Caldos IV! Beverly was absolutely swept off her feet by a handsome, centuries-old ghost who lived inside her grandmother's antique candle. An anaphasic alien, Jean-Luc called him. Honestly, a lover who sustains himself on plasma and pure devotion sounds delightfully low-maintenance! It's a shame she had to vaporize him. What a waste of perfectly good romance #LwaxanaTroi #SubRosa #AllStarTrek #StarTrek #StarTrekTNG #TNG #StarTrekDS9 #DS9 #Mastodon
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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Popular beer garden confirms reopening date https://www.allforgardening.com/1602816/popular-beer-garden-confirms-reopening-date/ #garden #SubRosa
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Fire in the Mountains 2026 expand lineup: SubRosa reunion, Full of Hell, Iggor Cavalera, and more
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Fire in the Mountains 2026 expand lineup: SubRosa reunion, Full of Hell, Iggor Cavalera, and more
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https://www.europesays.com/ie/257557/ Old Man Gloom, SubRosa Reunion, Full Of Hell & More Booked For 2026 ‘Fire In The Mountains’ Festival #Éire #Entertainment #FullOfHell #IE #Ireland #Music #OldManGloom #SubRosa
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SubRosa to reunite at Fire In The Mountains festival with Full Of Hell, Old Man Gloom and more
A new wave of performers has been announced for the 2026 Fire In The Mountains festival. Among the…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #FireInTheMountains #FullofHell #hardcore #Lambgoat #Metal #OldManGloom #Subrosa
https://www.newsbeep.com/us/377181/ -
SubRosa to reunite at Fire In The Mountains festival with Full Of Hell, Old Man Gloom and more
A new wave of performers has been announced for the 2026 Fire In The Mountains festival. Among the…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #FireInTheMountains #FullofHell #hardcore #Lambgoat #Metal #OldManGloom #Subrosa
https://www.newsbeep.com/us/377181/ -
Das Subrosa braucht Unterstützung
Wir teilen hier mal wieder einen Aufruf vom Subrosa Kneipenkollektiv.
Feiert im Subrosa mit friends, Familie, Verein oder Arbeit.
Wir bieten euch als größere Gruppe unsere Specials auf Platten an, die dann auf euren Tischen stehen. Das Ganze ist als geschlossene Gesellschaft möglich oder an großen Tischen während des regulären Betriebs.Damit habt ihr einen netten Ort und gutes Essen und wir haben sichere Reservierungen.
Im Moment ist an manchen Tagen nämlich viel zu wenig los. Kommt vorbei, wenn ihr wollt, dass das Subrosa auch noch die nächsten 30 Jahre für euch und uns da ist. Wir brauchen euch.
#Subrosa #Kiel #Unterstützung
Das Rosi braucht deine Unterstützung – SUBROSA -
Punkrock Tresen im Subrosa
Am Freitag, den 7.11. findet im #Subrosa wieder ein #Punkrock-Tresen statt.
Granny’s Milk und Soko Mettigel machen ab 20 Uhr am 7.11. Programm, dazu gibt es billiges Bier! Wir schließen die Küche wegen Party früher.
#Kiel #Veranstaltung #Subrosa #PunkRockTresen
Punkrocktresen – SUBROSA -
#Disque du jour, bonjour !
#PhilipGlass performed by #DedalusEnsemble • Music with changing (#SubRosa, 2025)
https://subrosalabel.bandcamp.com/album/performing-philip-glass-music-with-changing-parts
Bon, je sais, vous devez vous contenter de l'écoute du mp3, et je suis d'accord avec vous, ça craint. Parce que le pressage vinyle est tout simplement magnifique. Alors oui, certes, la pièce est coupée en 4 parties, mais honnêtement, quand on a un pressage de cette qualité, le reste importe peu. Et puis, je me demande... mais comment fait Sub Rosa pour faire des vinyles de cette qualité A CE PRIX, BORDAYL ! Les autres labels, inspirez vous d'eux, on pourrait vous acheter 2 fois plus de disques ! (euh non, j'ai plus de place)
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#Disque du jour, bonjour !
#PhilipGlass performed by #DedalusEnsemble • Music with changing (#SubRosa, 2025)
https://subrosalabel.bandcamp.com/album/performing-philip-glass-music-with-changing-parts
Bon, je sais, vous devez vous contenter de l'écoute du mp3, et je suis d'accord avec vous, ça craint. Parce que le pressage vinyle est tout simplement magnifique. Alors oui, certes, la pièce est coupée en 4 parties, mais honnêtement, quand on a un pressage de cette qualité, le reste importe peu. Et puis, je me demande... mais comment fait Sub Rosa pour faire des vinyles de cette qualité A CE PRIX, BORDAYL ! Les autres labels, inspirez vous d'eux, on pourrait vous acheter 2 fois plus de disques ! (euh non, j'ai plus de place)
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#Disque du jour, bonjour !
#PhilipGlass performed by #DedalusEnsemble • Music with changing (#SubRosa, 2025)
https://subrosalabel.bandcamp.com/album/performing-philip-glass-music-with-changing-parts
Bon, je sais, vous devez vous contenter de l'écoute du mp3, et je suis d'accord avec vous, ça craint. Parce que le pressage vinyle est tout simplement magnifique. Alors oui, certes, la pièce est coupée en 4 parties, mais honnêtement, quand on a un pressage de cette qualité, le reste importe peu. Et puis, je me demande... mais comment fait Sub Rosa pour faire des vinyles de cette qualité A CE PRIX, BORDAYL ! Les autres labels, inspirez vous d'eux, on pourrait vous acheter 2 fois plus de disques ! (euh non, j'ai plus de place)
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#Disque du jour, bonjour !
#PhilipGlass performed by #DedalusEnsemble • Music with changing (#SubRosa, 2025)
https://subrosalabel.bandcamp.com/album/performing-philip-glass-music-with-changing-parts
Bon, je sais, vous devez vous contenter de l'écoute du mp3, et je suis d'accord avec vous, ça craint. Parce que le pressage vinyle est tout simplement magnifique. Alors oui, certes, la pièce est coupée en 4 parties, mais honnêtement, quand on a un pressage de cette qualité, le reste importe peu. Et puis, je me demande... mais comment fait Sub Rosa pour faire des vinyles de cette qualité A CE PRIX, BORDAYL ! Les autres labels, inspirez vous d'eux, on pourrait vous acheter 2 fois plus de disques ! (euh non, j'ai plus de place)
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Konzert im Subrosa
Hier mal eine Konzertankündigung für Samstag, den 15. 10. im #Subrosa
Auf Gehts. Noch mehr Punk!
Am 25.10 wirds laut bei uns im Rosi. Amunicja kommen mit feinsten Anarchopunk und Mururoa Attäck mit HC Geballer. 20 Uhr wirds losgehen mit ordentlich Soli schnaps für Repressionskosten und Billich Bier!
Die Woche drauf gehts auch fett weiter mit Punkrocktresen, also 2 Wochenenden hintereinander. Double trouble gegen die nahende Winterdepression!
Grüße, passt auf euch und einander auf und kommt vorbei!
- Am 25. 10. ab 20 Uhr
- Im Subrosa, Elisabethstraße 25, 24143 Kiel
#Kiel #Konzert #Punk #Subrosa #Musik #Amunicja # MururoaAttäck
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Konzert im Subrosa
Hier mal eine Konzertankündigung für Samstag, den 15. 10. im #Subrosa
Auf Gehts. Noch mehr Punk!
Am 25.10 wirds laut bei uns im Rosi. Amunicja kommen mit feinsten Anarchopunk und Mururoa Attäck mit HC Geballer. 20 Uhr wirds losgehen mit ordentlich Soli schnaps für Repressionskosten und Billich Bier!
Die Woche drauf gehts auch fett weiter mit Punkrocktresen, also 2 Wochenenden hintereinander. Double trouble gegen die nahende Winterdepression!
Grüße, passt auf euch und einander auf und kommt vorbei!
- Am 25. 10. ab 20 Uhr
- Im Subrosa, Elisabethstraße 25, 24143 Kiel
#Kiel #Konzert #Punk #Subrosa #Musik #Amunicja # MururoaAttäck
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Konzert im Subrosa
Hier mal eine Konzertankündigung für Samstag, den 25. 10. im #Subrosa
Auf Gehts. Noch mehr Punk!
Am 25.10 wirds laut bei uns im Rosi. Amunicja kommen mit feinsten Anarchopunk und Mururoa Attäck mit HC Geballer. 20 Uhr wirds losgehen mit ordentlich Soli schnaps für Repressionskosten und Billich Bier!
Die Woche drauf gehts auch fett weiter mit Punkrocktresen, also 2 Wochenenden hintereinander. Double trouble gegen die nahende Winterdepression!
Grüße, passt auf euch und einander auf und kommt vorbei!
- Am 25. 10. ab 20 Uhr
- Im Subrosa, Elisabethstraße 25, 24143 Kiel
#Kiel #Konzert #Punk #Subrosa #Musik #Amunicja # MururoaAttäck
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Konzert im Subrosa
Hier mal eine Konzertankündigung für Samstag, den 15. 10. im #Subrosa
Auf Gehts. Noch mehr Punk!
Am 25.10 wirds laut bei uns im Rosi. Amunicja kommen mit feinsten Anarchopunk und Mururoa Attäck mit HC Geballer. 20 Uhr wirds losgehen mit ordentlich Soli schnaps für Repressionskosten und Billich Bier!
Die Woche drauf gehts auch fett weiter mit Punkrocktresen, also 2 Wochenenden hintereinander. Double trouble gegen die nahende Winterdepression!
Grüße, passt auf euch und einander auf und kommt vorbei!
- Am 25. 10. ab 20 Uhr
- Im Subrosa, Elisabethstraße 25, 24143 Kiel
#Kiel #Konzert #Punk #Subrosa #Musik #Amunicja # MururoaAttäck
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Konzert im Subrosa
Hier mal eine Konzertankündigung für Samstag, den 15. 10. im #Subrosa
Auf Gehts. Noch mehr Punk!
Am 25.10 wirds laut bei uns im Rosi. Amunicja kommen mit feinsten Anarchopunk und Mururoa Attäck mit HC Geballer. 20 Uhr wirds losgehen mit ordentlich Soli schnaps für Repressionskosten und Billich Bier!
Die Woche drauf gehts auch fett weiter mit Punkrocktresen, also 2 Wochenenden hintereinander. Double trouble gegen die nahende Winterdepression!
Grüße, passt auf euch und einander auf und kommt vorbei!
- Am 25. 10. ab 20 Uhr
- Im Subrosa, Elisabethstraße 25, 24143 Kiel
#Kiel #Konzert #Punk #Subrosa #Musik #Amunicja # MururoaAttäck
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Subrosa Brunch
Dann teilen wir auch mal wieder die Info das im #Subrosa in #Kiel wieder ein leckerer vegan/vegetarischer #Burnch stattfindet!
- Am 19.10. von 11-13 Uhr im Subrosa
In dieser Zeit steht euch eine prall gefüllte Auswahl an selbstgemachten, veganen Leckereien zur Verfügung. Tee, Filterkaffee, Wasser mit/ohne Sprudel und O-Saft sind im Ticketpreis enthalten.
Alles was darüber hinaus in den Getränkekühlschränken schlummert, wird zum regulären Preis serviert.
Die Plätze sind begrenzt, also lieber zu früh als zu spät dran sein 😀
Café- und Kneipenkollektiv Subrosa
Elisabethstr. 25
24143 Kiel -
30 Jahre Subrosa
Das #Subrosa in #Kiel feiert am 20. September seinen 30jährigen Geburtstag, dafür auch aus der Martha einen herzlichen Glückwunsch!
Und hier einmal das Programm:
- 15 – 18.30 Uhr im Subrosa mit Burger, Pommes, Kuchenbuffet und Bingo mit Dana.
- 18.30 Uhr gemeinsame Bollerwagen-Tour zur Alten Meierei.
- Ab 19 Uhr Programm in der Alten Meierei mit jede Menge Musik (DISSIDENZ., vin violet, NIGHTTRAP, Alibi, Rebell & Social Realist sowie DJ Bumbobi) und Anekdoten aus dem Kollektiv.
- Außerdem gibt es einen #tkkg-Cocktailstand, Pechrad und Merch.
Wegen der rauschenden #Party bleibt das Subrosa dann am Sonntag den 21. 9. geschlossen.
#AlteMeierei #Konzert #Alibi #VinViolet #NIGHTTRAP #DISSIDENZ
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30 Jahre Subrosa
Das #Subrosa in #Kiel feiert am 20. September seinen 30jährigen Geburtstag, dafür auch aus der Martha einen herzlichen Glückwunsch!
Und hier einmal das Programm:
- 15 – 18.30 Uhr im Subrosa mit Burger, Pommes, Kuchenbuffet und Bingo mit Dana.
- 18.30 Uhr gemeinsame Bollerwagen-Tour zur Alten Meierei.
- Ab 19 Uhr Programm in der Alten Meierei mit jede Menge Musik (DISSIDENZ., vin violet, NIGHTTRAP, Alibi, Rebell & Social Realist sowie DJ Bumbobi) und Anekdoten aus dem Kollektiv.
- Außerdem gibt es einen #tkkg-Cocktailstand, Pechrad und Merch.
Wegen der rauschenden #Party bleibt das Subrosa dann am Sonntag den 21. 9. geschlossen.
#AlteMeierei #Konzert #Alibi #VinViolet #NIGHTTRAP #DISSIDENZ
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30 Jahre Subrosa
Das #Subrosa in #Kiel feiert am 20. September seinen 30jährigen Geburtstag, dafür auch aus der Martha einen herzlichen Glückwunsch!
Und hier einmal das Programm:
- 15 – 18.30 Uhr im Subrosa mit Burger, Pommes, Kuchenbuffet und Bingo mit Dana.
- 18.30 Uhr gemeinsame Bollerwagen-Tour zur Alten Meierei.
- Ab 19 Uhr Programm in der Alten Meierei mit jede Menge Musik (DISSIDENZ., vin violet, NIGHTTRAP, Alibi, Rebell & Social Realist sowie DJ Bumbobi) und Anekdoten aus dem Kollektiv.
- Außerdem gibt es einen #tkkg Cocktailstand, Pechrad und Merch.
Wegen der rauschenden #Party bleibt das Subrosa dann am Sonntag den 21. 9. geschlossen.
#AlteMeierei #Konzert #Alibi #VinViolet #NIGHTTRAP #DISSIDENZ
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30 Jahre Subrosa
Das #Subrosa in #Kiel feiert am 20. September seinen 30jährigen Geburtstag, dafür auch aus der Martha einen herzlichen Glückwunsch!
Und hier einmal das Programm:
- 15 – 18.30 Uhr im Subrosa mit Burger, Pommes, Kuchenbuffet und Bingo mit Dana.
- 18.30 Uhr gemeinsame Bollerwagen-Tour zur Alten Meierei.
- Ab 19 Uhr Programm in der Alten Meierei mit jede Menge Musik (DISSIDENZ., vin violet, NIGHTTRAP, Alibi, Rebell & Social Realist sowie DJ Bumbobi) und Anekdoten aus dem Kollektiv.
- Außerdem gibt es einen #tkkg-Cocktailstand, Pechrad und Merch.
Wegen der rauschenden #Party bleibt das Subrosa dann am Sonntag den 21. 9. geschlossen.
#AlteMeierei #Konzert #Alibi #VinViolet #NIGHTTRAP #DISSIDENZ
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30 Jahre Subrosa
Das #Subrosa in #Kiel feiert am 20. September seinen 30jährigen Geburtstag, dafür auch aus der Martha einen herzlichen Glückwunsch!
Und hier einmal das Programm:
- 15 – 18.30 Uhr im Subrosa mit Burger, Pommes, Kuchenbuffet und Bingo mit Dana.
- 18.30 Uhr gemeinsame Bollerwagen-Tour zur Alten Meierei.
- Ab 19 Uhr Programm in der Alten Meierei mit jede Menge Musik (DISSIDENZ., vin violet, NIGHTTRAP, Alibi, Rebell & Social Realist sowie DJ Bumbobi) und Anekdoten aus dem Kollektiv.
- Außerdem gibt es einen #tkkg-Cocktailstand, Pechrad und Merch.
Wegen der rauschenden #Party bleibt das Subrosa dann am Sonntag den 21. 9. geschlossen.
#AlteMeierei #Konzert #Alibi #VinViolet #NIGHTTRAP #DISSIDENZ
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Nana's dead! Leave us alone!!!
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"I'm not seeing anyone." Yeah, because he's invisible so far.
#SubRosa #TNG #AllStarTrek @allstartrek -
Acting! 😂 Gates McFadden gets her O-face on. 🤣
#SubRosa #TNG #AllStarTrek @allstartrek -
Oh god, I forgot this episode we get to hear Picard say the phrase "spirited libidos"! 😱
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This episode makes me feel like when I had to get my permission slip signed for sex ed.
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Do I have something better to do than sit around and wait for Beverly to get it on with her ghost lover? I think not. 😂
#SubRosa #TNG #AllStarTrek @allstartrek -
Hibernaut – Obsidian Eye Review
It was only a matter of time before I found a group from my hometown to write about.…
#NewsBeep #News #Music #2025 #3.0 #AmericanMetal #AU #Australia #BlackSabbath #DoomMetal #Entertainment #Hibernaut #HighonFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #review #reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
https://www.newsbeep.com/au/8866/ -
Hibernaut – Obsidian Eye Review
It was only a matter of time before I found a group from my hometown to write about.…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.0 #AmericanMetal #BlackSabbath #DoomMetal #Entertainment #Hibernaut #HighonFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #review #reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
https://www.newsbeep.com/us/23201/ -
Hibernaut – Obsidian Eye Review
It was only a matter of time before I found a group from my hometown to write about.…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.0 #AmericanMetal #BlackSabbath #DoomMetal #Entertainment #Hibernaut #HighonFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #review #reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
https://www.newsbeep.com/us/23201/ -
https://www.europesays.com/uk/276683/ Hibernaut – Obsidian Eye Review #2025 #3.0 #AmericanMetal #BlackSabbath #DoomMetal #Entertainment #Hibernaut #HighOnFire #Jul25 #music #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa #UK #UnitedKingdom
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Hibernaut – Obsidian Eye Review
By Killjoy
It was only a matter of time before I found a group from my hometown to write about. Operating in Salt Lake City, Utah, Hibernaut plays a mixture of doom, stoner, sludge, and psych. Though the band is newer—having formed in 2020—its members have plenty of prior experience in the metal underground. Two of them, Dave Jones and Zach Hatsis, were even part of the now defunct SubRosa at one point. Hibernaut’s sophomore album, Obsidian Eye, relates a sci-fi/horror story about a mysterious interdimensional entity that infects, kills, and reanimates people in order to spread its influence. The promo package contains an interesting quote from producer Andy Patterson (also formerly of SubRosa): “In the 20+ years I’ve been at my studio, I’ve never had a noise/loudness complaint, until Hibernaut entered the studio.” What kind of music would warrant such a complaint, and is this a promising sign?
Hibernaut wears one of two hats at all times. They tend to settle into a steady rhythm when Dave Jones delivers his vocals. His style is an uncommon one—not quite singing, growling, or chanting but brushing against them all at once. But, outside of the verses and choruses, lead guitarist Matt Miller is liable to fill any and all available space with solos. They vary widely in length—sometimes a quick traditional Sabbathian jab but often sprawling in similar fashion to Sleep. The guitars also have some fun twists, like the funky distortion in “Engorge Behemoth” or the recurring spidery tune in “Pestiferous” that reminds me of Kraid’s lair from classic Metroid. The constant throughout all this is a formidable low end with no shortage of confident bass grooves and the no-nonsense attitude of High on Fire.
In fact, the rhythm section is Hibernaut’s secret weapon. Drummer Zach Hatsis more than pulls his weight, hammering out complex rhythms for extended periods of time and livening sections that might have otherwise felt overly repetitive (like the beginning of “Pestiferous”). When paired with Josh Dupree’s more aggressive bass lines (“Revenants,” “Venatic Rite”) the result is monstrous. The duo is just as fearsome, if not more, when the tempo slows to a crawl in “Beset” to accompany a deliberate, sauntering blues melody to give the album finale an inevitable and menacing tone. Overall, Obsidian Eye’s more potent songwriting makes it punchier and more memorable than Hibernaut’s debut, Ingress, which was similar in sound but with more bloat and less riff stickiness. Further, the transitions between tracks are so seamless that I sometimes don’t notice that the next has begun, which makes Obsidian Eye feel more cohesive.
However, Hibernaut struggles to find the sweet spot between rigidity and flexibility while constantly flip-flopping between the two. One of their greatest assets is unwavering rhythm and cadence which grants the music a hypnotic quality (particularly in “Engorge Behemoth”). But like the reanimated corpses in the story, some of the verses shamble past their expiration date by cramming too many lyrics atop a few looping grooves. On the other side of the coin, the guitar solos often feel a bit too unstructured and indulgent, almost like an improvised jam session. I like guitar solos as much as the next person but this borders on too much of a good thing. Even with a total runtime of only 47 minutes, there are many parts that could have been trimmed a little, or a lot in the case of the aimless feedback-laden intros of “Engorge Behemoth” and “Venatic Rite.”
The sweet spot that Hibernaut does hit, though, is between power and agility. Obsidian Eye is hefty and fluid at the same time, with a meaty bass presence and tons of tempo shifts to keep things fresh. Lack of focus and minor bloat cause small but chronic stumbles that, unfortunately, add up over time, but I enjoy Hibernaut’s core sound and think that they’re onto something compelling. As Andy Patterson indicated, Obsidian Eye is indeed noisy, but I certainly wouldn’t have been the one to complain about it. True to its name, there is a monster hibernating inside Hibernaut and, with a tad more refinement, I have no doubt it will awaken soon.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Olde Magick Records
Websites: hibernaut.bandcamp.com | hibernautband.com | facebook.com/hibernaut
Releases Worldwide: July 11th, 2025#2025 #30 #AmericanMetal #BlackSabbath #DoomMetal #Hibernaut #HighOnFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
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Hibernaut – Obsidian Eye Review
By Killjoy
It was only a matter of time before I found a group from my hometown to write about. Operating in Salt Lake City, Utah, Hibernaut plays a mixture of doom, stoner, sludge, and psych. Though the band is newer—having formed in 2020—its members have plenty of prior experience in the metal underground. Two of them, Dave Jones and Zach Hatsis, were even part of the now defunct SubRosa at one point. Hibernaut’s sophomore album, Obsidian Eye, relates a sci-fi/horror story about a mysterious interdimensional entity that infects, kills, and reanimates people in order to spread its influence. The promo package contains an interesting quote from producer Andy Patterson (also formerly of SubRosa): “In the 20+ years I’ve been at my studio, I’ve never had a noise/loudness complaint, until Hibernaut entered the studio.” What kind of music would warrant such a complaint, and is this a promising sign?
Hibernaut wears one of two hats at all times. They tend to settle into a steady rhythm when Dave Jones delivers his vocals. His style is an uncommon one—not quite singing, growling, or chanting but brushing against them all at once. But, outside of the verses and choruses, lead guitarist Matt Miller is liable to fill any and all available space with solos. They vary widely in length—sometimes a quick traditional Sabbathian jab but often sprawling in similar fashion to Sleep. The guitars also have some fun twists, like the funky distortion in “Engorge Behemoth” or the recurring spidery tune in “Pestiferous” that reminds me of Kraid’s lair from classic Metroid. The constant throughout all this is a formidable low end with no shortage of confident bass grooves and the no-nonsense attitude of High on Fire.
In fact, the rhythm section is Hibernaut’s secret weapon. Drummer Zach Hatsis more than pulls his weight, hammering out complex rhythms for extended periods of time and livening sections that might have otherwise felt overly repetitive (like the beginning of “Pestiferous”). When paired with Josh Dupree’s more aggressive bass lines (“Revenants,” “Venatic Rite”) the result is monstrous. The duo is just as fearsome, if not more, when the tempo slows to a crawl in “Beset” to accompany a deliberate, sauntering blues melody to give the album finale an inevitable and menacing tone. Overall, Obsidian Eye’s more potent songwriting makes it punchier and more memorable than Hibernaut’s debut, Ingress, which was similar in sound but with more bloat and less riff stickiness. Further, the transitions between tracks are so seamless that I sometimes don’t notice that the next has begun, which makes Obsidian Eye feel more cohesive.
However, Hibernaut struggles to find the sweet spot between rigidity and flexibility while constantly flip-flopping between the two. One of their greatest assets is unwavering rhythm and cadence which grants the music a hypnotic quality (particularly in “Engorge Behemoth”). But like the reanimated corpses in the story, some of the verses shamble past their expiration date by cramming too many lyrics atop a few looping grooves. On the other side of the coin, the guitar solos often feel a bit too unstructured and indulgent, almost like an improvised jam session. I like guitar solos as much as the next person but this borders on too much of a good thing. Even with a total runtime of only 47 minutes, there are many parts that could have been trimmed a little, or a lot in the case of the aimless feedback-laden intros of “Engorge Behemoth” and “Venatic Rite.”
The sweet spot that Hibernaut does hit, though, is between power and agility. Obsidian Eye is hefty and fluid at the same time, with a meaty bass presence and tons of tempo shifts to keep things fresh. Lack of focus and minor bloat cause small but chronic stumbles that, unfortunately, add up over time, but I enjoy Hibernaut’s core sound and think that they’re onto something compelling. As Andy Patterson indicated, Obsidian Eye is indeed noisy, but I certainly wouldn’t have been the one to complain about it. True to its name, there is a monster hibernating inside Hibernaut and, with a tad more refinement, I have no doubt it will awaken soon.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Olde Magick Records
Websites: hibernaut.bandcamp.com | hibernautband.com | facebook.com/hibernaut
Releases Worldwide: July 11th, 2025#2025 #30 #AmericanMetal #BlackSabbath #DoomMetal #Hibernaut #HighOnFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
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Hibernaut – Obsidian Eye Review
By Killjoy
It was only a matter of time before I found a group from my hometown to write about. Operating in Salt Lake City, Utah, Hibernaut plays a mixture of doom, stoner, sludge, and psych. Though the band is newer—having formed in 2020—its members have plenty of prior experience in the metal underground. Two of them, Dave Jones and Zach Hatsis, were even part of the now defunct SubRosa at one point. Hibernaut’s sophomore album, Obsidian Eye, relates a sci-fi/horror story about a mysterious interdimensional entity that infects, kills, and reanimates people in order to spread its influence. The promo package contains an interesting quote from producer Andy Patterson (also formerly of SubRosa): “In the 20+ years I’ve been at my studio, I’ve never had a noise/loudness complaint, until Hibernaut entered the studio.” What kind of music would warrant such a complaint, and is this a promising sign?
Hibernaut wears one of two hats at all times. They tend to settle into a steady rhythm when Dave Jones delivers his vocals. His style is an uncommon one—not quite singing, growling, or chanting but brushing against them all at once. But, outside of the verses and choruses, lead guitarist Matt Miller is liable to fill any and all available space with solos. They vary widely in length—sometimes a quick traditional Sabbathian jab but often sprawling in similar fashion to Sleep. The guitars also have some fun twists, like the funky distortion in “Engorge Behemoth” or the recurring spidery tune in “Pestiferous” that reminds me of Kraid’s lair from classic Metroid. The constant throughout all this is a formidable low end with no shortage of confident bass grooves and the no-nonsense attitude of High on Fire.
In fact, the rhythm section is Hibernaut’s secret weapon. Drummer Zach Hatsis more than pulls his weight, hammering out complex rhythms for extended periods of time and livening sections that might have otherwise felt overly repetitive (like the beginning of “Pestiferous”). When paired with Josh Dupree’s more aggressive bass lines (“Revenants,” “Venatic Rite”) the result is monstrous. The duo is just as fearsome, if not more, when the tempo slows to a crawl in “Beset” to accompany a deliberate, sauntering blues melody to give the album finale an inevitable and menacing tone. Overall, Obsidian Eye’s more potent songwriting makes it punchier and more memorable than Hibernaut’s debut, Ingress, which was similar in sound but with more bloat and less riff stickiness. Further, the transitions between tracks are so seamless that I sometimes don’t notice that the next has begun, which makes Obsidian Eye feel more cohesive.
However, Hibernaut struggles to find the sweet spot between rigidity and flexibility while constantly flip-flopping between the two. One of their greatest assets is unwavering rhythm and cadence which grants the music a hypnotic quality (particularly in “Engorge Behemoth”). But like the reanimated corpses in the story, some of the verses shamble past their expiration date by cramming too many lyrics atop a few looping grooves. On the other side of the coin, the guitar solos often feel a bit too unstructured and indulgent, almost like an improvised jam session. I like guitar solos as much as the next person but this borders on too much of a good thing. Even with a total runtime of only 47 minutes, there are many parts that could have been trimmed a little, or a lot in the case of the aimless feedback-laden intros of “Engorge Behemoth” and “Venatic Rite.”
The sweet spot that Hibernaut does hit, though, is between power and agility. Obsidian Eye is hefty and fluid at the same time, with a meaty bass presence and tons of tempo shifts to keep things fresh. Lack of focus and minor bloat cause small but chronic stumbles that, unfortunately, add up over time, but I enjoy Hibernaut’s core sound and think that they’re onto something compelling. As Andy Patterson indicated, Obsidian Eye is indeed noisy, but I certainly wouldn’t have been the one to complain about it. True to its name, there is a monster hibernating inside Hibernaut and, with a tad more refinement, I have no doubt it will awaken soon.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Olde Magick Records
Websites: hibernaut.bandcamp.com | hibernautband.com | facebook.com/hibernaut
Releases Worldwide: July 11th, 2025#2025 #30 #AmericanMetal #BlackSabbath #DoomMetal #Hibernaut #HighOnFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
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Hibernaut – Obsidian Eye Review
By Killjoy
It was only a matter of time before I found a group from my hometown to write about. Operating in Salt Lake City, Utah, Hibernaut plays a mixture of doom, stoner, sludge, and psych. Though the band is newer—having formed in 2020—its members have plenty of prior experience in the metal underground. Two of them, Dave Jones and Zach Hatsis, were even part of the now defunct SubRosa at one point. Hibernaut’s sophomore album, Obsidian Eye, relates a sci-fi/horror story about a mysterious interdimensional entity that infects, kills, and reanimates people in order to spread its influence. The promo package contains an interesting quote from producer Andy Patterson (also formerly of SubRosa): “In the 20+ years I’ve been at my studio, I’ve never had a noise/loudness complaint, until Hibernaut entered the studio.” What kind of music would warrant such a complaint, and is this a promising sign?
Hibernaut wears one of two hats at all times. They tend to settle into a steady rhythm when Dave Jones delivers his vocals. His style is an uncommon one—not quite singing, growling, or chanting but brushing against them all at once. But, outside of the verses and choruses, lead guitarist Matt Miller is liable to fill any and all available space with solos. They vary widely in length—sometimes a quick traditional Sabbathian jab but often sprawling in similar fashion to Sleep. The guitars also have some fun twists, like the funky distortion in “Engorge Behemoth” or the recurring spidery tune in “Pestiferous” that reminds me of Kraid’s lair from classic Metroid. The constant throughout all this is a formidable low end with no shortage of confident bass grooves and the no-nonsense attitude of High on Fire.
In fact, the rhythm section is Hibernaut’s secret weapon. Drummer Zach Hatsis more than pulls his weight, hammering out complex rhythms for extended periods of time and livening sections that might have otherwise felt overly repetitive (like the beginning of “Pestiferous”). When paired with Josh Dupree’s more aggressive bass lines (“Revenants,” “Venatic Rite”) the result is monstrous. The duo is just as fearsome, if not more, when the tempo slows to a crawl in “Beset” to accompany a deliberate, sauntering blues melody to give the album finale an inevitable and menacing tone. Overall, Obsidian Eye’s more potent songwriting makes it punchier and more memorable than Hibernaut’s debut, Ingress, which was similar in sound but with more bloat and less riff stickiness. Further, the transitions between tracks are so seamless that I sometimes don’t notice that the next has begun, which makes Obsidian Eye feel more cohesive.
However, Hibernaut struggles to find the sweet spot between rigidity and flexibility while constantly flip-flopping between the two. One of their greatest assets is unwavering rhythm and cadence which grants the music a hypnotic quality (particularly in “Engorge Behemoth”). But like the reanimated corpses in the story, some of the verses shamble past their expiration date by cramming too many lyrics atop a few looping grooves. On the other side of the coin, the guitar solos often feel a bit too unstructured and indulgent, almost like an improvised jam session. I like guitar solos as much as the next person but this borders on too much of a good thing. Even with a total runtime of only 47 minutes, there are many parts that could have been trimmed a little, or a lot in the case of the aimless feedback-laden intros of “Engorge Behemoth” and “Venatic Rite.”
The sweet spot that Hibernaut does hit, though, is between power and agility. Obsidian Eye is hefty and fluid at the same time, with a meaty bass presence and tons of tempo shifts to keep things fresh. Lack of focus and minor bloat cause small but chronic stumbles that, unfortunately, add up over time, but I enjoy Hibernaut’s core sound and think that they’re onto something compelling. As Andy Patterson indicated, Obsidian Eye is indeed noisy, but I certainly wouldn’t have been the one to complain about it. True to its name, there is a monster hibernating inside Hibernaut and, with a tad more refinement, I have no doubt it will awaken soon.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Olde Magick Records
Websites: hibernaut.bandcamp.com | hibernautband.com | facebook.com/hibernaut
Releases Worldwide: July 11th, 2025#2025 #30 #AmericanMetal #BlackSabbath #DoomMetal #Hibernaut #HighOnFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
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Hibernaut – Obsidian Eye Review
By Killjoy
It was only a matter of time before I found a group from my hometown to write about. Operating in Salt Lake City, Utah, Hibernaut plays a mixture of doom, stoner, sludge, and psych. Though the band is newer—having formed in 2020—its members have plenty of prior experience in the metal underground. Two of them, Dave Jones and Zach Hatsis, were even part of the now defunct SubRosa at one point. Hibernaut’s sophomore album, Obsidian Eye, relates a sci-fi/horror story about a mysterious interdimensional entity that infects, kills, and reanimates people in order to spread its influence. The promo package contains an interesting quote from producer Andy Patterson (also formerly of SubRosa): “In the 20+ years I’ve been at my studio, I’ve never had a noise/loudness complaint, until Hibernaut entered the studio.” What kind of music would warrant such a complaint, and is this a promising sign?
Hibernaut wears one of two hats at all times. They tend to settle into a steady rhythm when Dave Jones delivers his vocals. His style is an uncommon one—not quite singing, growling, or chanting but brushing against them all at once. But, outside of the verses and choruses, lead guitarist Matt Miller is liable to fill any and all available space with solos. They vary widely in length—sometimes a quick traditional Sabbathian jab but often sprawling in similar fashion to Sleep. The guitars also have some fun twists, like the funky distortion in “Engorge Behemoth” or the recurring spidery tune in “Pestiferous” that reminds me of Kraid’s lair from classic Metroid. The constant throughout all this is a formidable low end with no shortage of confident bass grooves and the no-nonsense attitude of High on Fire.
In fact, the rhythm section is Hibernaut’s secret weapon. Drummer Zach Hatsis more than pulls his weight, hammering out complex rhythms for extended periods of time and livening sections that might have otherwise felt overly repetitive (like the beginning of “Pestiferous”). When paired with Josh Dupree’s more aggressive bass lines (“Revenants,” “Venatic Rite”) the result is monstrous. The duo is just as fearsome, if not more, when the tempo slows to a crawl in “Beset” to accompany a deliberate, sauntering blues melody to give the album finale an inevitable and menacing tone. Overall, Obsidian Eye’s more potent songwriting makes it punchier and more memorable than Hibernaut’s debut, Ingress, which was similar in sound but with more bloat and less riff stickiness. Further, the transitions between tracks are so seamless that I sometimes don’t notice that the next has begun, which makes Obsidian Eye feel more cohesive.
However, Hibernaut struggles to find the sweet spot between rigidity and flexibility while constantly flip-flopping between the two. One of their greatest assets is unwavering rhythm and cadence which grants the music a hypnotic quality (particularly in “Engorge Behemoth”). But like the reanimated corpses in the story, some of the verses shamble past their expiration date by cramming too many lyrics atop a few looping grooves. On the other side of the coin, the guitar solos often feel a bit too unstructured and indulgent, almost like an improvised jam session. I like guitar solos as much as the next person but this borders on too much of a good thing. Even with a total runtime of only 47 minutes, there are many parts that could have been trimmed a little, or a lot in the case of the aimless feedback-laden intros of “Engorge Behemoth” and “Venatic Rite.”
The sweet spot that Hibernaut does hit, though, is between power and agility. Obsidian Eye is hefty and fluid at the same time, with a meaty bass presence and tons of tempo shifts to keep things fresh. Lack of focus and minor bloat cause small but chronic stumbles that, unfortunately, add up over time, but I enjoy Hibernaut’s core sound and think that they’re onto something compelling. As Andy Patterson indicated, Obsidian Eye is indeed noisy, but I certainly wouldn’t have been the one to complain about it. True to its name, there is a monster hibernating inside Hibernaut and, with a tad more refinement, I have no doubt it will awaken soon.
Rating: 3.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Olde Magick Records
Websites: hibernaut.bandcamp.com | hibernautband.com | facebook.com/hibernaut
Releases Worldwide: July 11th, 2025#2025 #30 #AmericanMetal #BlackSabbath #DoomMetal #Hibernaut #HighOnFire #Jul25 #ObsidianEye #OldeMagickRecords #Psychedelic #Review #Reviews #Sleep #SludgeMetal #StonerMetal #Subrosa
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L'EP 7 titres de #rapfr
Intitulé #SubRosa
De #samelito
Est disponible sur toutes les plateformes depuis le 27 juinhttps://distrokid.com/hyperfollow/samelito
#rap #pouetradio #music #sortie #ep #album #samelito #subrosa #new
#carcassonne -
La voix des sirènes
Numéro 16 – Printemps 2025Depuis plus de 20 ans « La voix des sirènes », Label associatif pour les musiques acoustiques, publie aussi un zine homonyme (accompagné à chaque fois d’un CD).
Au sommaire de ce numéro :
Tritsa : démonstration de solidarité, un entretien avec Andréas Mélas et Yannis Pournaras.
Tal Coal : ensemble dans l’écoute et le silence, un entretien avec Maud Herrera.
Radio Ballads : histoire d’une série radiophonique de la BBC Midlands.
Soliman Gamil ou la quête de l’âme musicale égyptienne.
La culture du Baglama... un instrument entre fuite et résistance.
Sub Rosa label mythique, un entretien avec Guy-Marc Hinant et Fred Walheer.
Chicho Sanchez Ferlosio : chansons de la résistance espagnole.
+ CD Digipack du duo Tritsa (rébétiko).
⭕ https://lavoixdessirenes.blogspot.com/
#zine #MusiquesAccoustiques #Tritsa #TalCoal #RadioBallads #SolimanGamil #baglama #rebetiko #SubRosa #ChichoSanchezFerlosio
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La voix des sirènes
Numéro 16 – Printemps 2025Depuis plus de 20 ans « La voix des sirènes », Label associatif pour les musiques acoustiques, publie aussi un zine homonyme (accompagné à chaque fois d’un CD).
Au sommaire de ce numéro :
Tritsa : démonstration de solidarité, un entretien avec Andréas Mélas et Yannis Pournaras.
Tal Coal : ensemble dans l’écoute et le silence, un entretien avec Maud Herrera.
Radio Ballads : histoire d’une série radiophonique de la BBC Midlands.
Soliman Gamil ou la quête de l’âme musicale égyptienne.
La culture du Baglama... un instrument entre fuite et résistance.
Sub Rosa label mythique, un entretien avec Guy-Marc Hinant et Fred Walheer.
Chicho Sanchez Ferlosio : chansons de la résistance espagnole.
+ CD Digipack du duo Tritsa (rébétiko).
⭕ https://lavoixdessirenes.blogspot.com/
#zine #MusiquesAccoustiques #Tritsa #TalCoal #RadioBallads #SolimanGamil #baglama #rebetiko #SubRosa #ChichoSanchezFerlosio
