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#pulpfiction — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pulpfiction, aggregated by home.social.

  1. Fantastic Adventures vol. 3, no. 3 (May 1941)

    I was just about to say "oh cool they didn't show the dragon, they used its shadow instead" but then I saw the title.

    Original magazine: archive.org/details/Fantastic_

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  2. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  3. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  4. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  5. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  6. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  7. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  8. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  9. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  10. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  11. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  12. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  13. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  14. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  15. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  16. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  17. was the pulp fiction Vincent Vega was reading on the can in

  18. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  19. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  20. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  21. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  22. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  23. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  24. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  25. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  26. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  27. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  28. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  29. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  30. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration