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#readymades — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #readymades, aggregated by home.social.

  1. 'Man seated at table'
    Zelfportret, Segal's vrouw omwikkelde hem met in gips doordrenkt verband, hij zette daarna zichzelf in elkaar | Self-portrait, Segal's wife wrapped him in plaster-soaked bandages, he then put himself together.
    George Segal in #artmuseum #Abteiberg in Moenchengladbach
    #modernart #readymades #art #sculpture #popart #artoftheday

  2. 'Man seated at table'
    Zelfportret, Segal's vrouw omwikkelde hem met in gips doordrenkt verband, hij zette daarna zichzelf in elkaar | Self-portrait, Segal's wife wrapped him in plaster-soaked bandages, he then put himself together.
    George Segal in #artmuseum #Abteiberg in Moenchengladbach
    #modernart #readymades #art #sculpture #popart #artoftheday

  3. 'Man seated at table'
    Zelfportret, Segal's vrouw omwikkelde hem met in gips doordrenkt verband, hij zette daarna zichzelf in elkaar | Self-portrait, Segal's wife wrapped him in plaster-soaked bandages, he then put himself together.
    George Segal in #artmuseum #Abteiberg in Moenchengladbach
    #modernart #readymades #art #sculpture #popart #artoftheday

  4. 'Man seated at table'
    Zelfportret, Segal's vrouw omwikkelde hem met in gips doordrenkt verband, hij zette daarna zichzelf in elkaar | Self-portrait, Segal's wife wrapped him in plaster-soaked bandages, he then put himself together.
    George Segal in #artmuseum #Abteiberg in Moenchengladbach
    #modernart #readymades #art #sculpture #popart #artoftheday

  5. 'Man seated at table'
    Zelfportret, Segal's vrouw omwikkelde hem met in gips doordrenkt verband, hij zette daarna zichzelf in elkaar | Self-portrait, Segal's wife wrapped him in plaster-soaked bandages, he then put himself together.
    George Segal in #artmuseum #Abteiberg in Moenchengladbach
    #modernart #readymades #art #sculpture #popart #artoftheday

  6. This week I've been mainly reading, no.55:

    Jeffrey Weiss' rather dense piece of #arthistory, The Popular Culture of Modern Art: Picasso, Duchamp & Modern Art (1994) argues that there was productive engagement between the #avantgarde & popular culture early C20th Paris. Focussing on #cubism, #readymades & the ballet Parade, he argues the avant-garde were dialectically embedded in (not separate from) popular expression(s). Sadly an interesting analysis often is lost in the detail(s)

    @bookstodon

  7. This week I've been mainly reading, no.55:

    Jeffrey Weiss' rather dense piece of #arthistory, The Popular Culture of Modern Art: Picasso, Duchamp & Modern Art (1994) argues that there was productive engagement between the #avantgarde & popular culture early C20th Paris. Focussing on #cubism, #readymades & the ballet Parade, he argues the avant-garde were dialectically embedded in (not separate from) popular expression(s). Sadly an interesting analysis often is lost in the detail(s)

    @bookstodon

  8. This week I've been mainly reading, no.55:

    Jeffrey Weiss' rather dense piece of #arthistory, The Popular Culture of Modern Art: Picasso, Duchamp & Modern Art (1994) argues that there was productive engagement between the #avantgarde & popular culture early C20th Paris. Focussing on #cubism, #readymades & the ballet Parade, he argues the avant-garde were dialectically embedded in (not separate from) popular expression(s). Sadly an interesting analysis often is lost in the detail(s)

    @bookstodon

  9. This week I've been mainly reading, no.55:

    Jeffrey Weiss' rather dense piece of #arthistory, The Popular Culture of Modern Art: Picasso, Duchamp & Modern Art (1994) argues that there was productive engagement between the #avantgarde & popular culture early C20th Paris. Focussing on #cubism, #readymades & the ballet Parade, he argues the avant-garde were dialectically embedded in (not separate from) popular expression(s). Sadly an interesting analysis often is lost in the detail(s)

    @bookstodon

  10. This week I've been mainly reading, no.55:

    Jeffrey Weiss' rather dense piece of #arthistory, The Popular Culture of Modern Art: Picasso, Duchamp & Modern Art (1994) argues that there was productive engagement between the #avantgarde & popular culture early C20th Paris. Focussing on #cubism, #readymades & the ballet Parade, he argues the avant-garde were dialectically embedded in (not separate from) popular expression(s). Sadly an interesting analysis often is lost in the detail(s)

    @bookstodon