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#theruinsofbeverast — Public Fediverse posts

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  1. The Ruins of Beverast – Tempelschlaf Review By Dear Hollow

    The Ruins of Beverast has never released a bad album. Its architect, Nagelfar alum Alexander von Meilenwald, has both a devotion to the trve and old-school as well as a flexibility to experiment, creating a legendary discography that feels like a natural progression from beginning to end. From the early and raw marriage of black metal and doom that set the foundation with genre classics Unlock the Shrine and Rain Upon the Impure, to the more melodic and ritualistic horrors of Foulest Semen of a Sheltered Elite and Blood Vaults, culminating in the ritual-imbued pinnacle Exuvia, the act has an uncanny ability to recall the familiar while trudging into unexplored territory. Tempelschlaf is the newest installment of just that.

    If I’m being honest, I was not a fan of predecessor The Thule Grimoires – not for a flaw on von Meilenwald’s part but of my own preferences. Case in point, its heavier Type O Negative Gothic leanings and interplay of chord structures and themes weren’t necessarily my cup of tea, although they definitely were the gone-but-unforgotten Akerblogger’s brew of choice. Tempelschlaf echoes The Thule Grimoires in psychedelic textures and a more prominent baritone clean vocal presence that conjures a ritualistic madness, streamlined into a stronger crescendo and sense of purpose, as well as its signature breed of atmospheric black-doom with a hint of death metal. Tempelschlaf is exactly what you’d expect from The Ruins of Beverast.

    Tempelschlaf by The Ruins Of Beverast

    As always, balance and songwriting are The Ruins of Beverast’s priority, demonstrating von Meilenwald’s dedication to both progression and devotion to the blackened arts. As seen throughout the act’s legendary discography, Tempelschlaf features seamless movements from furious blasting to simmering menace to crystalline psychedelia to climactic solos, which is a clear winning formula, bolstered by a dichotomy of plodding black/doom furor and ritualistic placidity. The opening title track is of special note for its shifts and subtlety: blackened intensity is placed in the background in favor of a mammoth and dense foray into doom-saturated goth rock, giving a blackened Depeche Mode vibe with a lack of harsh vocals and instead, baritone sermons atop pulsing ritualistic drums guiding into a dreary and menacing goth verses, drenched in frosted keys and psychedelic textures. It sets the tone for the rest of the album, giving The Ruins of Beverast perhaps their biggest crescendo yet.

    While the focus shifts from a mind-altering breed of psychedelic and dense doom metal in the opener, the rest of the album offers no gentle reprieve. While the wavering between the simmering and the searing is an asset for The Ruins of Beverast, it’s far more intense with a trve blackened assault guiding the proceedings (“Day of the Poacher”), but the back half of the album finds the album remarkably cohesive – the collision of ideas creating some of the most epic and grandiose movements since Exuvia. The drums’ mammoth pace, the guitar tone whose heft and barb are equally displayed, the venomous and toxic shrieks, and the otherworldly atmosphere through classic synth textures assemble in a massive sound that already feels like AOTY material (“Cathedral of Bleeding Statues,” “Alpha Fluids,” “The Carrion Cocoon”), interspersed by moments of furious blackened intensity (“Babel, You Scarlet Queen!”) and the lull before the storm (“Last Theatre of the Sea”). These tracks are the exemplar for The Ruins of Beverast’s breed of blackened doom, once again reinforcing itself as the upper echelon through von Meilenwald’s legendary career.

    It’s nearly impossible for Beverast to top Exuvia, but without its first two tracks, Tempelschlaf comes damn close. It is not that the title track or “Day of the Poacher” fall short, but rather that their place in the album is to set the stage for the better pieces, complete with more abrupt tonal shifts, heightened melody, and just a bit too much chaos. That being said, von Meilenwald once again outdoes himself with an album devoted to blackened fury, monolithic doom, and otherworldly atmospheric textures, incorporating hints of the psychedelic goth rock of The Thule Grimoires in a far more streamlined capacity. Tempelschlaf is The Ruins of Beverast doing business as usual: growth, experimentation, and excellence.

    Rating: 4.0/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Ván Records
    Websites: theruinsofbeverast.bandcamp.com | facebook.com/the.ruins.of.beverast
    Releases Worldwide: January 9th, 2026

    #2026 #40 #BlackMetal #DeathMetal #DepecheMode #DoomMetal #GermanMetal #Jan26 #Nagelfar #Review #Reviews #Tempelschlaf #TheRuinsOfBeverast #TypeONegative #VanRecords
  2. Jade – Mysteries of a Flowery Dream Review

    By Owlswald

    Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

    Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

    Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

    For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

    Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

    Rating: Very Good!
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Pulverised Records
    Websites: emperorjade.bandcamp.com | facebook.com/jadestonemask
    Releases Worldwide: May 9, 2025

    #2025 #35 #AtmosphericDeathMetal #Bolzer #DeathDoom #DeathMetal #Ihsahn #Jade #May25 #MysteriesOfAFloweryDream #PinkFloyd #PulverisedRecords #Review #Reviews #SpanishMetal #SulphurAeon #TheRuinsOfBeverast

  3. Jade – Mysteries of a Flowery Dream Review

    By Owlswald

    Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

    Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

    Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

    For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

    Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

    Rating: Very Good!
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Pulverised Records
    Websites: emperorjade.bandcamp.com | facebook.com/jadestonemask
    Releases Worldwide: May 9, 2025

    #2025 #35 #AtmosphericDeathMetal #Bolzer #DeathDoom #DeathMetal #Ihsahn #Jade #May25 #MysteriesOfAFloweryDream #PinkFloyd #PulverisedRecords #Review #Reviews #SpanishMetal #SulphurAeon #TheRuinsOfBeverast

  4. Jade – Mysteries of a Flowery Dream Review

    By Owlswald

    Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

    Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

    Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

    For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

    Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

    Rating: Very Good!
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Pulverised Records
    Websites: emperorjade.bandcamp.com | facebook.com/jadestonemask
    Releases Worldwide: May 9, 2025

    #2025 #35 #AtmosphericDeathMetal #Bolzer #DeathDoom #DeathMetal #Ihsahn #Jade #May25 #MysteriesOfAFloweryDream #PinkFloyd #PulverisedRecords #Review #Reviews #SpanishMetal #SulphurAeon #TheRuinsOfBeverast

  5. Jade – Mysteries of a Flowery Dream Review

    By Owlswald

    Dreams are a gateway into the unconscious, a space where thoughts and emotions flow freely. They reveal what we often conceal, offering a unique and often unsettling insight into our inner worlds. Barcelonian quartet Jade explores this very terrain with their sophomore album Mysteries of a Flowery Dream. Emerging with 2018’s Smoking Mirror EP, Jade forges an atmo-death sound rooted in early death, doom, and black metal, fusing it with the dark and melancholic atmospheres of contemporaries like The Ruins of Beverast and Bølzer. Their 2022 debut, The Pacification of Death, plunged listeners into obscure depths with heavy, bleak, and hypnotic arrangements plastered with charismatic guitar melodies. 2024’s split EP with Sanctuarium, The Sempiternal Wound, followed, adding an aura of the occult to Jade’s nightmarish death/doom/black framework. With Burke’s visceral Ixchel portrayal adorning the cover,1 Jade now navigates the intense and dreamy dialogue between conscious and subconscious states with Mysteries.

    Characterized by dark, murky and oscillating arrangements, Jade’s immersive sound reaches new heights on Mysteries. While not overtly technical or flashy, Mysteries’ enhanced atmosphere and sonic depth build upon The Sempiternal Wound, highlighting Jade’s superb songwriting. Oppressive, swirling tremolos and grimy palm-muted drawls meld with deep, thundering rhythms and fiendish growls to saturate lucid and dramatic songs with a sense of desperation. Opposing these haunting manifestations are stretches of defiant melodicism, with charming doom (“Darkness in Movement,” “The Stars’ Shelter”) and power-tinged (“9th Episode”) leads and solos that defuse Mysteries’ prevailing darkness with emotive force. J.’s bellowing and grandiose clean vocal passages—reminiscent of Sulphur Aeon’s M. and Ihsahn—add ephemeral surges of anguish and ethereality that lift one above the shadows. Although Jade’s sound may appear somewhat modest at first blush, Mysteries is a sensory-rich experience that demands patience but is well worth your time and attention.

    Jade has precisely composed each of Mysteries’ seven tracks to guide one through their feverish vision. The album’s structure holds together extremely well thanks to excellent songwriting. Jade masterfully employs recurrent themes and soaring guitar leads and solos, seamlessly weaving Mysteries’ forty-three minutes into a unified entity. Swirling occult-like chanting and drum thrashes on “Shores of Otherness” underpin harmonious guitar swells while “Light’s Blood’s” robust and ascendent notes rise amidst spells of high-low tremolos. The classic Pink Floyd-enthused solo on interlude “The Stars’ Shelter (II)” soars above dark reverberated arpeggiations, contributing to Mysteries’ overall unity even as it explores different stylistic territory. Like different images of one mysterious and unsettling dream, Mysteries elicits a keen sense of cohesion. Yet, this doesn’t come at the expense of variation. “9th Episode” displays a galloping, urgent cadence with a meaner, anxiety-ridden edge while “The Stars’ Shelter (II)” offers a crucial moment of respite with its crestfallen touch. Through meticulous construction and contrasting elements, Jade has crafted an album that is cohesive and dynamic in equal measure.

    For Jade’s caliber to shine, the album’s production better be on point and thankfully, Mysteries delivers in spades. Sounding vast and dynamic in my headphones, the vivid master illuminates every facet of Jade’s dream-like world. With guitars at its core, the mix carves out ample space for the supporting instrumentation to showcase their worth. As a result, each listen feels as exciting as the next—A testament to Mysteries’ complexity and sophistication. However, this intricacy also presents a challenge for passive listening. Despite its quality, I initially found Mysteries rather mundane and predictable due to the album’s similar traits blurring tracks like “Darkness in Movement” and “A Flowery Dream” together. But much like the gradual awakening from an intense dream, Mysteries’ hidden appeal surfaced once I gave it my undivided attention. From that point, my impressions quickly evolved into appreciation, and I found myself drawn back to Mysteries’ surreal world with regularity.

    Demanding a conscious presence, atmo-death fans would be remiss to overlook Mysteries. Though Jade’s sound may seem ordinary at first, the sheer density and weight of Mysteries’ intricate sound takes time and patience to decode. But those who actively immerse themselves in Jade’s expansive world will be handsomely rewarded. The excellent songwriting, replete with its cohesion, balance, and dynamism, is impressive, steadily shifting my initial apathetic impressions to genuine appreciation. So don your finest headphones, sit bac,k and let Jade immerse you in their dreamlike world.

    Rating: Very Good!
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Pulverised Records
    Websites: emperorjade.bandcamp.com | facebook.com/jadestonemask
    Releases Worldwide: May 9, 2025

    #2025 #35 #AtmosphericDeathMetal #Bolzer #DeathDoom #DeathMetal #Ihsahn #Jade #May25 #MysteriesOfAFloweryDream #PinkFloyd #PulverisedRecords #Review #Reviews #SpanishMetal #SulphurAeon #TheRuinsOfBeverast