#demolitionhammer — Public Fediverse posts

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026

Oxygen Destroyer – Guardian of the Universe Review

By Holdeneye

Nearly three years ago, I dropped a Very Good score on Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind, the sophomore record from Seattle’s Kaiju-themed death/thrash purveyors, Oxygen Destroyer. The earnestness with which band leader Lord Kaiju and his party of massive-monster minstrels weave their tales of gargantuan creatures into their furious metal through the use of film samples and sound effects lends their no-nonsense music a certain nerdtastic charm, and that album earned an Honorable Mention spot on my 2021 year-end list. I’ll admit that when I heard the band was releasing a follow-up this year, I wasn’t initially super hyped about it. I felt like I already had Oxygen Destroyer figured out and could anticipate what Guardian of the Universe was going to sound like. I was wrong.

No, Oxygen Destroyer hasn’t gone through some huge sonic revolution; they’re still a death/thrash monstrosity. But I wasn’t expecting the jump in quality that Guardian of the Universe represents for the band. These guys were a tight, well-oiled machine before, but this album finds the band playing on a whole new level. Single “Shadow of Evil” demonstrates Oxygen Destroyer’s expanded ruthlessness by beginning with a deranged procession of savage riffs and ending with a volley of Lord Kaiju’s venomous shrieks. The song is a surgical strike, and it has utterly demolished my defenses.

While comparisons like Morbid Saint and Vader certainly still apply to Oxygen Destroyer, it feels like the band dialed up the thrash quotient of their sound this time around. I hear a lot of Kreator, Demolition Hammer, and even some frenetic Rust in Piece-era Megadeth riffing (see the opening title track) throughout much of Guardian of the Universe. As a huge fan of the thrash groove, this subtle shift elevates Oxygen Destroyer’s sound into the S-tier, giving their relentless assault a bit more breathing room and tension-building contrast. Because of this, the record has an incredible sense of momentum that won’t release its grip on you until the final note.

Guardian of the Universe is a cohesive listening experience, so much so, that it can be hard to highlight individual songs as standouts. Fortunately, at 33 minutes long, picking out highlights is mostly unnecessary; just listen to the whole thing, damn it! Fine, if you must sample the record first, try “Shadow of Evil,” “Eradicating the Symbiotic Hive Mind Entity from Beyond the Void,” or “Banishing the Iris of Sempiternal Tenebrosity.” You’ll see that Lord Kaiju sounds extra pissed in his current incarnation, and he and the rest of the instrumentalists absolutely slay their performances. The worming riffage, in particular, is simply stellar. The production gives ample space for the unhinged cacophony that is Oxygen Destroyer’s sound to reveal all of its intricacies, and the sonic aesthetic makes it feel like a classic record from thrash’s heyday.

With Guardian of the Universe, Oxygen Destroyer convincingly established a foothold within the highest echelon of modern thrash bands. Alongside acts like Enforced and High Command, these guys are proving that groovy thrash metal is alive and still hardcore kicking in the pit. While most run in fear at the sight of giant monsters, I, for one, welcome our new overlord. All hail Oxygen Destroyer, Kaiju of Thrash!

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Redefining Darkness Records
Websites: oxygen-destroyer.bandcamp.com | facebook.com/kaijuconjuringdeathmetal
Releases Worldwide: August 9th, 2024

#2024 #40 #AmericanMetal #Aug24 #DeathMetal #DemolitionHammer #Enforced #GuardianOfTheUniverse #HighCommand #Kreator #Megadeth #MorbidSaint #OxygenDestroyer #RedefiningDarknessRecords #Review #Reviews #ThrashMetal #Vader

Oxygen Destroyer – Guardian of the Universe Review

By Holdeneye

Nearly three years ago, I dropped a Very Good score on Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind, the sophomore record from Seattle’s Kaiju-themed death/thrash purveyors, Oxygen Destroyer. The earnestness with which band leader Lord Kaiju and his party of massive-monster minstrels weave their tales of gargantuan creatures into their furious metal through the use of film samples and sound effects lends their no-nonsense music a certain nerdtastic charm, and that album earned an Honorable Mention spot on my 2021 year-end list. I’ll admit that when I heard the band was releasing a follow-up this year, I wasn’t initially super hyped about it. I felt like I already had Oxygen Destroyer figured out and could anticipate what Guardian of the Universe was going to sound like. I was wrong.

No, Oxygen Destroyer hasn’t gone through some huge sonic revolution; they’re still a death/thrash monstrosity. But I wasn’t expecting the jump in quality that Guardian of the Universe represents for the band. These guys were a tight, well-oiled machine before, but this album finds the band playing on a whole new level. Single “Shadow of Evil” demonstrates Oxygen Destroyer’s expanded ruthlessness by beginning with a deranged procession of savage riffs and ending with a volley of Lord Kaiju’s venomous shrieks. The song is a surgical strike, and it has utterly demolished my defenses.

While comparisons like Morbid Saint and Vader certainly still apply to Oxygen Destroyer, it feels like the band dialed up the thrash quotient of their sound this time around. I hear a lot of Kreator, Demolition Hammer, and even some frenetic Rust in Piece-era Megadeth riffing (see the opening title track) throughout much of Guardian of the Universe. As a huge fan of the thrash groove, this subtle shift elevates Oxygen Destroyer’s sound into the S-tier, giving their relentless assault a bit more breathing room and tension-building contrast. Because of this, the record has an incredible sense of momentum that won’t release its grip on you until the final note.

Guardian of the Universe is a cohesive listening experience, so much so, that it can be hard to highlight individual songs as standouts. Fortunately, at 33 minutes long, picking out highlights is mostly unnecessary; just listen to the whole thing, damn it! Fine, if you must sample the record first, try “Shadow of Evil,” “Eradicating the Symbiotic Hive Mind Entity from Beyond the Void,” or “Banishing the Iris of Sempiternal Tenebrosity.” You’ll see that Lord Kaiju sounds extra pissed in his current incarnation, and he and the rest of the instrumentalists absolutely slay their performances. The worming riffage, in particular, is simply stellar. The production gives ample space for the unhinged cacophony that is Oxygen Destroyer’s sound to reveal all of its intricacies, and the sonic aesthetic makes it feel like a classic record from thrash’s heyday.

With Guardian of the Universe, Oxygen Destroyer convincingly established a foothold within the highest echelon of modern thrash bands. Alongside acts like Enforced and High Command, these guys are proving that groovy thrash metal is alive and still hardcore kicking in the pit. While most run in fear at the sight of giant monsters, I, for one, welcome our new overlord. All hail Oxygen Destroyer, Kaiju of Thrash!

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Redefining Darkness Records
Websites: oxygen-destroyer.bandcamp.com | facebook.com/kaijuconjuringdeathmetal
Releases Worldwide: August 9th, 2024

#2024 #40 #AmericanMetal #Aug24 #DeathMetal #DemolitionHammer #Enforced #GuardianOfTheUniverse #HighCommand #Kreator #Megadeth #MorbidSaint #OxygenDestroyer #RedefiningDarknessRecords #Review #Reviews #ThrashMetal #Vader

Oxygen Destroyer – Guardian of the Universe Review

By Holdeneye

Nearly three years ago, I dropped a Very Good score on Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind, the sophomore record from Seattle’s Kaiju-themed death/thrash purveyors, Oxygen Destroyer. The earnestness with which band leader Lord Kaiju and his party of massive-monster minstrels weave their tales of gargantuan creatures into their furious metal through the use of film samples and sound effects lends their no-nonsense music a certain nerdtastic charm, and that album earned an Honorable Mention spot on my 2021 year-end list. I’ll admit that when I heard the band was releasing a follow-up this year, I wasn’t initially super hyped about it. I felt like I already had Oxygen Destroyer figured out and could anticipate what Guardian of the Universe was going to sound like. I was wrong.

No, Oxygen Destroyer hasn’t gone through some huge sonic revolution; they’re still a death/thrash monstrosity. But I wasn’t expecting the jump in quality that Guardian of the Universe represents for the band. These guys were a tight, well-oiled machine before, but this album finds the band playing on a whole new level. Single “Shadow of Evil” demonstrates Oxygen Destroyer’s expanded ruthlessness by beginning with a deranged procession of savage riffs and ending with a volley of Lord Kaiju’s venomous shrieks. The song is a surgical strike, and it has utterly demolished my defenses.

While comparisons like Morbid Saint and Vader certainly still apply to Oxygen Destroyer, it feels like the band dialed up the thrash quotient of their sound this time around. I hear a lot of Kreator, Demolition Hammer, and even some frenetic Rust in Piece-era Megadeth riffing (see the opening title track) throughout much of Guardian of the Universe. As a huge fan of the thrash groove, this subtle shift elevates Oxygen Destroyer’s sound into the S-tier, giving their relentless assault a bit more breathing room and tension-building contrast. Because of this, the record has an incredible sense of momentum that won’t release its grip on you until the final note.

Guardian of the Universe is a cohesive listening experience, so much so, that it can be hard to highlight individual songs as standouts. Fortunately, at 33 minutes long, picking out highlights is mostly unnecessary; just listen to the whole thing, damn it! Fine, if you must sample the record first, try “Shadow of Evil,” “Eradicating the Symbiotic Hive Mind Entity from Beyond the Void,” or “Banishing the Iris of Sempiternal Tenebrosity.” You’ll see that Lord Kaiju sounds extra pissed in his current incarnation, and he and the rest of the instrumentalists absolutely slay their performances. The worming riffage, in particular, is simply stellar. The production gives ample space for the unhinged cacophony that is Oxygen Destroyer’s sound to reveal all of its intricacies, and the sonic aesthetic makes it feel like a classic record from thrash’s heyday.

With Guardian of the Universe, Oxygen Destroyer convincingly established a foothold within the highest echelon of modern thrash bands. Alongside acts like Enforced and High Command, these guys are proving that groovy thrash metal is alive and still hardcore kicking in the pit. While most run in fear at the sight of giant monsters, I, for one, welcome our new overlord. All hail Oxygen Destroyer, Kaiju of Thrash!

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Redefining Darkness Records
Websites: oxygen-destroyer.bandcamp.com | facebook.com/kaijuconjuringdeathmetal
Releases Worldwide: August 9th, 2024

#2024 #40 #AmericanMetal #Aug24 #DeathMetal #DemolitionHammer #Enforced #GuardianOfTheUniverse #HighCommand #Kreator #Megadeth #MorbidSaint #OxygenDestroyer #RedefiningDarknessRecords #Review #Reviews #ThrashMetal #Vader