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1000 results for “Jussi_T_Eronen”
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Law enforcement doesn’t have the same priorities & motivations as you do. Stop pretending that they do.
#Rape #Police #VictimSupport #Documentation #Suppression #Accountability
https://www.motherjones.com/criminal-justice/2025/07/golden-state-killer-deangelo-victims-compensation-problems-police-accountability/ -
Law enforcement doesn’t have the same priorities & motivations as you do. Stop pretending that they do.
#Rape #Police #VictimSupport #Documentation #Suppression #Accountability
https://www.motherjones.com/criminal-justice/2025/07/golden-state-killer-deangelo-victims-compensation-problems-police-accountability/ -
Law enforcement doesn’t have the same priorities & motivations as you do. Stop pretending that they do.
#Rape #Police #VictimSupport #Documentation #Suppression #Accountability
https://www.motherjones.com/criminal-justice/2025/07/golden-state-killer-deangelo-victims-compensation-problems-police-accountability/ -
Woo woo here's my #ThursdayFiveList and the theme is #TheSky
First up is Reverend Horton Heat with Big Sky. This song has hyped me up for many a road trip.
https://songwhip.com/the-reverend-horton-heat/big-skyJohnny Cash's (Ghost) Riders In The Sky is a classic.
https://songwhip.com/johnny-cash/ghost-riders-in-the-skyIt's getting closer to spooky season which means I get to play this album a lot. Reminds me of being a weirdo in high school.
Concrete Blonde - The Sky Is A Poisonous Garden
https://songwhip.com/concrete-blonde/the-sky-is-a-poisonous-gardenHave a seat while I...Take To The Sky by Tori Amos
https://songwhip.com/tori-amos/take-to-the-skyAnd I'll close with a song by Those Darlings (RIP Jessi Zazu, thanks for the great songs), here's Western Sky.
https://songwhip.com/those-darlins/western-sky -
#CBJ host #Smashville tonight in Nationwide. The Preds have lost four of their last five (1-2-2), including a 4-2 L on Monday in Detroit.
Jusse Saros hasn't started back-to-back games all season, so good chance #CBJ face G Justus Annunen tonight.
No morning skate for #CBJ
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With “Babylon”, “The Adults” and “Beau Is Afraid”, I didn’t know what I would be getting into. But each of them were strong pieces held up by stellar performances throughout.
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By Angry Metal Guy
Tuomio is the fourth full-length LP from Finnish extreme folk metallers, Verikalpa. Back in ’20,1 I reviewed—and thoroughly enjoyed—Verikalpa’s sophomore platter Tuoppitannsi. The thing that stood out to me about the record, and its follow-up Tunturihauta, was how much it felt like the band was carrying forward the impeccable vibes from Finntroll’s earliest contributions, but without setting their stamp on it. Still, the writing popped and the sound satisfyingly scratched an extremely specific itch. As I wrote at the time, they bore “the accordion of tradition to the sauna of the metal gods, so that we might have something new to listen to while we drink.” But, let’s be honest, “competent but derivative” is not the praise anyone is looking for when they create music. And so one wonders, four years after my initial exposure, is that the only contribution Verikalpa had to make?
Like its predecessors, Tuomio has a familiar sound that’s easy to love. Verikalpa plays speedy, sometimes galloping or even blasty, melodeath with as much harmonic minor as the songwriters can pump into the riffs. The band, made up of two Jussis (guitars and keyboards), two Samis (guitars and bass), a Jari (drums), and a Jani (vocals) play tight, energetic metal that calls upon their Finnish brethren, but without the pretensions of a Wintersun or Turisas. Their compositions aren’t complex, they’re not borrowing sounds from Japanese instrumentation, and don’t require quantum computing to play on a computer. And their scope is not one with epic aspirations. Instead, Tuomio works almost exclusively in simple time but does so with loads of pathos, driven on by majestic and sticky melodies carried on guitar or keys reminiscent of Turisas’ debut album. This makes it easy to drop into comfortable grooves, with the snare on two and four and machine gun kicks whipping at the Jussis’ and Samis’ backs.
And firmly planted in that familiar Finnish sound, Tuomio delivers the bangers in spades. Verikalpa vacillates primarily between speedier, driven passages that will annihilate unsuspecting crowds live (“Arvon tuomari,” “Noijan sauna”), and the kind of mid-paced tracks (“Laulava vainaja,” “Hakkaa hakkaa,” or the bridge on “Sammalsynti”) that can so often get sleepy if not perfectly executed. But Tuomio finds Verikalpa increasingly mastering their craft, balancing these different speeds, with every riff hitting home—and a seemingly innate understanding of when to slow it down or speed it up to keep a listener interested. Every song on Tuomio features sharp hooks, interesting variations upon themes, and tight execution. One major difference from the previous albums is that Tuomio is mixed and mastered by Pasi Kauppinen, of Sonata Arctica. Pasi’s approach gives them exactly the kind of crisp, and balanced mix that the band needs. And while it could be criticized as dated, it clocks in at a surprising DR of 8 and it fits the music perfectly. Pasi’s touch does the job of getting out of the way of the songs to allow the composition to speak for itself.
And it’s the composition throughout Tuomio that makes it clear how Verikalpa has begun to differentiate itself. One of the band’s most defining tendencies is playing key melodies in unison. That is, the bass, keys, and guitars are all playing the same thing, which sometimes gives it a punky energy. While this could be boring, it has the counterintuitive effect of creating a melodic blunt-force trauma. As a lover of big, epic sounds, I tend to lean away from bands that work with punky energy or ‘simplistic’ writing. But Verikalpa understands that songwriting is a balancing act, making the band’s very specific and well-considered use of harmony extremely effective. After several listens, I began realizing that I was perking up at these perfect moments, like in “Tulimerten taa,” where the harmonies come in (YouTube link, plays 15ish second clip), or the pre-chorus in “Laulava vainaja” (1:13) where the guitars suddenly deviate out of unison into an abbreviated lead, which adds a tight flare. What feels unsubtle becomes the band’s best compositional trick. Less turns out to be more.2 This also gives the impression that Verikalpa has begun opening things up a bit more compositionally, experimenting with better orchestration and slightly carnivalesque sounds (“Maat hauraan hautaa,” the bridge in “Veritonttu”). It’s playful, but it’s worth taking 100% seriously.
Ultimately, Tuomio’s combination of a maturing band that’s developing its sound and a production that lets their excellent ideas and melodies shine creates what is easily one of the most enjoyable listening experiences I’ve had this year. Tuomio is an album without a bad song and that finds Verikalpa making major strides to come into its own. Even at 55 minutes long, I never think about the album’s length when I’m listening to it. It’s just fun hearing Verikalpa develop, and while their sound is still undeniably indebted to the Finnish scene from 20 years ago, Tuomio is helping them plant their flag. So, sure, Verikalpa continues to bear the accordion of tradition to the sauna of the metal gods. But in 2024, they no longer only do so as supplicants.
Rating: Very good (and getting better!)
DR: 8 | Format Reviewed: V0 mp3
Label: Scarlet Records
Websites: verikalpaofficial.com | Bandcamp | Facebook
Releases Worldwide: April 19th, 2024#2024 #35 #Apr24 #Blog #FinnishMetal #FolkMetal #MelodicDeathMetal #Review #Reviews #ScarletRecords #SonataArctica #Tunturihauta #Tuomio #Tuoppitannsi #Turisas #Verikalpa #Wintersun
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By Angry Metal Guy
Tuomio is the fourth full-length LP from Finnish extreme folk metallers, Verikalpa. Back in ’20,1 I reviewed—and thoroughly enjoyed—Verikalpa’s sophomore platter Tuoppitannsi. The thing that stood out to me about the record, and its follow-up Tunturihauta, was how much it felt like the band was carrying forward the impeccable vibes from Finntroll’s earliest contributions, but without setting their stamp on it. Still, the writing popped and the sound satisfyingly scratched an extremely specific itch. As I wrote at the time, they bore “the accordion of tradition to the sauna of the metal gods, so that we might have something new to listen to while we drink.” But, let’s be honest, “competent but derivative” is not the praise anyone is looking for when they create music. And so one wonders, four years after my initial exposure, is that the only contribution Verikalpa had to make?
Like its predecessors, Tuomio has a familiar sound that’s easy to love. Verikalpa plays speedy, sometimes galloping or even blasty, melodeath with as much harmonic minor as the songwriters can pump into the riffs. The band, made up of two Jussis (guitars and keyboards), two Samis (guitars and bass), a Jari (drums), and a Jani (vocals) play tight, energetic metal that calls upon their Finnish brethren, but without the pretensions of a Wintersun or Turisas. Their compositions aren’t complex, they’re not borrowing sounds from Japanese instrumentation, and don’t require quantum computing to play on a computer. And their scope is not one with epic aspirations. Instead, Tuomio works almost exclusively in simple time but does so with loads of pathos, driven on by majestic and sticky melodies carried on guitar or keys reminiscent of Turisas’ debut album. This makes it easy to drop into comfortable grooves, with the snare on two and four and machine gun kicks whipping at the Jussis’ and Samis’ backs.
And firmly planted in that familiar Finnish sound, Tuomio delivers the bangers in spades. Verikalpa vacillates primarily between speedier, driven passages that will annihilate unsuspecting crowds live (“Arvon tuomari,” “Noijan sauna”), and the kind of mid-paced tracks (“Laulava vainaja,” “Hakkaa hakkaa,” or the bridge on “Sammalsynti”) that can so often get sleepy if not perfectly executed. But Tuomio finds Verikalpa increasingly mastering their craft, balancing these different speeds, with every riff hitting home—and a seemingly innate understanding of when to slow it down or speed it up to keep a listener interested. Every song on Tuomio features sharp hooks, interesting variations upon themes, and tight execution. One major difference from the previous albums is that Tuomio is mixed and mastered by Pasi Kauppinen, of Sonata Arctica. Pasi’s approach gives them exactly the kind of crisp, and balanced mix that the band needs. And while it could be criticized as dated, it clocks in at a surprising DR of 8 and it fits the music perfectly. Pasi’s touch does the job of getting out of the way of the songs to allow the composition to speak for itself.
And it’s the composition throughout Tuomio that makes it clear how Verikalpa has begun to differentiate itself. One of the band’s most defining tendencies is playing key melodies in unison. That is, the bass, keys, and guitars are all playing the same thing, which sometimes gives it a punky energy. While this could be boring, it has the counterintuitive effect of creating a melodic blunt-force trauma. As a lover of big, epic sounds, I tend to lean away from bands that work with punky energy or ‘simplistic’ writing. But Verikalpa understands that songwriting is a balancing act, making the band’s very specific and well-considered use of harmony extremely effective. After several listens, I began realizing that I was perking up at these perfect moments, like in “Tulimerten taa,” where the harmonies come in (YouTube link, plays 15ish second clip), or the pre-chorus in “Laulava vainaja” (1:13) where the guitars suddenly deviate out of unison into an abbreviated lead, which adds a tight flare. What feels unsubtle becomes the band’s best compositional trick. Less turns out to be more.2 This also gives the impression that Verikalpa has begun opening things up a bit more compositionally, experimenting with better orchestration and slightly carnivalesque sounds (“Maat hauraan hautaa,” the bridge in “Veritonttu”). It’s playful, but it’s worth taking 100% seriously.
Ultimately, Tuomio’s combination of a maturing band that’s developing its sound and a production that lets their excellent ideas and melodies shine creates what is easily one of the most enjoyable listening experiences I’ve had this year. Tuomio is an album without a bad song and that finds Verikalpa making major strides to come into its own. Even at 55 minutes long, I never think about the album’s length when I’m listening to it. It’s just fun hearing Verikalpa develop, and while their sound is still undeniably indebted to the Finnish scene from 20 years ago, Tuomio is helping them plant their flag. So, sure, Verikalpa continues to bear the accordion of tradition to the sauna of the metal gods. But in 2024, they no longer only do so as supplicants.
Rating: Very good (and getting better!)
DR: 8 | Format Reviewed: V0 mp3
Label: Scarlet Records
Websites: verikalpaofficial.com | Bandcamp | Facebook
Releases Worldwide: April 19th, 2024#2024 #35 #Apr24 #Blog #FinnishMetal #FolkMetal #MelodicDeathMetal #Review #Reviews #ScarletRecords #SonataArctica #Tunturihauta #Tuomio #Tuoppitannsi #Turisas #Verikalpa #Wintersun
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Bada Maada Case Painda🔥 Baah Fadi daa💃😏 #punjabisong #shorts
Introducing the official video of Hapee Boparai's new punjabi song " Feem " in which the music is given by Jassi X. We're excited to share our music with the world. We hope you enjoy listening to it as much as we enjoyed creating it 😉 Do listen & Don't Forget to Leave your valuable Comments 🙂 #punjabisong #latestpunjabisongs #newpunjabisong …
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Bada Maada Case Painda🔥 Baah Fadi daa💃😏 #punjabisong #shorts
Introducing the official video of Hapee Boparai's new punjabi song " Feem " in which the music is given by Jassi X. We're excited to share our music with the world. We hope you enjoy listening to it as much as we enjoyed creating it 😉 Do listen & Don't Forget to Leave your valuable Comments 🙂 #punjabisong #latestpunjabisongs #newpunjabisong …
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Bada Maada Case Painda🔥 Baah Fadi daa💃😏 #punjabisong #shorts
Introducing the official video of Hapee Boparai's new punjabi song " Feem " in which the music is given by Jassi X. We're excited to share our music with the world. We hope you enjoy listening to it as much as we enjoyed creating it 😉 Do listen & Don't Forget to Leave your valuable Comments 🙂 #punjabisong #latestpunjabisongs #newpunjabisong …
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FEEM (OFFICIAL VIDEO) | HAPEE BOPARAI | GURLEJ AKHTAR | LATEST PUNJABI SONGS 2025
Introducing the official video of Hapee Boparai's new punjabi song " Feem " in which the music is given by Jassi X. We're excited to share our music with the world. We hope you enjoy listening to it as much as we enjoyed creating it 😉 Do listen & Don't Forget to Leave your valuable Comments 🙂 #punjabisong #latestpunjabisongs #newpunjabisong …
https://chutneymusic.com/feem-official-video-hapee-boparai-gurlej-akhtar-latest-punjabi-songs-2025/
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From the article: “The Civil Rights Division has always worked to make sure Americans have access to the polls and that their votes matter,” said Stacey Young, an 18-year Department of Justice veteran who left that division days after Trump’s inauguration in January and founded Justice Connection, an organization supporting the agency’s employees. “The division’s job is not to promote the politically expedient fiction that voting fraud is widespread.”
Their only job NOW is to make sure that Americans can't ever vote him out again. #DictatorDrumpf
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Jessi Draper Talks to ‘Call Her Daddy’ About Her Divorce
Photo: Call Her Daddy/Instagram Just because the cameras have stopped rolling doesn’t mean the drama is on pause.…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Entertainment #CallHerDaddy #escalatingquickly #jessidraper #Podcasts #realitytv #SecretLivesofMormonWives #TV
https://www.newsbeep.com/us/544298/ -
Jessi Draper Talks to ‘Call Her Daddy’ About Her Divorce
Photo: Call Her Daddy/Instagram Just because the cameras have stopped rolling doesn’t mean the drama is on pause.…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Entertainment #CallHerDaddy #escalatingquickly #jessidraper #Podcasts #realitytv #SecretLivesofMormonWives #TV
https://www.newsbeep.com/us/544298/ -
🎶 6 lipca 2025 w Parku przy Muzeum Historii Polski rusza piknik „Uczta u Chrobrego”! T-Raperzy znad Wisły z nową wersją „Pocztu Królów Polskich” i goście: Miuosh, Reni Jusis, Borzym, Organek, Rogucki. Wstęp wolny – koncerty, warsztaty i atrakcje przez cały dzień!
#MuzeumHistoriiPolski #historiaipamięć
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https://www.facebook.com/1045357414298205/posts/1181452714022007 -
With “Babylon”, “The Adults” and “Beau Is Afraid”, I didn’t know what I would be getting into. But each of them were strong pieces held up by stellar performances throughout.
-
With “Babylon”, “The Adults” and “Beau Is Afraid”, I didn’t know what I would be getting into. But each of them were strong pieces held up by stellar performances throughout.
-
🧠 Think freely
🗣 Speak openly
🤝 Connect genuinely
This is what social media SHOULD feel like.
💡 Give it one try — you won’t go back.
#Mastodon #FreedomOnline #BeYourself #DigitalFreedom -
🧠 Think freely
🗣 Speak openly
🤝 Connect genuinely
This is what social media SHOULD feel like.
💡 Give it one try — you won’t go back.
#Mastodon #FreedomOnline #BeYourself #DigitalFreedom -
🧠 Think freely
🗣 Speak openly
🤝 Connect genuinely
This is what social media SHOULD feel like.
💡 Give it one try — you won’t go back.
#Mastodon #FreedomOnline #BeYourself #DigitalFreedom -
🧠 Think freely
🗣 Speak openly
🤝 Connect genuinely
This is what social media SHOULD feel like.
💡 Give it one try — you won’t go back.
#Mastodon #FreedomOnline #BeYourself #DigitalFreedom -
#WordWeavers 6 MC: What would you ask a Genie if you weren't sure how they'd interpret your words & believed they might trick you?
Paint me a picture of love. Touch only me.
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#Wordweavers 20 - What would make your MC give up?
Colbie doesn't see it as giving up but rather escaping lost causes because her world is full of manipulators who enjoy playing games to avoid accountability and she's a serious person.
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Jeder Hof zählt – das ist das Motto der Arbeitsgemeinschaft bäuerliche Landwirtschaft, dafür setzen wir uns tagtäglich ein. Wir wollen viele vielfältige Höfe und lebendige ländliche Räume sehen 👩🌾🧑🌾
Du auch? 👉 Dann kannst du mit unseren Pullovern & T-Shirts ein Zeichen setzen! Bestell dir jetzt dein Exemplar: https://www.bauernstimme.de/werbemittelFotos: Selene Magnolia & Nick Jaussi
#JederHofzählt #AbL #Landwirtschaft #Agrarpolitik #bäuerlich #Trecker
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Jeder Hof zählt – das ist das Motto der Arbeitsgemeinschaft bäuerliche Landwirtschaft, dafür setzen wir uns tagtäglich ein. Wir wollen viele vielfältige Höfe und lebendige ländliche Räume sehen 👩🌾🧑🌾
Du auch? 👉 Dann kannst du mit unseren Pullovern & T-Shirts ein Zeichen setzen! Bestell dir jetzt dein Exemplar: https://www.bauernstimme.de/werbemittelFotos: Selene Magnolia & Nick Jaussi
#JederHofzählt #AbL #Landwirtschaft #Agrarpolitik #bäuerlich #Trecker
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Jeder Hof zählt – das ist das Motto der Arbeitsgemeinschaft bäuerliche Landwirtschaft, dafür setzen wir uns tagtäglich ein. Wir wollen viele vielfältige Höfe und lebendige ländliche Räume sehen 👩🌾🧑🌾
Du auch? 👉 Dann kannst du mit unseren Pullovern & T-Shirts ein Zeichen setzen! Bestell dir jetzt dein Exemplar: https://www.bauernstimme.de/werbemittelFotos: Selene Magnolia & Nick Jaussi
#JederHofzählt #AbL #Landwirtschaft #Agrarpolitik #bäuerlich #Trecker
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If you haven’t tried Mastodon yet, you’re missing out on the future of social media!
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If you haven’t tried Mastodon yet, you’re missing out on the future of social media!
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If you haven’t tried Mastodon yet, you’re missing out on the future of social media!