#intoeternity — Public Fediverse posts

Wreck-Defy – Dissecting the Leech Review

Is a supergroup still a supergroup if the members who made it a supergroup are…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #Annihilator #CanadianMetal #DissectingtheLeech #Entertainment #Feb26 #HelmsDeep #IcedEarth #IntoEternity #KingDiamond #MalevolentCreation #MassacreRecords #Megadeth #PowerMetal #review #reviews #Testament #TheOrderofChaos #ThrashMetal #WagsMetalInc. #Wreck-Defy
https://www.newsbeep.com/us/482356/

Wreck-Defy – Dissecting the Leech Review

Is a supergroup still a supergroup if the members who made it a supergroup are…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #Annihilator #CanadianMetal #DissectingtheLeech #Entertainment #Feb26 #HelmsDeep #IcedEarth #IntoEternity #KingDiamond #MalevolentCreation #MassacreRecords #Megadeth #PowerMetal #review #reviews #Testament #TheOrderofChaos #ThrashMetal #WagsMetalInc. #Wreck-Defy
https://www.newsbeep.com/us/482356/

Is a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.

Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.

While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.

Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).

Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Is a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.

Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.

While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.

Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).

Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Is a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.

Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.

While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.

Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).

Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Is a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.

Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.

While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.

Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).

Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Is a supergroup still a supergroup if the members who made it a supergroup are no longer part of the band? Last Canada’s Wreck-Defy passed through these halls, Steel Druhm was pleasantly surprised by their third LP, Powers That Be. However, the band that Steel reviewed has seen some significant lineup changes since then. Two of the original power players—Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation)—have departed, replaced with one newbie (David Allan, drums) and one seasoned vet in vocalist Greg Wagner (Wags Metal Inc.). The glue holding Wreck-Defy together is lead guitarist Matt Hanchuck and ex-Testament bassist Greg Christian, and at essence they remain a speedy act with plenty of killer riff acrobatics. Six albums in, Wreck-Defy prove they remain a force in thrash.

Dissecting the Leech sets the thrashy tone with some sweet riffs and thumping blast beats on opener “Under the Sun.” Hanchuck collaborates with a long list of guest guitarists, such as Chris Poland (ex-Megadeth) and Mike Gilbert (Flotsam and Jetsam), to ensure a never-ending supply of fresh, exciting riffs, solos, and other guitar antics. As in prior outings, Wreck-Defy plays largely in the Testament mold with a few Megadethian flourishes. However, it’s not all pedal to the medal—plenty of songs vary in tempo, like the melodic, mid-paced “Millenial Dystopia” and the near-ballad “The Path.” While retaining their core identity, Wreck-Defy manage a varied sound throughout Dissecting the Leech, with tunes lasting anywhere from the blink-of-an-eye at three-and-a-half minutes (“Do It Again”) to the progressively-paced six-and-a-half minutes of “I Don’t Care.”1 The latter flexes creative songwriting similar to last year’s Helms Deep, with a mid-track portion that unexpectedly rockets off into a shreddy solo that’s absolutely riveting.

While Hanchuck and Christian prove to be the heart, the two new players more than hold their own. Greg Wagner has the grizzled voice of an old soul and brings a level of grit to the music. Yet he’s no one-trick pony, occasionally rising to the falsetto of many power metal vocalists, not to mention taking a few stabs at King Diamond shrieks. His surprise melodic lilt on “Another Day” proves to be one of the record’s highlights.2 David Allan proves to be quite effective behind the kit as well. His opening kicks to “Under the Sun” establish a fiercely energetic tone that resonates throughout much of Dissecting the Leech. Perhaps my favorite moment comes from “The Haunting Past,” a completely bonkers track that sounds like its instruments have gone haywire before delivering a blitzkrieg of thrashy riffs and blast beats powered by Allan’s jaw-dropping performance.

Wreck-Defy power their thrash into social critiques that prove forceful behind their spirited performances. They tackle environmental, political, and generational issues, casting a gloomy pall over modern events. On “Under the Sun,” they lament the degradation of our planet through warfare (“Look at the damage we’ve done”) and warn, “we’ll all die under the sun.” Concern turns towards the younger generations on “Millenial Dystopia,” where Wreck-Defy observes that “there’s no room to grow old,” leading to a “generation of no hope.” All people want, according to “Another Day,” is “air to breathe / just let me live another day.” Considering critiques from Steel and commenters over juvenile lyrics from Powers That Be, Wreck-Defy appear to have matured in their storytelling and thematic content. They offer a coherent narrative, even if it just boils down to “the world is a mess,” and mankind is facing “a dark, dismal future” (“Revolt”), and end on the hopeful message that they’ll “keep on fighting” for what’s right (“Apocalypse of Hope”).

Like Steel before me, I had never heard of Wreck-Defy before taking this promo, and I’m impressed. Dissecting the Leech is proving among the best in a rather good year for thrash so far, though a few things do hold it back. At 48 minutes, it’s a tad long, but considering its progressive leanings and the impressive musicianship, that’s a minor issue. A couple of songs don’t fit in as well as the rest (“Dissecting the Leech,” “The Path”), proving to be weak links amidst a great set. “The Path” is particularly puzzling, appearing to serve as the evening wind-down music to help settle the kids and old-timers for bedtime. But you’d better hurry because the ironically-named finale, “Apocalypse of Hope,” serves a jolt of caffeine to keep the party going. If you like thrash, you’ll have a good time with Dissecting the Leech.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Massacre Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

#TheMetalDogArticleList
#MetalInjection
BELTFED WEAPON Streams New Single "Tortured Within" Feat. INTO ETERNITY & SYMPHONY X Members

https://metalinjection.net/new-music/beltfed-weapon-streams-new-single-tortured-within-feat-into-eternity-symphony-x-members

#BeltfedWeapon #FrankHetzel #StuBlock #MikeLepond #KragenLum #BryanNewbury #JuanUrtega #SymphonyX #IntoEternity #Heathen #IcedEarth

#TheMetalDogArticleList
#MetalInjection
BELTFED WEAPON Streams New Single "Tortured Within" Feat. INTO ETERNITY & SYMPHONY X Members

https://metalinjection.net/new-music/beltfed-weapon-streams-new-single-tortured-within-feat-into-eternity-symphony-x-members

#BeltfedWeapon #FrankHetzel #StuBlock #MikeLepond #KragenLum #BryanNewbury #JuanUrtega #SymphonyX #IntoEternity #Heathen #IcedEarth

@TomSwirly @GrrlScientist

... maybe working with the #nuclear_semiotics guys for 10.000 years??

#intoEternity

@TomSwirly @GrrlScientist

... maybe working with the #nuclear_semiotics guys for 10.000 years??

#intoEternity

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 December 21st, 2023🤘 FRANK ZAPPA, INTO ETERNITY, FLOTSAM AND JETSAM, THE WHO
TALENT WE LOST R.I.P. FRANK Vincent ZAPPA: 1940 - 1993 (aged 52) R.I.P. Robert “Rob” Doherty (INTO ETERNITY, FINAL DARKNESS) - 1970 - 2012 (aged 41) HEAVY BIRTHDAYS Happy 52nd Brett Allen Scallions (FUEL, WORLD FIRE BRIGADE) - 1971 HEAVY...

https://bravewords.com/news/today-in-metal-history-december-21st-2023-frank-zappa-into-eternity-flotsam-and-jetsam-the-who

#FrankZappa #IntoEternity #FlotsamAndJetsam #TheWho

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 December 21st, 2023🤘 FRANK ZAPPA, INTO ETERNITY, FLOTSAM AND JETSAM, THE WHO
TALENT WE LOST R.I.P. FRANK Vincent ZAPPA: 1940 - 1993 (aged 52) R.I.P. Robert “Rob” Doherty (INTO ETERNITY, FINAL DARKNESS) - 1970 - 2012 (aged 41) HEAVY BIRTHDAYS Happy 52nd Brett Allen Scallions (FUEL, WORLD FIRE BRIGADE) - 1971 HEAVY...

https://bravewords.com/news/today-in-metal-history-december-21st-2023-frank-zappa-into-eternity-flotsam-and-jetsam-the-who

#FrankZappa #IntoEternity #FlotsamAndJetsam #TheWho

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 December 6th, 2023🤘RANDY RHOADS, INTO ETERNITY, SIX FEET UNDER, THE ROLLING STONES, CATHEDRAL
TALENT WE LOST Late OZZY OSBOURNE, QUIET RIOT guitar legend Randall William "Randy" Rhoads would’ve turned 67 today (1956). He died in a plane crash while on tour with Ozzy in Florida on March 19th, 1982. He was only 25...

https://bravewords.com/news/today-in-metal-history-december-6th-2023randy-rhoads-into-eternity-six-feet-under-the-rolling-stones-cathedral

#December6
#RandyRhoads
#InToEternity
#SixFeetUnder
#TheRollingStones
#Cathedral

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 December 6th, 2023🤘RANDY RHOADS, INTO ETERNITY, SIX FEET UNDER, THE ROLLING STONES, CATHEDRAL
TALENT WE LOST Late OZZY OSBOURNE, QUIET RIOT guitar legend Randall William "Randy" Rhoads would’ve turned 67 today (1956). He died in a plane crash while on tour with Ozzy in Florida on March 19th, 1982. He was only 25...

https://bravewords.com/news/today-in-metal-history-december-6th-2023randy-rhoads-into-eternity-six-feet-under-the-rolling-stones-cathedral

#December6
#RandyRhoads
#InToEternity
#SixFeetUnder
#TheRollingStones
#Cathedral

.> Uranium begins in the ground and ultimately is disposed of there. Here are the details of its life cycle:

.> Out Of The Ground: When in the earth, Natural Uranium is slightly radioactive, containing 0.7% U235, which is fissile, meaning scientists can split its atoms and use its energy for other purposes, and the 99.3% remaining is non-fissile U238. Uranium is mined or physically extracted from underground rocks by pumping toxic acids into the earth. Once the U235 is enriched to between 6% and 19%, it is used to power atomic reactors. Unfortunately, enriching atomic fuel also creates lots of extra depleted U238, which is desired for explosive munitions that start a fire that cannot be put out.

.> Into The Ground: Once used in a nuclear reactor or munitions, the used [called spent] uranium is highly radioactive and must be stored underground for a quarter of a million years [250,000].

.> Residual On The Ground: Once the Uranium is unearthed and mined, the mining sites are open scars that release a witch’s brew of material that had been trapped under the earth’s surface before extraction. Many of these old mine sites are highly toxic from the chemicals used and the radioactivity left behind. Most of the world’s toxic mining sites are located on Indigenous lands.

.> This symposium tells the womb to tomb story of Uranium. The presenters discuss the roles and responsibilities of both Art And Science to analyze and reflect upon human use of the atom to generate electricity and create weapons.

#NuclearWaste #NuclearPower #IntoEternity #documentary #Atommüll #Atomkraft #NeinDanke

Haunting documentary

#Onkalo - Into Eternity
Directed by #MichaelMadsen, 2010

"I'm now in this place where you should never come."

Onkalo must last 100.000 years.

https://www.youtube.com/watch?v=lBqyb3qfHCE

#NuclearWaste #NuclearPower #IntoEternity #documentary #Atommüll #Atomkraft #NeinDanke

Haunting documentary

#Onkalo - Into Eternity
Directed by #MichaelMadsen, 2010

"I'm now in this place where you should never come."

Onkalo must last 100.000 years.

https://www.youtube.com/watch?v=lBqyb3qfHCE

... the same attributes that make deep boreholes attractive also limit their practicality.

Boreholes' main limitation is capacity. In the US, pressurized water reactors create the bulk of our spent fuel, which comes in the form of 14-foot-tall (4.3 m) “assemblies” of uranium fuel rods. These require a borehole at least 19 inches wide to fit a canister that contains one assembly inside the borehole’s steel liner while maintaining a gap to allow canisters to slide into place. That’s much wider than a typical 8.5-inch oil well, but it's still drillable with off-the-shelf equipment.

One recent estimate said it would take about a thousand boreholes to dispose of the entire 90,000-ton backlog of spent fuel in the USA, but Deep Isolation estimates the number would be closer to 670. Either way, many different drill sites would be needed. And while holes can be drilled up to 36 inches wide, that’s still much narrower than a tunnel in a mined repository. So while deep boreholes could take spent fuel and other compact waste, bigger items, like components from decommissioned reactors and reactor cores, won’t fit.

All of this, however, assumes that these boreholes can keep nuclear waste safely isolated from the human environment for the hundreds of thousands of years it takes for its radioactivity to decay to background levels. Can they?

The argument that depth provides safety stems from observations that most groundwater movement is near Earth’s surface. Water may circulate between the surface and 5 kilometers underground in mountainous regions, but in flatter areas, that motion is usually confined to shallower depths. At the depths these boreholes would reach, “You'd be getting down into rock formations where the water was extremely old and hadn't really had contact with shallow waters for hundreds of thousands—even millions—of years,” Chapman told me.
But that’s not the case everywhere. Around the world, there are thermal spas fed by water from as much as 3–4 kilometers deep, and scientists have logged water flowing from fractures in ostensibly impermeable crystalline rock at great depths in Sweden, France, and elsewhere. Clearly, any deep borehole disposal project would need to demonstrate that it's not connected to faults and fractures that might eventually conduct radioactive isotopes to the surface.
“It most likely will flow. I think the issue is not whether it's going to flow or not; it's whether it's going to stay in a place where it won't contaminate groundwater [for future human consumption],” said Williams-Stroud.