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#billlaswell — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #billlaswell, aggregated by home.social.

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  1. RIP James “Blood” Ulmer

    Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]

    zeruch.wordpress.com/2026/06/0

  2. RIP James “Blood” Ulmer

    Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]

    zeruch.wordpress.com/2026/06/0

  3. RIP James “Blood” Ulmer

    Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]

    zeruch.wordpress.com/2026/06/0

  4. RIP James “Blood” Ulmer

    Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]

    zeruch.wordpress.com/2026/06/0

  5. In this episode you’ll learn • How Bill Laswell transformed music production • Why dub techniques reshaped modern sound design • The role of bass and spatial mixing in Laswell’s work #billlaswell #dubmusic #experimentalmusic #ambientdub youtu.be/yuqQEgomQZk

    Bill Laswell: The Producer Who...

  6. #FortnightFridayMusic
    March 20 2026
    The mood is #Indigo

    Matik, “Indigo” from Rhythm Science (2004)

    Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.

    The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.

    This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.

    djspookythatsubliminalkid.band

    For more on the DJ Spooky project see djspooky.com/rhythm-science/

  7. #FortnightFridayMusic
    March 20 2026
    The mood is #Indigo

    Matik, “Indigo” from Rhythm Science (2004)

    Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.

    The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.

    This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.

    djspookythatsubliminalkid.band

  8. #FortnightFridayMusic
    March 20 2026
    The mood is #Indigo

    Matik, “Indigo” from Rhythm Science (2004)

    Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.

    The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.

    This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.

    djspookythatsubliminalkid.band

    For more on the DJ Spooky project see djspooky.com/rhythm-science/

  9. #FortnightFridayMusic
    March 20 2026
    The mood is #Indigo

    Matik, “Indigo” from Rhythm Science (2004)

    Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.

    The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.

    This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.

    djspookythatsubliminalkid.band

    For more on the DJ Spooky project see djspooky.com/rhythm-science/

  10. #FortnightFridayMusic
    March 20 2026
    The mood is #Indigo

    Matik, “Indigo” from Rhythm Science (2004)

    Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.

    The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.

    This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.

    djspookythatsubliminalkid.band

    For more on the DJ Spooky project see djspooky.com/rhythm-science/

  11. "Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
    youtube.com/watch?v=GHhD4PD75zY

  12. "Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
    youtube.com/watch?v=GHhD4PD75zY

  13. "Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
    youtube.com/watch?v=GHhD4PD75zY

  14. "Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
    youtube.com/watch?v=GHhD4PD75zY

  15. "Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
    youtube.com/watch?v=GHhD4PD75zY

  16. #NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)

    Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?

    Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.

    More info here: en.wikipedia.org/wiki/The_Last

    #DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic

  17. #NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)

    Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?

    Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.

    More info here: en.wikipedia.org/wiki/The_Last

    #DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic

  18. #NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)

    Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?

    Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.

    More info here: en.wikipedia.org/wiki/The_Last

    #DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic

  19. #NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)

    Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?

    Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.

    More info here: en.wikipedia.org/wiki/The_Last

    #DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic

  20. #NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)

    Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?

    Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.

    More info here: en.wikipedia.org/wiki/The_Last

    #DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic

  21. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble

    billlaswell.bandcamp.com/bassm

  22. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble

    billlaswell.bandcamp.com/bassm

  23. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing.

    billlaswell.bandcamp.com/bassm

  24. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble

    billlaswell.bandcamp.com/bassm

  25. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble

    billlaswell.bandcamp.com/bassm

  26. #BillLaswell #MMRコラム Bill Laswell が1980年代に行った音楽活動は、ジャンル、文化、演奏形態、国境を自在に横断する「解体と再構築」の連続であった。 ファンク、ヒップホップ、アフロビート、ワールド・ミュージック、フリージャズ、ノイズ…… 続きはこちらから🔽 monumental-movement.jp/column-bill-...

    【コラム】 Bill Laswell & Friends: ...

  27. #WorldDestruction by #TimeZone

    "This is a world destruction. Your life ain't nothing.
    The human race is becoming a disgrace.
    The rich get richer.
    The poor are getting poorer.
    #Fascist, #chauvinistic government fools."

    - #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
    youtube.com/watch?v=u1T6l70XlqU

    #HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol

  28. #WorldDestruction by #TimeZone

    "This is a world destruction. Your life ain't nothing.
    The human race is becoming a disgrace.
    The rich get richer.
    The poor are getting poorer.
    #Fascist, #chauvinistic government fools."

    - #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
    youtube.com/watch?v=u1T6l70XlqU

    #HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol

  29. #WorldDestruction by #TimeZone

    "This is a world destruction. Your life ain't nothing.
    The human race is becoming a disgrace.
    The rich get richer.
    The poor are getting poorer.
    #Fascist, #chauvinistic government fools."

    - #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
    youtube.com/watch?v=u1T6l70XlqU

    #HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol

  30. #WorldDestruction by #TimeZone

    "This is a world destruction. Your life ain't nothing.
    The human race is becoming a disgrace.
    The rich get richer.
    The poor are getting poorer.
    #Fascist, #chauvinistic government fools."

    - #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
    youtube.com/watch?v=u1T6l70XlqU

    #HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol

  31. Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
    #10YearsOfPuddingRevisited #Music #BillLaswell
    cernejpudink.cz/2016/08/07/bil

  32. Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
    #10YearsOfPuddingRevisited #Music #BillLaswell
    cernejpudink.cz/2016/08/07/bil

  33. Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
    #10YearsOfPuddingRevisited #Music #BillLaswell
    cernejpudink.cz/2016/08/07/bil

  34. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  35. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  36. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  37. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  38. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  39. The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
    #MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.”

    nytimes.com/2024/11/11/arts/mu

  40. The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
    #MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.”

    nytimes.com/2024/11/11/arts/mu

  41. The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
    #MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.”

    nytimes.com/2024/11/11/arts/mu

  42. The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
    and new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.”

    nytimes.com/2024/11/11/arts/mu

  43. The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
    #MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.”

    nytimes.com/2024/11/11/arts/mu

  44. #Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. tzadik.com/

  45. #Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. tzadik.com/

  46. #Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. tzadik.com/

  47. #Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. tzadik.com/