#chastain — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #chastain, aggregated by home.social.
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Redditors Are Sharing Their Best Gardening Tricks—and These 6 Are Actually Genius https://www.allforgardening.com/1767258/redditors-are-sharing-their-best-gardening-tricks-and-these-6-are-actually-genius-2/ #Chastain #CompanionPlanting #ExpertGardener #garden #gardening #LindseyChastain
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Redditors Are Sharing Their Best Gardening Tricks—and These 6 Are Actually Genius https://www.allforgardening.com/1767131/redditors-are-sharing-their-best-gardening-tricks-and-these-6-are-actually-genius/ #Chastain #CompanionPlanting #ExpertGardener #garden #gardening #LindseyChastain
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The 6 Best Vegetables For Beginner Gardeners To Grow https://www.allforgardening.com/1763228/the-6-best-vegetables-for-beginner-gardeners-to-grow-2/ #Chastain #CherryTomatoes #garden #gardening #JuanCabrera #LarryStein #LindseyChastain #PerChastain #StephanRebany #VarietiesOfTomatoes #VegetableGarden #vegetables
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The 6 Best Vegetables For Beginner Gardeners To Grow https://www.allforgardening.com/1763228/the-6-best-vegetables-for-beginner-gardeners-to-grow-2/ #Chastain #CherryTomatoes #garden #gardening #JuanCabrera #LarryStein #LindseyChastain #PerChastain #StephanRebany #VarietiesOfTomatoes #VegetableGarden #vegetables
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#CHARLES #TAYLOR #SHERMAN multi-search-tag-explorer.aepiot.com/advanced-sea... #BRANDI #CHASTAIN www.perplexity.ai/search/new?q... #CHARLES #TAIT #POLITICIAN chatgpt.com?prompt=Analy... www.paypal.com/donate?busin... aePiot: Join the Web 4.0 revolution. Build nodes, dominate SEO.
MultiSearch Tag Explorer -
#CHARLES #TAYLOR #SHERMAN multi-search-tag-explorer.aepiot.com/advanced-sea... #BRANDI #CHASTAIN www.perplexity.ai/search/new?q... #CHARLES #TAIT #POLITICIAN chatgpt.com?prompt=Analy... www.paypal.com/donate?busin... aePiot: Join the Web 4.0 revolution. Build nodes, dominate SEO.
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https://www.europesays.com/it/455311/ Salone del Mobile come Hollywood con star ospiti agli eventi da Zoe Saldana a Jessica Chastain e Margot Robbie #aperture #arrivati #ArrivatiNomi #ArrivatiNomiZoe #brand #Celebrità #Celebrities #chastain #Entertainment #eventi #Intrattenimento #IT #Italia #Italy #jessica #JessicaChastain #lauren #margot #MargotRobbie #nomi #ospiti #rh #robbie #saldana #star #zoe #ZoeSaldana
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https://www.europesays.com/es/479383/ Otro vídeo en directo de Duff McKagan. Baja en SPHINX. Reedición de CHASTAIN. #chastain #DUFFMCKAGAN #Entertainment #Entretenimiento #ES #España #Music #Música #Spain #SPHINX
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🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy
Chastain:
🎵 Evil for Evilhttps://shadowkingdomrecords.bandcamp.com/track/evil-for-evil
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https://www.europesays.com/es/354432/ Qué películas ver hoy jueves en televisión: de ‘Blade Runner’ a una de ciencia ficción con Matt Damon y Jessica Chastain #Blade #chastain #Ciencia #Cine #damon #Entertainment #Entretenimiento #ES #España #ficcion #Film #hoy #jessica #jueves #matt #Movies #Películas #Runner #Spain #television #ver
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Erschreckend: #appletv #apple setzt Serie #TheSavant mit Jessica #Chastain über rechtsextremen Terror in USA kurz vor Start ab.
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Inevitabilmente non ha la stessa profondità dei personaggi che si trova nel libro, "Nella polvere", ma resta un buon adattamento.
#Chastain come sempre brava e bellissima, #Fiennes il solito fuoriclasse.📝Voto: 6½ /10
"The forgiven" di John Michael McDonagh, 117 minuti, 2022.
- Durante un fine settimana sulle montagne dell'Alto Atlante, in Marocco, un incidente casuale si ripercuote sulle vite dei musulmani locali e dei visitatori occidentali di una festa in una grande villa. - da themoviedb.org -
Tower – Let There Be Dark Review
By Steel Druhm
Back in the Year of Our Plague 2021, New York City’s own Tower came out of nowhere and delivered a massive sucker punch to an unsuspecting Steely with their appropriately titled sophomore opus Shock to the System. It was a powerhouse ode to classic 80s metal full of sizzling guitar work and the massive vocals of Sarabeth Linden. It mixed the best elements of early US metal and NWoBHM, touching on nostalgia acts like Riot City and Enforcer along with classic units like Chastain and Oz and it hit significantly above its weight. 2025 brings the sequel, Let There Be Dark, and it’s business as usual at the Tower of Power as they dig deep into the 80s metal crypts for retro gold. But can they catch lightning in a hobo wine bottle twice? Pray for retro mojo.
The recipe that worked so well last time is still in use, but Tower try out some softer shades now too. Opener “Under the Chapel” is a barn scorcher full of dazzling riffwork leveraging the raucous, punky edge of NWoBHM, but rather than coming in at 12 and staying there, Sarabeth opts for seductive croons over brute force at times, using her enchanting siren song to create a more diverse experience. The aggressive music pairs very well with Sarabeth’s shifting tones and the song sticks in the grey matter immediately. The title track is another in-your-face rocker leaning on 80s speed metal, providing Sarabeth the perfect foundation to roar and soar. The chorus is a simple but elegant fist-pumper and their rowdy retro magic shines brightly. The high point arrives with “Holy Water,” which is just a lean, mean metal tune full of pugnacious attitude, ripping guitar work, and mammoth vocals. Sarabeth goes all in here, showing all phases of her range as she destroys the universe like an Infinity Gauntlet set to “Pulpify.” This woman has the Kovorka!
Elsewhere, “Book of the Hidden” scores another big win for Tower, finding an epic level in their sound that marries well with the straightforward, no-nonsense riff hooliganism, making the whole thing reek of 1983. To change things up, they deliver a seething power ballad called “And I Cry” where Sarabeth wallows in emotional tumult. Sarabeth shines, forcing your rapt attention despite the maudlin mechanics. Better still is “Don’t You Say” where they borrow a lot from the classic Judas Priest brooder “Night Comes Down.” While Let There Be Dark is a wild, entertaining ride, it’s not without a few minor issues. Both “And I Cry” and the very Mötörhead-esque “Iron Clad” are good but not quite next level, and closer “The Hammer” is a badass song that runs a bit too long at nearly 7 minutes. The presence of 2 short interludes on an album running just 39 minutes also seems unnecessary. The overall writing level is very good but a bit less righteous than on Shock to the System. Still, when this thing smokes, you get burned by trveness.
Sararbeth Linden is the vibrant core of the band, with her vocals doing much of the heavy lifting. She has the rough-hewn rasp of Janis Joplin and the breathy power of a young Cher and I continue to be awed by the size and scope of her voice. The lady sounds massive at all volumes and she’s exceptionally versatile. She can blow the doors off with a leather-lunged roar and beguile with a soft lilt. It occurs to me that what Tower and Nite do musically isn’t that far apart, but boy, what a difference a talented vocalist makes. Imagine Sarabeth dropping into the middle of a Nite track? BOOM goes the dynamite! Speaking of explosives, James Danzo and Zak Penley use their wanton guitar heroics to fight Sarabeth for your attention. Their playing reminds me a lot of Satan’s Russ Tippins and Steve Ramsey as they rip off flaming riffs, hooky harmonies, and face-melting solos. They capture the early 80s metal sound and dabble in punk and speed elements to spice things up. Together with bassist Phillip Arman and new kit killer Keith Mikus, they lay out a wonderful soundscape for Sarabeth to chew on, and chew she certainly does.
Let There Be Dark is another notch in the win column for the little New York City band that could. It’s not as rabid as Shock to the System but it isn’t far off the bite mark. Tower are the band to watch in the retro metal space now and they have the talent to do anything they want. Climb this Tower to the tippy-top and hurl yourself into the retroverse.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Cruz Del Sur
Websites: towernyc.bandcamp.com | facebook.com/towernyc | instagram.com/towernyc
Releases Worldwide: March 21st, 2025#2025 #35 #AmericanMetal #Chastain #CruzDelSurMusic #Enforcer #HeavyMetal #LetThereBeDark #Mar25 #Nite #Oz #Review #Reviews #RiotCity #Satan #ShockToTheSystem #Tower
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Tower – Let There Be Dark Review
By Steel Druhm
Back in the Year of Our Plague 2021, New York City’s own Tower came out of nowhere and delivered a massive sucker punch to an unsuspecting Steely with their appropriately titled sophomore opus Shock to the System. It was a powerhouse ode to classic 80s metal full of sizzling guitar work and the massive vocals of Sarabeth Linden. It mixed the best elements of early US metal and NWoBHM, touching on nostalgia acts like Riot City and Enforcer along with classic units like Chastain and Oz and it hit significantly above its weight. 2025 brings the sequel, Let There Be Dark, and it’s business as usual at the Tower of Power as they dig deep into the 80s metal crypts for retro gold. But can they catch lightning in a hobo wine bottle twice? Pray for retro mojo.
The recipe that worked so well last time is still in use, but Tower try out some softer shades now too. Opener “Under the Chapel” is a barn scorcher full of dazzling riffwork leveraging the raucous, punky edge of NWoBHM, but rather than coming in at 12 and staying there, Sarabeth opts for seductive croons over brute force at times, using her enchanting siren song to create a more diverse experience. The aggressive music pairs very well with Sarabeth’s shifting tones and the song sticks in the grey matter immediately. The title track is another in-your-face rocker leaning on 80s speed metal, providing Sarabeth the perfect foundation to roar and soar. The chorus is a simple but elegant fist-pumper and their rowdy retro magic shines brightly. The high point arrives with “Holy Water,” which is just a lean, mean metal tune full of pugnacious attitude, ripping guitar work, and mammoth vocals. Sarabeth goes all in here, showing all phases of her range as she destroys the universe like an Infinity Gauntlet set to “Pulpify.” This woman has the Kovorka!
Elsewhere, “Book of the Hidden” scores another big win for Tower, finding an epic level in their sound that marries well with the straightforward, no-nonsense riff hooliganism, making the whole thing reek of 1983. To change things up, they deliver a seething power ballad called “And I Cry” where Sarabeth wallows in emotional tumult. Sarabeth shines, forcing your rapt attention despite the maudlin mechanics. Better still is “Don’t You Say” where they borrow a lot from the classic Judas Priest brooder “Night Comes Down.” While Let There Be Dark is a wild, entertaining ride, it’s not without a few minor issues. Both “And I Cry” and the very Mötörhead-esque “Iron Clad” are good but not quite next level, and closer “The Hammer” is a badass song that runs a bit too long at nearly 7 minutes. The presence of 2 short interludes on an album running just 39 minutes also seems unnecessary. The overall writing level is very good but a bit less righteous than on Shock to the System. Still, when this thing smokes, you get burned by trveness.
Sararbeth Linden is the vibrant core of the band, with her vocals doing much of the heavy lifting. She has the rough-hewn rasp of Janis Joplin and the breathy power of a young Cher and I continue to be awed by the size and scope of her voice. The lady sounds massive at all volumes and she’s exceptionally versatile. She can blow the doors off with a leather-lunged roar and beguile with a soft lilt. It occurs to me that what Tower and Nite do musically isn’t that far apart, but boy, what a difference a talented vocalist makes. Imagine Sarabeth dropping into the middle of a Nite track? BOOM goes the dynamite! Speaking of explosives, James Danzo and Zak Penley use their wanton guitar heroics to fight Sarabeth for your attention. Their playing reminds me a lot of Satan’s Russ Tippins and Steve Ramsey as they rip off flaming riffs, hooky harmonies, and face-melting solos. They capture the early 80s metal sound and dabble in punk and speed elements to spice things up. Together with bassist Phillip Arman and new kit killer Keith Mikus, they lay out a wonderful soundscape for Sarabeth to chew on, and chew she certainly does.
Let There Be Dark is another notch in the win column for the little New York City band that could. It’s not as rabid as Shock to the System but it isn’t far off the bite mark. Tower are the band to watch in the retro metal space now and they have the talent to do anything they want. Climb this Tower to the tippy-top and hurl yourself into the retroverse.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Cruz Del Sur
Websites: towernyc.bandcamp.com | facebook.com/towernyc | instagram.com/towernyc
Releases Worldwide: March 21st, 2025#2025 #35 #AmericanMetal #Chastain #CruzDelSurMusic #Enforcer #HeavyMetal #LetThereBeDark #Mar25 #Nite #Oz #Review #Reviews #RiotCity #Satan #ShockToTheSystem #Tower
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Tower – Let There Be Dark Review
By Steel Druhm
Back in the Year of Our Plague 2021, New York City’s own Tower came out of nowhere and delivered a massive sucker punch to an unsuspecting Steely with their appropriately titled sophomore opus Shock to the System. It was a powerhouse ode to classic 80s metal full of sizzling guitar work and the massive vocals of Sarabeth Linden. It mixed the best elements of early US metal and NWoBHM, touching on nostalgia acts like Riot City and Enforcer along with classic units like Chastain and Oz and it hit significantly above its weight. 2025 brings the sequel, Let There Be Dark, and it’s business as usual at the Tower of Power as they dig deep into the 80s metal crypts for retro gold. But can they catch lightning in a hobo wine bottle twice? Pray for retro mojo.
The recipe that worked so well last time is still in use, but Tower try out some softer shades now too. Opener “Under the Chapel” is a barn scorcher full of dazzling riffwork leveraging the raucous, punky edge of NWoBHM, but rather than coming in at 12 and staying there, Sarabeth opts for seductive croons over brute force at times, using her enchanting siren song to create a more diverse experience. The aggressive music pairs very well with Sarabeth’s shifting tones and the song sticks in the grey matter immediately. The title track is another in-your-face rocker leaning on 80s speed metal, providing Sarabeth the perfect foundation to roar and soar. The chorus is a simple but elegant fist-pumper and their rowdy retro magic shines brightly. The high point arrives with “Holy Water,” which is just a lean, mean metal tune full of pugnacious attitude, ripping guitar work, and mammoth vocals. Sarabeth goes all in here, showing all phases of her range as she destroys the universe like an Infinity Gauntlet set to “Pulpify.” This woman has the Kovorka!
Elsewhere, “Book of the Hidden” scores another big win for Tower, finding an epic level in their sound that marries well with the straightforward, no-nonsense riff hooliganism, making the whole thing reek of 1983. To change things up, they deliver a seething power ballad called “And I Cry” where Sarabeth wallows in emotional tumult. Sarabeth shines, forcing your rapt attention despite the maudlin mechanics. Better still is “Don’t You Say” where they borrow a lot from the classic Judas Priest brooder “Night Comes Down.” While Let There Be Dark is a wild, entertaining ride, it’s not without a few minor issues. Both “And I Cry” and the very Mötörhead-esque “Iron Clad” are good but not quite next level, and closer “The Hammer” is a badass song that runs a bit too long at nearly 7 minutes. The presence of 2 short interludes on an album running just 39 minutes also seems unnecessary. The overall writing level is very good but a bit less righteous than on Shock to the System. Still, when this thing smokes, you get burned by trveness.
Sararbeth Linden is the vibrant core of the band, with her vocals doing much of the heavy lifting. She has the rough-hewn rasp of Janis Joplin and the breathy power of a young Cher and I continue to be awed by the size and scope of her voice. The lady sounds massive at all volumes and she’s exceptionally versatile. She can blow the doors off with a leather-lunged roar and beguile with a soft lilt. It occurs to me that what Tower and Nite do musically isn’t that far apart, but boy, what a difference a talented vocalist makes. Imagine Sarabeth dropping into the middle of a Nite track? BOOM goes the dynamite! Speaking of explosives, James Danzo and Zak Penley use their wanton guitar heroics to fight Sarabeth for your attention. Their playing reminds me a lot of Satan’s Russ Tippins and Steve Ramsey as they rip off flaming riffs, hooky harmonies, and face-melting solos. They capture the early 80s metal sound and dabble in punk and speed elements to spice things up. Together with bassist Phillip Arman and new kit killer Keith Mikus, they lay out a wonderful soundscape for Sarabeth to chew on, and chew she certainly does.
Let There Be Dark is another notch in the win column for the little New York City band that could. It’s not as rabid as Shock to the System but it isn’t far off the bite mark. Tower are the band to watch in the retro metal space now and they have the talent to do anything they want. Climb this Tower to the tippy-top and hurl yourself into the retroverse.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Cruz Del Sur
Websites: towernyc.bandcamp.com | facebook.com/towernyc | instagram.com/towernyc
Releases Worldwide: March 21st, 2025#2025 #35 #AmericanMetal #Chastain #CruzDelSurMusic #Enforcer #HeavyMetal #LetThereBeDark #Mar25 #Nite #Oz #Review #Reviews #RiotCity #Satan #ShockToTheSystem #Tower
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Tower – Let There Be Dark Review
By Steel Druhm
Back in the Year of Our Plague 2021, New York City’s own Tower came out of nowhere and delivered a massive sucker punch to an unsuspecting Steely with their appropriately titled sophomore opus Shock to the System. It was a powerhouse ode to classic 80s metal full of sizzling guitar work and the massive vocals of Sarabeth Linden. It mixed the best elements of early US metal and NWoBHM, touching on nostalgia acts like Riot City and Enforcer along with classic units like Chastain and Oz and it hit significantly above its weight. 2025 brings the sequel, Let There Be Dark, and it’s business as usual at the Tower of Power as they dig deep into the 80s metal crypts for retro gold. But can they catch lightning in a hobo wine bottle twice? Pray for retro mojo.
The recipe that worked so well last time is still in use, but Tower try out some softer shades now too. Opener “Under the Chapel” is a barn scorcher full of dazzling riffwork leveraging the raucous, punky edge of NWoBHM, but rather than coming in at 12 and staying there, Sarabeth opts for seductive croons over brute force at times, using her enchanting siren song to create a more diverse experience. The aggressive music pairs very well with Sarabeth’s shifting tones and the song sticks in the grey matter immediately. The title track is another in-your-face rocker leaning on 80s speed metal, providing Sarabeth the perfect foundation to roar and soar. The chorus is a simple but elegant fist-pumper and their rowdy retro magic shines brightly. The high point arrives with “Holy Water,” which is just a lean, mean metal tune full of pugnacious attitude, ripping guitar work, and mammoth vocals. Sarabeth goes all in here, showing all phases of her range as she destroys the universe like an Infinity Gauntlet set to “Pulpify.” This woman has the Kovorka!
Elsewhere, “Book of the Hidden” scores another big win for Tower, finding an epic level in their sound that marries well with the straightforward, no-nonsense riff hooliganism, making the whole thing reek of 1983. To change things up, they deliver a seething power ballad called “And I Cry” where Sarabeth wallows in emotional tumult. Sarabeth shines, forcing your rapt attention despite the maudlin mechanics. Better still is “Don’t You Say” where they borrow a lot from the classic Judas Priest brooder “Night Comes Down.” While Let There Be Dark is a wild, entertaining ride, it’s not without a few minor issues. Both “And I Cry” and the very Mötörhead-esque “Iron Clad” are good but not quite next level, and closer “The Hammer” is a badass song that runs a bit too long at nearly 7 minutes. The presence of 2 short interludes on an album running just 39 minutes also seems unnecessary. The overall writing level is very good but a bit less righteous than on Shock to the System. Still, when this thing smokes, you get burned by trveness.
Sararbeth Linden is the vibrant core of the band, with her vocals doing much of the heavy lifting. She has the rough-hewn rasp of Janis Joplin and the breathy power of a young Cher and I continue to be awed by the size and scope of her voice. The lady sounds massive at all volumes and she’s exceptionally versatile. She can blow the doors off with a leather-lunged roar and beguile with a soft lilt. It occurs to me that what Tower and Nite do musically isn’t that far apart, but boy, what a difference a talented vocalist makes. Imagine Sarabeth dropping into the middle of a Nite track? BOOM goes the dynamite! Speaking of explosives, James Danzo and Zak Penley use their wanton guitar heroics to fight Sarabeth for your attention. Their playing reminds me a lot of Satan’s Russ Tippins and Steve Ramsey as they rip off flaming riffs, hooky harmonies, and face-melting solos. They capture the early 80s metal sound and dabble in punk and speed elements to spice things up. Together with bassist Phillip Arman and new kit killer Keith Mikus, they lay out a wonderful soundscape for Sarabeth to chew on, and chew she certainly does.
Let There Be Dark is another notch in the win column for the little New York City band that could. It’s not as rabid as Shock to the System but it isn’t far off the bite mark. Tower are the band to watch in the retro metal space now and they have the talent to do anything they want. Climb this Tower to the tippy-top and hurl yourself into the retroverse.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Cruz Del Sur
Websites: towernyc.bandcamp.com | facebook.com/towernyc | instagram.com/towernyc
Releases Worldwide: March 21st, 2025#2025 #35 #AmericanMetal #Chastain #CruzDelSurMusic #Enforcer #HeavyMetal #LetThereBeDark #Mar25 #Nite #Oz #Review #Reviews #RiotCity #Satan #ShockToTheSystem #Tower
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@mookie Ok, I just re-watched #Oceans8 & #The355 & 355 is FAR BETTER than 8.
I'd give 8 a 5 and 355 a 8 on a scale of 1-10 for entertainment value (not art).
8 is boring & the score doesn't help.
Bullock is NOT believable as a crime mastermind & there is absolutely no rapport between her & Blanchet.
Do you really think that they'd hang out together? 🙄
The rest of the female team are just a mishmash of current female talent who have absolutely NOTHING in common. So, much so they had to resort to pulling in 2 male characters from Ocean 11/12/13 to fill the gaps.
Nah, it's nothing better than a so-so movie to me.
355 on the other hand ROCKS!!!! 😎
5 bad ass female spies that hold their own against the men while some of them try to kill each other. There's MAJOR chem between them.
#Chastain, #Kruger, #BingBing & #Cruz are my #WetDream & they fill the screen with action, compassion & femininity.
F*ck 8. 355 is the one to watch!!! 👏👏👏
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@mookie Ok, I just re-watched #Oceans8 & #The355 & 355 is FAR BETTER than 8.
I'd give 8 a 5 and 355 a 8 on a scale of 1-10 for entertainment value (not art).
8 is boring & the score doesn't help.
Bullock is NOT believable as a crime mastermind & there is absolutely no rapport between her & Blanchet.
Do you really think that they'd hang out together? 🙄
The rest of the female team are just a mishmash of current female talent who have absolutely NOTHING in common. So, much so they had to resort to pulling in 2 male characters from Ocean 11/12/13 to fill the gaps.
Nah, it's nothing better than a so-so movie to me.
355 on the other hand ROCKS!!!! 😎
5 bad ass female spies that hold their own against the men while some of them try to kill each other. There's MAJOR chem between them.
#Chastain, #Kruger, #BingBing & #Cruz are my #WetDream & they fill the screen with action, compassion & femininity.
F*ck 8. 355 is the one to watch!!! 👏👏👏
-
@mookie Ok, I just re-watched #Oceans8 & #The355 & 355 is FAR BETTER than 8.
I'd give 8 a 5 and 355 a 8 on a scale of 1-10 for entertainment value (not art).
8 is boring & the score doesn't help.
Bullock is NOT believable as a crime mastermind & there is absolutely no rapport between her & Blanchet.
Do you really think that they'd hang out together? 🙄
The rest of the female team are just a mishmash of current female talent who have absolutely NOTHING in common. So, much so they had to resort to pulling in 2 male characters from Ocean 11/12/13 to fill the gaps.
Nah, it's nothing better than a so-so movie to me.
355 on the other hand ROCKS!!!! 😎
5 bad ass female spies that hold their own against the men while some of them try to kill each other. There's MAJOR chem between them.
#Chastain, #Kruger, #BingBing & #Cruz are my #WetDream & they fill the screen with action, compassion & femininity.
F*ck 8. 355 is the one to watch!!! 👏👏👏
-
@mookie Ok, I just re-watched #Oceans8 & #The355 & 355 is FAR BETTER than 8.
I'd give 8 a 5 and 355 a 8 on a scale of 1-10 for entertainment value (not art).
8 is boring & the score doesn't help.
Bullock is NOT believable as a crime mastermind & there is absolutely no rapport between her & Blanchet.
Do you really think that they'd hang out together? 🙄
The rest of the female team are just a mishmash of current female talent who have absolutely NOTHING in common. So, much so they had to resort to pulling in 2 male characters from Ocean 11/12/13 to fill the gaps.
Nah, it's nothing better than a so-so movie to me.
355 on the other hand ROCKS!!!! 😎
5 bad ass female spies that hold their own against the men while some of them try to kill each other. There's MAJOR chem between them.
#Chastain, #Kruger, #BingBing & #Cruz are my #WetDream & they fill the screen with action, compassion & femininity.
F*ck 8. 355 is the one to watch!!! 👏👏👏
-
@mookie Ok, I just re-watched #Oceans8 & #The355 & 355 is FAR BETTER than 8.
I'd give 8 a 5 and 355 a 8 on a scale of 1-10 for entertainment value (not art).
8 is boring & the score doesn't help.
Bullock is NOT believable as a crime mastermind & there is absolutely no rapport between her & Blanchet.
Do you really think that they'd hang out together? 🙄
The rest of the female team are just a mishmash of current female talent who have absolutely NOTHING in common. So, much so they had to resort to pulling in 2 male characters from Ocean 11/12/13 to fill the gaps.
Nah, it's nothing better than a so-so movie to me.
355 on the other hand ROCKS!!!! 😎
5 bad ass female spies that hold their own against the men while some of them try to kill each other. There's MAJOR chem between them.
#Chastain, #Kruger, #BingBing & #Cruz are my #WetDream & they fill the screen with action, compassion & femininity.
F*ck 8. 355 is the one to watch!!! 👏👏👏
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Impellitteri – War Machine Review
By Dolphin Whisperer
As the eponymous outfit of American shredhead Chris Impellitteri, Impellitteri has wielded the heavy metal chorus call and neoclassical solo response for near forty years. Though presenting a style that rollicks about Malmsteen-like fretboard gymnastics in a 80s rockin’ manner in the ballpark of the flamboyant Racer X or rough ‘n’ riffy Chastain, Impellitteri has maintained a workmanlike vigor in their long-standing songcraft. Virtuosity in runs and power chord progressions call the shots in this well-attended line of fire-fingered, efficient attacks. And though times are different than when Rob Rock (of his own eponymous works and ex-Axel Rudi Pell), first joined the Impellitteri crew, his continued presence alongside the nimble band leader aims to find that same consistency with this newest War Machine.
Understandably, War Machine veers little from the Impellitteri way. Though the American stalwarts materialized in 1988 as an affair similar to the Rainbow-on-shred names popular of the time, debut Stand in Line even featuring ex-Rainbow, ex-Alcatrazz vocalist Graham Bonnet, Impelliterri grew to thrive less on AOR shakin’ and more on power metal adjacent triumph on successive releases.1 And with the introduction of Rock on mic, Ken Mary (Fifth Angel, ex-Chastain) on kit, and Ed Roth (Driver) on keys, 90s peaks Screaming Symphony and Eye of the Hurricane offered a thrilling and overloaded version of a sound that already possessed much flexing force. Though low on variation, Impellitteri’s style through to War Machine remains classic and guitar-forward, a combo that to lovers of the olde and solo-wild will rarely be displeasing.
Despite the similar nature of everything, both to past Impellitteri works and within its own walls, War Machine comes stacked with bombastic guitar work against ridiculous themes. Reaching for a standard-issue bag of neoclassical tricks, along with spacey phasers that give whiffs of Van Halen party energy (“Superkingdom,” “Just Another Day”), Impellitteri’s licks endure as swift and truly heavy metal. And relying on the intensity of a post-Painkiller world, tracks like “Hell on Earth” and “Light It Up” find an extra rhythmic propulsion that keeps the horns raised high against double-kick assaults.2 Testament to Rock’s not-ageless but studied bravado, his performance, while not striking the highest highs of his younger days, lives in full commitment against campy themes of AI takeover (“Superkingdom”) and getting rowdy in the mosh pit (“War Machine,” “Light It Up”). Adding that all-too-important warmth and earnestness to the smoky stage romp that Impellitteri embodies, Rock persists as a link vital to keeping the War Machine on course.
When Impellitteri fires on all the cylinders still at their disposal, War Machine lives up to its name. But that makes up only about half of its forty-three-minute runtime. At this point in the Impellitteri catalog, the line between filler and iterated event runs thinner than the cutting tone Mr. Impellitteri loves so to highlight his lightning-speed scale laps. In that sense, it shouldn’t matter that “War Machine” is another “Turn of the Century” (Crunch, 2000) shred-laced groove that sets a marching tone, nor should it be a bother that “Beware the Hunter” utilizes one of the most common riff patterns that Impellitteri has ever put to tape. The War Machine versions of these tested sounds should land on their own merit—at cranking speeds (“Wrath Child,” “Light It Up”) and proudest arpeggio (“Superkingdom,” “Just Another Day”) they do, and Impellitteri shows they have ideas left in the tank. But when all eleven tracks don’t show this same fervor at this stage of their career, Impellitteri needs to spend a little more time in curation than creation.
If a younger Dolph had written this review, some of War Machine’s issues of repetition may not have stuck out in as flagrant a stumbling manner. However, Impellitteri, since first entering the fold of cetaceous enjoyment in the mid-00s, has released album after album of lowering differentiation with infrequent flashes of a former shining self. When the past was more recent, less littered by minds who wanted the same 11-dialed Marshall and scalloped Strat in the limelight, Impellitteri’s recursive ideas were more forgivable. But at our current juncture in time, growing every year closer to four decades of Impellitteri occupation, the War Machine must stand against those who preceded and inspired its existence, those who grew shoulder-to-shoulder in shred, and those who have raised themselves on the entirety of that history. And that’s all more fight than War Machine gives.
Rating: 2.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Frontiers Music
Websites: impellitteri.net | instagram.com/chrisimpellitteriofficial
Releases Worldwide: November 8th, 2024#20 #2024 #Alcatrazz #AxelRudiPell #Chastain #FifthAngel #FrontiersMusic #HeavyMetal #Impellitteri #NeoclassicalMetal #Nov24 #PowerMetal #RacerX #Rainbow #Review #Reviews #RobRock #Shred #WarMachine #YngwieMalmsteen
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Impellitteri – War Machine Review
By Dolphin Whisperer
As the eponymous outfit of American shredhead Chris Impellitteri, Impellitteri has wielded the heavy metal chorus call and neoclassical solo response for near forty years. Though presenting a style that rollicks about Malmsteen-like fretboard gymnastics in a 80s rockin’ manner in the ballpark of the flamboyant Racer X or rough ‘n’ riffy Chastain, Impellitteri has maintained a workmanlike vigor in their long-standing songcraft. Virtuosity in runs and power chord progressions call the shots in this well-attended line of fire-fingered, efficient attacks. And though times are different than when Rob Rock (of his own eponymous works and ex-Axel Rudi Pell), first joined the Impellitteri crew, his continued presence alongside the nimble band leader aims to find that same consistency with this newest War Machine.
Understandably, War Machine veers little from the Impellitteri way. Though the American stalwarts materialized in 1988 as an affair similar to the Rainbow-on-shred names popular of the time, debut Stand in Line even featuring ex-Rainbow, ex-Alcatrazz vocalist Graham Bonnet, Impelliterri grew to thrive less on AOR shakin’ and more on power metal adjacent triumph on successive releases.1 And with the introduction of Rock on mic, Ken Mary (Fifth Angel, ex-Chastain) on kit, and Ed Roth (Driver) on keys, 90s peaks Screaming Symphony and Eye of the Hurricane offered a thrilling and overloaded version of a sound that already possessed much flexing force. Though low on variation, Impellitteri’s style through to War Machine remains classic and guitar-forward, a combo that to lovers of the olde and solo-wild will rarely be displeasing.
Despite the similar nature of everything, both to past Impellitteri works and within its own walls, War Machine comes stacked with bombastic guitar work against ridiculous themes. Reaching for a standard-issue bag of neoclassical tricks, along with spacey phasers that give whiffs of Van Halen party energy (“Superkingdom,” “Just Another Day”), Impellitteri’s licks endure as swift and truly heavy metal. And relying on the intensity of a post-Painkiller world, tracks like “Hell on Earth” and “Light It Up” find an extra rhythmic propulsion that keeps the horns raised high against double-kick assaults.2 Testament to Rock’s not-ageless but studied bravado, his performance, while not striking the highest highs of his younger days, lives in full commitment against campy themes of AI takeover (“Superkingdom”) and getting rowdy in the mosh pit (“War Machine,” “Light It Up”). Adding that all-too-important warmth and earnestness to the smoky stage romp that Impellitteri embodies, Rock persists as a link vital to keeping the War Machine on course.
When Impellitteri fires on all the cylinders still at their disposal, War Machine lives up to its name. But that makes up only about half of its forty-three-minute runtime. At this point in the Impellitteri catalog, the line between filler and iterated event runs thinner than the cutting tone Mr. Impellitteri loves so to highlight his lightning-speed scale laps. In that sense, it shouldn’t matter that “War Machine” is another “Turn of the Century” (Crunch, 2000) shred-laced groove that sets a marching tone, nor should it be a bother that “Beware the Hunter” utilizes one of the most common riff patterns that Impellitteri has ever put to tape. The War Machine versions of these tested sounds should land on their own merit—at cranking speeds (“Wrath Child,” “Light It Up”) and proudest arpeggio (“Superkingdom,” “Just Another Day”) they do, and Impellitteri shows they have ideas left in the tank. But when all eleven tracks don’t show this same fervor at this stage of their career, Impellitteri needs to spend a little more time in curation than creation.
If a younger Dolph had written this review, some of War Machine’s issues of repetition may not have stuck out in as flagrant a stumbling manner. However, Impellitteri, since first entering the fold of cetaceous enjoyment in the mid-00s, has released album after album of lowering differentiation with infrequent flashes of a former shining self. When the past was more recent, less littered by minds who wanted the same 11-dialed Marshall and scalloped Strat in the limelight, Impellitteri’s recursive ideas were more forgivable. But at our current juncture in time, growing every year closer to four decades of Impellitteri occupation, the War Machine must stand against those who preceded and inspired its existence, those who grew shoulder-to-shoulder in shred, and those who have raised themselves on the entirety of that history. And that’s all more fight than War Machine gives.
Rating: 2.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Frontiers Music
Websites: impellitteri.net | instagram.com/chrisimpellitteriofficial
Releases Worldwide: November 8th, 2024#20 #2024 #Alcatrazz #AxelRudiPell #Chastain #FifthAngel #FrontiersMusic #HeavyMetal #Impellitteri #NeoclassicalMetal #Nov24 #PowerMetal #RacerX #Rainbow #Review #Reviews #RobRock #Shred #WarMachine #YngwieMalmsteen
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Wczoraj wieczorem odcielo mi neta i nie moglem komentowac co sie dzialo w #NASCAR, a wyscig dowiozl jak zwykle 😎
Pomijajac typowa walke na kazdym okrazeniu i kilka efektownych kraks, mielismy rewelacyjny finisz na kilku ostatnich okrazeniach, w ktorym Kyle #Larson i Denny #Hamlin walczyli bok w bok, co chwile wymieniajac sie pozycjami.. i ktora na ostatnim okrazeniu skonczyla sie lekkim puknieciem Larsona przez Hamlina i poslaniem go w bande, przez co Larson skonczyl na drugim miejscu 😲 🤣
https://yewtu.be/watch?v=EENSHeMcfmw
Natomiast kiedy Larson udzielal powyscigowego wywiadu, realizator nagle przelaczyl sie na kamere pokazujaca garaze, bo... poszly tam w ruch piesci 🤣 Noah #Gragson i Ross #Chastain postanowili sobie "za garazami" wyjasnic sytuacje z poczatkowej fazy wyscigu, kiedy jeden drugiemu zostawil rzekomo nieco za malo miejsca przy bandzie
