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#naima โ€” Public Fediverse posts

Live and recent posts from across the Fediverse tagged #naima, aggregated by home.social.

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  1. ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ช๐˜ด๐˜ช๐˜ต๐˜ฐ๐˜ณ๐˜ด ๐˜ฆ๐˜ณ๐˜ข ๐˜ช๐˜ญ ๐˜จ๐˜ณ๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ช ๐˜ง๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ช ๐˜Š๐˜ข๐˜ณ๐˜ญ ๐˜ฆ ๐˜Œ๐˜ข๐˜ณ๐˜ญ ๐˜Ž๐˜ณ๐˜ถ๐˜ฃ๐˜ฃ๐˜ด, ๐˜ฆ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ฎ๐˜ฃ๐˜ช ๐˜ด๐˜ข๐˜ด๐˜ด๐˜ฐ๐˜ง๐˜ฐ๐˜ฏ๐˜ช๐˜ด๐˜ต๐˜ช. ๐˜—๐˜ณ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ท๐˜ข๐˜ฏ๐˜ฐ ๐˜ญ๐˜ฆ๐˜ป๐˜ช๐˜ฐ๐˜ฏ๐˜ช ๐˜ฅ๐˜ข๐˜ญ ๐˜ง๐˜ช๐˜ฅ๐˜ข๐˜ฏ๐˜ป๐˜ข๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ญ๐˜ฐ๐˜ณ๐˜ฐ ๐˜ค๐˜ถ๐˜จ๐˜ช๐˜ฏ๐˜ข ๐˜•๐˜ข๐˜ช๐˜ฎ๐˜ข, ๐˜ค๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ด๐˜ฆ๐˜จ๐˜ถ๐˜ช๐˜ต๐˜ฐ ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ฏ๐˜ต๐˜ฐฬ€ ๐˜ญ๐˜ข ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฐ๐˜ณ๐˜ข ๐˜Š๐˜ฐ๐˜ญ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ฆ.

    youtube.com/watch?v=zP5zgC9_2X

    #jazz #JohnColtrane #Naima #Grubbs #musica

  2. Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima

    evl.one/so-flute-blackchild-re

  3. Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokeฬˆ, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover

    evl.one/naima-presents-jazz-is

  4. Listening to a little #Jazz tonight. This is an interesting version of John Coltrane's #Naima, from John McGlaughlin's After The Rain. He's joined by the late Elvin Jones and Joey DeFrancesco. I'm not always a fan of McGlaughlin's playing, but this arrangement with a #B3 an interesting texture.

    youtube.com/watch?v=CU7ICk_Fi5

    This is probably one of my favorite tunes. I love how dark it is with a tinge of blues, but how it manages to brighten up as well. Kind of what I need on a rainy night.

    #JohnColtrane #JohnMcGlaughlin #JoeyDeFrancesco #ElvinJones

  5. Do [n't] change a hair for me: The art of jazz rubato

    This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.

    doi.org/10.1525/mp.2002.19.3.3

    #jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad