#snapemaltings — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #snapemaltings, aggregated by home.social.
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The Scale: At Snape Maltings, these figures stand like sentinels. Framing the flat, expansive Suffolk landscape through them highlights the contrast between the solid bronze and the airy, open marshland. -
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The Scale: At Snape Maltings, these figures stand like sentinels. Framing the flat, expansive Suffolk landscape through them highlights the contrast between the solid bronze and the airy, open marshland. -
2/
The Scale: At Snape Maltings, these figures stand like sentinels. Framing the flat, expansive Suffolk landscape through them highlights the contrast between the solid bronze and the airy, open marshland. -
2/
The Scale: At Snape Maltings, these figures stand like sentinels. Framing the flat, expansive Suffolk landscape through them highlights the contrast between the solid bronze and the airy, open marshland. -
2/
The Scale: At Snape Maltings, these figures stand like sentinels. Framing the flat, expansive Suffolk landscape through them highlights the contrast between the solid bronze and the airy, open marshland. -
The Pierced Form: Hepworth was one of the first sculptors to "hole" her work. She wanted people to look through the art to the world behind it, effectively making the landscape part of the sculpture itself.
The Texture: The rough, tactile surface in the foreground is meant to mimic natural stone and organic weathering, bridging the gap between man-made art and the wild reeds of the River Alde.
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The Pierced Form: Hepworth was one of the first sculptors to "hole" her work. She wanted people to look through the art to the world behind it, effectively making the landscape part of the sculpture itself.
The Texture: The rough, tactile surface in the foreground is meant to mimic natural stone and organic weathering, bridging the gap between man-made art and the wild reeds of the River Alde.
-
The Pierced Form: Hepworth was one of the first sculptors to "hole" her work. She wanted people to look through the art to the world behind it, effectively making the landscape part of the sculpture itself.
The Texture: The rough, tactile surface in the foreground is meant to mimic natural stone and organic weathering, bridging the gap between man-made art and the wild reeds of the River Alde.
-
The Pierced Form: Hepworth was one of the first sculptors to "hole" her work. She wanted people to look through the art to the world behind it, effectively making the landscape part of the sculpture itself.
The Texture: The rough, tactile surface in the foreground is meant to mimic natural stone and organic weathering, bridging the gap between man-made art and the wild reeds of the River Alde.
-
The Pierced Form: Hepworth was one of the first sculptors to "hole" her work. She wanted people to look through the art to the world behind it, effectively making the landscape part of the sculpture itself.
The Texture: The rough, tactile surface in the foreground is meant to mimic natural stone and organic weathering, bridging the gap between man-made art and the wild reeds of the River Alde.
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Suffolk, UK
‘A view through Barbara Hepworth’s The Family of Man sculptures at Snape Maltings.’
Photograph: Danielle Melling#photography
#SnapeMaltings
#BarbaraHepworth
#Sculpture
#Suffolk
#AltText -
Suffolk, UK
‘A view through Barbara Hepworth’s The Family of Man sculptures at Snape Maltings.’
Photograph: Danielle Melling#photography
#SnapeMaltings
#BarbaraHepworth
#Sculpture
#Suffolk
#AltText -
Suffolk, UK
‘A view through Barbara Hepworth’s The Family of Man sculptures at Snape Maltings.’
Photograph: Danielle Melling#photography
#SnapeMaltings
#BarbaraHepworth
#Sculpture
#Suffolk
#AltText -
Suffolk, UK
‘A view through Barbara Hepworth’s The Family of Man sculptures at Snape Maltings.’
Photograph: Danielle Melling#photography
#SnapeMaltings
#BarbaraHepworth
#Sculpture
#Suffolk
#AltText -
Suffolk, UK
‘A view through Barbara Hepworth’s The Family of Man sculptures at Snape Maltings.’
Photograph: Danielle Melling#photography
#SnapeMaltings
#BarbaraHepworth
#Sculpture
#Suffolk
#AltText -
1/5 #Suffolk
This week a set from July's trip to Aldeburgh, starting with this shot on a gloomy day from #SnapeMaltings of #BarbaraHepworth 's Family of Man: Ancestor I, Ancestor II, and Parent I - one of her last works.
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Also took a rather lovely trip to #SnapeMaltings yesterday as a friend said there were bearded tits in the reeds.
There were! And 3 kingfishers - both species of which I've never seen before. Some beautiful avocet, snipe, sandpipers too. Highly recommend.
Crappy phone photo by me. Others by my photographer friend.