#naima — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #naima, aggregated by home.social.
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“naima” (john coltrane) _ performed by dan sostex quartet
https://youtu.be/Rxsd1Rp5M_E?si=cCvLIN-mQpFOCPPF
Dan Sostex Quartet
Danio “Dan Sostex” Sostegni, sax
Massimo Ciolli, chitarra
Stefano Lepri, contrabbasso
Riccardo Bartolozzi, batteria#DanSostexQuartet #DanioDanSostexSostegni #DanioSostegni #jazz #JohnColtrane #MassimoCiolli #music #musicA_ #Naima #RiccardoBartolozzi #StefanoLepri
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MAGA Cult Behavior | @destiny
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MAGA Cult Behavior | @destiny
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MAGA Cult Behavior | @destiny
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MAGA Cult Behavior | @destiny
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MAGA Cult Behavior | @destiny
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@daughteroftheculture #naima @TerrorbirdMedia #music #flawlessfridayvideo #dreamrandb @ITHERETWEETER1 #ranb
https://chasingdestino.com/2025/02/07/naima-flawless-friday-video/
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@daughteroftheculture #naima @TerrorbirdMedia #music #flawlessfridayvideo #dreamrandb @ITHERETWEETER1 #ranb
https://chasingdestino.com/2025/02/07/naima-flawless-friday-video/
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@daughteroftheculture #naima @TerrorbirdMedia #music #flawlessfridayvideo #dreamrandb @ITHERETWEETER1 #ranb
https://chasingdestino.com/2025/02/07/naima-flawless-friday-video/
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@daughteroftheculture #naima @TerrorbirdMedia #music #flawlessfridayvideo #dreamrandb @ITHERETWEETER1 #ranb
https://chasingdestino.com/2025/02/07/naima-flawless-friday-video/
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@daughteroftheculture #naima @TerrorbirdMedia #music #flawlessfridayvideo #dreamrandb @ITHERETWEETER1 #ranb
https://chasingdestino.com/2025/02/07/naima-flawless-friday-video/
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𝘛𝘩𝘦 𝘝𝘪𝘴𝘪𝘵𝘰𝘳𝘴 𝘦𝘳𝘢 𝘪𝘭 𝘨𝘳𝘶𝘱𝘱𝘰 𝘥𝘦𝘪 𝘧𝘳𝘢𝘵𝘦𝘭𝘭𝘪 𝘊𝘢𝘳𝘭 𝘦 𝘌𝘢𝘳𝘭 𝘎𝘳𝘶𝘣𝘣𝘴, 𝘦𝘯𝘵𝘳𝘢𝘮𝘣𝘪 𝘴𝘢𝘴𝘴𝘰𝘧𝘰𝘯𝘪𝘴𝘵𝘪. 𝘗𝘳𝘦𝘯𝘥𝘦𝘷𝘢𝘯𝘰 𝘭𝘦𝘻𝘪𝘰𝘯𝘪 𝘥𝘢𝘭 𝘧𝘪𝘥𝘢𝘯𝘻𝘢𝘵𝘰 𝘥𝘦𝘭𝘭𝘢 𝘭𝘰𝘳𝘰 𝘤𝘶𝘨𝘪𝘯𝘢 𝘕𝘢𝘪𝘮𝘢, 𝘤𝘩𝘦 𝘪𝘯 𝘴𝘦𝘨𝘶𝘪𝘵𝘰 𝘥𝘪𝘷𝘦𝘯𝘵𝘰̀ 𝘭𝘢 𝘴𝘪𝘨𝘯𝘰𝘳𝘢 𝘊𝘰𝘭𝘵𝘳𝘢𝘯𝘦.
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Ramin Rezaie lands on NAIMA as he showcases a fresh side to his sound with Folks Get Down. #music #raminrezaie #folksgetdown #Naima
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Ramin Rezaie lands on NAIMA as he showcases a fresh side to his sound with Folks Get Down. #music #raminrezaie #folksgetdown #Naima
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Ramin Rezaie lands on NAIMA as he showcases a fresh side to his sound with Folks Get Down. #music #raminrezaie #folksgetdown #Naima
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Ramin Rezaie lands on NAIMA as he showcases a fresh side to his sound with Folks Get Down. #music #raminrezaie #folksgetdown #Naima
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Ramin Rezaie lands on NAIMA as he showcases a fresh side to his sound with Folks Get Down. #music #raminrezaie #folksgetdown #Naima
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Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima
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Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima
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Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima
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Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima
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Delivering a fresh update of the 2000 classic, the Italian DJ/producer and label boss Blackchild unveils his slick, modern dancefloor-driven flip on the original production of So Flute by St. Germain. #music #BlackChild #soflute #stgermain #warnermusic #Naima
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Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokë, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover
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Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokë, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover
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Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokë, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover
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Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokë, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover
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Blackchild's NAIMA imprint unveils its first VA project, Jazz Island, featuring music from Shokë, Solarce Brothers, Leon Gennaro, and Skygroover. #music #naima #JazzIsland #compilation #shoke #solarcebrothers #leongennaro #skygroover
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Listening to a little #Jazz tonight. This is an interesting version of John Coltrane's #Naima, from John McGlaughlin's After The Rain. He's joined by the late Elvin Jones and Joey DeFrancesco. I'm not always a fan of McGlaughlin's playing, but this arrangement with a #B3 an interesting texture.
https://www.youtube.com/watch?v=CU7ICk_Fi5c
This is probably one of my favorite tunes. I love how dark it is with a tinge of blues, but how it manages to brighten up as well. Kind of what I need on a rainy night.
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Listening to a little #Jazz tonight. This is an interesting version of John Coltrane's #Naima, from John McGlaughlin's After The Rain. He's joined by the late Elvin Jones and Joey DeFrancesco. I'm not always a fan of McGlaughlin's playing, but this arrangement with a #B3 an interesting texture.
https://www.youtube.com/watch?v=CU7ICk_Fi5c
This is probably one of my favorite tunes. I love how dark it is with a tinge of blues, but how it manages to brighten up as well. Kind of what I need on a rainy night.
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Listening to a little #Jazz tonight. This is an interesting version of John Coltrane's #Naima, from John McGlaughlin's After The Rain. He's joined by the late Elvin Jones and Joey DeFrancesco. I'm not always a fan of McGlaughlin's playing, but this arrangement with a #B3 an interesting texture.
https://www.youtube.com/watch?v=CU7ICk_Fi5c
This is probably one of my favorite tunes. I love how dark it is with a tinge of blues, but how it manages to brighten up as well. Kind of what I need on a rainy night.
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Listening to a little #Jazz tonight. This is an interesting version of John Coltrane's #Naima, from John McGlaughlin's After The Rain. He's joined by the late Elvin Jones and Joey DeFrancesco. I'm not always a fan of McGlaughlin's playing, but this arrangement with a #B3 an interesting texture.
https://www.youtube.com/watch?v=CU7ICk_Fi5c
This is probably one of my favorite tunes. I love how dark it is with a tinge of blues, but how it manages to brighten up as well. Kind of what I need on a rainy night.
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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John Coltrane - Naima (2020 Remaster) [Official Audio]
https://www.youtube.com/watch?v=bPAC6zt_1ZM
#JohnColtrane #JohnColtraneNaima #Naima #BlackMastodon #Jazz #JazzOnMastodon
