#portal — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #portal, aggregated by home.social.
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Korean, Asiana Set September Starlink Service Start Schedule
Korean’s Starlink inflight internet era begins on 15 September 2026 (image via Korean Air) Korean Air and Asiana…
#EuropeSays #Korea #KR #Asiana #IFC #IFEC #inflight #in-flightconnectivity #in-flightinternet #in-flightwifi #inflightconnectivity #inflightwifi #Korean #KoreanAir #portal #Starlink
https://www.europesays.com/korea/151401/ -
Felizes.pt alcançou a posição mais alta no Índice de Satisfação do Portal da Queixa na categoria de Sites de Encontros, com 77 pontos em 100 possíveis, sendo distinguida como Marca do Mês.
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Top-30 Recruit Chase Lumpkin Commits to Alabama Basketball, Giving Nate Oats Another Major 2027 Win https://www.rawchili.com/nba/831999/ #Basketball #coaching #CollegeBasketball #MBBRecruiting #ncaa #NCAABasketball #ncaab #NIL #portal #rankings
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https://www.europesays.com/si/222121/ Kitarska virtuoza Srđan Bulatović in Darko Nikčević navdušila v SNG Maribor #Avto #dogodki #družabnosti #foto #Maribor #media #portal #SI #Slovene #Slovenia #Slovenija #Slovenščina #speedway #video
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https://www.europesays.com/ch-fr/299810/ Le modèle d’IA GPT-6 Astra a terminé le jeu Portal de Valve en solo en 24 heures #agenticAI #ASTRA #automatisation #benchmarking #CasseTêtes #gameplay #GPT6 #IA #InformationsSurDesOrdinateursPortatifs #JeuxVidéo #LLM #navigation #nouvelles #OpenAI #Portal #Raisonnement #RaisonnementSpatial #rapport #revues #robotique #Science #ScienceAndTechnology #Sciences #SciencesEtTechnologies #SourcePauseTool #Suisse #Technologies #Technology #test #Valve
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https://www.europesays.com/si/221837/ Kitarska virtuoza Srđan Bulatović in Darko Nikčević navdušila v SNG Maribor #Avto #dogodki #družabnosti #foto #Maribor #media #portal #SI #Slovene #Slovenia #Slovenija #Slovenščina #speedway #video
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https://www.europesays.com/ie/679214/ EPFO: Want to update your KYC information? Here’s how members can do it online using official portal #app #Business #Éire #eKYC #EpfAccount #EPFO #IE #Ireland #kyc #KYCUpdate #Money #online #PersonalFinance #PersonalFinance #Portal #umang
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EPFO: Want to update your KYC information? Here’s how members can do it online using official portal
The Employees Provident Fund Organisation (EPFO) has made updating know-your-customer (KYC) information mandatory for all online PF claims,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Personalfinance #App #Business #eKYC #EPFaccount #EPFO #KYC #KYCupdate #money #online #PersonalFinance #portal #UMANG
https://www.newsbeep.com/us/840801/ -
EPFO: Want to update your KYC information? Here’s how members can do it online using official portal
The Employees Provident Fund Organisation (EPFO) has made updating know-your-customer (KYC) information mandatory for all online PF claims,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Personalfinance #App #Business #eKYC #EPFaccount #EPFO #KYC #KYCupdate #money #online #PersonalFinance #portal #UMANG
https://www.newsbeep.com/us/840801/ -
it turns out you can transport to a planet with the same moon just by thinking about it (note: don't)
#Moon #Surreal #Planet #Portal #Alien #Ocean #Domes #Doorway #Pathway #RedGlow #Futuristic #Mystical #Dreamlike #SciFi
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusionon stuff right here: https://aieris.art/featured/it-turns-out-you-can-transport-to-a-planet-with-the-same-moon-just-by-thinking-about-it-but-dont-eris-and-ai.html
no plastics, chemicals, or canvases were harmed in the creation of this artwork, but some electrons were
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collector snags both the mesa portal and the seaside portal
#Collection #Portal #Mesa #Seaside #Beach #Coastal #Desert #Landscape #Travel #Whimsical #Surreal #Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion
on things for your collection: https://aieris.art/featured/collector-snags-both-the-mesa-portal-and-the-seaside-portal-eris-and-ai.html
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the modern magic user's beach house
#BeachHouse #Coastal #Cottage #Magic #Enchanted #Seaside #Ocean #Doorway #Archway #Ornate #Steampunk #Portal
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusionon some slightly less unpredictably magical things: https://aieris.art/featured/the-modern-magic-users-beach-house-eris-and-ai.html
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Labor of the Negative – The Triumph of Time and the Disillusioned Review By Creeping IvyCritique requires work. This is a truth understood by the AMG reviewer, Hegel, and Labor of the Negative. An international black metal project, Labor of the Negative derives its name from Hegel’s Phenomenology of Spirit, which posits said labor as a cognitive antidote to romantic truths found via intuition. Not content to let Hegel be the only George Friedrich they cite, the band references The Triumph of Time and Disillusion, a Händel oratorio, for the title of their debut. Arriving via I, Voidhanger Records—the perfect home for Labor of the Negative’s heady brand of avant-garde black metal—the album draws philosophical inspiration from more than Hegel: Nietzsche, Kierkegaard, and especially Durkheim (as we’ll see).1 But I’ll be sticking with Hegel, letting his infamous dialectic—thesis, antithesis, synthesis—guide my analysis and evaluation of The Triumph of Time and the Disillusioned.
But first, some context. Boasting members from Portugal, the UK, Norway, and Egypt, Labor of the Negative cross-reference genre luminaries in assembling their own bizarre bricolage. Claiming roots in the avant-garde black metal of Virus, Arcturus, and Dødheimsgard, guitarist S. and drummer T.Z. lay a foundation of trem riffs and blast beasts, phaser-drenched disso-melodies and double-bass-fueled tom-work. Thankfully, bassist J.H. doesn’t get lost in the mix, especially in making pulsating shifts from menacing to jazzy gears. In these softer sections, brass instrumentation (presumably from guest musician S.L.) takes the spotlight, giving this otherwise chaotic album a counterbalancing sultriness.2 The artsiness of The Triumph of Time and the Disillusioned, however, primarily stems from the deranged vocals of M., who screams, howls, shouts, grunts, and coughs. M.’s performance, wielding the human voice as an abrasively multifaceted instrument, reminds me of how A Forest of Stars and Portal similarly embrace alienating vocals. Not as alienating as one might expect is the production, feeling legibly claustrophobic during the black metal maelstroms and organically spacious during the jazzy reprieves. The guitars do get a little buried at times, and snare pops occasionally prickle the ear. Nevertheless, The Triumph of Time and the Disillusioned succeeds at sounding like sculpted estrangement.
Turning now to my Hegelian thesis means turning to The Triumph of Time and the Disillusioned as a whole. Holistically, the album provides a mostly enjoyable experience, considering its subgenre. At 7 tracks in 34 minutes, Labor of the Negative smartly chose to make their debut a concise burst of avant-garde black metal. Six successive “Epoché”s structure The Triumph of Time, each being of similar, digestible lengths (4–6 minutes). An instrumental interlude (“151 – The Eternal Present and the Endless Dream”) breaks up the procession of epochs with feedbacky noise and variegated drumming. The album consistently ebbs and flows between scathing black metal and soothing jazz breaks that open (“Epoché II”), close (“Epoché IV”), and bridge (“Epoché III”) the madness. While this interplay keeps the album sonically dynamic, it also becomes a bit formulaic.
This holistic predictability leads us to my antithesis. When pressed upon, none of the individual tracks on The Triumph of Time and the Disillusioned stand out. Pre-release single “Epoché III” comes closest, with its eerie guitar shimmers and adventurous key changes. But ultimately, the album feels less like a sequencing of memorable songs and more like a collection of cool moments: the squealing brass solo in opener “Epoché I” comes to mind, as does the concluding drumroll of “Epoché VI.” One might think that diving into The Triumph of Time’s concept can clarify how the parts contribute to the whole. Alas, my exploration of the lyrics created more confusion. According to my research, “Epoché IV” twice cites Durkheim to convey crises of belonging and aimlessness. How this relates to a succession of epochs, or a fourth epoch in particular, I am unsure.3
Synthesizing the good album experience and the disappointing songwriting, The Triumph of Time and the Disillusioned ultimately landed for me as a mixed affair. While I never truly disliked any time I spent with Labor of the Negative’s debut, I also never found myself desiring to further unpack this album that, seemingly, invites unpacking. Fans of avant-garde black metal, however, should give The Triumph of Time a go. M.’s maniacal vocals strike me as a worthy intervention into the genre, as does T.Z.’s dexterous drumming. With more ears, perhaps the fruit of this international collective’s labor might positively reveal itself.
Rating: 2.5/5.0
#25 #2026 #AForestOfStars #Arcturus #Aug26 #AvantGarde #BlackMetal #Dödheimsgard #IVoidhangerRecords #InternationalMetal #LaborOfTheNegative #Portal #Review #Reviews #TheTriumphOfTimeAndTheDisillusioned #Virus
DR: 10 | Format Reviewed: 256 kbps mp3
Label: I, Voidhanger Records
Website: Bandcamp
Releases Worldwide: August 7th, 2026 -
the aliens just want to preserve our culture
#Aliens #Ufo #FlyingSaucer #Surreal #SciFi #CulturalPreservation #Archway #Portal #Whimsical #Conceptual #Retrofuturism #Fantasy #Illustration #Futuristic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusionon earth stuff: https://aieris.art/featured/the-aliens-just-want-to-preserve-our-culture-eris-and-ai.html
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Elleringhausen – Der Künstler Jürgen Suberg
Im April 1994 produziert Hans Martin Köster einen Film über Jürgen Suberg. Der Künstler erläutert dari
https://privatarchiv.rzgierskopp.de/1994/04/elleringhausen-der-kuenstler-juergen-suberg/
#Bildhauer #Chorraum #Elleringhausen #Film #Haan #Hochsauerlandkreis #JuergenSuberg #Kathedrale #KathedraleStSebastianMagdeburg #Kirche #KircheStChrysanthusUndDariaHaan #Kreishaus #Kuenstler #Kunst #Magdeburg #Maler #Meschede #Olsberg #Portal #Suberg #Video #Westportal #AtelierSuberg
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gravity-neutral portal-safe autonomous luggage
#Portal #Mosaic #Geometric #Tile #Futuristic #SciFi #Luggage
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusionon non-portal-safe stuff: https://aieris.art/featured/gravity-neutral-portal-safe-autonomous-luggage-eris-and-ai.html
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A New Geodatabase Of Fuel Treatments Across Federal Lands In The USA
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https://doi.org/10.1038/s41597-025-05859-z <-- shared paper
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https://nft.garphub.org/ <-- National Fuels Treatments Initiative (NFT) page
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“The National Fuels Treatments Initiative (NFT) is a collaborative, scalable data collection effort which aims to build a standardized map of nationwide fuels treatment locations occurring across all land ownership types…”
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#NationalFuelsTreatmentsInitiative #NFT #datacollection #fedscience #fedservice #opendata #fire #fuel #fedopendata #wildfire #bushfire #risk #hazard #damage #infrastructure #GIS #spatial #map #mapping #economics #publicgood #landownership #federalland #mitigation #technical #database #naturalhazard #infrastructure #residential #transportation #accessibility #portal #online #coordination #teatment #WildfireInteragencyGeodatabase #TWIG #nation #nationwide #management #landuse #landcover #policy #research #spatialdata
@DOI @USFS @USGS -
Abhorrent Expanse – Enter the Misanthropocene Review
By Dear Hollow
How experimental is too experimental? That’s the question Chicago’s Abhorrent Expanse posits. It’s clear from the title: Enter the Misanthropocene enters to play jazz and fuck shit up, and “Bitches Brew” is on its final notes. When the Lord of the Promo Pit designated the quartet as “death-drone,” I was intrigued and gobbled up rights. It was clear from the jump that Abhorrent Expanse was not the death metal act with a mammoth guitar tone I had hoped, but an improvisational free jazz quartet that decides to do extreme metal sometimes, with death metal, grindcore, and, yes, drone metal making short-lived appearances. Pushing the boundary between extreme lofty experimentation and outright nonsense, Enter the Misanthropocene is a sophomore effort that will take you to an abstract and uncompromising world – or straight to the medicine cabinet for an aspirin.
Abhorrent Expanse has a solid lineup, including caliber from Zebulon Pike, Celestiial, Obsequiae, and The Blight – even if its sound feels entirely convoluted. Following the controversial debut Gateways to Resplendence, Enter the Misanthropocene is largely the same, but its scope is larger, significantly reducing its drone content in favor of jazzy noodling, grind intensity, sprawling ambiance, and deconstructed death metal jaggedness. The drone that exists within is a short-lived sprawl that pops up periodically, giving a more abstract feel than its predecessor’s “dissodeath meeting drone metal in a dark alley behind the Kmart” vibe. Forty-eight minutes of whiplash-inducing tonal and tempo shifts, off-key twanging, random stoner sprawls, and an undeserved love for improv awaits – and I need a nap.
Say it with me: improv is bad. I get the whole avant-garde approach that John Zorn would drool over, that an improvised performance is a “never see it the same way twice” kind of deal, but that doesn’t mean it’s good. As we’ve seen with typically good bands like Neptunian Maximalism or Bunsenburner, relying on group chemistry instead of thoughtful songwriting to create a singular experience hardly pans out – and Enter the Misanthropocene is no exception. Moments of avant-garde clarity in which the instruments align shine in the twitching obscure grind (title track, “Assail the Density Matrix,” “Dissonant Aggressors”), short-lived minimalist drone (“Praise for Chaos,” “Dissonant Aggressors,” “Ascension Symptom Acceleration”), haunting ritualism (“Waves of Graves”), and ambient calm (“Kairos”). Death growls are sparse. Enter the Misanthropocene is so free jazz and avant-garde it forcibly drags nonconsenting listeners into what seems like obscenely high art…
…Or incompetent musicianship. Much of Abhorrent Expanse’s sound is rooted in utter nonsense, and one that often gets played really fast. While there’s certainly artistic discomfort aplenty to be found on this record, in which I can see some merit (“Waves of Graves,” “Drenched Onyx”), these are scattered moments among what sound like the plonks and twunks of a novice fiddling with a new guitar at Guitar Center. Atonal noodling and off-beat drumming accounts for the majority of its forty-eight minute runtime, sounding entirely random. The drone-doom moments feel off-beat and misaligned (“Praise for Chaos”), some ambient moments are so subtle and minimalist that they just cover John Cage’s 4’33” for a bit before eventually becoming audible (“Nephilim Disinterred”), and by the end of the ten-minute closer “Prostrate Before Chthonic Devourment” you might feel like you’ve been through a prostrate exam.
The promotion around Abhorrent Expanse relies on similarities to dissonant acts like Portal and Imperial Triumphant – but in order to do that, they’d actually have to write some songs first. Gateways to Resplendence was challenging and avant-garde but anchored to a respectable degree; Enter the Misanthropocene is a leaf on the wind, being blown by one avant-garde gust to another with no semblance of gravity to save it. Its high-art status is a divisive issue, as the directionless noodling can be seen as either a challenging piece of art or four dudes who don’t know how to play their instruments. But isn’t that the nature of art itself? Abhorrent Expanse holds a mirror to art itself, making us question what is drivel and what is erudite – through the improvised off-key noodling of someone who has arguably never picked up a guitar before.
Rating: 1.0/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Amalgam Music
Websites: abhorrentexpanse.bandcamp.com
Releases Worldwide: August 15th, 2025#10 #2025 #AbhorrentExpanse #AmalgamMusic #AmbientMetal #AmericanMetal #Aug25 #Bunsenburner #Celestiial #DeathMetal #DissonantDeathMetal #EnterTheMisanthropocene #FreeJazz #Grindcore #ImperialTriumphant #JohnCage #JohnZorn #NeptunianMaximalism #Noise #Obsequiae #Portal #Review #Reviews #TheBlight #ZebulonPike
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Vor einigen Tagen las ich von einem neuen Portal, dass Fernverkehrsverbindungen mit der Bahn besser kalkuliert (d.h. auf Grund von angefallenen Verspätungen alles realistischer plant) als bisherige Portale (z.B. München - London). Leider habe ich mir damals den Link nicht gespeichert. Hat jemand eine Idee, wie dieses Portal für Bahnreisen heißt? Beim Portal der DB sind ja oft die Anschlusszüge weg, weil die Umsteigezeit eben ohne Verspätungen geplant wird...
#Fernleihe #Planung #Bahn #Planung #Portal #fedifrage
@[email protected] - vielleicht von Ihnen dazu eine Idee? -
Hi, I'm a leftist in my mid-30s and I love fantasy, science fiction, cartoons/anime, comics/manga, and video games/bideogēmu.
My primary fandom is Undertale/Deltarune.
#Introduction #Leftist #Communist #Fantasy #ScienceFiction #VideoGames #Undertale #Deltarune #HollowKnight #DeadCells #ShovelKnight #Celeste #RogueLegacy #Portal #Fallout #Skyrim #MegaMan #ChronoTrigger #Cartoons #StevenUniverse #AdventureTime #ATLA #LegendOfKorra #TeenTitans #Anime #HaruhiSuzumiya #Watamote #KillLaKill #Music #TobyFox #TWRP #Gorillaz #TwentyOnePilots
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#Unterscheidung von #Wissensmaschine und #Verabredungsmaschine;
#Gespräch mit #Christoph am 13.03.2022
#Portal für #Elemente #Mitfahrgelegenheit, #Couchsurfing, etc.
#Leute finden für #spezifische #Zwecke; Vgl. #Schwarzes #Brett #Bremen: https://schwarzesbrett.bremen.de/#Hinweis auf #Wissensmaschine #Memex, Vannevar #Bush, 1945: As We May Think;
Jill Walker #Rettberg - #Blogging, #Digital #Media and #Society #Series; S. 48ff.
