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#woodensday — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #woodensday, aggregated by home.social.

  1. A woman holds a man by the beard and beats him with a mallet, in a c1420 misericord carving in Carlisle Cathedral. The varied lives of our medieval ancestors... #Woodensday

  2. A woman holds a man by the beard and beats him with a mallet, in a c1420 misericord carving in Carlisle Cathedral. The varied lives of our medieval ancestors... #Woodensday

  3. A woman holds a man by the beard and beats him with a mallet, in a c1420 misericord carving in Carlisle Cathedral. The varied lives of our medieval ancestors... #Woodensday

  4. A woman holds a man by the beard and beats him with a mallet, in a c1420 misericord carving in Carlisle Cathedral. The varied lives of our medieval ancestors... #Woodensday

  5. A woman holds a man by the beard and beats him with a mallet, in a c1420 misericord carving in Carlisle Cathedral. The varied lives of our medieval ancestors... #Woodensday

  6. Two Cambridge churches with medieval bench ends for #Woodensday. Firstly, at St Andrew, Chesterton, this 15th Century citizen is taking no nonsense. Chesterton has long had a reputation for lawlessness going back centuries.The Fen Road area is still sometimes accused of it!

  7. Two Cambridge churches with medieval bench ends for #Woodensday. Firstly, at St Andrew, Chesterton, this 15th Century citizen is taking no nonsense. Chesterton has long had a reputation for lawlessness going back centuries.The Fen Road area is still sometimes accused of it!

  8. Two Cambridge churches with medieval bench ends for #Woodensday. Firstly, at St Andrew, Chesterton, this 15th Century citizen is taking no nonsense. Chesterton has long had a reputation for lawlessness going back centuries.The Fen Road area is still sometimes accused of it!

  9. Two Cambridge churches with medieval bench ends for #Woodensday. Firstly, at St Andrew, Chesterton, this 15th Century citizen is taking no nonsense. Chesterton has long had a reputation for lawlessness going back centuries.The Fen Road area is still sometimes accused of it!

  10. Two Cambridge churches with medieval bench ends for #Woodensday. Firstly, at St Andrew, Chesterton, this 15th Century citizen is taking no nonsense. Chesterton has long had a reputation for lawlessness going back centuries.The Fen Road area is still sometimes accused of it!

  11. #Woodensday :
    Simeon Stilthda (Sdiihldaa) (Haida, ca. 1799-1889)
    #Bear rattle, 19th c.
    Wood, paint
    On display at Newark Museum of Art (55.245)
    #IndigenousArt #FirstNationsArt

  12. #Woodensday :
    Simeon Stilthda (Sdiihldaa) (Haida, ca. 1799-1889)
    #Bear rattle, 19th c.
    Wood, paint
    On display at Newark Museum of Art (55.245)
    #IndigenousArt #FirstNationsArt

  13. #Woodensday :
    Simeon Stilthda (Sdiihldaa) (Haida, ca. 1799-1889)
    #Bear rattle, 19th c.
    Wood, paint
    On display at Newark Museum of Art (55.245)
    #IndigenousArt #FirstNationsArt

  14. #Woodensday :
    Simeon Stilthda (Sdiihldaa) (Haida, ca. 1799-1889)
    #Bear rattle, 19th c.
    Wood, paint
    On display at Newark Museum of Art (55.245)
    #IndigenousArt #FirstNationsArt

  15. Spectacular old multi-stem oak at Ericstane near Moffat 🏴󠁧󠁢󠁳󠁣󠁴󠁿 in the care of Borders Forest Trust. #woodensday

  16. Spectacular old multi-stem oak at Ericstane near Moffat 🏴󠁧󠁢󠁳󠁣󠁴󠁿 in the care of Borders Forest Trust. #woodensday

  17. Spectacular old multi-stem oak at Ericstane near Moffat 🏴󠁧󠁢󠁳󠁣󠁴󠁿 in the care of Borders Forest Trust. #woodensday

  18. Spectacular old multi-stem oak at Ericstane near Moffat 🏴󠁧󠁢󠁳󠁣󠁴󠁿 in the care of Borders Forest Trust. #woodensday

  19. Spectacular old multi-stem oak at Ericstane near Moffat 🏴󠁧󠁢󠁳󠁣󠁴󠁿 in the care of Borders Forest Trust. #woodensday

  20. #Woodensday :
    Asmat artist(s); Indonesia, West Papua, Erma village
    Jifoi (bowl), mid-20th c.
    Wood, paint
    On display at the Met (1978.412.1177)
    #Parrots #BirdsInArt #IndigenousArt #AustralasianArt
    ℹ️ ufir ( Palm #Cockatoo ) head as the prow; fruit-eating birds = headhunting symbolism (see label)

  21. #Woodensday :
    Asmat artist(s); Indonesia, West Papua, Erma village
    Jifoi (bowl), mid-20th c.
    Wood, paint
    On display at the Met (1978.412.1177)
    #Parrots #BirdsInArt #IndigenousArt #AustralasianArt
    ℹ️ ufir ( Palm #Cockatoo ) head as the prow; fruit-eating birds = headhunting symbolism (see label)

  22. #Woodensday :
    Asmat artist(s); Indonesia, West Papua, Erma village
    Jifoi (bowl), mid-20th c.
    Wood, paint
    On display at the Met (1978.412.1177)
    #Parrots #BirdsInArt #IndigenousArt #AustralasianArt
    ℹ️ ufir ( Palm #Cockatoo ) head as the prow; fruit-eating birds = headhunting symbolism (see label)

  23. #Woodensday :
    Asmat artist(s); Indonesia, West Papua, Erma village
    Jifoi (bowl), mid-20th c.
    Wood, paint
    On display at the Met (1978.412.1177)
    #Parrots #BirdsInArt #IndigenousArt #AustralasianArt
    ℹ️ ufir ( Palm #Cockatoo ) head as the prow; fruit-eating birds = headhunting symbolism (see label)

  24. #Woodensday :
    Asmat artist(s); Indonesia, West Papua, Erma village
    Jifoi (bowl), mid-20th c.
    Wood, paint
    On display at the Met (1978.412.1177)
    #Parrots #BirdsInArt #IndigenousArt #AustralasianArt
    ℹ️ ufir ( Palm #Cockatoo ) head as the prow; fruit-eating birds = headhunting symbolism (see label)

  25. #Woodensday:
    Megaphone
    Congolese, 18th c.?
    Wood, D 34 in (86.4 cm) / Dia. 8.5 in (21.6 cm)
    Metropolitan Museum of Art 89.4.3323 metmuseum.org/art/collection/s
    “Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious #crocodile but from the front it is an ancestor spirit.”
    #AfricanArt

  26. #Woodensday:
    Megaphone
    Congolese, 18th c.?
    Wood, D 34 in (86.4 cm) / Dia. 8.5 in (21.6 cm)
    Metropolitan Museum of Art 89.4.3323 metmuseum.org/art/collection/s
    “Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious #crocodile but from the front it is an ancestor spirit.”
    #AfricanArt

  27. #Woodensday:
    Megaphone
    Congolese, 18th c.?
    Wood, D 34 in (86.4 cm) / Dia. 8.5 in (21.6 cm)
    Metropolitan Museum of Art 89.4.3323 metmuseum.org/art/collection/s
    “Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious #crocodile but from the front it is an ancestor spirit.”
    #AfricanArt

  28. #Woodensday:
    Megaphone
    Congolese, 18th c.?
    Wood, D 34 in (86.4 cm) / Dia. 8.5 in (21.6 cm)
    Metropolitan Museum of Art 89.4.3323 metmuseum.org/art/collection/s
    “Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious #crocodile but from the front it is an ancestor spirit.”
    #AfricanArt

  29. #Woodensday:
    Megaphone
    Congolese, 18th c.?
    Wood, D 34 in (86.4 cm) / Dia. 8.5 in (21.6 cm)
    Metropolitan Museum of Art 89.4.3323 metmuseum.org/art/collection/s
    “Wood megaphone with transforming mask motif. In profile, the voice disguiser is a ferocious #crocodile but from the front it is an ancestor spirit.”
    #AfricanArt

  30. For #RattlesnakeAppreciationDay on #Woodensday :
    Root #Rattlesnake
    USA, c.1930
    Carved & painted wood with metal
    6 1⁄4 x 23 1⁄8 x 17 in. (15.9 x 58.7 x 43.2 cm.)
    Smithsonian American Art Museum 1986.65.321 americanart.si.edu/artwork/roo

  31. For #RattlesnakeAppreciationDay on #Woodensday :
    Root #Rattlesnake
    USA, c.1930
    Carved & painted wood with metal
    6 1⁄4 x 23 1⁄8 x 17 in. (15.9 x 58.7 x 43.2 cm.)
    Smithsonian American Art Museum 1986.65.321 americanart.si.edu/artwork/roo

  32. For #RattlesnakeAppreciationDay on #Woodensday :
    Root #Rattlesnake
    USA, c.1930
    Carved & painted wood with metal
    6 1⁄4 x 23 1⁄8 x 17 in. (15.9 x 58.7 x 43.2 cm.)
    Smithsonian American Art Museum 1986.65.321 americanart.si.edu/artwork/roo

  33. #Woodensday:
    Fruit press in the form of a #lion
    Italy, c.1700
    Carved walnut, with elm base & iron hinges
    H 30.5 x W 20.3 x L 50.8 cm
    Victoria and Albert Museum CIRC.476-1923 collections.vam.ac.uk/item/O11
    “The juices would escape through a spout fitted to the lion’s mouth.”

  34. #Woodensday:
    Fruit press in the form of a #lion
    Italy, c.1700
    Carved walnut, with elm base & iron hinges
    H 30.5 x W 20.3 x L 50.8 cm
    Victoria and Albert Museum CIRC.476-1923 collections.vam.ac.uk/item/O11
    “The juices would escape through a spout fitted to the lion’s mouth.”

  35. 3/3 A scene from the story of Reynard the Fox. Tybalt the cat is held on a leash by a priest's illegitimate son. The cat bites the escaping priest's testicles while the priest's mistress beats him with a broom. A c1500 misericord in Bristol Cathedral. #Woodensday.

  36. 3/3 A scene from the story of Reynard the Fox. Tybalt the cat is held on a leash by a priest's illegitimate son. The cat bites the escaping priest's testicles while the priest's mistress beats him with a broom. A c1500 misericord in Bristol Cathedral. #Woodensday.

  37. 3/3 A scene from the story of Reynard the Fox. Tybalt the cat is held on a leash by a priest's illegitimate son. The cat bites the escaping priest's testicles while the priest's mistress beats him with a broom. A c1500 misericord in Bristol Cathedral. #Woodensday.

  38. 3/3 A scene from the story of Reynard the Fox. Tybalt the cat is held on a leash by a priest's illegitimate son. The cat bites the escaping priest's testicles while the priest's mistress beats him with a broom. A c1500 misericord in Bristol Cathedral. #Woodensday.

  39. 3/3 A scene from the story of Reynard the Fox. Tybalt the cat is held on a leash by a priest's illegitimate son. The cat bites the escaping priest's testicles while the priest's mistress beats him with a broom. A c1500 misericord in Bristol Cathedral. #Woodensday.

  40. 2/3 A man riding backwards on a horse lifts its tail at another man, presumably not a gesture of respect. A c1500 misericord from the choir of the Augustinian abbey church in Bristol, today the Anglican Cathedral. #Woodensday

  41. 2/3 A man riding backwards on a horse lifts its tail at another man, presumably not a gesture of respect. A c1500 misericord from the choir of the Augustinian abbey church in Bristol, today the Anglican Cathedral. #Woodensday

  42. 2/3 A man riding backwards on a horse lifts its tail at another man, presumably not a gesture of respect. A c1500 misericord from the choir of the Augustinian abbey church in Bristol, today the Anglican Cathedral. #Woodensday

  43. 2/3 A man riding backwards on a horse lifts its tail at another man, presumably not a gesture of respect. A c1500 misericord from the choir of the Augustinian abbey church in Bristol, today the Anglican Cathedral. #Woodensday

  44. 2/3 A man riding backwards on a horse lifts its tail at another man, presumably not a gesture of respect. A c1500 misericord from the choir of the Augustinian abbey church in Bristol, today the Anglican Cathedral. #Woodensday

  45. A man bares his bottom at an archer about to fire an arrow. A detail of a c1500 misericord in the M Shed Museum, Bristol for #Woodensday, originally in the Augustinian abbey in the city. I dare say there's a niche site on the internet somewhere for this kind of thing.