#ukioye — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ukioye, aggregated by home.social.
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#TokurikiTomikichirō (1902–2000) was a renowned Japanese artist and printmaker, celebrated for his contributions to the #SōsakuHanga ('creative print') and #ShinHanga ('new print') movements. His work bridged the gap between traditional Japanese woodblock printing techniques and modern artistic sensibilities, making him one of the most influential figures in the 20th-century revival of Japanese printmaking:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-06-tokuriki_tomikichiro/
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#TokurikiTomikichirō (1902–2000) was a renowned Japanese artist and printmaker, celebrated for his contributions to the #SōsakuHanga ('creative print') and #ShinHanga ('new print') movements. His work bridged the gap between traditional Japanese woodblock printing techniques and modern artistic sensibilities, making him one of the most influential figures in the 20th-century revival of Japanese printmaking:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-06-tokuriki_tomikichiro/
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#TokurikiTomikichirō (1902–2000) was a renowned Japanese artist and printmaker, celebrated for his contributions to the #SōsakuHanga ('creative print') and #ShinHanga ('new print') movements. His work bridged the gap between traditional Japanese woodblock printing techniques and modern artistic sensibilities, making him one of the most influential figures in the 20th-century revival of Japanese printmaking:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-06-tokuriki_tomikichiro/
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#TokurikiTomikichirō (1902–2000) was a renowned Japanese artist and printmaker, celebrated for his contributions to the #SōsakuHanga ('creative print') and #ShinHanga ('new print') movements. His work bridged the gap between traditional Japanese woodblock printing techniques and modern artistic sensibilities, making him one of the most influential figures in the 20th-century revival of Japanese printmaking:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-06-tokuriki_tomikichiro/
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#TokurikiTomikichirō (1902–2000) was a renowned Japanese artist and printmaker, celebrated for his contributions to the #SōsakuHanga ('creative print') and #ShinHanga ('new print') movements. His work bridged the gap between traditional Japanese woodblock printing techniques and modern artistic sensibilities, making him one of the most influential figures in the 20th-century revival of Japanese printmaking:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-06-tokuriki_tomikichiro/
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#ToriiKotondo (1900-1976) was a prominent artist of the #ShinHanga movement, known for his #bijinga. His work is characterized by its elegance, refinement, and attention to detail, capturing the grace and poise of his subjects in moments of quiet introspection. Here is a short dossier on his life and work:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-01-torii_kotondo/
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#ToriiKotondo (1900-1976) was a prominent artist of the #ShinHanga movement, known for his #bijinga. His work is characterized by its elegance, refinement, and attention to detail, capturing the grace and poise of his subjects in moments of quiet introspection. Here is a short dossier on his life and work:
🌍 https://www.fabriziomusacchio.com/weekend_stories/told/2024-09-01-torii_kotondo/
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19/n of daily (till I run out)
Yoshida Hiroshi woodblock prints from his 1930s series - #India and South East Asia
following his visitKailasa Temple–Ellora Highlands (Erora, Kairasa tenpuru)
1931The cave temples at Ajanta and Ellora in India are high in my list to visit sometime!
These are rock cut temples
See:
https://www.worldhistory.org/article/874/ellora-caves/ -
19/n of daily (till I run out)
Yoshida Hiroshi woodblock prints from his 1930s series - #India and South East Asia
following his visitKailasa Temple–Ellora Highlands (Erora, Kairasa tenpuru)
1931The cave temples at Ajanta and Ellora in India are high in my list to visit sometime!
These are rock cut temples
See:
https://www.worldhistory.org/article/874/ellora-caves/ -
19/n of daily (till I run out)
Yoshida Hiroshi woodblock prints from his 1930s series - #India and South East Asia
following his visitKailasa Temple–Ellora Highlands (Erora, Kairasa tenpuru)
1931The cave temples at Ajanta and Ellora in India are high in my list to visit sometime!
These are rock cut temples
See:
https://www.worldhistory.org/article/874/ellora-caves/ -
19/n of daily (till I run out)
Yoshida Hiroshi woodblock prints from his 1930s series - #India and South East Asia
following his visitKailasa Temple–Ellora Highlands (Erora, Kairasa tenpuru)
1931The cave temples at Ajanta and Ellora in India are high in my list to visit sometime!
These are rock cut temples
See:
https://www.worldhistory.org/article/874/ellora-caves/ -
19/n of daily (till I run out)
Yoshida Hiroshi woodblock prints from his 1930s series - #India and South East Asia
following his visitKailasa Temple–Ellora Highlands (Erora, Kairasa tenpuru)
1931The cave temples at Ajanta and Ellora in India are high in my list to visit sometime!
These are rock cut temples
See:
https://www.worldhistory.org/article/874/ellora-caves/ -
Mistodon: another stone cold classic by @farrell_lego we never shared in any other form, here's his #Lego #pixelart mosaic interpretation of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. The smaller canvas curtails the inverted wave but believe me, it's there.
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Mistodon: another stone cold classic by @farrell_lego we never shared in any other form, here's his #Lego #pixelart mosaic interpretation of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. The smaller canvas curtails the inverted wave but believe me, it's there.
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Mistodon: another stone cold classic by @farrell_lego we never shared in any other form, here's his #Lego #pixelart mosaic interpretation of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. The smaller canvas curtails the inverted wave but believe me, it's there.
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Mistodon: another stone cold classic by @farrell_lego we never shared in any other form, here's his #Lego #pixelart mosaic interpretation of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. The smaller canvas curtails the inverted wave but believe me, it's there.
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Mistodon: another stone cold classic by @farrell_lego we never shared in any other form, here's his #Lego #pixelart mosaic interpretation of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. The smaller canvas curtails the inverted wave but believe me, it's there.
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Mistigram: celebrated #typewriterart practitioner @ty.p0 shares their rendition of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. This piece was included in the recent fine art-themed MIST0424 artpack collection.
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Mistigram: celebrated #typewriterart practitioner @ty.p0 shares their rendition of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. This piece was included in the recent fine art-themed MIST0424 artpack collection.
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Mistigram: celebrated #typewriterart practitioner @ty.p0 shares their rendition of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. This piece was included in the recent fine art-themed MIST0424 artpack collection.
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Mistigram: celebrated #typewriterart practitioner @ty.p0 shares their rendition of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. This piece was included in the recent fine art-themed MIST0424 artpack collection.
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Mistigram: celebrated #typewriterart practitioner @ty.p0 shares their rendition of #Hokusai's 1831 #ukioye print #TheGreatWaveOffKanagawa. This piece was included in the recent fine art-themed MIST0424 artpack collection.
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Hasui Kawase
Zōjō-ji in Shiba, 1925. From series Twenty Views of Tōkyō.
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Hasui Kawase
Zōjō-ji in Shiba, 1925. From series Twenty Views of Tōkyō.
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Hasui Kawase
Zōjō-ji in Shiba, 1925. From series Twenty Views of Tōkyō.
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Hasui Kawase
Zōjō-ji in Shiba, 1925. From series Twenty Views of Tōkyō.
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Hasui Kawase
Zōjō-ji in Shiba, 1925. From series Twenty Views of Tōkyō.
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#haiku #micropoem #micropoetry #threelines #poem
I tend to post on IG prompted by an image. This was inspired by an #ukioye image of Tama River. I think I am not supposed to post images I didn't create? But the longing for our cats is real and as intense as ever.
