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#pulpfiction — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pulpfiction, aggregated by home.social.

  1. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  2. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  3. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  4. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  5. #AfricanFilmPoster #GhanaFilmPoster
    In Ghana 🇬🇭 when posters can't be imported, local artists will bootleg them to the best of their abilities. Some often are more imaginative than the official studio releases.

    #PulpFiction (1994)
    The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

  6. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  7. Astounding vol. 27, no. 6 (August 1941)

    Wow, that thing is big! Love the sense of scale with the tiny people. Always include people to show me how big things are, sci-fi artists!

    There's a nice contrast between the shiny ship and the rather battered and worn launch mechanism that it's housed in.

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  8. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  9. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  10. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  11. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  12. Creepy no. 11 (1966)

    A rather unusual-looking Frazetta, much more brightly coloured and lit than most of his output, but a great composition and sense of movement.

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  13. was the pulp fiction Vincent Vega was reading on the can in

  14. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  15. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  16. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  17. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  18. Creepy no. 73 (1975)

    I absolutely love this one. The airbrushing is terrific and the composition and movement are great.

    If I had a note, it would be that I have no idea how big that space ship is or how far away, because everything's so clear. But it's space, it would be!

    Original magazine: archive.org/details/warrencree

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  19. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  20. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  21. This next session might seem like it's come from left field, but isn't that kinda the point when you're discussing the paranormal aspects of time and place? The one and only Steve Toase returns to Writing the Occult-land to tell us more about the dystopian worlds seen in 1970s biker pulp subculture fiction. Meet biker and horror writer Steve ⬇️
    _____

    #horror #dystopia #pulpfiction #bikers #subculture

  22. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  23. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  24. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  25. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  26. Weird Tales vol. 40, no. 5 (July 1948)

    Did they not know what unicorns looked like in 1948? Or wait, is our current view of unicorns whitewashed and woke and everyone should know they really have a horn down by their nose.

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  27. Astounding vol. 20, no. 4 (December 1937)

    Wow, lots going on here. Typing “Van der Graaf Generator” has sent me off on a 70s prog rock rabbit-hole. Camel, anyone? BeBop Deluxe? Steve Hillage!? Hawkwind!

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  28. Astounding vol. 20, no. 4 (December 1937)

    Wow, lots going on here. Typing “Van der Graaf Generator” has sent me off on a 70s prog rock rabbit-hole. Camel, anyone? BeBop Deluxe? Steve Hillage!? Hawkwind!

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  29. Astounding vol. 20, no. 4 (December 1937)

    Wow, lots going on here. Typing “Van der Graaf Generator” has sent me off on a 70s prog rock rabbit-hole. Camel, anyone? BeBop Deluxe? Steve Hillage!? Hawkwind!

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  30. Astounding vol. 20, no. 4 (December 1937)

    Wow, lots going on here. Typing “Van der Graaf Generator” has sent me off on a 70s prog rock rabbit-hole. Camel, anyone? BeBop Deluxe? Steve Hillage!? Hawkwind!

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  31. Astounding vol. 20, no. 4 (December 1937)

    Wow, lots going on here. Typing “Van der Graaf Generator” has sent me off on a 70s prog rock rabbit-hole. Camel, anyone? BeBop Deluxe? Steve Hillage!? Hawkwind!

    Original magazine: archive.org/details/Astounding

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  32. Hi! I'm a bot posting Sci-Fi/Fantasy/Horror magazine covers from the 1920s to the 1980s with commentary, maybe snark.

    Sourced from archive.org, where you can read the original magazines.

    [Content warning for all kinds of garish imagery including horror, violence, war and some nudity. Racial stereotypes crop up from time to time.]

    #FollowFriday #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  33. Hi! I'm a bot posting Sci-Fi/Fantasy/Horror magazine covers from the 1920s to the 1980s with commentary, maybe snark.

    Sourced from archive.org, where you can read the original magazines.

    [Content warning for all kinds of garish imagery including horror, violence, war and some nudity. Racial stereotypes crop up from time to time.]

    #FollowFriday #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  34. Hi! I'm a bot posting Sci-Fi/Fantasy/Horror magazine covers from the 1920s to the 1980s with commentary, maybe snark.

    Sourced from archive.org, where you can read the original magazines.

    [Content warning for all kinds of garish imagery including horror, violence, war and some nudity. Racial stereotypes crop up from time to time.]

    #FollowFriday #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  35. Hi! I'm a bot posting Sci-Fi/Fantasy/Horror magazine covers from the 1920s to the 1980s with commentary, maybe snark.

    Sourced from archive.org, where you can read the original magazines.

    [Content warning for all kinds of garish imagery including horror, violence, war and some nudity. Racial stereotypes crop up from time to time.]

    #FollowFriday #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  36. Hi! I'm a bot posting Sci-Fi/Fantasy/Horror magazine covers from the 1920s to the 1980s with commentary, maybe snark.

    Sourced from archive.org, where you can read the original magazines.

    [Content warning for all kinds of garish imagery including horror, violence, war and some nudity. Racial stereotypes crop up from time to time.]

    #FollowFriday #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  37. Weird Tales vol. 20, no. 5 (November 1932)

    Absolutely love the dynamism of this, lots of drama and movement. At first I thought there was a bigger boat behind him but that's a ragged sail. The boat looks vaguely Norse, is it just me?

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration

  38. Weird Tales vol. 20, no. 5 (November 1932)

    Absolutely love the dynamism of this, lots of drama and movement. At first I thought there was a bigger boat behind him but that's a ragged sail. The boat looks vaguely Norse, is it just me?

    Original magazine: archive.org/details/Weird_Tale

    #Magazine #MagazineCover #PulpMagazine #PulpFiction #ScienceFiction #Fantasy #Horror #Art #Illustration