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#acrostic — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #acrostic, aggregated by home.social.

  1. just about

    Just about her favorite thing is to
    
Unseal bright papery packets and
    
Set out flats of germination soil
    
The length of her bench, then scratch in parallel

    

Along each flat, with a stick, five lines for seeds.
    
By and by, the covered infant sprouts appear;
    
Or don't, in which case repeat until satisfactory.
    
Under her grow lights, not great ones, but good enough,
    
The seedlings make two leaves and then two more:

    

Here she makes more flats, with this time in
    
Each flat eighteen pots, filled with dampened
    
Rooting soil. A hole in each pot waits

    

For one tiny plant; the soil to be pressed
    
Around the taproot and tiny rootlets, then
    
Very gently watered -- from below, pouring
    
Over the flat's lip a tea of comfrey.
    
Really she overdoes it, making hundreds,
    
In every kind, of vegetable starts, far more
    
Than she can plant, but is fine with that; most
    
Everyone she knows will willingly give them homes.

    

That's her means, in old age, of making
    
Happen a kind of revolution. There are
    
In towers far away, those who would
    
Not have us eat what will not make them rich.
    
Go, little plants! Feed free souls free food.

    -- shonin #poetry #acrostic #gardening #homesteading

  2. the rhythm of the work

    The rhythm of the work is to set down
    
Her padded bench, a flat, and trowel at the
    
End of a bed and drop as if in prayer,

    

Reach for the trowel (bent for her old
    
Hand at right angles), dig, then grope for a pot.
    
You may see each hole is deep and wide enough
    
To exactly take the root ball. She carefully
    
Holds this in her shade, tips the damp
    
Mass in, packs with trowel, repeats all -- three

    

Or four times -- then stands. Behind her, some
    
Four plants glow green in any six feet of bed.

    

The rhythm of this work, when best, resembles
    
How monks or nuns in supplication glide
    
Easily to the floor, centered, unconcerned



    With body or mind, then rise, then glide again,
    
Outcomes not sought, nor merit earned.
    
Right to the end of the bed she goes,
    
Kneeling to simply do with her rough hands.

    -- shonin #poetry #acrostic #gardening #homesteading #practice

  3. the rhythm of the work

    The rhythm of the work is to set down
    
Her padded bench, a flat, and trowel at the
    
End of a bed and drop as if in prayer,

    

Reach for the trowel (bent for her old
    
Hand at right angles), dig, then grope for a pot.
    
You may see each hole is deep and wide enough
    
To exactly take the root ball. She carefully
    
Holds this in her shade, tips the damp
    
Mass in, packs with trowel, repeats all -- three

    

Or four times -- then stands. Behind her, some
    
Four plants glow green in any six feet of bed.

    

The rhythm of this work, when best, resembles
    
How monks or nuns in supplication glide
    
Easily to the floor, centered, unconcerned



    With body or mind, then rise, then glide again,
    
Outcomes not sought, nor merit earned.
    
Right to the end of the bed she goes,
    
Kneeling to simply do with her rough hands.

    -- shonin #poetry #acrostic #gardening #homesteading #practice

  4. the rhythm of the work

    The rhythm of the work is to set down
    
Her padded bench, a flat, and trowel at the
    
End of a bed and drop as if in prayer,

    

Reach for the trowel (bent for her old
    
Hand at right angles), dig, then grope for a pot.
    
You may see each hole is deep and wide enough
    
To exactly take the root ball. She carefully
    
Holds this in her shade, tips the damp
    
Mass in, packs with trowel, repeats all -- three

    

Or four times -- then stands. Behind her, some
    
Four plants glow green in any six feet of bed.

    

The rhythm of this work, when best, resembles
    
How monks or nuns in supplication glide
    
Easily to the floor, centered, unconcerned



    With body or mind, then rise, then glide again,
    
Outcomes not sought, nor merit earned.
    
Right to the end of the bed she goes,
    
Kneeling to simply do with her rough hands.

    -- shonin #poetry #acrostic #gardening #homesteading #practice

  5. the rhythm of the work

    The rhythm of the work is to set down
    
Her padded bench, a flat, and trowel at the
    
End of a bed and drop as if in prayer,

    

Reach for the trowel (bent for her old
    
Hand at right angles), dig, then grope for a pot.
    
You may see each hole is deep and wide enough
    
To exactly take the root ball. She carefully
    
Holds this in her shade, tips the damp
    
Mass in, packs with trowel, repeats all -- three

    

Or four times -- then stands. Behind her, some
    
Four plants glow green in any six feet of bed.

    

The rhythm of this work, when best, resembles
    
How monks or nuns in supplication glide
    
Easily to the floor, centered, unconcerned



    With body or mind, then rise, then glide again,
    
Outcomes not sought, nor merit earned.
    
Right to the end of the bed she goes,
    
Kneeling to simply do with her rough hands.

    -- shonin #poetry #acrostic #gardening #homesteading #practice

  6. the rhythm of the work

    The rhythm of the work is to set down
    
Her padded bench, a flat, and trowel at the
    
End of a bed and drop as if in prayer,

    

Reach for the trowel (bent for her old
    
Hand at right angles), dig, then grope for a pot.
    
You may see each hole is deep and wide enough
    
To exactly take the root ball. She carefully
    
Holds this in her shade, tips the damp
    
Mass in, packs with trowel, repeats all -- three

    

Or four times -- then stands. Behind her, some
    
Four plants glow green in any six feet of bed.

    

The rhythm of this work, when best, resembles
    
How monks or nuns in supplication glide
    
Easily to the floor, centered, unconcerned



    With body or mind, then rise, then glide again,
    
Outcomes not sought, nor merit earned.
    
Right to the end of the bed she goes,
    
Kneeling to simply do with her rough hands.

    -- shonin #poetry #acrostic #gardening #homesteading #practice

  7. what to do about trees

    What to do about trees, for she had room:
    Have an orchard. But isn't that thinking
    About twenty years ahead? So she went
    To the tool room for her spade in November;

    Took that and four apple saplings down
    Onto the flat by the road, and began. Years she

    Did this, working up and around the rise
    Of better ground. Pears, cherries, quince

    Abounded, but the plums got blight, and had to
    Be started over. She was too old to harvest
    Or even get shade from nut trees, they're so slow;
    Uncoupling crop from objective, she anyway set
    Them out, along with the rest. Last, she

    Thought of mulberries. The hens could have
    Really used those. Oh, well. She ordered,
    Even this late in life, and planted once more,
    Even as those old hens looked on amazed:
    Something to offer folks not yet alive.

    -- shonin #poetry #gardening #orchard #acrostic #homesteading

  8. what to do with leaves

    What to do with leaves, if one cannot leave them
    
Here beneath aspen, gum, maple and birch
    
As what they become in winter, a kind of skirt
    
To warm and feed fanned roots, is gather and



    Toss them on a garden. She spreads hers
    
Over bed and path alike, with straw, with



    Dead grass and weeds, barn bedding, the contents
    
Of kitchen bucket and tumble barrel, along

    

With any foliage that comes to hand, even prunings
    
If too small to bother with for her iron stove.
    
This is for worms and all their small companions
    
Heaving aside the earth of path and bed alike,



    Leveling and loosening, making untilled tilth.
    
Evening comes and she stills, listening
    
As the city of humus thrums toward spring.
    
Very likely it's best to interfere not
    Even this much in things, she tells herself, yet
    
She's always loved to tell her children: eat.

    -- shonin #poetry #acrostic #gardening #homesteading #soil #composting

  9. what to do with leaves

    What to do with leaves, if one cannot leave them
    
Here beneath aspen, gum, maple and birch
    
As what they become in winter, a kind of skirt
    
To warm and feed fanned roots, is gather and



    Toss them on a garden. She spreads hers
    
Over bed and path alike, with straw, with



    Dead grass and weeds, barn bedding, the contents
    
Of kitchen bucket and tumble barrel, along

    

With any foliage that comes to hand, even prunings
    
If too small to bother with for her iron stove.
    
This is for worms and all their small companions
    
Heaving aside the earth of path and bed alike,



    Leveling and loosening, making untilled tilth.
    
Evening comes and she stills, listening
    
As the city of humus thrums toward spring.
    
Very likely it's best to interfere not
    Even this much in things, she tells herself, yet
    
She's always loved to tell her children: eat.

    -- shonin #poetry #acrostic #gardening #homesteading #soil #composting

  10. what to do with leaves

    What to do with leaves, if one cannot leave them
    
Here beneath aspen, gum, maple and birch
    
As what they become in winter, a kind of skirt
    
To warm and feed fanned roots, is gather and



    Toss them on a garden. She spreads hers
    
Over bed and path alike, with straw, with



    Dead grass and weeds, barn bedding, the contents
    
Of kitchen bucket and tumble barrel, along

    

With any foliage that comes to hand, even prunings
    
If too small to bother with for her iron stove.
    
This is for worms and all their small companions
    
Heaving aside the earth of path and bed alike,



    Leveling and loosening, making untilled tilth.
    
Evening comes and she stills, listening
    
As the city of humus thrums toward spring.
    
Very likely it's best to interfere not
    Even this much in things, she tells herself, yet
    
She's always loved to tell her children: eat.

    -- shonin #poetry #acrostic #gardening #homesteading #soil #composting

  11. what to do with leaves

    What to do with leaves, if one cannot leave them
    
Here beneath aspen, gum, maple and birch
    
As what they become in winter, a kind of skirt
    
To warm and feed fanned roots, is gather and



    Toss them on a garden. She spreads hers
    
Over bed and path alike, with straw, with



    Dead grass and weeds, barn bedding, the contents
    
Of kitchen bucket and tumble barrel, along

    

With any foliage that comes to hand, even prunings
    
If too small to bother with for her iron stove.
    
This is for worms and all their small companions
    
Heaving aside the earth of path and bed alike,



    Leveling and loosening, making untilled tilth.
    
Evening comes and she stills, listening
    
As the city of humus thrums toward spring.
    
Very likely it's best to interfere not
    Even this much in things, she tells herself, yet
    
She's always loved to tell her children: eat.

    -- shonin #poetry #acrostic #gardening #homesteading #soil #composting

  12. what to do with leaves

    What to do with leaves, if one cannot leave them
    
Here beneath aspen, gum, maple and birch
    
As what they become in winter, a kind of skirt
    
To warm and feed fanned roots, is gather and



    Toss them on a garden. She spreads hers
    
Over bed and path alike, with straw, with



    Dead grass and weeds, barn bedding, the contents
    
Of kitchen bucket and tumble barrel, along

    

With any foliage that comes to hand, even prunings
    
If too small to bother with for her iron stove.
    
This is for worms and all their small companions
    
Heaving aside the earth of path and bed alike,



    Leveling and loosening, making untilled tilth.
    
Evening comes and she stills, listening
    
As the city of humus thrums toward spring.
    
Very likely it's best to interfere not
    Even this much in things, she tells herself, yet
    
She's always loved to tell her children: eat.

    -- shonin #poetry #acrostic #gardening #homesteading #soil #composting

  13. decembering in the orchard

    All that is left is the Granny Smiths; she
    Loves that they cling to their shivered tree,
    Leaves long gone. Even the hens have left off

    Trusting the sky to toss them sugar, and
    Have retired to their tractor, pecking
    At storebought feed in its styrene bin.
    The winds whistle through, rasping

    Ink-black twigs together; the apples nod and
    Stub their green bellies. She

    Lifts ten or so down, as if they were
    Each one of her own breasts, tenderly
    Filling her small basket. In the kitchen
    They will sit shyly waiting their turn:

    It is the season for other foods; in
    Stoneware bowls, nuts and citrus

    Talk among themselves in distant tongues.
    Here her hands make outland meals,
    Even finding work for lemon skins.

    Granny Smiths are not much favored,
    Really, by her guests; in festive mood, if an
    Apple is desired, they'll reach for waxed,
    Not thinking of that one tree, struggling
    Night and day to keep for them fresh joy.
    Yet she knows she cannot blame them;

    Shy apples do their best in pie.
    Moonlight limns the fruit she did not pick;
    If some green globes remain at large tonight,
    The morning light will prove, tomorrow,
    Holiday for those that cannot buy.
    Squirrels and towhees will know what to do.

    -- shonin #poetry #acrostic #homesteading #gardening #seasons #orchard

  14. decembering in the orchard

    All that is left is the Granny Smiths; she
    Loves that they cling to their shivered tree,
    Leaves long gone. Even the hens have left off

    Trusting the sky to toss them sugar, and
    Have retired to their tractor, pecking
    At storebought feed in its styrene bin.
    The winds whistle through, rasping

    Ink-black twigs together; the apples nod and
    Stub their green bellies. She

    Lifts ten or so down, as if they were
    Each one of her own breasts, tenderly
    Filling her small basket. In the kitchen
    They will sit shyly waiting their turn:

    It is the season for other foods; in
    Stoneware bowls, nuts and citrus

    Talk among themselves in distant tongues.
    Here her hands make outland meals,
    Even finding work for lemon skins.

    Granny Smiths are not much favored,
    Really, by her guests; in festive mood, if an
    Apple is desired, they'll reach for waxed,
    Not thinking of that one tree, struggling
    Night and day to keep for them fresh joy.
    Yet she knows she cannot blame them;

    Shy apples do their best in pie.
    Moonlight limns the fruit she did not pick;
    If some green globes remain at large tonight,
    The morning light will prove, tomorrow,
    Holiday for those that cannot buy.
    Squirrels and towhees will know what to do.

    -- shonin #poetry #acrostic #homesteading #gardening #seasons #orchard

  15. decembering in the orchard

    All that is left is the Granny Smiths; she
    Loves that they cling to their shivered tree,
    Leaves long gone. Even the hens have left off

    Trusting the sky to toss them sugar, and
    Have retired to their tractor, pecking
    At storebought feed in its styrene bin.
    The winds whistle through, rasping

    Ink-black twigs together; the apples nod and
    Stub their green bellies. She

    Lifts ten or so down, as if they were
    Each one of her own breasts, tenderly
    Filling her small basket. In the kitchen
    They will sit shyly waiting their turn:

    It is the season for other foods; in
    Stoneware bowls, nuts and citrus

    Talk among themselves in distant tongues.
    Here her hands make outland meals,
    Even finding work for lemon skins.

    Granny Smiths are not much favored,
    Really, by her guests; in festive mood, if an
    Apple is desired, they'll reach for waxed,
    Not thinking of that one tree, struggling
    Night and day to keep for them fresh joy.
    Yet she knows she cannot blame them;

    Shy apples do their best in pie.
    Moonlight limns the fruit she did not pick;
    If some green globes remain at large tonight,
    The morning light will prove, tomorrow,
    Holiday for those that cannot buy.
    Squirrels and towhees will know what to do.

    -- shonin #poetry #acrostic #homesteading #gardening #seasons #orchard

  16. decembering in the orchard

    All that is left is the Granny Smiths; she
    Loves that they cling to their shivered tree,
    Leaves long gone. Even the hens have left off

    Trusting the sky to toss them sugar, and
    Have retired to their tractor, pecking
    At storebought feed in its styrene bin.
    The winds whistle through, rasping

    Ink-black twigs together; the apples nod and
    Stub their green bellies. She

    Lifts ten or so down, as if they were
    Each one of her own breasts, tenderly
    Filling her small basket. In the kitchen
    They will sit shyly waiting their turn:

    It is the season for other foods; in
    Stoneware bowls, nuts and citrus

    Talk among themselves in distant tongues.
    Here her hands make outland meals,
    Even finding work for lemon skins.

    Granny Smiths are not much favored,
    Really, by her guests; in festive mood, if an
    Apple is desired, they'll reach for waxed,
    Not thinking of that one tree, struggling
    Night and day to keep for them fresh joy.
    Yet she knows she cannot blame them;

    Shy apples do their best in pie.
    Moonlight limns the fruit she did not pick;
    If some green globes remain at large tonight,
    The morning light will prove, tomorrow,
    Holiday for those that cannot buy.
    Squirrels and towhees will know what to do.

    -- shonin #poetry #acrostic #homesteading #gardening #seasons #orchard

  17. weather is a thing

    Weather is a thing, now, she tells herself,
    
Every day surprising -- week, month
    
And season. When, whether and what
    
To plant, or how to schedule visits with
    
Her friends or family, across a pass or
    
Even in lowlands. Storm clouds will
    
Roll in, blizzards, fire, a tornado. She

    

Is sure there's easy weather somewhere
    
Such times as freezing fog, wind, or



    A heatwave shuts her in. She'll admit



    There are good days for her yet
    
Here beneath her patient apple trees.
    
If weather is a thing, so is simplicity.
    
Never waste a calm day, she says:
    
Go see trilliums, bespeak beargrass,



    Nod to daisies, curtsy to wise willows.
    
On such days, forget falling trees and hills,
    
Water rising. Love life while you can.

    -- shonin #poetry #acrostic #seasons

  18. weather is a thing

    Weather is a thing, now, she tells herself,
    
Every day surprising -- week, month
    
And season. When, whether and what
    
To plant, or how to schedule visits with
    
Her friends or family, across a pass or
    
Even in lowlands. Storm clouds will
    
Roll in, blizzards, fire, a tornado. She

    

Is sure there's easy weather somewhere
    
Such times as freezing fog, wind, or



    A heatwave shuts her in. She'll admit



    There are good days for her yet
    
Here beneath her patient apple trees.
    
If weather is a thing, so is simplicity.
    
Never waste a calm day, she says:
    
Go see trilliums, bespeak beargrass,



    Nod to daisies, curtsy to wise willows.
    
On such days, forget falling trees and hills,
    
Water rising. Love life while you can.

    -- shonin #poetry #acrostic #seasons

  19. weather is a thing

    Weather is a thing, now, she tells herself,
    
Every day surprising -- week, month
    
And season. When, whether and what
    
To plant, or how to schedule visits with
    
Her friends or family, across a pass or
    
Even in lowlands. Storm clouds will
    
Roll in, blizzards, fire, a tornado. She

    

Is sure there's easy weather somewhere
    
Such times as freezing fog, wind, or



    A heatwave shuts her in. She'll admit



    There are good days for her yet
    
Here beneath her patient apple trees.
    
If weather is a thing, so is simplicity.
    
Never waste a calm day, she says:
    
Go see trilliums, bespeak beargrass,



    Nod to daisies, curtsy to wise willows.
    
On such days, forget falling trees and hills,
    
Water rising. Love life while you can.

    -- shonin #poetry #acrostic #seasons

  20. weather is a thing

    Weather is a thing, now, she tells herself,
    
Every day surprising -- week, month
    
And season. When, whether and what
    
To plant, or how to schedule visits with
    
Her friends or family, across a pass or
    
Even in lowlands. Storm clouds will
    
Roll in, blizzards, fire, a tornado. She

    

Is sure there's easy weather somewhere
    
Such times as freezing fog, wind, or



    A heatwave shuts her in. She'll admit



    There are good days for her yet
    
Here beneath her patient apple trees.
    
If weather is a thing, so is simplicity.
    
Never waste a calm day, she says:
    
Go see trilliums, bespeak beargrass,



    Nod to daisies, curtsy to wise willows.
    
On such days, forget falling trees and hills,
    
Water rising. Love life while you can.

    -- shonin #poetry #acrostic #seasons

  21. weather is a thing

    Weather is a thing, now, she tells herself,
    
Every day surprising -- week, month
    
And season. When, whether and what
    
To plant, or how to schedule visits with
    
Her friends or family, across a pass or
    
Even in lowlands. Storm clouds will
    
Roll in, blizzards, fire, a tornado. She

    

Is sure there's easy weather somewhere
    
Such times as freezing fog, wind, or



    A heatwave shuts her in. She'll admit



    There are good days for her yet
    
Here beneath her patient apple trees.
    
If weather is a thing, so is simplicity.
    
Never waste a calm day, she says:
    
Go see trilliums, bespeak beargrass,



    Nod to daisies, curtsy to wise willows.
    
On such days, forget falling trees and hills,
    
Water rising. Love life while you can.

    -- shonin #poetry #acrostic #seasons

  22. that time

    That time when there is yet nothing,
    Her skills being at rest, synchronized
    And sympathetic with soil's sleep --
    Timid buds of lilac or jonquil still

    Tucked within themselves -- she wonders
    If she's even a subsistence woman, is
    Mistaken in that as so much else, as when
    Even deep snow cannot efface what

    Winter erases when it is nearest spring.
    Her hands stretch to packaged seeds;
    Enter into bargains with their quietude.
    Now? Now? Now? Now? she asks them,

    Though she knows they will not move.
    Here by a cold window she spreads
    Envelopes on her table: peas, beets.
    Radishes will be first, nearest the house.
    Even now she smells them, lifted, bitten.

    Is there nothing that can be done?
    She asks for the hundredth time.

    You'd think the mud would dry a little,
    Evenings come later, mornings earlier,
    The birds nest and sing, daisies open!

    No. Tools rest in their ranks, sharpened,
    Oiled. Clouds pass, low, lightless, sulking.
    The arbor's done, fences, orchard,
    Heaps heaped. All she needs today
    Is that this blank month turn a little
    Nearer sun, before her plot of earth
    Grazes on forgetfulness too soon.

    -- shonin #poetry #acrostic #gardening #homesteading #seasons

  23. that time

    That time when there is yet nothing,
    Her skills being at rest, synchronized
    And sympathetic with soil's sleep --
    Timid buds of lilac or jonquil still

    Tucked within themselves -- she wonders
    If she's even a subsistence woman, is
    Mistaken in that as so much else, as when
    Even deep snow cannot efface what

    Winter erases when it is nearest spring.
    Her hands stretch to packaged seeds;
    Enter into bargains with their quietude.
    Now? Now? Now? Now? she asks them,

    Though she knows they will not move.
    Here by a cold window she spreads
    Envelopes on her table: peas, beets.
    Radishes will be first, nearest the house.
    Even now she smells them, lifted, bitten.

    Is there nothing that can be done?
    She asks for the hundredth time.

    You'd think the mud would dry a little,
    Evenings come later, mornings earlier,
    The birds nest and sing, daisies open!

    No. Tools rest in their ranks, sharpened,
    Oiled. Clouds pass, low, lightless, sulking.
    The arbor's done, fences, orchard,
    Heaps heaped. All she needs today
    Is that this blank month turn a little
    Nearer sun, before her plot of earth
    Grazes on forgetfulness too soon.

    -- shonin #poetry #acrostic #gardening #homesteading #seasons

  24. that time

    That time when there is yet nothing,
    Her skills being at rest, synchronized
    And sympathetic with soil's sleep --
    Timid buds of lilac or jonquil still

    Tucked within themselves -- she wonders
    If she's even a subsistence woman, is
    Mistaken in that as so much else, as when
    Even deep snow cannot efface what

    Winter erases when it is nearest spring.
    Her hands stretch to packaged seeds;
    Enter into bargains with their quietude.
    Now? Now? Now? Now? she asks them,

    Though she knows they will not move.
    Here by a cold window she spreads
    Envelopes on her table: peas, beets.
    Radishes will be first, nearest the house.
    Even now she smells them, lifted, bitten.

    Is there nothing that can be done?
    She asks for the hundredth time.

    You'd think the mud would dry a little,
    Evenings come later, mornings earlier,
    The birds nest and sing, daisies open!

    No. Tools rest in their ranks, sharpened,
    Oiled. Clouds pass, low, lightless, sulking.
    The arbor's done, fences, orchard,
    Heaps heaped. All she needs today
    Is that this blank month turn a little
    Nearer sun, before her plot of earth
    Grazes on forgetfulness too soon.

    -- shonin #poetry #acrostic #gardening #homesteading #seasons

  25. that time

    That time when there is yet nothing,
    Her skills being at rest, synchronized
    And sympathetic with soil's sleep --
    Timid buds of lilac or jonquil still

    Tucked within themselves -- she wonders
    If she's even a subsistence woman, is
    Mistaken in that as so much else, as when
    Even deep snow cannot efface what

    Winter erases when it is nearest spring.
    Her hands stretch to packaged seeds;
    Enter into bargains with their quietude.
    Now? Now? Now? Now? she asks them,

    Though she knows they will not move.
    Here by a cold window she spreads
    Envelopes on her table: peas, beets.
    Radishes will be first, nearest the house.
    Even now she smells them, lifted, bitten.

    Is there nothing that can be done?
    She asks for the hundredth time.

    You'd think the mud would dry a little,
    Evenings come later, mornings earlier,
    The birds nest and sing, daisies open!

    No. Tools rest in their ranks, sharpened,
    Oiled. Clouds pass, low, lightless, sulking.
    The arbor's done, fences, orchard,
    Heaps heaped. All she needs today
    Is that this blank month turn a little
    Nearer sun, before her plot of earth
    Grazes on forgetfulness too soon.

    -- shonin #poetry #acrostic #gardening #homesteading #seasons

  26. it begins

    It begins with mare's tails: wisps of ice
    
That spread, ghostly fingers from


    
Beyond the southwestern horizon; her
    
Ears feel the chill as she is planting bulbs.
    
"Go inside," her chapped hands urge her,
    
"Inside, your steaming kettle waits."
    
"Not yet," she replies. In her mind's eye
    
She watches thousands of daffodils bloom

    

Where grass grew. She must plant hundreds
    
If her dream will breathe. Altocumulus,
    
Those clouds like schools of fish, arrive.
    
Her hands are hurting her now; cold clay


    
Milking moisture from gapped skin.
    
As she bends, shovel in one hand,
    
Round brown balls of life in the other,
    
Each destined for a hole along her fence,
    
She senses wind lifting skirts of



    The cottonwoods and willows. Raindrops
    
Are arriving now, slanting through trees,
    
Investing her sleeves and hair with wet.
    
Leaving off at last, she, crutching on her
    
Shovel, pivots to her tea-providing fire.

    -- shonin #gardening #poetry #acrostic #homesteading #seasons

  27. it begins

    It begins with mare's tails: wisps of ice
    
That spread, ghostly fingers from


    
Beyond the southwestern horizon; her
    
Ears feel the chill as she is planting bulbs.
    
"Go inside," her chapped hands urge her,
    
"Inside, your steaming kettle waits."
    
"Not yet," she replies. In her mind's eye
    
She watches thousands of daffodils bloom

    

Where grass grew. She must plant hundreds
    
If her dream will breathe. Altocumulus,
    
Those clouds like schools of fish, arrive.
    
Her hands are hurting her now; cold clay


    
Milking moisture from gapped skin.
    
As she bends, shovel in one hand,
    
Round brown balls of life in the other,
    
Each destined for a hole along her fence,
    
She senses wind lifting skirts of



    The cottonwoods and willows. Raindrops
    
Are arriving now, slanting through trees,
    
Investing her sleeves and hair with wet.
    
Leaving off at last, she, crutching on her
    
Shovel, pivots to her tea-providing fire.

    -- shonin #gardening #poetry #acrostic #homesteading #seasons

  28. it begins

    It begins with mare's tails: wisps of ice
    
That spread, ghostly fingers from


    
Beyond the southwestern horizon; her
    
Ears feel the chill as she is planting bulbs.
    
"Go inside," her chapped hands urge her,
    
"Inside, your steaming kettle waits."
    
"Not yet," she replies. In her mind's eye
    
She watches thousands of daffodils bloom

    

Where grass grew. She must plant hundreds
    
If her dream will breathe. Altocumulus,
    
Those clouds like schools of fish, arrive.
    
Her hands are hurting her now; cold clay


    
Milking moisture from gapped skin.
    
As she bends, shovel in one hand,
    
Round brown balls of life in the other,
    
Each destined for a hole along her fence,
    
She senses wind lifting skirts of



    The cottonwoods and willows. Raindrops
    
Are arriving now, slanting through trees,
    
Investing her sleeves and hair with wet.
    
Leaving off at last, she, crutching on her
    
Shovel, pivots to her tea-providing fire.

    -- shonin #gardening #poetry #acrostic #homesteading #seasons

  29. it begins

    It begins with mare's tails: wisps of ice
    
That spread, ghostly fingers from


    
Beyond the southwestern horizon; her
    
Ears feel the chill as she is planting bulbs.
    
"Go inside," her chapped hands urge her,
    
"Inside, your steaming kettle waits."
    
"Not yet," she replies. In her mind's eye
    
She watches thousands of daffodils bloom

    

Where grass grew. She must plant hundreds
    
If her dream will breathe. Altocumulus,
    
Those clouds like schools of fish, arrive.
    
Her hands are hurting her now; cold clay


    
Milking moisture from gapped skin.
    
As she bends, shovel in one hand,
    
Round brown balls of life in the other,
    
Each destined for a hole along her fence,
    
She senses wind lifting skirts of



    The cottonwoods and willows. Raindrops
    
Are arriving now, slanting through trees,
    
Investing her sleeves and hair with wet.
    
Leaving off at last, she, crutching on her
    
Shovel, pivots to her tea-providing fire.

    -- shonin #gardening #poetry #acrostic #homesteading #seasons

  30. see it through

    One should not have an orchard and
    Not care for it; so she tries,
    Even lurches from the depths of a chair

    She's found at some thrift, pre-softened; from
    Her house, warm or cool as she might wish,
    Out into too much sun or too much rain; from
    Under the kind roof of a porch she'd built,
    Leaving tool after tool there to gather
    Dust and webs, marks of a new will to

    Neglect. Beyond the weed-bent fence, an
    Orchard of sorts awaits her care, each
    Task having skipped two years at least.

    Hands grasp lopper and saw. She visits
    Apple, quince, pear, plum, cherry, clipping
    Vines, tall weeds, watersprouts, suckers;
    Even designates branches for her stove.

    As the forenoon warms, she strips off
    Now her hat, next jacket, shirt and gloves,

    Old skin offered to thorns, thistles,
    Rough bark. Really she'd meant to hire it done,
    Children of neighbors being short on cash.
    Habit, she could call it. Habit, and the way
    Apples come best that see right sun,
    Ripe enough to pay her for some pains.
    Do a thing yourself to see it through.

    -- shonin #poetry #acrostic #gardening #orcharding

  31. This Wednesday.

    Lamplit — the acrostic puzzle game for people who do the puzzle in pen — lands on the App Store April 1st. (Not a joke.)

    Free daily puzzle every morning. No account required. No subscription. No ads. Ever.

    And if you sign up before Wednesday, there's a little surprise waiting for you. 🕯️

    Words worth finding.
    lamplit.games

    #WordGames #Puzzle #IndieApp #Acrostic #lamplit

  32. I set the standard curriculum aside and we connected through a yarn, storytelling, using my favourite #Dreamtime story of Tiddalick the Frog.

    Please take a look at this wonderful #acrostic poem they created!

    This was a moment where connection truly met with content.

    #Tiddalick #Poetry #NAIDOC

    PS: While traditional conventions emphasise orthographic alignment, subtle links are common; there's no rule against stating the theme, as long as it adds meaning to the poem's purpose & style.

    3/8

  33. I'm a sucker for weird and esoteric tags, like these word squares someone has been writing in our neighborhood lately. Each square is a type of acrostic that can be read horizontally or vertically. For example:

    T R U S T
    R A N C H
    U N D E R
    S C E N E
    T H R E E

    #SFGraffiti #WordSquare #Tagger #SanFrancisco #acrostic

  34. I'm a sucker for weird and esoteric tags, like these word squares someone has been writing in our neighborhood lately. Each square is a type of acrostic that can be read horizontally or vertically. For example:

    T R U S T
    R A N C H
    U N D E R
    S C E N E
    T H R E E

    #SFGraffiti #WordSquare #Tagger #SanFrancisco #acrostic

  35. I'm a sucker for weird and esoteric tags, like these word squares someone has been writing in our neighborhood lately. Each square is a type of acrostic that can be read horizontally or vertically. For example:

    T R U S T
    R A N C H
    U N D E R
    S C E N E
    T H R E E

    #SFGraffiti #WordSquare #Tagger #SanFrancisco #acrostic

  36. I'm a sucker for weird and esoteric tags, like these word squares someone has been writing in our neighborhood lately. Each square is a type of acrostic that can be read horizontally or vertically. For example:

    T R U S T
    R A N C H
    U N D E R
    S C E N E
    T H R E E

    #SFGraffiti #WordSquare #Tagger #SanFrancisco #acrostic

  37. I'm a sucker for weird and esoteric tags, like these word squares someone has been writing in our neighborhood lately. Each square is a type of acrostic that can be read horizontally or vertically. For example:

    T R U S T
    R A N C H
    U N D E R
    S C E N E
    T H R E E

    #SFGraffiti #WordSquare #Tagger #SanFrancisco #acrostic