home.social

#hlynurpalmason — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #hlynurpalmason, aggregated by home.social.

  1. Superb Trailer for ‘The Love That Remains’ Icelandic Break Up Comedy

    Superb Trailer for ‘The Love That Remains’ Icelandic Break Up Comedy by Alex Billington October 30, 2025Source: YouTube…
    #Iceland #IS #Europe #Europa #EU #breakupcomedy #breakupmovie #family #foreignfilms #hlynurpálmason #iceland #icelandicfilm #indies #island #TheLoveThatRemains #towatch #trailer
    europesays.com/2534091/

  2. #Godland (2022), currently on BBC iPlayer.

    The film speaks to me on many levels. Among other things, it offers the most compelling, visually most congenial representation of the "photographer's eye".

    Late 19th century, a young Danish priest comes to a remote part of Iceland. He is confronted with an imposing, beautiful and unwelcoming natural enivironment, and with deep cultural, political and personal conflicts. The narrative is slow and poetic, brutal at times, supported by intense visual imagery of the Icelandic landscape.

    The priest carries with him a wooden large format camera, along with glass plates and the whole wet-plate processing equipment. The film's camera work lovingly reproduces the perspective of a photographer looking at the groundglass of their view-camera, using a 4:3 framing with the rounded corners of a typical ground glass. Magic.

    Director #HlynurPálmason, camera #MariaVHausswolff.

    #Iceland #Photography #ViewCamera #WetPlatePhotography

  3. #Godland (2022), currently on BBC iPlayer.

    The film speaks to me on many levels. Among other things, it offers the most compelling, visually most congenial representation of the "photographer's eye".

    Late 19th century, a young Danish priest comes to a remote part of Iceland. He is confronted with an imposing, beautiful and unwelcoming natural enivironment, and with deep cultural, political and personal conflicts. The narrative is slow and poetic, brutal at times, supported by intense visual imagery of the Icelandic landscape.

    The priest carries with him a wooden large format camera, along with glass plates and the whole wet-plate processing equipment. The film's camera work lovingly reproduces the perspective of a photographer looking at the groundglass of their view-camera, using a 4:3 framing with the rounded corners of a typical ground glass. Magic.

    Director #HlynurPálmason, camera #MariaVHausswolff.

    #Iceland #Photography #ViewCamera #WetPlatePhotography

  4. #Godland (2022), currently on BBC iPlayer.

    The film speaks to me on many levels. Among other things, it offers the most compelling, visually most congenial representation of the "photographer's eye".

    Late 19th century, a young Danish priest comes to a remote part of Iceland. He is confronted with an imposing, beautiful and unwelcoming natural enivironment, and with deep cultural, political and personal conflicts. The narrative is slow and poetic, brutal at times, supported by intense visual imagery of the Icelandic landscape.

    The priest carries with him a wooden large format camera, along with glass plates and the whole wet-plate processing equipment. The film's camera work lovingly reproduces the perspective of a photographer looking at the groundglass of their view-camera, using a 4:3 framing with the rounded corners of a typical ground glass. Magic.

    Director #HlynurPálmason, camera #MariaVHausswolff.

    #Iceland #Photography #ViewCamera #WetPlatePhotography

  5. #Godland (2022), currently on BBC iPlayer.

    The film speaks to me on many levels. Among other things, it offers the most compelling, visually most congenial representation of the "photographer's eye".

    Late 19th century, a young Danish priest comes to a remote part of Iceland. He is confronted with an imposing, beautiful and unwelcoming natural enivironment, and with deep cultural, political and personal conflicts. The narrative is slow and poetic, brutal at times, supported by intense visual imagery of the Icelandic landscape.

    The priest carries with him a wooden large format camera, along with glass plates and the whole wet-plate processing equipment. The film's camera work lovingly reproduces the perspective of a photographer looking at the groundglass of their view-camera, using a 4:3 framing with the rounded corners of a typical ground glass. Magic.

    Director #HlynurPálmason, camera #MariaVHausswolff.

    #Iceland #Photography #ViewCamera #WetPlatePhotography

  6. #Godland (2022), currently on BBC iPlayer.

    The film speaks to me on many levels. Among other things, it offers the most compelling, visually most congenial representation of the "photographer's eye".

    Late 19th century, a young Danish priest comes to a remote part of Iceland. He is confronted with an imposing, beautiful and unwelcoming natural enivironment, and with deep cultural, political and personal conflicts. The narrative is slow and poetic, brutal at times, supported by intense visual imagery of the Icelandic landscape.

    The priest carries with him a wooden large format camera, along with glass plates and the whole wet-plate processing equipment. The film's camera work lovingly reproduces the perspective of a photographer looking at the groundglass of their view-camera, using a 4:3 framing with the rounded corners of a typical ground glass. Magic.

    Director #HlynurPálmason, camera #MariaVHausswolff.

    #Iceland #Photography #ViewCamera #WetPlatePhotography