#soloist — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #soloist, aggregated by home.social.
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أطلقت شركة Spotify تطبيق Soloist الجديد، وهو عميل طرفية مخصص لأنظمة الصوت التي تعمل بدون شاشة وأجهزة "افعلها بنفسك" مثل Raspberry Pi وأنظمة Linux. يتيح هذا التطبيق تحويل الأجهزة إلى مشغلات تدعم خاصية Spotify Connect، مما يسهل دمجها في أنظمة الصوت المنزلية. يوفر Soloist واجهة برمجية WebSocket تتيح للمطورين التحكم في التشغيل وإضافة شاشات خارجية أو أزرار مادية، مما يجعله خياراً مثالياً للمشاريع التقنية المبتكرة التي تتطلب مرونة عالية في التحكم الصوتي.
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أطلقت شركة Spotify تطبيق Soloist الجديد، وهو عميل طرفية مخصص لأنظمة الصوت التي تعمل بدون شاشة وأجهزة "افعلها بنفسك" مثل Raspberry Pi وأنظمة Linux. يتيح هذا التطبيق تحويل الأجهزة إلى مشغلات تدعم خاصية Spotify Connect، مما يسهل دمجها في أنظمة الصوت المنزلية. يوفر Soloist واجهة برمجية WebSocket تتيح للمطورين التحكم في التشغيل وإضافة شاشات خارجية أو أزرار مادية، مما يجعله خياراً مثالياً للمشاريع التقنية المبتكرة التي تتطلب مرونة عالية في التحكم الصوتي.
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أطلقت شركة Spotify تطبيق Soloist الجديد، وهو عميل طرفية مخصص لأنظمة الصوت التي تعمل بدون شاشة وأجهزة "افعلها بنفسك" مثل Raspberry Pi وأنظمة Linux. يتيح هذا التطبيق تحويل الأجهزة إلى مشغلات تدعم خاصية Spotify Connect، مما يسهل دمجها في أنظمة الصوت المنزلية. يوفر Soloist واجهة برمجية WebSocket تتيح للمطورين التحكم في التشغيل وإضافة شاشات خارجية أو أزرار مادية، مما يجعله خياراً مثالياً للمشاريع التقنية المبتكرة التي تتطلب مرونة عالية في التحكم الصوتي.
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أطلقت شركة Spotify تطبيق Soloist الجديد، وهو عميل طرفية مخصص لأنظمة الصوت التي تعمل بدون شاشة وأجهزة "افعلها بنفسك" مثل Raspberry Pi وأنظمة Linux. يتيح هذا التطبيق تحويل الأجهزة إلى مشغلات تدعم خاصية Spotify Connect، مما يسهل دمجها في أنظمة الصوت المنزلية. يوفر Soloist واجهة برمجية WebSocket تتيح للمطورين التحكم في التشغيل وإضافة شاشات خارجية أو أزرار مادية، مما يجعله خياراً مثالياً للمشاريع التقنية المبتكرة التي تتطلب مرونة عالية في التحكم الصوتي.
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https://www.kpopnsfw.com/276979/birthday-list-pt-3-yerin-baek-soloist/ [Birthday List] Pt. #3- Yerin Baek (Soloist) #Baek #Birthday #KPop #kpop #KpopHeaven #list #Soloist #yerin
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https://www.kpopnsfw.com/256496/nakyoung-triples-and-bibi-soloist/ Nakyoung (tripleS) and BIBI (soloist) #BIBI #KPop #KPopIdols #KPopPhotos #kpop #KpopIdols #KpopPhotos #Nakyoung #Soloist #triples
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https://www.kpopnsfw.com/204484/soloist-karina-what-type-of-soloist-do-you-think-karina-would-become-if-she-becomes-a-soloist-based-on-her-two-solos-name-a-current-soloist-example/ Soloist Karina, what type of soloist do you think Karina would become if she becomes a soloist based on her two solos! (name a current soloist example ) #aespa #based #current #KARINA #Soloist #solos #type
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There is a chore progression so characteristic of #NickJohnston that it should be patented somewhere.
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There is a chore progression so characteristic of #NickJohnston that it should be patented somewhere.
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There is a chore progression so characteristic of #NickJohnston that it should be patented somewhere.
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There is a chore progression so characteristic of #NickJohnston that it should be patented somewhere.
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There is a chore progression so characteristic of #NickJohnston that it should be patented somewhere.
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Justina Gringyte: The secrets of #singing #Mahler
https://www.classical-music.com/features/artists/justina-gringyte-how-to-sing-mahler
"To really better understand how to sing Mahler’s incredible music, I’ve developed five ‘golden rules’ that really help me as a mezzo-soprano to dive deeply into his world, and maybe these might also give some insights into not only how we sing Mahler - what he demands that we give of ourselves - but how we can all experience his music."
#BBCMusicMagazine
#classical #music #soloist #vocal #symphony #mezzo #soprano -
Justina Gringyte: The secrets of #singing #Mahler
https://www.classical-music.com/features/artists/justina-gringyte-how-to-sing-mahler
"To really better understand how to sing Mahler’s incredible music, I’ve developed five ‘golden rules’ that really help me as a mezzo-soprano to dive deeply into his world, and maybe these might also give some insights into not only how we sing Mahler - what he demands that we give of ourselves - but how we can all experience his music."
#BBCMusicMagazine
#classical #music #soloist #vocal #symphony #mezzo #soprano -
Justina Gringyte: The secrets of #singing #Mahler
https://www.classical-music.com/features/artists/justina-gringyte-how-to-sing-mahler
"To really better understand how to sing Mahler’s incredible music, I’ve developed five ‘golden rules’ that really help me as a mezzo-soprano to dive deeply into his world, and maybe these might also give some insights into not only how we sing Mahler - what he demands that we give of ourselves - but how we can all experience his music."
#BBCMusicMagazine
#classical #music #soloist #vocal #symphony #mezzo #soprano -
The Soloist is a wonderful thing (provided you are into RPGs and tebletop games). Have a look: https://soloist.substack.com
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The Soloist is a wonderful thing (provided you are into RPGs and tebletop games). Have a look: https://soloist.substack.com
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The Soloist is a wonderful thing (provided you are into RPGs and tebletop games). Have a look: https://soloist.substack.com
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The Soloist is a wonderful thing (provided you are into RPGs and tebletop games). Have a look: https://soloist.substack.com
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The Soloist is a wonderful thing (provided you are into RPGs and tebletop games). Have a look: https://soloist.substack.com
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Für ein großes Jubiläums-Interview konnte ich ein ausführliches Gespräch mit der Klarinettistin Sharon Kam führen.
https://orchestergraben.com/jubilaeums-interview-mit-sharon-kam/
#klarinette #klarinettistin #clarinet #interview #classical #classicalmusic #classicalbuzz #soloist #klassik #klassischemusik #solistin #orchester #orchestra #mozart @classicalmusic
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Für ein großes Jubiläums-Interview konnte ich ein ausführliches Gespräch mit der Klarinettistin Sharon Kam führen.
https://orchestergraben.com/jubilaeums-interview-mit-sharon-kam/
#klarinette #klarinettistin #clarinet #interview #classical #classicalmusic #classicalbuzz #soloist #klassik #klassischemusik #solistin #orchester #orchestra #mozart @classicalmusic
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Für ein großes Jubiläums-Interview konnte ich ein ausführliches Gespräch mit der Klarinettistin Sharon Kam führen.
https://orchestergraben.com/jubilaeums-interview-mit-sharon-kam/
#klarinette #klarinettistin #clarinet #interview #classical #classicalmusic #classicalbuzz #soloist #klassik #klassischemusik #solistin #orchester #orchestra #mozart @classicalmusic
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Für ein großes Jubiläums-Interview konnte ich ein ausführliches Gespräch mit der Klarinettistin Sharon Kam führen.
https://orchestergraben.com/jubilaeums-interview-mit-sharon-kam/
#klarinette #klarinettistin #clarinet #interview #classical #classicalmusic #classicalbuzz #soloist #klassik #klassischemusik #solistin #orchester #orchestra #mozart @classicalmusic
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Für ein großes Jubiläums-Interview konnte ich ein ausführliches Gespräch mit der Klarinettistin Sharon Kam führen.
https://orchestergraben.com/jubilaeums-interview-mit-sharon-kam/
#klarinette #klarinettistin #clarinet #interview #classical #classicalmusic #classicalbuzz #soloist #klassik #klassischemusik #solistin #orchester #orchestra #mozart @classicalmusic
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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Do [n't] change a hair for me: The art of jazz rubato
This article examines a number of different performances of jazz ballad melodies in order to investigate the nature of expressive timing used by jazz soloists. Three performances of My Funny Valentine and two performances of Naima, taken from commercial recordings by master soloists, are examined. Expressive timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a steady underlying beat. A typical strategy used is to begin the melody "late" relative to the accompaniment, and speed up over the course of a phrase. This delay-accelerate strategy is modulated in a number of ways. First, the nominal rhythms of motives are modified so as to preserve their categorical identity; below the level of the motive there is more expressive freedom. Second, there is a strong tendency for melodies to align with the accompaniment at cadential locations, serving to clarify hierarchic phrase structure. Finally, notes belonging to the underlying harmonies tend to be displaced more than nonharmonic tones, a tendency which is more pronounced at downbeats. These rhythmic procedures are thus found to be related to musical structure in a variety of ways.
https://doi.org/10.1525/mp.2002.19.3.311
#jazz #rubato #rhythm #harmonies #notes #music #structures #naima #soloist #tones #ballad
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A month ago I was given the opportunity to play with the Israel Sinfonietta Beer Sheva as part of the winners' concert of the “Negev Sounds” competition.
It was an amazing experience.
Music - Shostakovich Cello Concerto No. 1 in E-flat Major, Allegretto.
#music #classicalmusic #cello #violoncello #cellist #musician #orchestra #concert #performance #livemusic #solo #soloist #shostakovich
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A month ago I was given the opportunity to play with the Israel Sinfonietta Beer Sheva as part of the winners' concert of the “Negev Sounds” competition.
It was an amazing experience.
Music - Shostakovich Cello Concerto No. 1 in E-flat Major, Allegretto.
#music #classicalmusic #cello #violoncello #cellist #musician #orchestra #concert #performance #livemusic #solo #soloist #shostakovich
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A month ago I was given the opportunity to play with the Israel Sinfonietta Beer Sheva as part of the winners' concert of the “Negev Sounds” competition.
It was an amazing experience.
Music - Shostakovich Cello Concerto No. 1 in E-flat Major, Allegretto.
#music #classicalmusic #cello #violoncello #cellist #musician #orchestra #concert #performance #livemusic #solo #soloist #shostakovich
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A month ago I was given the opportunity to play with the Israel Sinfonietta Beer Sheva as part of the winners' concert of the “Negev Sounds” competition.
It was an amazing experience.
Music - Shostakovich Cello Concerto No. 1 in E-flat Major, Allegretto.
#music #classicalmusic #cello #violoncello #cellist #musician #orchestra #concert #performance #livemusic #solo #soloist #shostakovich
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A month ago I was given the opportunity to play with the Israel Sinfonietta Beer Sheva as part of the winners' concert of the “Negev Sounds” competition.
It was an amazing experience.
Music - Shostakovich Cello Concerto No. 1 in E-flat Major, Allegretto.
#music #classicalmusic #cello #violoncello #cellist #musician #orchestra #concert #performance #livemusic #solo #soloist #shostakovich
