#postimpressionism — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #postimpressionism, aggregated by home.social.
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"Portrait of Joseph Roulin," Vincent van Gogh, 1889.
Y'all know Van Gogh by now.
Joseph Roulin was a postal worker in the town of Arles, where Van Gogh had gone in hopes of forming an art colony. It never manifested, but he became close friends with his postman, Roulin, and the entire Roulin family became a huge source of emotional and moral support to the troubled artist.
Roulin was, by all accounts, one of those great people who was not only a devoted family man, but also a generally kind person who was always willing to lend a hand to those in need. Van Gogh was always struck by his features and overall air of kindliness, which comes across a little in this portrait; despite the large beard, he seems about to smile.
When Van Gogh was hospitalized (1888-90, on and off), Roulin looked after his studio and was a regular visitor. Some feel that Van Gogh's psychiatric troubles may have been far worse if not for the presence of his caring friend.
Here we have Roulin proud in his postal uniform, looking a bit amused, but also strong and solid. The background, of bright green and twisting vines and flowers, seems almost to embrace the subject.
Happy Portrait Monday!
From the Museum of Modern Art, New York.
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"Portrait of Joseph Roulin," Vincent van Gogh, 1889.
Y'all know Van Gogh by now.
Joseph Roulin was a postal worker in the town of Arles, where Van Gogh had gone in hopes of forming an art colony. It never manifested, but he became close friends with his postman, Roulin, and the entire Roulin family became a huge source of emotional and moral support to the troubled artist.
Roulin was, by all accounts, one of those great people who was not only a devoted family man, but also a generally kind person who was always willing to lend a hand to those in need. Van Gogh was always struck by his features and overall air of kindliness, which comes across a little in this portrait; despite the large beard, he seems about to smile.
When Van Gogh was hospitalized (1888-90, on and off), Roulin looked after his studio and was a regular visitor. Some feel that Van Gogh's psychiatric troubles may have been far worse if not for the presence of his caring friend.
Here we have Roulin proud in his postal uniform, looking a bit amused, but also strong and solid. The background, of bright green and twisting vines and flowers, seems almost to embrace the subject.
Happy Portrait Monday!
From the Museum of Modern Art, New York.
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"Portrait of Joseph Roulin," Vincent van Gogh, 1889.
Y'all know Van Gogh by now.
Joseph Roulin was a postal worker in the town of Arles, where Van Gogh had gone in hopes of forming an art colony. It never manifested, but he became close friends with his postman, Roulin, and the entire Roulin family became a huge source of emotional and moral support to the troubled artist.
Roulin was, by all accounts, one of those great people who was not only a devoted family man, but also a generally kind person who was always willing to lend a hand to those in need. Van Gogh was always struck by his features and overall air of kindliness, which comes across a little in this portrait; despite the large beard, he seems about to smile.
When Van Gogh was hospitalized (1888-90, on and off), Roulin looked after his studio and was a regular visitor. Some feel that Van Gogh's psychiatric troubles may have been far worse if not for the presence of his caring friend.
Here we have Roulin proud in his postal uniform, looking a bit amused, but also strong and solid. The background, of bright green and twisting vines and flowers, seems almost to embrace the subject.
Happy Portrait Monday!
From the Museum of Modern Art, New York.
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"Portrait of Joseph Roulin," Vincent van Gogh, 1889.
Y'all know Van Gogh by now.
Joseph Roulin was a postal worker in the town of Arles, where Van Gogh had gone in hopes of forming an art colony. It never manifested, but he became close friends with his postman, Roulin, and the entire Roulin family became a huge source of emotional and moral support to the troubled artist.
Roulin was, by all accounts, one of those great people who was not only a devoted family man, but also a generally kind person who was always willing to lend a hand to those in need. Van Gogh was always struck by his features and overall air of kindliness, which comes across a little in this portrait; despite the large beard, he seems about to smile.
When Van Gogh was hospitalized (1888-90, on and off), Roulin looked after his studio and was a regular visitor. Some feel that Van Gogh's psychiatric troubles may have been far worse if not for the presence of his caring friend.
Here we have Roulin proud in his postal uniform, looking a bit amused, but also strong and solid. The background, of bright green and twisting vines and flowers, seems almost to embrace the subject.
Happy Portrait Monday!
From the Museum of Modern Art, New York.
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"Portrait of Joseph Roulin," Vincent van Gogh, 1889.
Y'all know Van Gogh by now.
Joseph Roulin was a postal worker in the town of Arles, where Van Gogh had gone in hopes of forming an art colony. It never manifested, but he became close friends with his postman, Roulin, and the entire Roulin family became a huge source of emotional and moral support to the troubled artist.
Roulin was, by all accounts, one of those great people who was not only a devoted family man, but also a generally kind person who was always willing to lend a hand to those in need. Van Gogh was always struck by his features and overall air of kindliness, which comes across a little in this portrait; despite the large beard, he seems about to smile.
When Van Gogh was hospitalized (1888-90, on and off), Roulin looked after his studio and was a regular visitor. Some feel that Van Gogh's psychiatric troubles may have been far worse if not for the presence of his caring friend.
Here we have Roulin proud in his postal uniform, looking a bit amused, but also strong and solid. The background, of bright green and twisting vines and flowers, seems almost to embrace the subject.
Happy Portrait Monday!
From the Museum of Modern Art, New York.
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"Bouquet of Flowers in a Vase," Vincent van Gogh, 1890.
Thought I'd post some art early today; going off to a concert tonight!
Y'all know Van Gogh. This painting is a bit of a mystery to art historians. He never mentioned it in his letters, and he talked about nearly everything he did in those letters. The bouquet of summer flowers is similar to work he did in Paris, while the vase is the same used in a painting of irises during his time in Saint-Remy, in southern France. But the style and brushstrokes point to this being painted in the weeks leading up to his death in 1890.
Happy Flower Friday!
From the Metropolitan Museum of Art, New York.
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"Bouquet of Flowers in a Vase," Vincent van Gogh, 1890.
Thought I'd post some art early today; going off to a concert tonight!
Y'all know Van Gogh. This painting is a bit of a mystery to art historians. He never mentioned it in his letters, and he talked about nearly everything he did in those letters. The bouquet of summer flowers is similar to work he did in Paris, while the vase is the same used in a painting of irises during his time in Saint-Remy, in southern France. But the style and brushstrokes point to this being painted in the weeks leading up to his death in 1890.
Happy Flower Friday!
From the Metropolitan Museum of Art, New York.
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"Bouquet of Flowers in a Vase," Vincent van Gogh, 1890.
Thought I'd post some art early today; going off to a concert tonight!
Y'all know Van Gogh. This painting is a bit of a mystery to art historians. He never mentioned it in his letters, and he talked about nearly everything he did in those letters. The bouquet of summer flowers is similar to work he did in Paris, while the vase is the same used in a painting of irises during his time in Saint-Remy, in southern France. But the style and brushstrokes point to this being painted in the weeks leading up to his death in 1890.
Happy Flower Friday!
From the Metropolitan Museum of Art, New York.
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"Bouquet of Flowers in a Vase," Vincent van Gogh, 1890.
Thought I'd post some art early today; going off to a concert tonight!
Y'all know Van Gogh. This painting is a bit of a mystery to art historians. He never mentioned it in his letters, and he talked about nearly everything he did in those letters. The bouquet of summer flowers is similar to work he did in Paris, while the vase is the same used in a painting of irises during his time in Saint-Remy, in southern France. But the style and brushstrokes point to this being painted in the weeks leading up to his death in 1890.
Happy Flower Friday!
From the Metropolitan Museum of Art, New York.
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"Bouquet of Flowers in a Vase," Vincent van Gogh, 1890.
Thought I'd post some art early today; going off to a concert tonight!
Y'all know Van Gogh. This painting is a bit of a mystery to art historians. He never mentioned it in his letters, and he talked about nearly everything he did in those letters. The bouquet of summer flowers is similar to work he did in Paris, while the vase is the same used in a painting of irises during his time in Saint-Remy, in southern France. But the style and brushstrokes point to this being painted in the weeks leading up to his death in 1890.
Happy Flower Friday!
From the Metropolitan Museum of Art, New York.
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Charles Cottet
Selling Livestock
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#CharlesCottet #PostImpressionism #AnimalImagery #art #painting -
Charles Cottet
Selling Livestock
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#CharlesCottet #PostImpressionism #AnimalImagery #art #painting -
Charles Cottet
Selling Livestock
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#CharlesCottet #PostImpressionism #AnimalImagery #art #painting -
Charles Cottet
Selling Livestock
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#CharlesCottet #PostImpressionism #AnimalImagery #art #painting -
Charles Cottet
Selling Livestock
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#CharlesCottet #PostImpressionism #AnimalImagery #art #painting -
"The Sower," Vincent van Gogh, 1888.
Y'all know van Gogh.
In 1888 he was living in Arles and having his breakthrough success as an artist. This scene is a riff on an artist he admired, Jean-Francois Millet, who had done a similar painting of a sower.
Here, we have the man boldly striding across the plowed field, scattering seeds. But in the background, we see the sun rising over fully grown grain. This painting isn't supposed to be a realistic landscape, but a circle-of-life allegory, a religious scene of the sower of divine will planting the seeds of salvation.
Van Gogh's mental health would decline and in a few months he was hospitalized; I wonder if this painting was an expression of a troubled soul seeking some form of salvation or rescue.
From the Kröller-Müller Museum, Otterlo.
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"The Sower," Vincent van Gogh, 1888.
Y'all know van Gogh.
In 1888 he was living in Arles and having his breakthrough success as an artist. This scene is a riff on an artist he admired, Jean-Francois Millet, who had done a similar painting of a sower.
Here, we have the man boldly striding across the plowed field, scattering seeds. But in the background, we see the sun rising over fully grown grain. This painting isn't supposed to be a realistic landscape, but a circle-of-life allegory, a religious scene of the sower of divine will planting the seeds of salvation.
Van Gogh's mental health would decline and in a few months he was hospitalized; I wonder if this painting was an expression of a troubled soul seeking some form of salvation or rescue.
From the Kröller-Müller Museum, Otterlo.
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"The Sower," Vincent van Gogh, 1888.
Y'all know van Gogh.
In 1888 he was living in Arles and having his breakthrough success as an artist. This scene is a riff on an artist he admired, Jean-Francois Millet, who had done a similar painting of a sower.
Here, we have the man boldly striding across the plowed field, scattering seeds. But in the background, we see the sun rising over fully grown grain. This painting isn't supposed to be a realistic landscape, but a circle-of-life allegory, a religious scene of the sower of divine will planting the seeds of salvation.
Van Gogh's mental health would decline and in a few months he was hospitalized; I wonder if this painting was an expression of a troubled soul seeking some form of salvation or rescue.
From the Kröller-Müller Museum, Otterlo.
-
"The Sower," Vincent van Gogh, 1888.
Y'all know van Gogh.
In 1888 he was living in Arles and having his breakthrough success as an artist. This scene is a riff on an artist he admired, Jean-Francois Millet, who had done a similar painting of a sower.
Here, we have the man boldly striding across the plowed field, scattering seeds. But in the background, we see the sun rising over fully grown grain. This painting isn't supposed to be a realistic landscape, but a circle-of-life allegory, a religious scene of the sower of divine will planting the seeds of salvation.
Van Gogh's mental health would decline and in a few months he was hospitalized; I wonder if this painting was an expression of a troubled soul seeking some form of salvation or rescue.
From the Kröller-Müller Museum, Otterlo.
-
"The Sower," Vincent van Gogh, 1888.
Y'all know van Gogh.
In 1888 he was living in Arles and having his breakthrough success as an artist. This scene is a riff on an artist he admired, Jean-Francois Millet, who had done a similar painting of a sower.
Here, we have the man boldly striding across the plowed field, scattering seeds. But in the background, we see the sun rising over fully grown grain. This painting isn't supposed to be a realistic landscape, but a circle-of-life allegory, a religious scene of the sower of divine will planting the seeds of salvation.
Van Gogh's mental health would decline and in a few months he was hospitalized; I wonder if this painting was an expression of a troubled soul seeking some form of salvation or rescue.
From the Kröller-Müller Museum, Otterlo.
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Wassily Kandinsky
Beach Baskets in Holland
1904
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#WassilyKandinsky #BeachScene #PostImpressionism #art #painting -
Walter Sickert
The Straw Hat
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#WalterSickert #TheStrawHat #postimpressionism #art #painting -
Walter Sickert
The Straw Hat
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#WalterSickert #TheStrawHat #postimpressionism #art #painting -
Walter Sickert
The Straw Hat
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#WalterSickert #TheStrawHat #postimpressionism #art #painting -
Walter Sickert
The Straw Hat
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#WalterSickert #TheStrawHat #postimpressionism #art #painting -
Walter Sickert
The Straw Hat
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#WalterSickert #TheStrawHat #postimpressionism #art #painting -
"Svolvaer Harbour at the Height of the Fishing Season," Anna Boberg, 1934.
Swedish painter Boberg (1864-1935) was many things in her life; from an artistic family, she never had formal artistic education and so was pretty much self-taught. She worked in ceramics, glass, textiles, set design, and was a writer, before settling into painting in her own individual style, a mix of Impressionism with some touches of Realism and the Danish Skagen school.
Married to an architect, she first did a few tapestries for some significant buildings, which were later exhibited at the Chicago World's Fair in 1893. She also designed a number of popular ceramic and glass pieces before being inspired to take up painting by a trip to Norway in 1901.
Most of her paintings are of Norway, and weren't very popular in her home country, but were well-received elsewhere. Her husband designed a house on an island near Svolvaer where she could stay and work; this painting was likely done at the island retreat.
Eventually her work found an audience, and acclaim, in Sweden, to the point that when she died in 1935, several members of the Swedish royal family attended her funeral.
From the Nationalmuseum, Stockholm.
#Art #AnnaBoberg #PostImpressionism #WomenArtists #Landscape #Harbor #Norway
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"Svolvaer Harbour at the Height of the Fishing Season," Anna Boberg, 1934.
Swedish painter Boberg (1864-1935) was many things in her life; from an artistic family, she never had formal artistic education and so was pretty much self-taught. She worked in ceramics, glass, textiles, set design, and was a writer, before settling into painting in her own individual style, a mix of Impressionism with some touches of Realism and the Danish Skagen school.
Married to an architect, she first did a few tapestries for some significant buildings, which were later exhibited at the Chicago World's Fair in 1893. She also designed a number of popular ceramic and glass pieces before being inspired to take up painting by a trip to Norway in 1901.
Most of her paintings are of Norway, and weren't very popular in her home country, but were well-received elsewhere. Her husband designed a house on an island near Svolvaer where she could stay and work; this painting was likely done at the island retreat.
Eventually her work found an audience, and acclaim, in Sweden, to the point that when she died in 1935, several members of the Swedish royal family attended her funeral.
From the Nationalmuseum, Stockholm.
#Art #AnnaBoberg #PostImpressionism #WomenArtists #Landscape #Harbor #Norway
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"Svolvaer Harbour at the Height of the Fishing Season," Anna Boberg, 1934.
Swedish painter Boberg (1864-1935) was many things in her life; from an artistic family, she never had formal artistic education and so was pretty much self-taught. She worked in ceramics, glass, textiles, set design, and was a writer, before settling into painting in her own individual style, a mix of Impressionism with some touches of Realism and the Danish Skagen school.
Married to an architect, she first did a few tapestries for some significant buildings, which were later exhibited at the Chicago World's Fair in 1893. She also designed a number of popular ceramic and glass pieces before being inspired to take up painting by a trip to Norway in 1901.
Most of her paintings are of Norway, and weren't very popular in her home country, but were well-received elsewhere. Her husband designed a house on an island near Svolvaer where she could stay and work; this painting was likely done at the island retreat.
Eventually her work found an audience, and acclaim, in Sweden, to the point that when she died in 1935, several members of the Swedish royal family attended her funeral.
From the Nationalmuseum, Stockholm.
#Art #AnnaBoberg #PostImpressionism #WomenArtists #Landscape #Harbor #Norway
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"Svolvaer Harbour at the Height of the Fishing Season," Anna Boberg, 1934.
Swedish painter Boberg (1864-1935) was many things in her life; from an artistic family, she never had formal artistic education and so was pretty much self-taught. She worked in ceramics, glass, textiles, set design, and was a writer, before settling into painting in her own individual style, a mix of Impressionism with some touches of Realism and the Danish Skagen school.
Married to an architect, she first did a few tapestries for some significant buildings, which were later exhibited at the Chicago World's Fair in 1893. She also designed a number of popular ceramic and glass pieces before being inspired to take up painting by a trip to Norway in 1901.
Most of her paintings are of Norway, and weren't very popular in her home country, but were well-received elsewhere. Her husband designed a house on an island near Svolvaer where she could stay and work; this painting was likely done at the island retreat.
Eventually her work found an audience, and acclaim, in Sweden, to the point that when she died in 1935, several members of the Swedish royal family attended her funeral.
From the Nationalmuseum, Stockholm.
#Art #AnnaBoberg #PostImpressionism #WomenArtists #Landscape #Harbor #Norway
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"Svolvaer Harbour at the Height of the Fishing Season," Anna Boberg, 1934.
Swedish painter Boberg (1864-1935) was many things in her life; from an artistic family, she never had formal artistic education and so was pretty much self-taught. She worked in ceramics, glass, textiles, set design, and was a writer, before settling into painting in her own individual style, a mix of Impressionism with some touches of Realism and the Danish Skagen school.
Married to an architect, she first did a few tapestries for some significant buildings, which were later exhibited at the Chicago World's Fair in 1893. She also designed a number of popular ceramic and glass pieces before being inspired to take up painting by a trip to Norway in 1901.
Most of her paintings are of Norway, and weren't very popular in her home country, but were well-received elsewhere. Her husband designed a house on an island near Svolvaer where she could stay and work; this painting was likely done at the island retreat.
Eventually her work found an audience, and acclaim, in Sweden, to the point that when she died in 1935, several members of the Swedish royal family attended her funeral.
From the Nationalmuseum, Stockholm.
#Art #AnnaBoberg #PostImpressionism #WomenArtists #Landscape #Harbor #Norway
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Vincent Van Gogh
Zouave Half Figure
1888
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#VincentVanGogh #postimpressionism #portrait #art #painting -
Vincent van Gogh
Zouave
1888
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#VincentvanGogh #postimpressionism #portrait #art #painting -
Vincent Van Gogh
Zouave
1888
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#VincentVanGogh #PostImpressionism #19thcenturyart #art #painting -
Vincent van Gogh
Young Peasant Girl in a Straw Hat Sitting in Front of a Wheatfield
1890
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#VincentvanGogh #postimpressionism #ruralife #art #painting -
Vincent Van Gogh
Young Man With Cornflower
1890
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#VincentVanGogh #postimpressionism #portrait #art #painting -
Vincent Van Gogh
Young Man with a Hat
1888
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#VincentVanGogh #postimpressionism #portrait #art #painting -
Vincent Van Gogh
Women Working in Wheat Field
1890
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#VincentVanGogh #postimpressionism #rurallife #art #painting -
Vincent van Gogh
Woman with Striped Skirt
1890
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#VincentvanGogh #postimpressionism #portrait #art #painting -
Vincent van Gogh
Woman with Hat (Half-Length)
1886
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#VincentvanGogh #PostImpressionism #Portrait #art #painting -
Vincent Van Gogh
Woman Standing
1890
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#VincentVanGogh #PostImpressionism #FemaleFigure #art #painting -
Vincent Van Gogh
Woman Standing
1890
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#VincentVanGogh #PostImpressionism #FemaleFigure #art #painting -
Vincent Van Gogh
Woman Standing
1890
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#VincentVanGogh #PostImpressionism #FemaleFigure #art #painting -
Vincent Van Gogh
Woman Standing
1890
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#VincentVanGogh #PostImpressionism #FemaleFigure #art #painting -
Vincent Van Gogh
Woman Standing
1890
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#VincentVanGogh #PostImpressionism #FemaleFigure #art #painting
