#billlaswell — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #billlaswell, aggregated by home.social.
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
March 20 2026
The mood is #IndigoMatik, “Indigo” from Rhythm Science (2004)
Rhythm Science is a print and audio project by Paul D. Miller aka DJ Spooky that Subliminal kid (as it states right there on the cover), who penned a slim volume, a kind of manifesto/wordscape for electronic music production via #DJ sample culture, and assembled an accompanying CD compilation of tracks full of sounds from the archive of Belgian label #SubRosa that traverses that territory.
The track that first got my attention was a spoken word piece by #PattiSmith over electronic washes of sound. There are also some atmospheric cut-and-paste sample-fests that you’d associate with #DJSpooky. Prominent names such as #BillLaswell and #LeeRenaldo of Sonic Youth appear here, and others I would call ‘genre-famous’ like #Oval and #Seefeel - and a piece by #Debussy with warm crackly vinyl noise, tying it in with the #turntablism theme.
This track by Matik bubbles with suggestions of #dub, feels like #ambient but pulses with rhythm and features repeated melodic phrases, flirts with #ElectronicGlitch but rides on an undercurrent that remains smooth.
https://djspookythatsubliminalkid.bandcamp.com/track/mat-ik-indigo
For more on the DJ Spooky project see https://djspooky.com/rhythm-science/
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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#FortnightFridayMusic
Nov 29 2024
The prompt is CreationAxiom Dub: Mysteries of Creation 1996
It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.
I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.
#BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.
Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.
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"existence"
https://hearthis.at/emuziek/mix-18022023-existencefeat. #Download / #AnemoneTube / #SchlossTegal / #PostScriptvm / #Scanner / #ThrobbingGristle / #HausArafna / #BrowningMummery / #KrylonHertz / #AdnCkrystall / #Sote - / #BillLaswell / #18eOktober -/ #Shpongle / #HolegSpies / #DFTram / #TranquilityBass / #KillingJoke -
#VinylOnly #Podcast #DJset #Minimal #Electronic #musodon
#NowPlaying #DIY #HitsUMissed #NowListening
#VinylRecords #ExperimentalMusic
#Turntable #NowSpinning #NowHearThis -
@Music_From_The_80ies Yes. Some difficult listening...
https://www.mixcloud.com/emuziek/existence/
#drone #darkAmbient #industrial #experimentalAmbient #Soundscape #Download #BillLaswell #Shpongle #18eOktober #ThrobbingGristle #Scanner #SchlossTegal #Sote #HolegSpies - and more!!