#fobaziettarh — Public Fediverse posts

"Further, while often resisting government intrusions, libraries also commonly operate as an arm of the state. For example, Lexis-Nexis, a library vendor used in many libraries, is participating in a project to assist in building ICE’s Extreme Vetting surveillance system."

#FobaziEttarh, 2018

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

This is a classic example of presenting a piece of evidence as if it obviously supports the conclusion - even though it actually doesn't - and hoping no one notices.

(1/?)

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

My newest post on my Pop Culture Library blog entitled "Fictional librarians and ideals of librarianship" is out! https://popculturelibraries.wordpress.com/2023/06/06/fictional-librarians-and-ideals-of-librarianship/ #fobaziettarh #libraries #librarians #popculture #animation #quiet #labor #blogging #blogs #librarianship

"But from the other side of the reference desk, [Fobazi Ettarh] saw how the [library] industry’s ideals concealed its low pay. In her first position out of grad school, Ms. Ettarh’s supervisor told her, 'No one becomes a librarian to make a living wage.' (Ms. Ettarh was making $48,000 at the time.) She eventually left the industry."

#VocationalAwe #FobaziEttarh #LibraryWorkers

🔗 https://www.nytimes.com/2023/06/05/opinion/employment-exploitation-unions.html