#hah — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #hah, aggregated by home.social.
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By Dear Hollow
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at in 2020’s already excellent Spirituality and Distortion. While retaining everything that makes the project absolutely batshit crazy, the addition of a full cast of musicians in 2017 has borne fruit in striking balance. Sonic architect Gautier Serre draws from the longstanding undercurrent of baroque and both twists it and lets it breathe, resulting in something liturgical, haunting, and organic. What Amen proves is that Igorrr remains one of the most unique and creative minds in both metal and electronic, while also refusing stagnation in continuous development and betterment.
Initially sole member Serre has been at this for twenty years, and the evolution of the sound from his early work with Whourkr and demos to now shows this range. The breakcore freakouts of Igorrr’s early albums Nostril and Hallelujah were pure sugar for the brain, the bizarre sounds and novelty the emphasis in their fusion of chaotic breakcore, trip-hop, baroque, death metal, and black metal. In this evolution, Amen feels like a meat-and-potatoes record, a gradual growth since the full band experience of 2017’s Savage Sinusoid that incorporates grandiosity, gravity, and insanity in ways only Igorrr can. The act recorded Amen with a full choir, spotlighting more well-rounded performances warped by otherworldly synths and abstract effects – reverberating with riffs at its core. It’s a reaffirmation of Serre’s genius/insanity and both a heaven of godly power and one hell of a good time.
For all its seriousness, Amen wouldn’t be an Igorrr record without some moments of absolute nonsense – and they’re dead center in the tracklist. While the instruments are immensely layered and it takes some serious ears and repeated listens to deconstruct the noise, some whacky moments swing in like a monkey in a pope hat to steal your banana split and rub its junk in your face. From the blackened blastbeats, classical choirs, and random piano plonks (“Headbutt”)1 fist fights of death metal, surf rock, and oriental music (“Blastbeat Falafel”), straight-up short-form grind (“2020”), some off-key recorders atop death metal takedowns and breakcore glitching (“Mustard Mucous”), and random electronic farts morphing into wonky rhythms, classical overlays, and full-body assaults (“ADHD”), Igorrr as a full-band unit is committed to the insanity. Vocalists J.B. Le Bail (formerly of Svart Crown) and Marthe Alexandre offer death/black metal range and operatic/mournful drama respectively, while guitarist Martyn Clément (also of HAH) and drummer Remi Serafino (formerly of Ecr.Linf) add a vicious metallic bite that expertly balances silliness, groove, and even reverence. The revolving door of contributors, veterans from Soulfly, Anthrax, and Mr. Bungle, are equally bought into the schtick, making Amen feel surprisingly cohesive.
While hinted at in Spirituality and Distortion and Hallelujah, the liturgical and religious elements of Amen add a darker and more serious tone to and alongside Igorrr’s trademark. These tracks are enhanced by robust and haunting choral arrangements, strings, Arabic microtonal scales, and sharp complex percussion, although central motifs help immensely in establishing what to expect. Riffy death metal beatdowns warped by electronic effects (“Daemoni,” “Mustard Mucous”), haunting lilting vocals atop plodding beats (“Limbo,” “Ancient Sun”), and unhinged vocal attacks (“Infestis,” “Pure Disproportionate Black and White Nihilism”) add darkness and liturgy to the band’s sound. Ascending to the heavens with epic choirs and hinting at mystery with its more enigmatic melodic templates, one certainly unique approach that Igorrr employs is letting the baroque and classical elements breathe rather than Serre being quick to warp them or distort them with effects (highlight “Silence”). This makes the album feel much more organic and significant – nearly a meditation.
Amen is Igorrr firing on all cylinders in its full-band capacity. Death metal vocals, operatic laments, choirs, strings, metallic riffs, and manic drumming fed through the machine of Serre’s electronics has never felt so cohesive in its interpretation of religious and baroque viciousness. Yes, the silliest songs are smack-dab in the middle of the album in quick succession (aside from “Headbutt”), which can feel like a distraction from the more serious bookends, and Igorrr’s music can be alienating at its core. However, Amen is a reaffirmation of the project’s batshit and fun-loving genius as well as a new step forward: haunting, brutal, and otherworldly in a way that we can take seriously.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Metal Blade Records
Websites: igorrr.bandcamp.com | igorrr.com | facebook.com/IgorrrBarrroque
Releases Worldwide: September 19th, 2025#2025 #40 #Amen #Anthrax #AvantGarde #BlackMetal #Breakcore #DeathMetal #EcrLinf #Electronic #ElectronicMetal #FrenchMetal #HAH #Igorrr #MetalBladeRecords #MrBungle #Review #Reviews #Sep25 #Soulfly #SvartCrown #TripHop #Whourkr
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By Dear Hollow
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at in 2020’s already excellent Spirituality and Distortion. While retaining everything that makes the project absolutely batshit crazy, the addition of a full cast of musicians in 2017 has borne fruit in striking balance. Sonic architect Gautier Serre draws from the longstanding undercurrent of baroque and both twists it and lets it breathe, resulting in something liturgical, haunting, and organic. What Amen proves is that Igorrr remains one of the most unique and creative minds in both metal and electronic, while also refusing stagnation in continuous development and betterment.
Initially sole member Serre has been at this for twenty years, and the evolution of the sound from his early work with Whourkr and demos to now shows this range. The breakcore freakouts of Igorrr’s early albums Nostril and Hallelujah were pure sugar for the brain, the bizarre sounds and novelty the emphasis in their fusion of chaotic breakcore, trip-hop, baroque, death metal, and black metal. In this evolution, Amen feels like a meat-and-potatoes record, a gradual growth since the full band experience of 2017’s Savage Sinusoid that incorporates grandiosity, gravity, and insanity in ways only Igorrr can. The act recorded Amen with a full choir, spotlighting more well-rounded performances warped by otherworldly synths and abstract effects – reverberating with riffs at its core. It’s a reaffirmation of Serre’s genius/insanity and both a heaven of godly power and one hell of a good time.
For all its seriousness, Amen wouldn’t be an Igorrr record without some moments of absolute nonsense – and they’re dead center in the tracklist. While the instruments are immensely layered and it takes some serious ears and repeated listens to deconstruct the noise, some whacky moments swing in like a monkey in a pope hat to steal your banana split and rub its junk in your face. From the blackened blastbeats, classical choirs, and random piano plonks (“Headbutt”)1 fist fights of death metal, surf rock, and oriental music (“Blastbeat Falafel”), straight-up short-form grind (“2020”), some off-key recorders atop death metal takedowns and breakcore glitching (“Mustard Mucous”), and random electronic farts morphing into wonky rhythms, classical overlays, and full-body assaults (“ADHD”), Igorrr as a full-band unit is committed to the insanity. Vocalists J.B. Le Bail (formerly of Svart Crown) and Marthe Alexandre offer death/black metal range and operatic/mournful drama respectively, while guitarist Martyn Clément (also of HAH) and drummer Remi Serafino (formerly of Ecr.Linf) add a vicious metallic bite that expertly balances silliness, groove, and even reverence. The revolving door of contributors, veterans from Soulfly, Anthrax, and Mr. Bungle, are equally bought into the schtick, making Amen feel surprisingly cohesive.
While hinted at in Spirituality and Distortion and Hallelujah, the liturgical and religious elements of Amen add a darker and more serious tone to and alongside Igorrr’s trademark. These tracks are enhanced by robust and haunting choral arrangements, strings, Arabic microtonal scales, and sharp complex percussion, although central motifs help immensely in establishing what to expect. Riffy death metal beatdowns warped by electronic effects (“Daemoni,” “Mustard Mucous”), haunting lilting vocals atop plodding beats (“Limbo,” “Ancient Sun”), and unhinged vocal attacks (“Infestis,” “Pure Disproportionate Black and White Nihilism”) add darkness and liturgy to the band’s sound. Ascending to the heavens with epic choirs and hinting at mystery with its more enigmatic melodic templates, one certainly unique approach that Igorrr employs is letting the baroque and classical elements breathe rather than Serre being quick to warp them or distort them with effects (highlight “Silence”). This makes the album feel much more organic and significant – nearly a meditation.
Amen is Igorrr firing on all cylinders in its full-band capacity. Death metal vocals, operatic laments, choirs, strings, metallic riffs, and manic drumming fed through the machine of Serre’s electronics has never felt so cohesive in its interpretation of religious and baroque viciousness. Yes, the silliest songs are smack-dab in the middle of the album in quick succession (aside from “Headbutt”), which can feel like a distraction from the more serious bookends, and Igorrr’s music can be alienating at its core. However, Amen is a reaffirmation of the project’s batshit and fun-loving genius as well as a new step forward: haunting, brutal, and otherworldly in a way that we can take seriously.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Metal Blade Records
Websites: igorrr.bandcamp.com | igorrr.com | facebook.com/IgorrrBarrroque
Releases Worldwide: September 19th, 2025#2025 #40 #Amen #Anthrax #AvantGarde #BlackMetal #Breakcore #DeathMetal #EcrLinf #Electronic #ElectronicMetal #FrenchMetal #HAH #Igorrr #MetalBladeRecords #MrBungle #Review #Reviews #Sep25 #Soulfly #SvartCrown #TripHop #Whourkr
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By Dear Hollow
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at in 2020’s already excellent Spirituality and Distortion. While retaining everything that makes the project absolutely batshit crazy, the addition of a full cast of musicians in 2017 has borne fruit in striking balance. Sonic architect Gautier Serre draws from the longstanding undercurrent of baroque and both twists it and lets it breathe, resulting in something liturgical, haunting, and organic. What Amen proves is that Igorrr remains one of the most unique and creative minds in both metal and electronic, while also refusing stagnation in continuous development and betterment.
Initially sole member Serre has been at this for twenty years, and the evolution of the sound from his early work with Whourkr and demos to now shows this range. The breakcore freakouts of Igorrr’s early albums Nostril and Hallelujah were pure sugar for the brain, the bizarre sounds and novelty the emphasis in their fusion of chaotic breakcore, trip-hop, baroque, death metal, and black metal. In this evolution, Amen feels like a meat-and-potatoes record, a gradual growth since the full band experience of 2017’s Savage Sinusoid that incorporates grandiosity, gravity, and insanity in ways only Igorrr can. The act recorded Amen with a full choir, spotlighting more well-rounded performances warped by otherworldly synths and abstract effects – reverberating with riffs at its core. It’s a reaffirmation of Serre’s genius/insanity and both a heaven of godly power and one hell of a good time.
For all its seriousness, Amen wouldn’t be an Igorrr record without some moments of absolute nonsense – and they’re dead center in the tracklist. While the instruments are immensely layered and it takes some serious ears and repeated listens to deconstruct the noise, some whacky moments swing in like a monkey in a pope hat to steal your banana split and rub its junk in your face. From the blackened blastbeats, classical choirs, and random piano plonks (“Headbutt”)1 fist fights of death metal, surf rock, and oriental music (“Blastbeat Falafel”), straight-up short-form grind (“2020”), some off-key recorders atop death metal takedowns and breakcore glitching (“Mustard Mucous”), and random electronic farts morphing into wonky rhythms, classical overlays, and full-body assaults (“ADHD”), Igorrr as a full-band unit is committed to the insanity. Vocalists J.B. Le Bail (formerly of Svart Crown) and Marthe Alexandre offer death/black metal range and operatic/mournful drama respectively, while guitarist Martyn Clément (also of HAH) and drummer Remi Serafino (formerly of Ecr.Linf) add a vicious metallic bite that expertly balances silliness, groove, and even reverence. The revolving door of contributors, veterans from Soulfly, Anthrax, and Mr. Bungle, are equally bought into the schtick, making Amen feel surprisingly cohesive.
While hinted at in Spirituality and Distortion and Hallelujah, the liturgical and religious elements of Amen add a darker and more serious tone to and alongside Igorrr’s trademark. These tracks are enhanced by robust and haunting choral arrangements, strings, Arabic microtonal scales, and sharp complex percussion, although central motifs help immensely in establishing what to expect. Riffy death metal beatdowns warped by electronic effects (“Daemoni,” “Mustard Mucous”), haunting lilting vocals atop plodding beats (“Limbo,” “Ancient Sun”), and unhinged vocal attacks (“Infestis,” “Pure Disproportionate Black and White Nihilism”) add darkness and liturgy to the band’s sound. Ascending to the heavens with epic choirs and hinting at mystery with its more enigmatic melodic templates, one certainly unique approach that Igorrr employs is letting the baroque and classical elements breathe rather than Serre being quick to warp them or distort them with effects (highlight “Silence”). This makes the album feel much more organic and significant – nearly a meditation.
Amen is Igorrr firing on all cylinders in its full-band capacity. Death metal vocals, operatic laments, choirs, strings, metallic riffs, and manic drumming fed through the machine of Serre’s electronics has never felt so cohesive in its interpretation of religious and baroque viciousness. Yes, the silliest songs are smack-dab in the middle of the album in quick succession (aside from “Headbutt”), which can feel like a distraction from the more serious bookends, and Igorrr’s music can be alienating at its core. However, Amen is a reaffirmation of the project’s batshit and fun-loving genius as well as a new step forward: haunting, brutal, and otherworldly in a way that we can take seriously.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Metal Blade Records
Websites: igorrr.bandcamp.com | igorrr.com | facebook.com/IgorrrBarrroque
Releases Worldwide: September 19th, 2025#2025 #40 #Amen #Anthrax #AvantGarde #BlackMetal #Breakcore #DeathMetal #EcrLinf #Electronic #ElectronicMetal #FrenchMetal #HAH #Igorrr #MetalBladeRecords #MrBungle #Review #Reviews #Sep25 #Soulfly #SvartCrown #TripHop #Whourkr
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By Dear Hollow
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at in 2020’s already excellent Spirituality and Distortion. While retaining everything that makes the project absolutely batshit crazy, the addition of a full cast of musicians in 2017 has borne fruit in striking balance. Sonic architect Gautier Serre draws from the longstanding undercurrent of baroque and both twists it and lets it breathe, resulting in something liturgical, haunting, and organic. What Amen proves is that Igorrr remains one of the most unique and creative minds in both metal and electronic, while also refusing stagnation in continuous development and betterment.
Initially sole member Serre has been at this for twenty years, and the evolution of the sound from his early work with Whourkr and demos to now shows this range. The breakcore freakouts of Igorrr’s early albums Nostril and Hallelujah were pure sugar for the brain, the bizarre sounds and novelty the emphasis in their fusion of chaotic breakcore, trip-hop, baroque, death metal, and black metal. In this evolution, Amen feels like a meat-and-potatoes record, a gradual growth since the full band experience of 2017’s Savage Sinusoid that incorporates grandiosity, gravity, and insanity in ways only Igorrr can. The act recorded Amen with a full choir, spotlighting more well-rounded performances warped by otherworldly synths and abstract effects – reverberating with riffs at its core. It’s a reaffirmation of Serre’s genius/insanity and both a heaven of godly power and one hell of a good time.
For all its seriousness, Amen wouldn’t be an Igorrr record without some moments of absolute nonsense – and they’re dead center in the tracklist. While the instruments are immensely layered and it takes some serious ears and repeated listens to deconstruct the noise, some whacky moments swing in like a monkey in a pope hat to steal your banana split and rub its junk in your face. From the blackened blastbeats, classical choirs, and random piano plonks (“Headbutt”)1 fist fights of death metal, surf rock, and oriental music (“Blastbeat Falafel”), straight-up short-form grind (“2020”), some off-key recorders atop death metal takedowns and breakcore glitching (“Mustard Mucous”), and random electronic farts morphing into wonky rhythms, classical overlays, and full-body assaults (“ADHD”), Igorrr as a full-band unit is committed to the insanity. Vocalists J.B. Le Bail (formerly of Svart Crown) and Marthe Alexandre offer death/black metal range and operatic/mournful drama respectively, while guitarist Martyn Clément (also of HAH) and drummer Remi Serafino (formerly of Ecr.Linf) add a vicious metallic bite that expertly balances silliness, groove, and even reverence. The revolving door of contributors, veterans from Soulfly, Anthrax, and Mr. Bungle, are equally bought into the schtick, making Amen feel surprisingly cohesive.
While hinted at in Spirituality and Distortion and Hallelujah, the liturgical and religious elements of Amen add a darker and more serious tone to and alongside Igorrr’s trademark. These tracks are enhanced by robust and haunting choral arrangements, strings, Arabic microtonal scales, and sharp complex percussion, although central motifs help immensely in establishing what to expect. Riffy death metal beatdowns warped by electronic effects (“Daemoni,” “Mustard Mucous”), haunting lilting vocals atop plodding beats (“Limbo,” “Ancient Sun”), and unhinged vocal attacks (“Infestis,” “Pure Disproportionate Black and White Nihilism”) add darkness and liturgy to the band’s sound. Ascending to the heavens with epic choirs and hinting at mystery with its more enigmatic melodic templates, one certainly unique approach that Igorrr employs is letting the baroque and classical elements breathe rather than Serre being quick to warp them or distort them with effects (highlight “Silence”). This makes the album feel much more organic and significant – nearly a meditation.
Amen is Igorrr firing on all cylinders in its full-band capacity. Death metal vocals, operatic laments, choirs, strings, metallic riffs, and manic drumming fed through the machine of Serre’s electronics has never felt so cohesive in its interpretation of religious and baroque viciousness. Yes, the silliest songs are smack-dab in the middle of the album in quick succession (aside from “Headbutt”), which can feel like a distraction from the more serious bookends, and Igorrr’s music can be alienating at its core. However, Amen is a reaffirmation of the project’s batshit and fun-loving genius as well as a new step forward: haunting, brutal, and otherworldly in a way that we can take seriously.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Metal Blade Records
Websites: igorrr.bandcamp.com | igorrr.com | facebook.com/IgorrrBarrroque
Releases Worldwide: September 19th, 2025#2025 #40 #Amen #Anthrax #AvantGarde #BlackMetal #Breakcore #DeathMetal #EcrLinf #Electronic #ElectronicMetal #FrenchMetal #HAH #Igorrr #MetalBladeRecords #MrBungle #Review #Reviews #Sep25 #Soulfly #SvartCrown #TripHop #Whourkr
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By Dear Hollow
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at in 2020’s already excellent Spirituality and Distortion. While retaining everything that makes the project absolutely batshit crazy, the addition of a full cast of musicians in 2017 has borne fruit in striking balance. Sonic architect Gautier Serre draws from the longstanding undercurrent of baroque and both twists it and lets it breathe, resulting in something liturgical, haunting, and organic. What Amen proves is that Igorrr remains one of the most unique and creative minds in both metal and electronic, while also refusing stagnation in continuous development and betterment.
Initially sole member Serre has been at this for twenty years, and the evolution of the sound from his early work with Whourkr and demos to now shows this range. The breakcore freakouts of Igorrr’s early albums Nostril and Hallelujah were pure sugar for the brain, the bizarre sounds and novelty the emphasis in their fusion of chaotic breakcore, trip-hop, baroque, death metal, and black metal. In this evolution, Amen feels like a meat-and-potatoes record, a gradual growth since the full band experience of 2017’s Savage Sinusoid that incorporates grandiosity, gravity, and insanity in ways only Igorrr can. The act recorded Amen with a full choir, spotlighting more well-rounded performances warped by otherworldly synths and abstract effects – reverberating with riffs at its core. It’s a reaffirmation of Serre’s genius/insanity and both a heaven of godly power and one hell of a good time.
For all its seriousness, Amen wouldn’t be an Igorrr record without some moments of absolute nonsense – and they’re dead center in the tracklist. While the instruments are immensely layered and it takes some serious ears and repeated listens to deconstruct the noise, some whacky moments swing in like a monkey in a pope hat to steal your banana split and rub its junk in your face. From the blackened blastbeats, classical choirs, and random piano plonks (“Headbutt”)1 fist fights of death metal, surf rock, and oriental music (“Blastbeat Falafel”), straight-up short-form grind (“2020”), some off-key recorders atop death metal takedowns and breakcore glitching (“Mustard Mucous”), and random electronic farts morphing into wonky rhythms, classical overlays, and full-body assaults (“ADHD”), Igorrr as a full-band unit is committed to the insanity. Vocalists J.B. Le Bail (formerly of Svart Crown) and Marthe Alexandre offer death/black metal range and operatic/mournful drama respectively, while guitarist Martyn Clément (also of HAH) and drummer Remi Serafino (formerly of Ecr.Linf) add a vicious metallic bite that expertly balances silliness, groove, and even reverence. The revolving door of contributors, veterans from Soulfly, Anthrax, and Mr. Bungle, are equally bought into the schtick, making Amen feel surprisingly cohesive.
While hinted at in Spirituality and Distortion and Hallelujah, the liturgical and religious elements of Amen add a darker and more serious tone to and alongside Igorrr’s trademark. These tracks are enhanced by robust and haunting choral arrangements, strings, Arabic microtonal scales, and sharp complex percussion, although central motifs help immensely in establishing what to expect. Riffy death metal beatdowns warped by electronic effects (“Daemoni,” “Mustard Mucous”), haunting lilting vocals atop plodding beats (“Limbo,” “Ancient Sun”), and unhinged vocal attacks (“Infestis,” “Pure Disproportionate Black and White Nihilism”) add darkness and liturgy to the band’s sound. Ascending to the heavens with epic choirs and hinting at mystery with its more enigmatic melodic templates, one certainly unique approach that Igorrr employs is letting the baroque and classical elements breathe rather than Serre being quick to warp them or distort them with effects (highlight “Silence”). This makes the album feel much more organic and significant – nearly a meditation.
Amen is Igorrr firing on all cylinders in its full-band capacity. Death metal vocals, operatic laments, choirs, strings, metallic riffs, and manic drumming fed through the machine of Serre’s electronics has never felt so cohesive in its interpretation of religious and baroque viciousness. Yes, the silliest songs are smack-dab in the middle of the album in quick succession (aside from “Headbutt”), which can feel like a distraction from the more serious bookends, and Igorrr’s music can be alienating at its core. However, Amen is a reaffirmation of the project’s batshit and fun-loving genius as well as a new step forward: haunting, brutal, and otherworldly in a way that we can take seriously.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Metal Blade Records
Websites: igorrr.bandcamp.com | igorrr.com | facebook.com/IgorrrBarrroque
Releases Worldwide: September 19th, 2025Show 1 footnote
- Including the closing one with an excavator. ↩
#2025 #40 #Amen #Anthrax #AvantGarde #BlackMetal #Breakcore #DeathMetal #EcrLinf #Electronic #ElectronicMetal #FrenchMetal #HAH #Igorrr #MetalBladeRecords #MrBungle #Review #Reviews #Sep25 #Soulfly #SvartCrown #TripHop #Whourkr
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Much like many other regular humans, sometimes I enjoy #music
Some of the musics I currently enjoy include (but are not limited to):
#igorrr
#ClownCore / #LouisCole
#HAH
#KFlay
#Poppy
#GIRLI
#Marina
#authorandpunisher
#KeygenChurch
#PhillipGlass
#NovaTwins
#FEMM
#100GECS
#SOPHIE
#GFOTY
Most of the #PCMusic roster
Pretty much anything that mtv used to play on AMP back in the late 90s
I should probably pay more attention to #RabbitJunk since it's right up my alley. -
Much like many other regular humans, sometimes I enjoy #music
Some of the musics I currently enjoy include (but are not limited to):
#igorrr
#ClownCore / #LouisCole
#HAH
#KFlay
#Poppy
#GIRLI
#Marina
#authorandpunisher
#KeygenChurch
#PhillipGlass
#NovaTwins
#FEMM
#100GECS
#SOPHIE
#GFOTY
Most of the #PCMusic roster
Pretty much anything that mtv used to play on AMP back in the late 90s
I should probably pay more attention to #RabbitJunk since it's right up my alley. -
Much like many other regular humans, sometimes I enjoy #music
Some of the musics I currently enjoy include (but are not limited to):
#igorrr
#ClownCore / #LouisCole
#HAH
#KFlay
#Poppy
#GIRLI
#Marina
#authorandpunisher
#KeygenChurch
#PhillipGlass
#NovaTwins
#FEMM
#100GECS
#SOPHIE
#GFOTY
Most of the #PCMusic roster
Pretty much anything that mtv used to play on AMP back in the late 90s
I should probably pay more attention to #RabbitJunk since it's right up my alley. -
You can now travel from St David's in Pembrokeshire to Lowestoft in East Suffolk without going through a Conservative constituency.
This was only ever possible previously if you went by sea
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You can now travel from St David's in Pembrokeshire to Lowestoft in East Suffolk without going through a Conservative constituency.
This was only ever possible previously if you went by sea
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You can now travel from St David's in Pembrokeshire to Lowestoft in East Suffolk without going through a Conservative constituency.
This was only ever possible previously if you went by sea
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You can now travel from St David's in Pembrokeshire to Lowestoft in East Suffolk without going through a Conservative constituency.
This was only ever possible previously if you went by sea
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You can now travel from St David's in Pembrokeshire to Lowestoft in East Suffolk without going through a Conservative constituency.
This was only ever possible previously if you went by sea
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Magic Mike Johnson
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Magic Mike Johnson
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Magic Mike Johnson
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Magic Mike Johnson
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Magic Mike Johnson
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Excellent article from UCSF Hospitals leaders suggesting that #HospitalAtHome programs need to take a page from the success of #HospitalMedicine and specifically make quality, operational, and business cases for #HaH programs. I'm in! https://www.healthaffairs.org/content/forefront/can-hospital-home-finally-hit-its-tipping-point-lessons-hospitalist-field
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Excellent article from UCSF Hospitals leaders suggesting that #HospitalAtHome programs need to take a page from the success of #HospitalMedicine and specifically make quality, operational, and business cases for #HaH programs. I'm in! https://www.healthaffairs.org/content/forefront/can-hospital-home-finally-hit-its-tipping-point-lessons-hospitalist-field
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#Outlook wieder im Unterstützungsmodus für Dissoziative Identitätsstörungen:
"Ihre Besprechung wurde weitergeleitet
Renger, Thomas hat Ihre Besprechungsanfrage an weitere Empfänger weitergeleitet."
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#Outlook wieder im Unterstützungsmodus für Dissoziative Identitätsstörungen:
"Ihre Besprechung wurde weitergeleitet
Renger, Thomas hat Ihre Besprechungsanfrage an weitere Empfänger weitergeleitet."
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#Outlook wieder im Unterstützungsmodus für Dissoziative Identitätsstörungen:
"Ihre Besprechung wurde weitergeleitet
Renger, Thomas hat Ihre Besprechungsanfrage an weitere Empfänger weitergeleitet."
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#Outlook wieder im Unterstützungsmodus für Dissoziative Identitätsstörungen:
"Ihre Besprechung wurde weitergeleitet
Renger, Thomas hat Ihre Besprechungsanfrage an weitere Empfänger weitergeleitet."
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#Outlook wieder im Unterstützungsmodus für Dissoziative Identitätsstörungen:
"Ihre Besprechung wurde weitergeleitet
Renger, Thomas hat Ihre Besprechungsanfrage an weitere Empfänger weitergeleitet."
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Onko muuten parempi, että postaan tänne lyhennelmän blogipostauksesta, vai pelkästään vain linkin siihen postaukseen (hashtageineen)? En ymmärrä vielä miten tämän pitäisi oikein toimia.
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Thorough overview by @erictopol of the history of hospital-at-home, the impact that #COVID19 had on #HaH, and what the future might hold once the #PHE is discontinued soon. https://erictopol.substack.com/p/the-hospital-at-home-movement
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Thorough overview by @erictopol of the history of hospital-at-home, the impact that #COVID19 had on #HaH, and what the future might hold once the #PHE is discontinued soon. https://erictopol.substack.com/p/the-hospital-at-home-movement
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Thorough overview by @erictopol of the history of hospital-at-home, the impact that #COVID19 had on #HaH, and what the future might hold once the #PHE is discontinued soon. https://erictopol.substack.com/p/the-hospital-at-home-movement
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Thorough overview by @erictopol of the history of hospital-at-home, the impact that #COVID19 had on #HaH, and what the future might hold once the #PHE is discontinued soon. https://erictopol.substack.com/p/the-hospital-at-home-movement
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Thorough overview by @erictopol of the history of hospital-at-home, the impact that #COVID19 had on #HaH, and what the future might hold once the #PHE is discontinued soon. https://erictopol.substack.com/p/the-hospital-at-home-movement
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