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36 results for “onat”
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Astelehen eguerdian jarriko dituzte salgai Herri Eguneko bazkarirako txartelak
Urriaren 3an izango da aurten Herri Eguna. Herri bazkaria egingo da egun horretan aurten ere, eta hara joateko txartelak astelehenean jarriko dituzte…
https://goiena.eus/oinati/1789034042216-astelehen-eguerdian-jarriko-dituzte-salgai-herri-eguneko-bazkarirako-txartelak?utm_source=Mastodon&utm_medium=Sare_sozialak -
Astelehen eguerdian jarriko dituzte salgai Herri Eguneko bazkarirako txartelak
Urriaren 3an izango da aurten Herri Eguna. Herri bazkaria egingo da egun horretan aurten ere, eta hara joateko txartelak astelehenean jarriko dituzte…
https://goiena.eus/oinati/1789034042216-astelehen-eguerdian-jarriko-dituzte-salgai-herri-eguneko-bazkarirako-txartelak?utm_source=Mastodon&utm_medium=Sare_sozialak -
The Call for Papers for the #IPSA2027 IPSA World Congress is open! IPSA Past President Pablo Oñate (Spain) encourages you to submit your proposals and join colleagues worldwide in Rome. 🌍
Submit your proposal today: go.ipsa.org/Bz8P2f -
Astelehen eguerdian jarriko dituzte salgai Herri Eguneko bazkarirako txartelak
Urriaren 3an izango da aurten Herri Eguna. Herri bazkaria egingo da egun horretan aurten ere, eta hara joateko txartelak astelehenean jarriko dituzte…
https://goiena.eus/oinati/1789034042216-astelehen-eguerdian-jarriko-dituzte-salgai-herri-eguneko-bazkarirako-txartelak?utm_source=Mastodon&utm_medium=Sare_sozialak -
https://www.europesays.com/afrique/205469/ JES 2026 : Les meilleurs élèves plongent dans l’univers technologique de Moov Africa-ONATEL #actualités #Afrique #burkina #culture #direct #divertissement #Économie #IbrahimTraore #info #International #Monde #MondialFoot #Politique #reportages #securité #Société #sport #terrorisme #WorldCup
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Donating and dining –
Local/Region Photo by Roger Coda Thomas Mack, of North East, was among those donating blood at Meeder’s Restaurant in Ripley during a blood drive held Friday by the Community Blood Bank of Northwest Pennsylvania and Western New York to commemorate the 9/11 tragedy. Here, phlebotomist Francheska Otero draws blood from Mack. All donors received vouchers [...]
#dining #cooking #diet #food #Dining
https://www.diningandcooking.com/2811002/donating-and-dining/ -
Dollar détonateur ?
🔴 "On ne sait pas si ce qui est en train de se passer sur les taux d’intérêt souverain, sur le front du change yen / dollar notamment, entre dans la catégorie des explosifs ou dans celle des détonateurs — peut-être bien un peu des deux."
Une analyse par Frédéric Lordon, Le Monde diplomatique, 10 septembre 2026
https://blog.mondediplo.net/dollar-detonateur
#monde #monnaie #dollar #yen #euro #USA #Japon #Europe #UE #crédit #réserve #banque #intérêt #change #finance #média #diplomatie #économie -
Dollar détonateur ?
🔴 "On ne sait pas si ce qui est en train de se passer sur les taux d’intérêt souverain, sur le front du change yen / dollar notamment, entre dans la catégorie des explosifs ou dans celle des détonateurs — peut-être bien un peu des deux."
Une analyse par Frédéric Lordon, Le Monde diplomatique, 10 septembre 2026
https://blog.mondediplo.net/dollar-detonateur
#monde #monnaie #dollar #yen #euro #USA #Japon #Europe #UE #crédit #réserve #banque #intérêt #change #finance #média #diplomatie #économie -
Dollar détonateur ?
🔴 "On ne sait pas si ce qui est en train de se passer sur les taux d’intérêt souverain, sur le front du change yen / dollar notamment, entre dans la catégorie des explosifs ou dans celle des détonateurs — peut-être bien un peu des deux."
Une analyse par Frédéric Lordon, Le Monde diplomatique, 10 septembre 2026
https://blog.mondediplo.net/dollar-detonateur
#monde #monnaie #dollar #yen #euro #USA #Japon #Europe #UE #crédit #réserve #banque #intérêt #change #finance #média #diplomatie #économie -
Help Keep the Black Cat Coding
Black Cat White Hat Security is an independent cybersecurity platform providing frameworks, assessments, security resources, tools, games, and educational content.
Want to help keep it growing?
Every bit helps.
Donate: https://blackcatwhitehatsecurity.com/donations.cfm
#technology #business -
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"Up until now most search engine development has gone on at companies with little publication of technical details. This causes search engine technology to remain largely a black art and to be advertising oriented. With Google, we have a strong goal to push more development and understanding into the academic realm."
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I’m not sure why, but I seem to have gotten myself a hobby: shooting videos of whatever is going on at the night sky outside my bedroom. So far, it’s been bats, moths, lightning. But tonight, the lights from a concert downtown caught my attention.
If I’d opened the window, I could have added the soundtrack - but it wasn’t really worth it (at least not in my ears) -
SAOTA’s Flood-Resilient Miami Home Proves Waterfront Design Doesn’t Have to Look Defensive
Many flood-resilient houses in Miami give away their engineering the moment you see them. Blank concrete ground floors. Homes lifted on stilts that look more like parking structures than places to live. SAOTA’s new flood-resilient Miami home on Sunset Island skips all of that, and it’s worth breaking down exactly how the firm pulled it off.
The house sits on a canal lot on Sunset Island, one of Miami Beach’s man-made residential islands, built back when waterfront lots just meant nice views. Now those same lots also mean flood risk, rising insurance costs, and building codes that keep tightening. SAOTA didn’t design around that reality quietly. The firm built the constraint into the architecture itself, and the result actually improves the house instead of apologizing for it.
I’ve spent a lot of time with this project because it’s a genuinely useful case study. Anyone designing near water in Florida, or anywhere sea-level rise is turning into a real design constraint, can learn something from it. So let’s get into how it works.
SAOTA’s Flood-Resilient Miami Home on Sunset IslandWhy Did SAOTA Lift an Entire House Above a Miami Canal?
The short answer is flooding. The longer answer says more about where waterfront architecture is heading.
Miami has spent recent years tightening its rules around canal-front construction. Homes near the water increasingly need to sit above a set flood elevation, often called a freeboard requirement, to account for storm surge and rising water levels. Most architects treat that rule as a problem to solve quietly. Raise the house, hide the mechanics, and move on to the next thing.
SAOTA treated it as a design opportunity instead. The firm elevated the home’s main living volume above the canal, high enough to reduce flood exposure while also blocking sightlines from boats passing by. That second part matters more than it sounds. Canal-front houses in this part of Miami often lose their privacy the moment someone drifts past on a pontoon boat. Lifting the volume solves both problems with a single architectural move.
I call this the Freeboard Aesthetic, my own term for architecture that treats mandatory elevation as a compositional tool instead of a compliance checkbox. Most flood-resilient homes look like they’re bracing for impact. This one doesn’t brace for anything. It just sits above the risk and gets on with being a house.
The L-Shaped Plan That Turns Its Back on the Marina
Not every water view in Miami is worth having. Sunset Island sits close to a busy marina and a cluster of high-rise towers, and neither makes for a peaceful backyard. SAOTA’s floor plan deals with that head-on.
The house follows an L-shaped plan that lifts and pivots the whole structure south-west. That pivot does real work. It points the main living spaces toward calmer water, away from marina traffic and the towers next door. Sightlines get chosen here, not just captured wherever the lot happens to face.
Call it Sightline Diplomacy: a design approach that treats which views you exclude as seriously as which ones you include. Waterfront architecture usually chases the widest possible view and calls it a day. This house is pickier, and it’s better for that choice. The reward is a straight line toward sunset light over the bay, with the downtown Miami skyline sitting quietly in the distance instead of crowding the foreground.
A Sail-Shaped Roof That Actually Means Something
SAOTA gave the house a sail-shaped roof that hovers above the main volume. It’s tempting to read that as a gimmick. Sunset Island is a boating neighborhood, after all, so a nautical roof sounds like an obvious move, maybe even a lazy one.
It works anyway, for a specific reason. The roof doesn’t try to look like a literal sail. It borrows the curve and tension of sailcloth, then translates that into a hovering, sculptural form that defines the house’s silhouette from the water. You can read the reference without the house turning into a costume of itself.
I’d call this the Sail Silhouette Principle: using a site’s cultural geometry, boats in this case, as structural inspiration rather than surface decoration. Plenty of coastal houses bolt on a porthole window and call it nautical. This roof takes the harder route, and it shows in the final result.
Why the Street Facade Gives Away Almost Nothing
Walk up to this house from the street and you won’t see much. That’s deliberate.
SAOTA kept the street-facing facade restrained: off-shutter concrete, white stucco, very few openings. The entry sequence unfolds gradually instead of announcing itself right away. You climb a processional stair, cross a courtyard that blurs the line between inside and outside, and only then get a real sense of the house’s scale.
I’ve started calling this the Discovery Threshold Framework in my own notes: architecture that delays information on purpose instead of front-loading it at the curb. Most luxury homes want you impressed from the driveway. This one wants you curious first, impressed later. It’s actually a more confident move than it looks, because it trusts the sequence to do the persuading instead of the facade doing all the talking.
Parlor Interiors Keeps the Inside Just as Restrained
Miami-based Parlor Interiors handled the interiors, and the palette follows the same logic as the architecture. Tactile materials, a fluid layout, nothing shouting for attention. It reads as a continuation of SAOTA’s language rather than a separate voice competing for space, which is the right call here. Too many architecturally strong houses get undercut by interiors that fight the shell instead of supporting it.
ACA Development managed the project on the delivery side, working alongside the design team to keep construction aligned with the original architectural intent. On a project with this much detail, that alignment is its own quiet achievement.
Who Actually Built the Sunset Island House
Here’s the full project breakdown, since a house like this involves more people than the renderings usually suggest.
RoleStudio / PersonProject NameSunsetLocationSunset Island, Miami, United StatesArchitectureSAOTASAOTA Project TeamMark Bullivant, Edward Peinke, Peter Harel, Anesu Matsinde, Lichumile MonakaliInterior DesignParlor InteriorsClient RepresentativeThe Weber StudioContractorBrodson ConstructionProject ManagerACA DevelopmentStructural EngineerSolver Structural PartnershipsCivil EngineerOcean EngineeringMEP EngineeringL. Triana & AssociatesLighting DesignLuxpupoliPhotographerAdam LetchWhat This House Predicts About Miami’s Next Decade of Waterfront Design
Here’s my prediction, and I’m comfortable putting it in writing. Elevated waterfront homes are about to stop looking like a compromise in Miami.
For years, flood-resilient design meant giving something up. Style, usually. Or street presence, or a real sense of arrival. SAOTA’s Sunset Island house argues that none of that has to be true anymore. Elevation can be the design idea itself instead of the obstacle standing in front of one.
I’d sum up the thesis this way: Resilience Without Retreat. Houses near Florida water don’t need to hide from rising seas or pretend the risk isn’t real. They need architects willing to treat flood strategy as a starting point instead of an afterthought bolted on at permitting. Expect more of Miami’s high-end waterfront stock to follow this path over the next several years, especially as insurance costs keep pushing buyers toward homes that are demonstrably built for what’s coming.
Frequently Asked Questions About SAOTA’s Sunset Island House
Where is the SAOTA Sunset Island house located?
The house sits on a canal lot on Sunset Island, a residential island in Miami Beach, Florida.
Why is the main volume of the house elevated?
SAOTA lifted the primary volume to reduce exposure to storm surge and sea-level rise, in line with Miami’s resiliency guidelines for waterfront construction, while also creating privacy from boats passing on the canal.
Who designed the interiors?
Miami-based Parlor Interiors designed the interior palette, working alongside SAOTA’s architectural team to keep the two languages aligned.
What inspired the roof shape?
SAOTA based the roof’s sculptural, sail-like profile on the boating culture of the surrounding canals, without copying literal nautical details.
Who built and managed the project?
Brodson Construction built the house, and ACA Development managed the project through delivery.
Does this design approach work outside Miami?
The underlying idea, treating required elevation as an architectural feature instead of hiding it, applies anywhere flood codes push homes upward: coastal Florida, the Gulf Coast, and even flood-prone parts of the Northeast.
All images © SAOTA. Don’t hesitate to browse WE AND THE COLOR’s Architecture and Interior Design categories for more.
Subscribe to our newsletter!
#architecture #florida #interiorDesign #luxury #Miami #Parlor #SAOTA -
SAOTA’s Flood-Resilient Miami Home Proves Waterfront Design Doesn’t Have to Look Defensive
Many flood-resilient houses in Miami give away their engineering the moment you see them. Blank concrete ground floors. Homes lifted on stilts that look more like parking structures than places to live. SAOTA’s new flood-resilient Miami home on Sunset Island skips all of that, and it’s worth breaking down exactly how the firm pulled it off.
The house sits on a canal lot on Sunset Island, one of Miami Beach’s man-made residential islands, built back when waterfront lots just meant nice views. Now those same lots also mean flood risk, rising insurance costs, and building codes that keep tightening. SAOTA didn’t design around that reality quietly. The firm built the constraint into the architecture itself, and the result actually improves the house instead of apologizing for it.
I’ve spent a lot of time with this project because it’s a genuinely useful case study. Anyone designing near water in Florida, or anywhere sea-level rise is turning into a real design constraint, can learn something from it. So let’s get into how it works.
SAOTA’s Flood-Resilient Miami Home on Sunset IslandWhy Did SAOTA Lift an Entire House Above a Miami Canal?
The short answer is flooding. The longer answer says more about where waterfront architecture is heading.
Miami has spent recent years tightening its rules around canal-front construction. Homes near the water increasingly need to sit above a set flood elevation, often called a freeboard requirement, to account for storm surge and rising water levels. Most architects treat that rule as a problem to solve quietly. Raise the house, hide the mechanics, and move on to the next thing.
SAOTA treated it as a design opportunity instead. The firm elevated the home’s main living volume above the canal, high enough to reduce flood exposure while also blocking sightlines from boats passing by. That second part matters more than it sounds. Canal-front houses in this part of Miami often lose their privacy the moment someone drifts past on a pontoon boat. Lifting the volume solves both problems with a single architectural move.
I call this the Freeboard Aesthetic, my own term for architecture that treats mandatory elevation as a compositional tool instead of a compliance checkbox. Most flood-resilient homes look like they’re bracing for impact. This one doesn’t brace for anything. It just sits above the risk and gets on with being a house.
The L-Shaped Plan That Turns Its Back on the Marina
Not every water view in Miami is worth having. Sunset Island sits close to a busy marina and a cluster of high-rise towers, and neither makes for a peaceful backyard. SAOTA’s floor plan deals with that head-on.
The house follows an L-shaped plan that lifts and pivots the whole structure south-west. That pivot does real work. It points the main living spaces toward calmer water, away from marina traffic and the towers next door. Sightlines get chosen here, not just captured wherever the lot happens to face.
Call it Sightline Diplomacy: a design approach that treats which views you exclude as seriously as which ones you include. Waterfront architecture usually chases the widest possible view and calls it a day. This house is pickier, and it’s better for that choice. The reward is a straight line toward sunset light over the bay, with the downtown Miami skyline sitting quietly in the distance instead of crowding the foreground.
A Sail-Shaped Roof That Actually Means Something
SAOTA gave the house a sail-shaped roof that hovers above the main volume. It’s tempting to read that as a gimmick. Sunset Island is a boating neighborhood, after all, so a nautical roof sounds like an obvious move, maybe even a lazy one.
It works anyway, for a specific reason. The roof doesn’t try to look like a literal sail. It borrows the curve and tension of sailcloth, then translates that into a hovering, sculptural form that defines the house’s silhouette from the water. You can read the reference without the house turning into a costume of itself.
I’d call this the Sail Silhouette Principle: using a site’s cultural geometry, boats in this case, as structural inspiration rather than surface decoration. Plenty of coastal houses bolt on a porthole window and call it nautical. This roof takes the harder route, and it shows in the final result.
Why the Street Facade Gives Away Almost Nothing
Walk up to this house from the street and you won’t see much. That’s deliberate.
SAOTA kept the street-facing facade restrained: off-shutter concrete, white stucco, very few openings. The entry sequence unfolds gradually instead of announcing itself right away. You climb a processional stair, cross a courtyard that blurs the line between inside and outside, and only then get a real sense of the house’s scale.
I’ve started calling this the Discovery Threshold Framework in my own notes: architecture that delays information on purpose instead of front-loading it at the curb. Most luxury homes want you impressed from the driveway. This one wants you curious first, impressed later. It’s actually a more confident move than it looks, because it trusts the sequence to do the persuading instead of the facade doing all the talking.
Parlor Interiors Keeps the Inside Just as Restrained
Miami-based Parlor Interiors handled the interiors, and the palette follows the same logic as the architecture. Tactile materials, a fluid layout, nothing shouting for attention. It reads as a continuation of SAOTA’s language rather than a separate voice competing for space, which is the right call here. Too many architecturally strong houses get undercut by interiors that fight the shell instead of supporting it.
ACA Development managed the project on the delivery side, working alongside the design team to keep construction aligned with the original architectural intent. On a project with this much detail, that alignment is its own quiet achievement.
Who Actually Built the Sunset Island House
Here’s the full project breakdown, since a house like this involves more people than the renderings usually suggest.
RoleStudio / PersonProject NameSunsetLocationSunset Island, Miami, United StatesArchitectureSAOTASAOTA Project TeamMark Bullivant, Edward Peinke, Peter Harel, Anesu Matsinde, Lichumile MonakaliInterior DesignParlor InteriorsClient RepresentativeThe Weber StudioContractorBrodson ConstructionProject ManagerACA DevelopmentStructural EngineerSolver Structural PartnershipsCivil EngineerOcean EngineeringMEP EngineeringL. Triana & AssociatesLighting DesignLuxpupoliPhotographerAdam LetchWhat This House Predicts About Miami’s Next Decade of Waterfront Design
Here’s my prediction, and I’m comfortable putting it in writing. Elevated waterfront homes are about to stop looking like a compromise in Miami.
For years, flood-resilient design meant giving something up. Style, usually. Or street presence, or a real sense of arrival. SAOTA’s Sunset Island house argues that none of that has to be true anymore. Elevation can be the design idea itself instead of the obstacle standing in front of one.
I’d sum up the thesis this way: Resilience Without Retreat. Houses near Florida water don’t need to hide from rising seas or pretend the risk isn’t real. They need architects willing to treat flood strategy as a starting point instead of an afterthought bolted on at permitting. Expect more of Miami’s high-end waterfront stock to follow this path over the next several years, especially as insurance costs keep pushing buyers toward homes that are demonstrably built for what’s coming.
Frequently Asked Questions About SAOTA’s Sunset Island House
Where is the SAOTA Sunset Island house located?
The house sits on a canal lot on Sunset Island, a residential island in Miami Beach, Florida.
Why is the main volume of the house elevated?
SAOTA lifted the primary volume to reduce exposure to storm surge and sea-level rise, in line with Miami’s resiliency guidelines for waterfront construction, while also creating privacy from boats passing on the canal.
Who designed the interiors?
Miami-based Parlor Interiors designed the interior palette, working alongside SAOTA’s architectural team to keep the two languages aligned.
What inspired the roof shape?
SAOTA based the roof’s sculptural, sail-like profile on the boating culture of the surrounding canals, without copying literal nautical details.
Who built and managed the project?
Brodson Construction built the house, and ACA Development managed the project through delivery.
Does this design approach work outside Miami?
The underlying idea, treating required elevation as an architectural feature instead of hiding it, applies anywhere flood codes push homes upward: coastal Florida, the Gulf Coast, and even flood-prone parts of the Northeast.
All images © SAOTA. Don’t hesitate to browse WE AND THE COLOR’s Architecture and Interior Design categories for more.
Subscribe to our newsletter!
#architecture #florida #interiorDesign #luxury #Miami #Parlor #SAOTA -
SAOTA’s Flood-Resilient Miami Home Proves Waterfront Design Doesn’t Have to Look Defensive
Many flood-resilient houses in Miami give away their engineering the moment you see them. Blank concrete ground floors. Homes lifted on stilts that look more like parking structures than places to live. SAOTA’s new flood-resilient Miami home on Sunset Island skips all of that, and it’s worth breaking down exactly how the firm pulled it off.
The house sits on a canal lot on Sunset Island, one of Miami Beach’s man-made residential islands, built back when waterfront lots just meant nice views. Now those same lots also mean flood risk, rising insurance costs, and building codes that keep tightening. SAOTA didn’t design around that reality quietly. The firm built the constraint into the architecture itself, and the result actually improves the house instead of apologizing for it.
I’ve spent a lot of time with this project because it’s a genuinely useful case study. Anyone designing near water in Florida, or anywhere sea-level rise is turning into a real design constraint, can learn something from it. So let’s get into how it works.
SAOTA’s Flood-Resilient Miami Home on Sunset IslandWhy Did SAOTA Lift an Entire House Above a Miami Canal?
The short answer is flooding. The longer answer says more about where waterfront architecture is heading.
Miami has spent recent years tightening its rules around canal-front construction. Homes near the water increasingly need to sit above a set flood elevation, often called a freeboard requirement, to account for storm surge and rising water levels. Most architects treat that rule as a problem to solve quietly. Raise the house, hide the mechanics, and move on to the next thing.
SAOTA treated it as a design opportunity instead. The firm elevated the home’s main living volume above the canal, high enough to reduce flood exposure while also blocking sightlines from boats passing by. That second part matters more than it sounds. Canal-front houses in this part of Miami often lose their privacy the moment someone drifts past on a pontoon boat. Lifting the volume solves both problems with a single architectural move.
I call this the Freeboard Aesthetic, my own term for architecture that treats mandatory elevation as a compositional tool instead of a compliance checkbox. Most flood-resilient homes look like they’re bracing for impact. This one doesn’t brace for anything. It just sits above the risk and gets on with being a house.
The L-Shaped Plan That Turns Its Back on the Marina
Not every water view in Miami is worth having. Sunset Island sits close to a busy marina and a cluster of high-rise towers, and neither makes for a peaceful backyard. SAOTA’s floor plan deals with that head-on.
The house follows an L-shaped plan that lifts and pivots the whole structure south-west. That pivot does real work. It points the main living spaces toward calmer water, away from marina traffic and the towers next door. Sightlines get chosen here, not just captured wherever the lot happens to face.
Call it Sightline Diplomacy: a design approach that treats which views you exclude as seriously as which ones you include. Waterfront architecture usually chases the widest possible view and calls it a day. This house is pickier, and it’s better for that choice. The reward is a straight line toward sunset light over the bay, with the downtown Miami skyline sitting quietly in the distance instead of crowding the foreground.
A Sail-Shaped Roof That Actually Means Something
SAOTA gave the house a sail-shaped roof that hovers above the main volume. It’s tempting to read that as a gimmick. Sunset Island is a boating neighborhood, after all, so a nautical roof sounds like an obvious move, maybe even a lazy one.
It works anyway, for a specific reason. The roof doesn’t try to look like a literal sail. It borrows the curve and tension of sailcloth, then translates that into a hovering, sculptural form that defines the house’s silhouette from the water. You can read the reference without the house turning into a costume of itself.
I’d call this the Sail Silhouette Principle: using a site’s cultural geometry, boats in this case, as structural inspiration rather than surface decoration. Plenty of coastal houses bolt on a porthole window and call it nautical. This roof takes the harder route, and it shows in the final result.
Why the Street Facade Gives Away Almost Nothing
Walk up to this house from the street and you won’t see much. That’s deliberate.
SAOTA kept the street-facing facade restrained: off-shutter concrete, white stucco, very few openings. The entry sequence unfolds gradually instead of announcing itself right away. You climb a processional stair, cross a courtyard that blurs the line between inside and outside, and only then get a real sense of the house’s scale.
I’ve started calling this the Discovery Threshold Framework in my own notes: architecture that delays information on purpose instead of front-loading it at the curb. Most luxury homes want you impressed from the driveway. This one wants you curious first, impressed later. It’s actually a more confident move than it looks, because it trusts the sequence to do the persuading instead of the facade doing all the talking.
Parlor Interiors Keeps the Inside Just as Restrained
Miami-based Parlor Interiors handled the interiors, and the palette follows the same logic as the architecture. Tactile materials, a fluid layout, nothing shouting for attention. It reads as a continuation of SAOTA’s language rather than a separate voice competing for space, which is the right call here. Too many architecturally strong houses get undercut by interiors that fight the shell instead of supporting it.
ACA Development managed the project on the delivery side, working alongside the design team to keep construction aligned with the original architectural intent. On a project with this much detail, that alignment is its own quiet achievement.
Who Actually Built the Sunset Island House
Here’s the full project breakdown, since a house like this involves more people than the renderings usually suggest.
RoleStudio / PersonProject NameSunsetLocationSunset Island, Miami, United StatesArchitectureSAOTASAOTA Project TeamMark Bullivant, Edward Peinke, Peter Harel, Anesu Matsinde, Lichumile MonakaliInterior DesignParlor InteriorsClient RepresentativeThe Weber StudioContractorBrodson ConstructionProject ManagerACA DevelopmentStructural EngineerSolver Structural PartnershipsCivil EngineerOcean EngineeringMEP EngineeringL. Triana & AssociatesLighting DesignLuxpupoliPhotographerAdam LetchWhat This House Predicts About Miami’s Next Decade of Waterfront Design
Here’s my prediction, and I’m comfortable putting it in writing. Elevated waterfront homes are about to stop looking like a compromise in Miami.
For years, flood-resilient design meant giving something up. Style, usually. Or street presence, or a real sense of arrival. SAOTA’s Sunset Island house argues that none of that has to be true anymore. Elevation can be the design idea itself instead of the obstacle standing in front of one.
I’d sum up the thesis this way: Resilience Without Retreat. Houses near Florida water don’t need to hide from rising seas or pretend the risk isn’t real. They need architects willing to treat flood strategy as a starting point instead of an afterthought bolted on at permitting. Expect more of Miami’s high-end waterfront stock to follow this path over the next several years, especially as insurance costs keep pushing buyers toward homes that are demonstrably built for what’s coming.
Frequently Asked Questions About SAOTA’s Sunset Island House
Where is the SAOTA Sunset Island house located?
The house sits on a canal lot on Sunset Island, a residential island in Miami Beach, Florida.
Why is the main volume of the house elevated?
SAOTA lifted the primary volume to reduce exposure to storm surge and sea-level rise, in line with Miami’s resiliency guidelines for waterfront construction, while also creating privacy from boats passing on the canal.
Who designed the interiors?
Miami-based Parlor Interiors designed the interior palette, working alongside SAOTA’s architectural team to keep the two languages aligned.
What inspired the roof shape?
SAOTA based the roof’s sculptural, sail-like profile on the boating culture of the surrounding canals, without copying literal nautical details.
Who built and managed the project?
Brodson Construction built the house, and ACA Development managed the project through delivery.
Does this design approach work outside Miami?
The underlying idea, treating required elevation as an architectural feature instead of hiding it, applies anywhere flood codes push homes upward: coastal Florida, the Gulf Coast, and even flood-prone parts of the Northeast.
All images © SAOTA. Don’t hesitate to browse WE AND THE COLOR’s Architecture and Interior Design categories for more.
Subscribe to our newsletter!
#architecture #florida #interiorDesign #luxury #Miami #Parlor #SAOTA -
SAOTA’s Flood-Resilient Miami Home Proves Waterfront Design Doesn’t Have to Look Defensive
Many flood-resilient houses in Miami give away their engineering the moment you see them. Blank concrete ground floors. Homes lifted on stilts that look more like parking structures than places to live. SAOTA’s new flood-resilient Miami home on Sunset Island skips all of that, and it’s worth breaking down exactly how the firm pulled it off.
The house sits on a canal lot on Sunset Island, one of Miami Beach’s man-made residential islands, built back when waterfront lots just meant nice views. Now those same lots also mean flood risk, rising insurance costs, and building codes that keep tightening. SAOTA didn’t design around that reality quietly. The firm built the constraint into the architecture itself, and the result actually improves the house instead of apologizing for it.
I’ve spent a lot of time with this project because it’s a genuinely useful case study. Anyone designing near water in Florida, or anywhere sea-level rise is turning into a real design constraint, can learn something from it. So let’s get into how it works.
SAOTA’s Flood-Resilient Miami Home on Sunset IslandWhy Did SAOTA Lift an Entire House Above a Miami Canal?
The short answer is flooding. The longer answer says more about where waterfront architecture is heading.
Miami has spent recent years tightening its rules around canal-front construction. Homes near the water increasingly need to sit above a set flood elevation, often called a freeboard requirement, to account for storm surge and rising water levels. Most architects treat that rule as a problem to solve quietly. Raise the house, hide the mechanics, and move on to the next thing.
SAOTA treated it as a design opportunity instead. The firm elevated the home’s main living volume above the canal, high enough to reduce flood exposure while also blocking sightlines from boats passing by. That second part matters more than it sounds. Canal-front houses in this part of Miami often lose their privacy the moment someone drifts past on a pontoon boat. Lifting the volume solves both problems with a single architectural move.
I call this the Freeboard Aesthetic, my own term for architecture that treats mandatory elevation as a compositional tool instead of a compliance checkbox. Most flood-resilient homes look like they’re bracing for impact. This one doesn’t brace for anything. It just sits above the risk and gets on with being a house.
The L-Shaped Plan That Turns Its Back on the Marina
Not every water view in Miami is worth having. Sunset Island sits close to a busy marina and a cluster of high-rise towers, and neither makes for a peaceful backyard. SAOTA’s floor plan deals with that head-on.
The house follows an L-shaped plan that lifts and pivots the whole structure south-west. That pivot does real work. It points the main living spaces toward calmer water, away from marina traffic and the towers next door. Sightlines get chosen here, not just captured wherever the lot happens to face.
Call it Sightline Diplomacy: a design approach that treats which views you exclude as seriously as which ones you include. Waterfront architecture usually chases the widest possible view and calls it a day. This house is pickier, and it’s better for that choice. The reward is a straight line toward sunset light over the bay, with the downtown Miami skyline sitting quietly in the distance instead of crowding the foreground.
A Sail-Shaped Roof That Actually Means Something
SAOTA gave the house a sail-shaped roof that hovers above the main volume. It’s tempting to read that as a gimmick. Sunset Island is a boating neighborhood, after all, so a nautical roof sounds like an obvious move, maybe even a lazy one.
It works anyway, for a specific reason. The roof doesn’t try to look like a literal sail. It borrows the curve and tension of sailcloth, then translates that into a hovering, sculptural form that defines the house’s silhouette from the water. You can read the reference without the house turning into a costume of itself.
I’d call this the Sail Silhouette Principle: using a site’s cultural geometry, boats in this case, as structural inspiration rather than surface decoration. Plenty of coastal houses bolt on a porthole window and call it nautical. This roof takes the harder route, and it shows in the final result.
Why the Street Facade Gives Away Almost Nothing
Walk up to this house from the street and you won’t see much. That’s deliberate.
SAOTA kept the street-facing facade restrained: off-shutter concrete, white stucco, very few openings. The entry sequence unfolds gradually instead of announcing itself right away. You climb a processional stair, cross a courtyard that blurs the line between inside and outside, and only then get a real sense of the house’s scale.
I’ve started calling this the Discovery Threshold Framework in my own notes: architecture that delays information on purpose instead of front-loading it at the curb. Most luxury homes want you impressed from the driveway. This one wants you curious first, impressed later. It’s actually a more confident move than it looks, because it trusts the sequence to do the persuading instead of the facade doing all the talking.
Parlor Interiors Keeps the Inside Just as Restrained
Miami-based Parlor Interiors handled the interiors, and the palette follows the same logic as the architecture. Tactile materials, a fluid layout, nothing shouting for attention. It reads as a continuation of SAOTA’s language rather than a separate voice competing for space, which is the right call here. Too many architecturally strong houses get undercut by interiors that fight the shell instead of supporting it.
ACA Development managed the project on the delivery side, working alongside the design team to keep construction aligned with the original architectural intent. On a project with this much detail, that alignment is its own quiet achievement.
Who Actually Built the Sunset Island House
Here’s the full project breakdown, since a house like this involves more people than the renderings usually suggest.
RoleStudio / PersonProject NameSunsetLocationSunset Island, Miami, United StatesArchitectureSAOTASAOTA Project TeamMark Bullivant, Edward Peinke, Peter Harel, Anesu Matsinde, Lichumile MonakaliInterior DesignParlor InteriorsClient RepresentativeThe Weber StudioContractorBrodson ConstructionProject ManagerACA DevelopmentStructural EngineerSolver Structural PartnershipsCivil EngineerOcean EngineeringMEP EngineeringL. Triana & AssociatesLighting DesignLuxpupoliPhotographerAdam LetchWhat This House Predicts About Miami’s Next Decade of Waterfront Design
Here’s my prediction, and I’m comfortable putting it in writing. Elevated waterfront homes are about to stop looking like a compromise in Miami.
For years, flood-resilient design meant giving something up. Style, usually. Or street presence, or a real sense of arrival. SAOTA’s Sunset Island house argues that none of that has to be true anymore. Elevation can be the design idea itself instead of the obstacle standing in front of one.
I’d sum up the thesis this way: Resilience Without Retreat. Houses near Florida water don’t need to hide from rising seas or pretend the risk isn’t real. They need architects willing to treat flood strategy as a starting point instead of an afterthought bolted on at permitting. Expect more of Miami’s high-end waterfront stock to follow this path over the next several years, especially as insurance costs keep pushing buyers toward homes that are demonstrably built for what’s coming.
Frequently Asked Questions About SAOTA’s Sunset Island House
Where is the SAOTA Sunset Island house located?
The house sits on a canal lot on Sunset Island, a residential island in Miami Beach, Florida.
Why is the main volume of the house elevated?
SAOTA lifted the primary volume to reduce exposure to storm surge and sea-level rise, in line with Miami’s resiliency guidelines for waterfront construction, while also creating privacy from boats passing on the canal.
Who designed the interiors?
Miami-based Parlor Interiors designed the interior palette, working alongside SAOTA’s architectural team to keep the two languages aligned.
What inspired the roof shape?
SAOTA based the roof’s sculptural, sail-like profile on the boating culture of the surrounding canals, without copying literal nautical details.
Who built and managed the project?
Brodson Construction built the house, and ACA Development managed the project through delivery.
Does this design approach work outside Miami?
The underlying idea, treating required elevation as an architectural feature instead of hiding it, applies anywhere flood codes push homes upward: coastal Florida, the Gulf Coast, and even flood-prone parts of the Northeast.
All images © SAOTA. Don’t hesitate to browse WE AND THE COLOR’s Architecture and Interior Design categories for more.
Subscribe to our newsletter!
#architecture #florida #interiorDesign #luxury #Miami #Parlor #SAOTA -
SAOTA’s Flood-Resilient Miami Home Proves Waterfront Design Doesn’t Have to Look Defensive
Many flood-resilient houses in Miami give away their engineering the moment you see them. Blank concrete ground floors. Homes lifted on stilts that look more like parking structures than places to live. SAOTA’s new flood-resilient Miami home on Sunset Island skips all of that, and it’s worth breaking down exactly how the firm pulled it off.
The house sits on a canal lot on Sunset Island, one of Miami Beach’s man-made residential islands, built back when waterfront lots just meant nice views. Now those same lots also mean flood risk, rising insurance costs, and building codes that keep tightening. SAOTA didn’t design around that reality quietly. The firm built the constraint into the architecture itself, and the result actually improves the house instead of apologizing for it.
I’ve spent a lot of time with this project because it’s a genuinely useful case study. Anyone designing near water in Florida, or anywhere sea-level rise is turning into a real design constraint, can learn something from it. So let’s get into how it works.
SAOTA’s Flood-Resilient Miami Home on Sunset IslandWhy Did SAOTA Lift an Entire House Above a Miami Canal?
The short answer is flooding. The longer answer says more about where waterfront architecture is heading.
Miami has spent recent years tightening its rules around canal-front construction. Homes near the water increasingly need to sit above a set flood elevation, often called a freeboard requirement, to account for storm surge and rising water levels. Most architects treat that rule as a problem to solve quietly. Raise the house, hide the mechanics, and move on to the next thing.
SAOTA treated it as a design opportunity instead. The firm elevated the home’s main living volume above the canal, high enough to reduce flood exposure while also blocking sightlines from boats passing by. That second part matters more than it sounds. Canal-front houses in this part of Miami often lose their privacy the moment someone drifts past on a pontoon boat. Lifting the volume solves both problems with a single architectural move.
I call this the Freeboard Aesthetic, my own term for architecture that treats mandatory elevation as a compositional tool instead of a compliance checkbox. Most flood-resilient homes look like they’re bracing for impact. This one doesn’t brace for anything. It just sits above the risk and gets on with being a house.
The L-Shaped Plan That Turns Its Back on the Marina
Not every water view in Miami is worth having. Sunset Island sits close to a busy marina and a cluster of high-rise towers, and neither makes for a peaceful backyard. SAOTA’s floor plan deals with that head-on.
The house follows an L-shaped plan that lifts and pivots the whole structure south-west. That pivot does real work. It points the main living spaces toward calmer water, away from marina traffic and the towers next door. Sightlines get chosen here, not just captured wherever the lot happens to face.
Call it Sightline Diplomacy: a design approach that treats which views you exclude as seriously as which ones you include. Waterfront architecture usually chases the widest possible view and calls it a day. This house is pickier, and it’s better for that choice. The reward is a straight line toward sunset light over the bay, with the downtown Miami skyline sitting quietly in the distance instead of crowding the foreground.
A Sail-Shaped Roof That Actually Means Something
SAOTA gave the house a sail-shaped roof that hovers above the main volume. It’s tempting to read that as a gimmick. Sunset Island is a boating neighborhood, after all, so a nautical roof sounds like an obvious move, maybe even a lazy one.
It works anyway, for a specific reason. The roof doesn’t try to look like a literal sail. It borrows the curve and tension of sailcloth, then translates that into a hovering, sculptural form that defines the house’s silhouette from the water. You can read the reference without the house turning into a costume of itself.
I’d call this the Sail Silhouette Principle: using a site’s cultural geometry, boats in this case, as structural inspiration rather than surface decoration. Plenty of coastal houses bolt on a porthole window and call it nautical. This roof takes the harder route, and it shows in the final result.
Why the Street Facade Gives Away Almost Nothing
Walk up to this house from the street and you won’t see much. That’s deliberate.
SAOTA kept the street-facing facade restrained: off-shutter concrete, white stucco, very few openings. The entry sequence unfolds gradually instead of announcing itself right away. You climb a processional stair, cross a courtyard that blurs the line between inside and outside, and only then get a real sense of the house’s scale.
I’ve started calling this the Discovery Threshold Framework in my own notes: architecture that delays information on purpose instead of front-loading it at the curb. Most luxury homes want you impressed from the driveway. This one wants you curious first, impressed later. It’s actually a more confident move than it looks, because it trusts the sequence to do the persuading instead of the facade doing all the talking.
Parlor Interiors Keeps the Inside Just as Restrained
Miami-based Parlor Interiors handled the interiors, and the palette follows the same logic as the architecture. Tactile materials, a fluid layout, nothing shouting for attention. It reads as a continuation of SAOTA’s language rather than a separate voice competing for space, which is the right call here. Too many architecturally strong houses get undercut by interiors that fight the shell instead of supporting it.
ACA Development managed the project on the delivery side, working alongside the design team to keep construction aligned with the original architectural intent. On a project with this much detail, that alignment is its own quiet achievement.
Who Actually Built the Sunset Island House
Here’s the full project breakdown, since a house like this involves more people than the renderings usually suggest.
RoleStudio / PersonProject NameSunsetLocationSunset Island, Miami, United StatesArchitectureSAOTASAOTA Project TeamMark Bullivant, Edward Peinke, Peter Harel, Anesu Matsinde, Lichumile MonakaliInterior DesignParlor InteriorsClient RepresentativeThe Weber StudioContractorBrodson ConstructionProject ManagerACA DevelopmentStructural EngineerSolver Structural PartnershipsCivil EngineerOcean EngineeringMEP EngineeringL. Triana & AssociatesLighting DesignLuxpupoliPhotographerAdam LetchWhat This House Predicts About Miami’s Next Decade of Waterfront Design
Here’s my prediction, and I’m comfortable putting it in writing. Elevated waterfront homes are about to stop looking like a compromise in Miami.
For years, flood-resilient design meant giving something up. Style, usually. Or street presence, or a real sense of arrival. SAOTA’s Sunset Island house argues that none of that has to be true anymore. Elevation can be the design idea itself instead of the obstacle standing in front of one.
I’d sum up the thesis this way: Resilience Without Retreat. Houses near Florida water don’t need to hide from rising seas or pretend the risk isn’t real. They need architects willing to treat flood strategy as a starting point instead of an afterthought bolted on at permitting. Expect more of Miami’s high-end waterfront stock to follow this path over the next several years, especially as insurance costs keep pushing buyers toward homes that are demonstrably built for what’s coming.
Frequently Asked Questions About SAOTA’s Sunset Island House
Where is the SAOTA Sunset Island house located?
The house sits on a canal lot on Sunset Island, a residential island in Miami Beach, Florida.
Why is the main volume of the house elevated?
SAOTA lifted the primary volume to reduce exposure to storm surge and sea-level rise, in line with Miami’s resiliency guidelines for waterfront construction, while also creating privacy from boats passing on the canal.
Who designed the interiors?
Miami-based Parlor Interiors designed the interior palette, working alongside SAOTA’s architectural team to keep the two languages aligned.
What inspired the roof shape?
SAOTA based the roof’s sculptural, sail-like profile on the boating culture of the surrounding canals, without copying literal nautical details.
Who built and managed the project?
Brodson Construction built the house, and ACA Development managed the project through delivery.
Does this design approach work outside Miami?
The underlying idea, treating required elevation as an architectural feature instead of hiding it, applies anywhere flood codes push homes upward: coastal Florida, the Gulf Coast, and even flood-prone parts of the Northeast.
All images © SAOTA. Don’t hesitate to browse WE AND THE COLOR’s Architecture and Interior Design categories for more.
Subscribe to our newsletter!
#architecture #florida #interiorDesign #luxury #Miami #Parlor #SAOTA -
Econergy has launched commercial operations at its 70 MW/141 MWh Părău 1 battery project in Romania, paired with an existing 92 MW solar plant to create a 162 MW hybrid site.#Batteries #EnergyStorage #Europe #Highlights
Merchant BESS switched on at operational solar site in Romania - pv magazine Global -
Econergy has launched commercial operations at its 70 MW/141 MWh Părău 1 battery project in Romania, paired with an existing 92 MW solar plant to create a 162 MW hybrid site.#Batteries #EnergyStorage #Europe #Highlights
Merchant BESS switched on at operational solar site in Romania - pv magazine Global -
Econergy has launched commercial operations at its 70 MW/141 MWh Părău 1 battery project in Romania, paired with an existing 92 MW solar plant to create a 162 MW hybrid site.#Batteries #EnergyStorage #Europe #Highlights
Merchant BESS switched on at operational solar site in Romania - pv magazine Global -
Where Was the Light Measured? NuYOU360 Publishes Its Irradiance Testing Positions and Asks the Red Light Therapy Industry to Do the Same
“An irradiance number with no measurement position attached is not a specification. It is decoration. When a company will not tell you where it measured, that silence is not sophistication — it is strategy.” — Dora Tzotchevska, Founder and CEO, NuYOU360 Ventures LLC NuYOU360 Ventures LLC has published the testing conditions behind every irradiance figure it advertises, including the measurement position on the worn face, and is calling on at-home light therapy brands to disclose the same.
https://www.webanditnews.com/b/11eZ?utm_source=mastodon&utm_medium=jetpack_social
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Minister of Coin is crying in his 75 year Mc Callan after learning that Dismal WIzard had ordered an Apple Watch Series 12 natural titanium tick-tock with natural Milanese loop band.
The new watch includes cellular radio and improved health sensors. Most everything measured is improved. It also has the wide range accelerometers needed for fall detection. Health reporting has been improved also.
After an outbreak of falls among the elderly relations and a couple of my own face plants about the garden, I wanted to update to an Apple Watch having cell service so it could call for help away from its parent iPhone.
Discount carrier US Mobile offers Apple Watch service on at least one of its nets. (It has 3 on ATT, T-Mobile, and Verizon).
Apple has a watch configuration that stands alone with its own mobile number. It can be set up for communications with the kinder when something comes up at school. Without need for a distracting full-featured iPhone with the kid.
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Minister of Coin is crying in his 75 year Mc Callan after learning that Dismal WIzard had ordered an Apple Watch Series 12 natural titanium tick-tock with natural Milanese loop band.
The new watch includes cellular radio and improved health sensors. Most everything measured is improved. It also has the wide range accelerometers needed for fall detection. Health reporting has been improved also.
After an outbreak of falls among the elderly relations and a couple of my own face plants about the garden, I wanted to update to an Apple Watch having cell service so it could call for help away from its parent iPhone.
Discount carrier US Mobile offers Apple Watch service on at least one of its nets. (It has 3 on ATT, T-Mobile, and Verizon).
Apple has a watch configuration that stands alone with its own mobile number. It can be set up for communications with the kinder when something comes up at school. Without need for a distracting full-featured iPhone with the kid.
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2026 50/90 Challenge Day 69/90
I often start these recap posts with a warning that golly gee-willickers I can’t seem to remember everything I did yesterday… and then I write everything I did exactly. Today… I honestly can’t remember exactly what I did last night. I know I took song number 57 and finished the structure as well as the bass and drums. When I started it was just two little eight bar bass licks. Now it has a full song form and is ready for me to figure out rhythm guitar parts.
Other than that? I know I replaced a drummer track on at least one song, but I thought I did 2-3 songs. If I did more than just the one then I failed to update my trello board because while I am sure I fixed at least two songs the trello board says I only fixed one. Damn it. I’m usually way better at this sort of thing.
Spoiler alert for tomorrow, something happened to me today that hasn’t happened in forever… maybe since the Carter administration*!
I broke a string!
*Know that I am exaggerating a little when I say I haven’t broken a string since the Carter administration. Especially since Jimmy left office in January of 1981 and I didn’t start playing guitar until May of 1986. Suffice to say though, it’s been a really long time since I broke a string. What’s more, I broke an A string, not the little skinny high E… I broke the A… as in a big heavy steal wound sucker. Crazy.
#5090 #Guitar #Music #Recording #Songwriting -
2026 50/90 Challenge Day 69/90
I often start these recap posts with a warning that golly gee-willickers I can’t seem to remember everything I did yesterday… and then I write everything I did exactly. Today… I honestly can’t remember exactly what I did last night. I know I took song number 57 and finished the structure as well as the bass and drums. When I started it was just two little eight bar bass licks. Now it has a full song form and is ready for me to figure out rhythm guitar parts.
Other than that? I know I replaced a drummer track on at least one song, but I thought I did 2-3 songs. If I did more than just the one then I failed to update my trello board because while I am sure I fixed at least two songs the trello board says I only fixed one. Damn it. I’m usually way better at this sort of thing.
Spoiler alert for tomorrow, something happened to me today that hasn’t happened in forever… maybe since the Carter administration*!
I broke a string!
*Know that I am exaggerating a little when I say I haven’t broken a string since the Carter administration. Especially since Jimmy left office in January of 1981 and I didn’t start playing guitar until May of 1986. Suffice to say though, it’s been a really long time since I broke a string. What’s more, I broke an A string, not the little skinny high E… I broke the A… as in a big heavy steal wound sucker. Crazy.
#5090 #Guitar #Music #Recording #Songwriting -
2026 50/90 Challenge Day 69/90
I often start these recap posts with a warning that golly gee-willickers I can’t seem to remember everything I did yesterday… and then I write everything I did exactly. Today… I honestly can’t remember exactly what I did last night. I know I took song number 57 and finished the structure as well as the bass and drums. When I started it was just two little eight bar bass licks. Now it has a full song form and is ready for me to figure out rhythm guitar parts.
Other than that? I know I replaced a drummer track on at least one song, but I thought I did 2-3 songs. If I did more than just the one then I failed to update my trello board because while I am sure I fixed at least two songs the trello board says I only fixed one. Damn it. I’m usually way better at this sort of thing.
Spoiler alert for tomorrow, something happened to me today that hasn’t happened in forever… maybe since the Carter administration*!
I broke a string!
*Know that I am exaggerating a little when I say I haven’t broken a string since the Carter administration. Especially since Jimmy left office in January of 1981 and I didn’t start playing guitar until May of 1986. Suffice to say though, it’s been a really long time since I broke a string. What’s more, I broke an A string, not the little skinny high E… I broke the A… as in a big heavy steal wound sucker. Crazy.
#5090 #Guitar #Music #Recording #Songwriting -
2026 50/90 Challenge Day 69/90
I often start these recap posts with a warning that golly gee-willickers I can’t seem to remember everything I did yesterday… and then I write everything I did exactly. Today… I honestly can’t remember exactly what I did last night. I know I took song number 57 and finished the structure as well as the bass and drums. When I started it was just two little eight bar bass licks. Now it has a full song form and is ready for me to figure out rhythm guitar parts.
Other than that? I know I replaced a drummer track on at least one song, but I thought I did 2-3 songs. If I did more than just the one then I failed to update my trello board because while I am sure I fixed at least two songs the trello board says I only fixed one. Damn it. I’m usually way better at this sort of thing.
Spoiler alert for tomorrow, something happened to me today that hasn’t happened in forever… maybe since the Carter administration*!
I broke a string!
*Know that I am exaggerating a little when I say I haven’t broken a string since the Carter administration. Especially since Jimmy left office in January of 1981 and I didn’t start playing guitar until May of 1986. Suffice to say though, it’s been a really long time since I broke a string. What’s more, I broke an A string, not the little skinny high E… I broke the A… as in a big heavy steal wound sucker. Crazy.
#5090 #Guitar #Music #Recording #Songwriting
