#nabis — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #nabis, aggregated by home.social.
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"Public Gardens," Édouard Vuillard, 1894.
In 1894, Vuillard (1868-1940) was given free rein to decorate the apartment of one his patrons, Alexander Natason. The result was one of his best known and most praised works.
"The Public Gardens" was a cycle of six panels that depicting nannies and children in public parks. The Natansons had three daughters, and reportedly adored the works, and installed them in their dining room and salon.
The idyllic scene of children playing in a park demonstrates Nabi style well; it's intensely lovely, soothing, and not afraid to be decorative....which is why the Nabi movement remains one of my favorite art movements. Nabis were best when depicting intimate scenes, and while this piece depicts a large park, there's still a lot of intimacy here...the little knot of children playing, the tree women in conversation, and the old woman alone, lost in thought.
The Nabis were to go their separate ways in a few years; political upheavals in France in 1900 meant serious disagreements rose. But while Vuillard's style evolved, he still kept his sense of the beautiful and intimate.
From the Musée d'Orsay, Paris.
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"Public Gardens," Édouard Vuillard, 1894.
In 1894, Vuillard (1868-1940) was given free rein to decorate the apartment of one his patrons, Alexander Natason. The result was one of his best known and most praised works.
"The Public Gardens" was a cycle of six panels that depicting nannies and children in public parks. The Natansons had three daughters, and reportedly adored the works, and installed them in their dining room and salon.
The idyllic scene of children playing in a park demonstrates Nabi style well; it's intensely lovely, soothing, and not afraid to be decorative....which is why the Nabi movement remains one of my favorite art movements. Nabis were best when depicting intimate scenes, and while this piece depicts a large park, there's still a lot of intimacy here...the little knot of children playing, the tree women in conversation, and the old woman alone, lost in thought.
The Nabis were to go their separate ways in a few years; political upheavals in France in 1900 meant serious disagreements rose. But while Vuillard's style evolved, he still kept his sense of the beautiful and intimate.
From the Musée d'Orsay, Paris.
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"Public Gardens," Édouard Vuillard, 1894.
In 1894, Vuillard (1868-1940) was given free rein to decorate the apartment of one his patrons, Alexander Natason. The result was one of his best known and most praised works.
"The Public Gardens" was a cycle of six panels that depicting nannies and children in public parks. The Natansons had three daughters, and reportedly adored the works, and installed them in their dining room and salon.
The idyllic scene of children playing in a park demonstrates Nabi style well; it's intensely lovely, soothing, and not afraid to be decorative....which is why the Nabi movement remains one of my favorite art movements. Nabis were best when depicting intimate scenes, and while this piece depicts a large park, there's still a lot of intimacy here...the little knot of children playing, the tree women in conversation, and the old woman alone, lost in thought.
The Nabis were to go their separate ways in a few years; political upheavals in France in 1900 meant serious disagreements rose. But while Vuillard's style evolved, he still kept his sense of the beautiful and intimate.
From the Musée d'Orsay, Paris.
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"Public Gardens," Édouard Vuillard, 1894.
In 1894, Vuillard (1868-1940) was given free rein to decorate the apartment of one his patrons, Alexander Natason. The result was one of his best known and most praised works.
"The Public Gardens" was a cycle of six panels that depicting nannies and children in public parks. The Natansons had three daughters, and reportedly adored the works, and installed them in their dining room and salon.
The idyllic scene of children playing in a park demonstrates Nabi style well; it's intensely lovely, soothing, and not afraid to be decorative....which is why the Nabi movement remains one of my favorite art movements. Nabis were best when depicting intimate scenes, and while this piece depicts a large park, there's still a lot of intimacy here...the little knot of children playing, the tree women in conversation, and the old woman alone, lost in thought.
The Nabis were to go their separate ways in a few years; political upheavals in France in 1900 meant serious disagreements rose. But while Vuillard's style evolved, he still kept his sense of the beautiful and intimate.
From the Musée d'Orsay, Paris.
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Commemorating the centenary of Félix Vallotton’s death
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Commemorating the centenary of Félix Vallotton’s death
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Commemorating the centenary of Félix Vallotton’s death
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Commemorating the centenary of Félix Vallotton’s death
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More than a Nabi 4: Félix Vallotton 1915-1925
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More than a Nabi 4: Félix Vallotton 1915-1925
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More than a Nabi 4: Félix Vallotton 1915-1925
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More than a Nabi 4: Félix Vallotton 1915-1925
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#cuadrodeldía La blusa verde, 1919 (Pierre #Bonnard 1867-1947) #metmuseum N.Y. #art Bonnard cofundó el grupo post-impresionista Los #Nabis, famoso por su uso atrevido del color y unas obras donde el trasfondo, decorado y estilo importan tanto como el tema central #FelizDomingo
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More than a Nabi 3: Félix Vallotton 1907-1914
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More than a Nabi 3: Félix Vallotton 1907-1914
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More than a Nabi 3: Félix Vallotton 1907-1914
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More than a Nabi 2: Félix Vallotton 1900-1906
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More than a Nabi 2: Félix Vallotton 1900-1906
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More than a Nabi 2: Félix Vallotton 1900-1906
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More than a Nabi 1: Félix Vallotton 1885-99
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More than a Nabi 1: Félix Vallotton 1885-99
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More than a Nabi 1: Félix Vallotton 1885-99
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https://www.europesays.com/fr/542343/ Guy Cogeval, une vision pour Orsay #arts #ArtsAndDesign #ArtsEtDesign #Design #Divertissement #EdouardVuillard #Entertainment #FR #France #GuyCogeval #Musée #MuséeD’Orsay #MuséeDesBeauxArtsDeMontréal #Nabis
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Rocznica urodzin Édouarda Vuillarda – urodzonego 11 listopada 1868 roku francuskiego malarza z kręgu Nabis. Znany z intymnych scen domowych i subtelnego światłocienia, był mistrzem uchwytywania nastroju codziennych chwil i portretów salonowej bohemy. (fot. Wikipedia) #Vuillard #malarstwo #sztukafrancuska #Nabis
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Rocznica urodzin Édouarda Vuillarda – urodzonego 11 listopada 1868 roku francuskiego malarza z kręgu Nabis. Znany z intymnych scen domowych i subtelnego światłocienia, był mistrzem uchwytywania nastroju codziennych chwil i portretów salonowej bohemy. (fot. Wikipedia) #Vuillard #malarstwo #sztukafrancuska #Nabis
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Rocznica urodzin Édouarda Vuillarda – urodzonego 11 listopada 1868 roku francuskiego malarza z kręgu Nabis. Znany z intymnych scen domowych i subtelnego światłocienia, był mistrzem uchwytywania nastroju codziennych chwil i portretów salonowej bohemy. (fot. Wikipedia) #Vuillard #malarstwo #sztukafrancuska #Nabis
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Rocznica urodzin Édouarda Vuillarda – urodzonego 11 listopada 1868 roku francuskiego malarza z kręgu Nabis. Znany z intymnych scen domowych i subtelnego światłocienia, był mistrzem uchwytywania nastroju codziennych chwil i portretów salonowej bohemy. (fot. Wikipedia) #Vuillard #malarstwo #sztukafrancuska #Nabis
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Bonnard, Vuillard, Denis, Vallotton... les grands noms du nabies se bousculent à la BnF.
Exposition jusqu'au 11 janvier 2026 "Impressions nabies" :
https://www.franceinfo.fr/culture/arts-expos/impressions-nabies-a-la-bnf-quand-une-poignee-de-peintres-novateurs-s-emparait-de-l-estampe-a-la-fin-du-xixe-siecle_7480720.html
#Art #Peinture #Exposition #Nabis -
Wie viel Holz darf genutzt und wie viel Futtermittel angebaut werden? Hintergrundstudie liefert wertvolle Daten für die nachhaltige Gestaltung der nationalen Biomassestrategie: https://www.oeko.de/fileadmin/oekodoc/Hintergrundinformationen-NABIS.pdf #Biomasse #NaBiS
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Wie viel Holz darf genutzt und wie viel Futtermittel angebaut werden? Hintergrundstudie liefert wertvolle Daten für die nachhaltige Gestaltung der nationalen Biomassestrategie: https://www.oeko.de/fileadmin/oekodoc/Hintergrundinformationen-NABIS.pdf #Biomasse #NaBiS
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Wie viel Holz darf genutzt und wie viel Futtermittel angebaut werden? Hintergrundstudie liefert wertvolle Daten für die nachhaltige Gestaltung der nationalen Biomassestrategie: https://www.oeko.de/fileadmin/oekodoc/Hintergrundinformationen-NABIS.pdf #Biomasse #NaBiS
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Wie viel Holz darf genutzt und wie viel Futtermittel angebaut werden? Hintergrundstudie liefert wertvolle Daten für die nachhaltige Gestaltung der nationalen Biomassestrategie: https://www.oeko.de/fileadmin/oekodoc/Hintergrundinformationen-NABIS.pdf #Biomasse #NaBiS
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Unsere Studie liefert Daten und Fakten zur nachhaltigen Gestaltung der #NationaleBiomassestrategie in Deutschland, um #Klima, #Umwelt und #Biodiversität zu schützen: https://www.oeko.de/news/aktuelles/hintergrundbericht-liefert-daten-und-fakten-fuer-die-nationale-biomassestrategie/ Biomasse #NaBiS
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Unsere Studie liefert Daten und Fakten zur nachhaltigen Gestaltung der #NationaleBiomassestrategie in Deutschland, um #Klima, #Umwelt und #Biodiversität zu schützen: https://www.oeko.de/news/aktuelles/hintergrundbericht-liefert-daten-und-fakten-fuer-die-nationale-biomassestrategie/ Biomasse #NaBiS
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Unsere Studie liefert Daten und Fakten zur nachhaltigen Gestaltung der #NationaleBiomassestrategie in Deutschland, um #Klima, #Umwelt und #Biodiversität zu schützen: https://www.oeko.de/news/aktuelles/hintergrundbericht-liefert-daten-und-fakten-fuer-die-nationale-biomassestrategie/ Biomasse #NaBiS
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🌱Biomasse: Chancen nutzen, Risiken vermeiden! 🌍
🪵 Holz und Anbaupflanzen zu verbrennen? Weder klimafreundlich noch nachhaltig! ROBIN WOOD, NABU, DUH & weitere Umweltorganisationen fordern: Es braucht JETZT eine Nationale Biomassestrategie (NABIS)!
💡Ohne eine klare Strategie riskieren wir Übernutzung, Flächenkonflikte und steigende Energiepreise. Dabei sollte die NABIS längst auf dem Tisch liegen – sie ist ein zentraler Punkt im Koalitionsvertrag. Doch politische Differenzen blockieren den Entwurf weiter.
🕐 Die Zeit drängt! Wir brauchen nachhaltige Lösungen, die Natur und Klima schützen – und Planungssicherheit schaffen.
👉 Mehr zum Thema und zum offenen Brief an die Ministerien in unserer aktuellen Pressemitteilung auf robinwood.de
#Klimaschutz #Nachhaltigkeit #Biomasse #Energiezukunft #NABIS #ActNow
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🌱Biomasse: Chancen nutzen, Risiken vermeiden! 🌍
🪵 Holz und Anbaupflanzen zu verbrennen? Weder klimafreundlich noch nachhaltig! ROBIN WOOD, NABU, DUH & weitere Umweltorganisationen fordern: Es braucht JETZT eine Nationale Biomassestrategie (NABIS)!
💡Ohne eine klare Strategie riskieren wir Übernutzung, Flächenkonflikte und steigende Energiepreise. Dabei sollte die NABIS längst auf dem Tisch liegen – sie ist ein zentraler Punkt im Koalitionsvertrag. Doch politische Differenzen blockieren den Entwurf weiter.
🕐 Die Zeit drängt! Wir brauchen nachhaltige Lösungen, die Natur und Klima schützen – und Planungssicherheit schaffen.
👉 Mehr zum Thema und zum offenen Brief an die Ministerien in unserer aktuellen Pressemitteilung auf robinwood.de
#Klimaschutz #Nachhaltigkeit #Biomasse #Energiezukunft #NABIS #ActNow
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🌱Biomasse: Chancen nutzen, Risiken vermeiden! 🌍
🪵 Holz und Anbaupflanzen zu verbrennen? Weder klimafreundlich noch nachhaltig! ROBIN WOOD, NABU, DUH & weitere Umweltorganisationen fordern: Es braucht JETZT eine Nationale Biomassestrategie (NABIS)!
💡Ohne eine klare Strategie riskieren wir Übernutzung, Flächenkonflikte und steigende Energiepreise. Dabei sollte die NABIS längst auf dem Tisch liegen – sie ist ein zentraler Punkt im Koalitionsvertrag. Doch politische Differenzen blockieren den Entwurf weiter.
🕐 Die Zeit drängt! Wir brauchen nachhaltige Lösungen, die Natur und Klima schützen – und Planungssicherheit schaffen.
👉 Mehr zum Thema und zum offenen Brief an die Ministerien in unserer aktuellen Pressemitteilung auf robinwood.de
#Klimaschutz #Nachhaltigkeit #Biomasse #Energiezukunft #NABIS #ActNow
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🌱Biomasse: Chancen nutzen, Risiken vermeiden! 🌍
🪵 Holz und Anbaupflanzen zu verbrennen? Weder klimafreundlich noch nachhaltig! ROBIN WOOD, NABU, DUH & weitere Umweltorganisationen fordern: Es braucht JETZT eine Nationale Biomassestrategie (NABIS)!
💡Ohne eine klare Strategie riskieren wir Übernutzung, Flächenkonflikte und steigende Energiepreise. Dabei sollte die NABIS längst auf dem Tisch liegen – sie ist ein zentraler Punkt im Koalitionsvertrag. Doch politische Differenzen blockieren den Entwurf weiter.
🕐 Die Zeit drängt! Wir brauchen nachhaltige Lösungen, die Natur und Klima schützen – und Planungssicherheit schaffen.
👉 Mehr zum Thema und zum offenen Brief an die Ministerien in unserer aktuellen Pressemitteilung auf robinwood.de
#Klimaschutz #Nachhaltigkeit #Biomasse #Energiezukunft #NABIS #ActNow
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"Coffee," Pierre Bonnard, 1915.
Bonnard is a favorite of mine, but I like the Nabis in general, for their embrace of intimate scenes and willingness to be pleasant and decorative. This little scene of a woman having coffee while her dog gets into mischief is just the sort of thing we'd dlike our mornings to be.
From the Tate Modern, London.
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"Coffee," Pierre Bonnard, 1915.
Bonnard is a favorite of mine, but I like the Nabis in general, for their embrace of intimate scenes and willingness to be pleasant and decorative. This little scene of a woman having coffee while her dog gets into mischief is just the sort of thing we'd dlike our mornings to be.
From the Tate Modern, London.
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"Coffee," Pierre Bonnard, 1915.
Bonnard is a favorite of mine, but I like the Nabis in general, for their embrace of intimate scenes and willingness to be pleasant and decorative. This little scene of a woman having coffee while her dog gets into mischief is just the sort of thing we'd dlike our mornings to be.
From the Tate Modern, London.
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"Coffee," Pierre Bonnard, 1915.
Bonnard is a favorite of mine, but I like the Nabis in general, for their embrace of intimate scenes and willingness to be pleasant and decorative. This little scene of a woman having coffee while her dog gets into mischief is just the sort of thing we'd dlike our mornings to be.
From the Tate Modern, London.
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Among the Nabis, he was dubbed the strange one. Felix Vallotton made art in his own distinctive way. "He suggests but never explains, leaving viewers in the role of voyeur." In still lifes and landscapes, we find an eerie mood, a hard light and an utter stillness. With interior scenes, we find satire on the moral hypocrisy of the day. https://www.christies.com/.../felix-vallotton-writer...
#nabis #modernart #postimpressionism #symbolism #modernism #artmuseum #arthistory #artgallery #potterdayart -
Zukunft der #Bioenergie: Langfriststrategien & Investitionsschutz maßgeblich
Zwei dena-Analysen liefern Grundlage für konsequentes Umsetzen der Biomassestrategie #NABIS.
Das "Marktmonitoring Bioenergie 2023" zeigt aktuelle Branchenzahlen und wirtschaftliche Lage der Betriebe.
Das "Branchenbarometer Biomethan 2023" liefert Stimmungsbild der Biomethanbranche.
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➡️ Zur Pressemitteilung:
https://www.dena.de/newsroom/meldungen/2023/bioenergie-marktmonitoring-und-branchenbarometer-2023/ -
Zukunft der #Bioenergie: Langfriststrategien & Investitionsschutz maßgeblich
Zwei dena-Analysen liefern Grundlage für konsequentes Umsetzen der Biomassestrategie #NABIS.
Das "Marktmonitoring Bioenergie 2023" zeigt aktuelle Branchenzahlen und wirtschaftliche Lage der Betriebe.
Das "Branchenbarometer Biomethan 2023" liefert Stimmungsbild der Biomethanbranche.
[1/3]
➡️ Zur Pressemitteilung:
https://www.dena.de/newsroom/meldungen/2023/bioenergie-marktmonitoring-und-branchenbarometer-2023/ -
"Woman Putting On Her Stockings," Pierre Bonnard, 1893.
I love Bonnard. He was a Nabi, a group of post-Impressionists who embraced intimate scenes, color and pattern, and simply being decorative. They believed art could be meaningful and be attractive to the eye. The Nabis are often overlooked but I think they are worth investigating.
From the Cleveland Museum of Art, Ohio.
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"Woman Putting On Her Stockings," Pierre Bonnard, 1893.
I love Bonnard. He was a Nabi, a group of post-Impressionists who embraced intimate scenes, color and pattern, and simply being decorative. They believed art could be meaningful and be attractive to the eye. The Nabis are often overlooked but I think they are worth investigating.
From the Cleveland Museum of Art, Ohio.
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"Woman Putting On Her Stockings," Pierre Bonnard, 1893.
I love Bonnard. He was a Nabi, a group of post-Impressionists who embraced intimate scenes, color and pattern, and simply being decorative. They believed art could be meaningful and be attractive to the eye. The Nabis are often overlooked but I think they are worth investigating.
From the Cleveland Museum of Art, Ohio.
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"Woman Putting On Her Stockings," Pierre Bonnard, 1893.
I love Bonnard. He was a Nabi, a group of post-Impressionists who embraced intimate scenes, color and pattern, and simply being decorative. They believed art could be meaningful and be attractive to the eye. The Nabis are often overlooked but I think they are worth investigating.
From the Cleveland Museum of Art, Ohio.
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"Laziness (La paresse)," Félix Vallotton, 1896.
A nude woman relaxes on a bed, reaching out to a playful cat. Vallotton was one of the Nabis, a school of art I love. This woodcut is a great example of the Nabi love of pattern and intimate scenes. This is the sort of lazing we all love to do.
From the Philadelphia Museum of Art, Philadelphia, PA.
