#billlaswell — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #billlaswell, aggregated by home.social.
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RIP James “Blood” Ulmer
Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]https://zeruch.wordpress.com/2026/06/09/rip-james-blood-ulmer/
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RIP James “Blood” Ulmer
Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]https://zeruch.wordpress.com/2026/06/09/rip-james-blood-ulmer/
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RIP James “Blood” Ulmer
Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]https://zeruch.wordpress.com/2026/06/09/rip-james-blood-ulmer/
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RIP James “Blood” Ulmer
Back in the late 90s I got wise to Ornette Coleman and his harmolodic phase; a concept that is equal parts avant-garde jazz with an attitude that is punk as hell, and influenced a lot of great artists, mostly in NYC, who pushed an immense number of boundaries. One of those people is James "Blood" Ulmer, who played with Coleman, and then carved out a wildly careening path since. He passed away this week, at 86, and leaves an influential if obscure (to the general public), legacy. NPR did a […]https://zeruch.wordpress.com/2026/06/09/rip-james-blood-ulmer/
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In this episode you’ll learn • How Bill Laswell transformed music production • Why dub techniques reshaped modern sound design • The role of bass and spatial mixing in Laswell’s work #billlaswell #dubmusic #experimentalmusic #ambientdub youtu.be/yuqQEgomQZk
Bill Laswell: The Producer Who... -
#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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"Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
https://www.youtube.com/watch?v=GHhD4PD75zY -
"Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
https://www.youtube.com/watch?v=GHhD4PD75zY -
"Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
https://www.youtube.com/watch?v=GHhD4PD75zY -
"Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
https://www.youtube.com/watch?v=GHhD4PD75zY -
"Rockit" is a composition recorded by American jazz pianist #HerbieHancock #and produced by #BillLaswell and #MichaelBeinhorn. Hancock released it as a #single from his twenty-ninth album, #FutureShock (1983). The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay #scratch style, performed primarily by #DXT, and its music video created by #GodleyAndCreme, featuring the robotic art of #JimWhiting.
https://www.youtube.com/watch?v=GHhD4PD75zY -
#NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)
Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?
Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.
More info here: https://en.wikipedia.org/wiki/The_Last_Wave_(album)
#DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic
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#NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)
Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?
Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.
More info here: https://en.wikipedia.org/wiki/The_Last_Wave_(album)
#DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic
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#NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)
Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?
Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.
More info here: https://en.wikipedia.org/wiki/The_Last_Wave_(album)
#DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic
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#NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)
Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?
Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.
More info here: https://en.wikipedia.org/wiki/The_Last_Wave_(album)
#DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic
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#NowPlaying Arcana 'The Last Wave' CD (DIW, 1996)
Can it really be 30 years since this brilliant album was released by a superlative “power trio” (for want of a better expression) of improvisors comprising Derek Bailey, Bill Laswell and Tony Williams?
Williams’ room-filling drumming is such a brilliant foil for the shards of Bailey’s explosive electric guitar attack. So sad that the former died the following year, aged just 51.
More info here: https://en.wikipedia.org/wiki/The_Last_Wave_(album)
#DerekBailey #BillLaswell #TonyWilliams #ArcanaTheLastWave #ImprovisedMusic @improvisedmusic
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Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble
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Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble
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Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble
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Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble
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Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble
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#BillLaswell #MMRコラム Bill Laswell が1980年代に行った音楽活動は、ジャンル、文化、演奏形態、国境を自在に横断する「解体と再構築」の連続であった。 ファンク、ヒップホップ、アフロビート、ワールド・ミュージック、フリージャズ、ノイズ…… 続きはこちらから🔽 monumental-movement.jp/column-bill-...
【コラム】 Bill Laswell & Friends: ... -
🇺🇦 #NowPlaying on #KEXP's #Early
Bill Laswell, Bernie Worrell & Karsh Kale:
🎵 Woo Doo#BillLaswell #BernieWorrell #KarshKale
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🇺🇦 #NowPlaying on #KEXP's #Early
Bill Laswell, Bernie Worrell & Karsh Kale:
🎵 Woo Doo#BillLaswell #BernieWorrell #KarshKale
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🇺🇦 #NowPlaying on #KEXP's #Early
Bill Laswell, Bernie Worrell & Karsh Kale:
🎵 Woo Doo#BillLaswell #BernieWorrell #KarshKale
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🇺🇦 #NowPlaying on #KEXP's #Early
Bill Laswell, Bernie Worrell & Karsh Kale:
🎵 Woo Doo#BillLaswell #BernieWorrell #KarshKale
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🇺🇦 #NowPlaying on #KEXP's #Early
Bill Laswell, Bernie Worrell & Karsh Kale:
🎵 Woo Doo#BillLaswell #BernieWorrell #KarshKale
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#WorldDestruction by #TimeZone
"This is a world destruction. Your life ain't nothing.
The human race is becoming a disgrace.
The rich get richer.
The poor are getting poorer.
#Fascist, #chauvinistic government fools."- #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
https://www.youtube.com/watch?v=u1T6l70XlqU#HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol
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#WorldDestruction by #TimeZone
"This is a world destruction. Your life ain't nothing.
The human race is becoming a disgrace.
The rich get richer.
The poor are getting poorer.
#Fascist, #chauvinistic government fools."- #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
https://www.youtube.com/watch?v=u1T6l70XlqU#HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol
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#WorldDestruction by #TimeZone
"This is a world destruction. Your life ain't nothing.
The human race is becoming a disgrace.
The rich get richer.
The poor are getting poorer.
#Fascist, #chauvinistic government fools."- #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
https://www.youtube.com/watch?v=u1T6l70XlqU#HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol
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#WorldDestruction by #TimeZone
"This is a world destruction. Your life ain't nothing.
The human race is becoming a disgrace.
The rich get richer.
The poor are getting poorer.
#Fascist, #chauvinistic government fools."- #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
https://www.youtube.com/watch?v=u1T6l70XlqU#HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol
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#WorldDestruction by #TimeZone
"This is a world destruction. Your life ain't nothing.
The human race is becoming a disgrace.
The rich get richer.
The poor are getting poorer.
#Fascist, #chauvinistic government fools."- #JohnLyden, Afrika Bambaataa & #BillLaswell, 1984
https://www.youtube.com/watch?v=u1T6l70XlqU#HipHop #80sMusic #FridayNightMusic #FridayNightMusicVideos #MusicForARevolution #USPol #WorldPol
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Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
#10YearsOfPuddingRevisited #Music #BillLaswell
https://www.cernejpudink.cz/2016/08/07/bill-laswell-hudebni-vizionar-a-producent/ -
Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
#10YearsOfPuddingRevisited #Music #BillLaswell
https://www.cernejpudink.cz/2016/08/07/bill-laswell-hudebni-vizionar-a-producent/ -
Hudebník Bill Laswell dnes (12. února 2025) slaví Sedmdesátku. Je znám neokázalým přístupem a nadáním nahrát a produkovat multižánrová alba. Spojuje na nich jazz, improvizaci, dub, drum and bass, punk, elektro nebo hip hop.
#10YearsOfPuddingRevisited #Music #BillLaswell
https://www.cernejpudink.cz/2016/08/07/bill-laswell-hudebni-vizionar-a-producent/ -
RIP legendary tabla virtuoso and Shakti founder Zakir Hussain, 73
#shakti #zakirhussain #tabla #billlaswell #JohnMcLaughlin #gratefuldead #IndianMusic #tablabeatscience https://www.npr.org/2024/12/15/nx-s1-5229593/zakir-hussain-dead-india-shakti-tabla
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RIP legendary tabla virtuoso and Shakti founder Zakir Hussain, 73
#shakti #zakirhussain #tabla #billlaswell #JohnMcLaughlin #gratefuldead #IndianMusic #tablabeatscience https://www.npr.org/2024/12/15/nx-s1-5229593/zakir-hussain-dead-india-shakti-tabla
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RIP legendary tabla virtuoso and Shakti founder Zakir Hussain, 73
#shakti #zakirhussain #tabla #billlaswell #JohnMcLaughlin #gratefuldead #IndianMusic #tablabeatscience https://www.npr.org/2024/12/15/nx-s1-5229593/zakir-hussain-dead-india-shakti-tabla
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RIP legendary tabla virtuoso and Shakti founder Zakir Hussain, 73
#shakti #zakirhussain #tabla #billlaswell #JohnMcLaughlin #gratefuldead #IndianMusic #tablabeatscience https://www.npr.org/2024/12/15/nx-s1-5229593/zakir-hussain-dead-india-shakti-tabla
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RIP legendary tabla virtuoso and Shakti founder Zakir Hussain, 73
#shakti #zakirhussain #tabla #billlaswell #JohnMcLaughlin #gratefuldead #IndianMusic #tablabeatscience https://www.npr.org/2024/12/15/nx-s1-5229593/zakir-hussain-dead-india-shakti-tabla
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
#MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.” -
The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
#MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.” -
The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
#MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.” -
The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
#MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.” -
The Jazz-Metal Trio PainKiller’s Classic Lineup Revs Up Again
#MickHarris #BillLaswell and #JohnZorn new album, “Samsara” — their first in 30 years — arrives as Laswell battles health troubles that “opened up a new direction.” -
#Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. https://www.tzadik.com/
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#Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. https://www.tzadik.com/
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#Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. https://www.tzadik.com/
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#Upcoming “Samsara” is a new recording from the original #Painkiller trio of #JohnZorn (saxophone), #BillLaswell (bass), and #MickHarris (electronics). Available via #TzadikRecords, November 15th. https://www.tzadik.com/
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Jon Batiste, Chad Smith & Bill Laswell // #JonBatiste #ChadSmith #BillLaswell //
The Drift
[album The Process, 2014]//via // #MODTechnologies //
#brandunbrand #bandcamp #music #JonBatiste #ChadSmith #BillLaswell
#TheProcess #TheDrift #PeterApfelbaum -
Jon Batiste, Chad Smith & Bill Laswell // #JonBatiste #ChadSmith #BillLaswell //
The Drift
[album The Process, 2014]//via // #MODTechnologies //
#brandunbrand #bandcamp #music #JonBatiste #ChadSmith #BillLaswell
#TheProcess #TheDrift #PeterApfelbaum