#nocturnalvisions — Public Fediverse posts

And we’re off to a typically sloth-like start to 2026, with the Record(s) o’ the Month posts already well in arrears. We have no excuses beyond institutional malaise, dysfunction, and slackwagoning. We will endeavor to be better, but there are no guarantees in life or blogging. Let’s get the ball rolling and jump into January before it becomes a distant memory, shall we?

Of the Big Three of Germanic thrash,1 Kreator had the weirdest evolution and the most consistently good output. While 2022’s Hate Über Alles was a minor letdown, these unkillable krauts roared back in a major way with Krushers of the World [out January 16th, 2026, from Nuclear Blast Records, buy it on Bandcamp!]. Taking all the things they’ve done well over the decades, Kreator spiced the brew with Gothic, traditional, and power metal elements to land on a sound that is at once olde and new. The thrash feels potent and heavy, and the Gothic vibes from Endorama work well, giving the album a dark mood. What really excels is the songwriting. Krushers is full of face-melting metal anthems with bite and force aplenty, and Millie and crew sound young and mean. I’ve loved these guys since I was a dumb teen, and Krushers reminds me exactly why while beating my ass into assdust. As I summed up in my review (in which I may have underrated the album), “The Kreator sound is still there after all these years, even if it gets gussied up with lighter moments occasionally.”

Runner(s) Up:

Hällas // Panorama [January 30th, 2026 | Äventyr Records | Bandcamp] — Sweden’s retro psychedelic prog rockers Hällas returned to the fray with Panorama, and fans of older sounds and slick musicianship took notice. If you hunger for Uriah Heap channeled through the NWoBHM, Hällas have the goods for you, and across Panorama, they unleash a torrent of old-timey, richly textured prog-rocking goodness. Slick guitar noodling bounces off keyboard excesses, and it’s all wrapped up in a rich, 70-centric production that sounds like a portal to the past. Panorama is a larger-than-life tapestry for a talented band’s ambition, and as Creeping Ivy gushed, “It’s only January, but these Swedes may have already dropped the neo-proto-metal album of 2026 (and a list-topping contender for yours truly).”2

Invictus // Nocturnal Visions [January 26th, 2026 | Me Saco Un Ojo Records | Bandcamp] — Blending various shades of old school death metal brutality with a slightly modern sheen, Invictus set out to maul you from the first notes of Nocturnal Visions until the last. They aren’t doing anything new in the classic sense, just blending genre tropes in such a way as to sound fresh and vicious. Riffs satisfy the hunger for abrasive abuse, and hellish, subterranean vocals gurgle and croak in ghastly ways. The writing is slick and delivers the good, and all is as it should be on a killer slab of death metal. A much impressed Kenstrosity was heard to exclaim, “Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era.” Get yourself InvictedER.

And we’re off to a typically sloth-like start to 2026, with the Record(s) o’ the Month posts already well in arrears. We have no excuses beyond institutional malaise, dysfunction, and slackwagoning. We will endeavor to be better, but there are no guarantees in life or blogging. Let’s get the ball rolling and jump into January before it becomes a distant memory, shall we?

Of the Big Three of Germanic thrash,1 Kreator had the weirdest evolution and the most consistently good output. While 2022’s Hate Über Alles was a minor letdown, these unkillable krauts roared back in a major way with Krushers of the World [out January 16th, 2026, from Nuclear Blast Records, buy it on Bandcamp!]. Taking all the things they’ve done well over the decades, Kreator spiced the brew with Gothic, traditional, and power metal elements to land on a sound that is at once olde and new. The thrash feels potent and heavy, and the Gothic vibes from Endorama work well, giving the album a dark mood. What really excels is the songwriting. Krushers is full of face-melting metal anthems with bite and force aplenty, and Millie and crew sound young and mean. I’ve loved these guys since I was a dumb teen, and Krushers reminds me exactly why while beating my ass into assdust. As I summed up in my review (in which I may have underrated the album), “The Kreator sound is still there after all these years, even if it gets gussied up with lighter moments occasionally.”

Runner(s) Up:

Hällas // Panorama [January 30th, 2026 | Äventyr Records | Bandcamp] — Sweden’s retro psychedelic prog rockers Hällas returned to the fray with Panorama, and fans of older sounds and slick musicianship took notice. If you hunger for Uriah Heap channeled through the NWoBHM, Hällas have the goods for you, and across Panorama, they unleash a torrent of old-timey, richly textured prog-rocking goodness. Slick guitar noodling bounces off keyboard excesses, and it’s all wrapped up in a rich, 70-centric production that sounds like a portal to the past. Panorama is a larger-than-life tapestry for a talented band’s ambition, and as Creeping Ivy gushed, “It’s only January, but these Swedes may have already dropped the neo-proto-metal album of 2026 (and a list-topping contender for yours truly).”2

Invictus // Nocturnal Visions [January 26th, 2026 | Me Saco Un Ojo Records | Bandcamp] — Blending various shades of old school death metal brutality with a slightly modern sheen, Invictus set out to maul you from the first notes of Nocturnal Visions until the last. They aren’t doing anything new in the classic sense, just blending genre tropes in such a way as to sound fresh and vicious. Riffs satisfy the hunger for abrasive abuse, and hellish, subterranean vocals gurgle and croak in ghastly ways. The writing is slick and delivers the good, and all is as it should be on a killer slab of death metal. A much impressed Kenstrosity was heard to exclaim, “Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era.” Get yourself InvictedER.

And we’re off to a typically sloth-like start to 2026, with the Record(s) o’ the Month posts already well in arrears. We have no excuses beyond institutional malaise, dysfunction, and slackwagoning. We will endeavor to be better, but there are no guarantees in life or blogging. Let’s get the ball rolling and jump into January before it becomes a distant memory, shall we?

Of the Big Three of Germanic thrash,1 Kreator had the weirdest evolution and the most consistently good output. While 2022’s Hate Über Alles was a minor letdown, these unkillable krauts roared back in a major way with Krushers of the World [out January 16th, 2026, from Nuclear Blast Records, buy it on Bandcamp!]. Taking all the things they’ve done well over the decades, Kreator spiced the brew with Gothic, traditional, and power metal elements to land on a sound that is at once olde and new. The thrash feels potent and heavy, and the Gothic vibes from Endorama work well, giving the album a dark mood. What really excels is the songwriting. Krushers is full of face-melting metal anthems with bite and force aplenty, and Millie and crew sound young and mean. I’ve loved these guys since I was a dumb teen, and Krushers reminds me exactly why while beating my ass into assdust. As I summed up in my review (in which I may have underrated the album), “The Kreator sound is still there after all these years, even if it gets gussied up with lighter moments occasionally.”

Runner(s) Up:

Hällas // Panorama [January 30th, 2026 | Äventyr Records | Bandcamp] — Sweden’s retro psychedelic prog rockers Hällas returned to the fray with Panorama, and fans of older sounds and slick musicianship took notice. If you hunger for Uriah Heap channeled through the NWoBHM, Hällas have the goods for you, and across Panorama, they unleash a torrent of old-timey, richly textured prog-rocking goodness. Slick guitar noodling bounces off keyboard excesses, and it’s all wrapped up in a rich, 70-centric production that sounds like a portal to the past. Panorama is a larger-than-life tapestry for a talented band’s ambition, and as Creeping Ivy gushed, “It’s only January, but these Swedes may have already dropped the neo-proto-metal album of 2026 (and a list-topping contender for yours truly).”2

Invictus // Nocturnal Visions [January 26th, 2026 | Me Saco Un Ojo Records | Bandcamp] — Blending various shades of old school death metal brutality with a slightly modern sheen, Invictus set out to maul you from the first notes of Nocturnal Visions until the last. They aren’t doing anything new in the classic sense, just blending genre tropes in such a way as to sound fresh and vicious. Riffs satisfy the hunger for abrasive abuse, and hellish, subterranean vocals gurgle and croak in ghastly ways. The writing is slick and delivers the good, and all is as it should be on a killer slab of death metal. A much impressed Kenstrosity was heard to exclaim, “Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era.” Get yourself InvictedER.

And we’re off to a typically sloth-like start to 2026, with the Record(s) o’ the Month posts already well in arrears. We have no excuses beyond institutional malaise, dysfunction, and slackwagoning. We will endeavor to be better, but there are no guarantees in life or blogging. Let’s get the ball rolling and jump into January before it becomes a distant memory, shall we?

Of the Big Three of Germanic thrash,1 Kreator had the weirdest evolution and the most consistently good output. While 2022’s Hate Über Alles was a minor letdown, these unkillable krauts roared back in a major way with Krushers of the World [out January 16th, 2026, from Nuclear Blast Records, buy it on Bandcamp!]. Taking all the things they’ve done well over the decades, Kreator spiced the brew with Gothic, traditional, and power metal elements to land on a sound that is at once olde and new. The thrash feels potent and heavy, and the Gothic vibes from Endorama work well, giving the album a dark mood. What really excels is the songwriting. Krushers is full of face-melting metal anthems with bite and force aplenty, and Millie and crew sound young and mean. I’ve loved these guys since I was a dumb teen, and Krushers reminds me exactly why while beating my ass into assdust. As I summed up in my review (in which I may have underrated the album), “The Kreator sound is still there after all these years, even if it gets gussied up with lighter moments occasionally.”

Runner(s) Up:

Hällas // Panorama [January 30th, 2026 | Äventyr Records | Bandcamp] — Sweden’s retro psychedelic prog rockers Hällas returned to the fray with Panorama, and fans of older sounds and slick musicianship took notice. If you hunger for Uriah Heap channeled through the NWoBHM, Hällas have the goods for you, and across Panorama, they unleash a torrent of old-timey, richly textured prog-rocking goodness. Slick guitar noodling bounces off keyboard excesses, and it’s all wrapped up in a rich, 70-centric production that sounds like a portal to the past. Panorama is a larger-than-life tapestry for a talented band’s ambition, and as Creeping Ivy gushed, “It’s only January, but these Swedes may have already dropped the neo-proto-metal album of 2026 (and a list-topping contender for yours truly).”2

Invictus // Nocturnal Visions [January 26th, 2026 | Me Saco Un Ojo Records | Bandcamp] — Blending various shades of old school death metal brutality with a slightly modern sheen, Invictus set out to maul you from the first notes of Nocturnal Visions until the last. They aren’t doing anything new in the classic sense, just blending genre tropes in such a way as to sound fresh and vicious. Riffs satisfy the hunger for abrasive abuse, and hellish, subterranean vocals gurgle and croak in ghastly ways. The writing is slick and delivers the good, and all is as it should be on a killer slab of death metal. A much impressed Kenstrosity was heard to exclaim, “Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era.” Get yourself InvictedER.

And we’re off to a typically sloth-like start to 2026, with the Record(s) o’ the Month posts already well in arrears. We have no excuses beyond institutional malaise, dysfunction, and slackwagoning. We will endeavor to be better, but there are no guarantees in life or blogging. Let’s get the ball rolling and jump into January before it becomes a distant memory, shall we?

Of the Big Three of Germanic thrash,1 Kreator had the weirdest evolution and the most consistently good output. While 2022’s Hate Über Alles was a minor letdown, these unkillable krauts roared back in a major way with Krushers of the World [out January 16th, 2026, from Nuclear Blast Records, buy it on Bandcamp!]. Taking all the things they’ve done well over the decades, Kreator spiced the brew with Gothic, traditional, and power metal elements to land on a sound that is at once olde and new. The thrash feels potent and heavy, and the Gothic vibes from Endorama work well, giving the album a dark mood. What really excels is the songwriting. Krushers is full of face-melting metal anthems with bite and force aplenty, and Millie and crew sound young and mean. I’ve loved these guys since I was a dumb teen, and Krushers reminds me exactly why while beating my ass into assdust. As I summed up in my review (in which I may have underrated the album), “The Kreator sound is still there after all these years, even if it gets gussied up with lighter moments occasionally.”

Runner(s) Up:

Hällas // Panorama [January 30th, 2026 | Äventyr Records | Bandcamp] — Sweden’s retro psychedelic prog rockers Hällas returned to the fray with Panorama, and fans of older sounds and slick musicianship took notice. If you hunger for Uriah Heap channeled through the NWoBHM, Hällas have the goods for you, and across Panorama, they unleash a torrent of old-timey, richly textured prog-rocking goodness. Slick guitar noodling bounces off keyboard excesses, and it’s all wrapped up in a rich, 70-centric production that sounds like a portal to the past. Panorama is a larger-than-life tapestry for a talented band’s ambition, and as Creeping Ivy gushed, “It’s only January, but these Swedes may have already dropped the neo-proto-metal album of 2026 (and a list-topping contender for yours truly).”2

Invictus // Nocturnal Visions [January 26th, 2026 | Me Saco Un Ojo Records | Bandcamp] — Blending various shades of old school death metal brutality with a slightly modern sheen, Invictus set out to maul you from the first notes of Nocturnal Visions until the last. They aren’t doing anything new in the classic sense, just blending genre tropes in such a way as to sound fresh and vicious. Riffs satisfy the hunger for abrasive abuse, and hellish, subterranean vocals gurgle and croak in ghastly ways. The writing is slick and delivers the good, and all is as it should be on a killer slab of death metal. A much impressed Kenstrosity was heard to exclaim, “Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era.” Get yourself InvictedER.

Invictus – Nocturnal Visions Review

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #4.0 #DeathMetal #DemolitionHammer #Depravity #Entertainment #Incantation #INVICTUS #Jan26 #JapaneseMetal #MeSacoUnOjoRecords #NocturnalVisions #Pestilence #review #reviews #TombMold
https://www.newsbeep.com/us/431327/

Invictus – Nocturnal Visions Review

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #4.0 #DeathMetal #DemolitionHammer #Depravity #Entertainment #Incantation #INVICTUS #Jan26 #JapaneseMetal #MeSacoUnOjoRecords #NocturnalVisions #Pestilence #review #reviews #TombMold
https://www.newsbeep.com/us/431327/

https://www.europesays.com/uk/722416/ Invictus – Nocturnal Visions Review #2026 #4.0 #DeathMetal #DemolitionHammer #Depravity #Entertainment #Incantation #invictus #Jan26 #JapaneseMetal #MeSacoUnOjoRecords #music #NocturnalVisions #Pestilence #Review #Reviews #TombMold #UK #UnitedKingdom

https://www.europesays.com/ie/304767/ Invictus – Nocturnal Visions Review #2026 #4.0 #DeathMetal #DemolitionHammer #Depravity #Éire #Entertainment #IE #Incantation #Invictus #Ireland #Jan26 #JapaneseMetal #MeSacoUnOjoRecords #Music #NocturnalVisions #Pestilence #Review #Reviews #TombMold

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026

Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it’s Invictus.

Having only one previous album and a few scattered demos/singles to their name, Invictus haven’t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff™. With each twist of phrase or shift in movement, guitarist/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don’t just open up pits, but rather rip open dimensional rifts straight to hell itself (“Altar of Devoted Slaughter,” “Wandering Ashdream”). Instead of relying on blasts for intensity, Haruki Tokutake’s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half—accommodations which in no way deterred my summary bodily encrushment (“Persecution Madness”). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record’s warm, slightly swampy production (“Nocturnal Visions”). Unlike many of those acts from whom Invictus draws inspiration, Seki’s vocals operate squarely inside the Incantation/Tomb Mold school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.

Nocturnal Visions by Invictus

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper “Abyssal Earth Eradicates” utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal’s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in “Altar of Devoted Slaughter,” “Lucid Dream Trauma,” and “Persecution Madness,” my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What’s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, “Fuck!” exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters “Persecution Madness,” “Dragged Beneath the Grave,” and later highlight “Wandering Ashdream” received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer “Nocturnal Visions” earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.

That doesn’t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it’s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it—see the otherwise ripping “Frozen Tomb.” Seki’s somewhat one-note vocal approach doesn’t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!

Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Me Saco Un Ojo Records
Websites: invictus3.bandcamp.com | facebook.com/Invictus
Releases Worldwide: January 26th, 2026