#specialtyrecordpressing — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #specialtyrecordpressing, aggregated by home.social.
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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The Cars, Panorama, 1980 on Elektra
This was the third studio LP from Boston band The Cars, situated between Candy-O and Shake It Up. Includes "Touch and Go." An underappreciated album in The Cars' discography: seen by critics as a let down and not as commercial successful as the one before or after. I like it though - more experimental, more ambitious - trying on different sounds. Sort of an alternate universe in which they went more alternative. Not the first Cars LP you should buy, but worth being in your collection if […]https://goatless.org/2026/05/13/the-cars-panorama-1980-on-elektra
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Bob Dylan, Planet Waves, 1974 on Asylum
Dylan’s first album after leaving Columbia for Asylum Records, with The Band as the backing group, and his fourteenth overall. (The only other was Before the Flood – both were later reissued by Columbia).
Includes not one but two version of “Forever Young” – fast and slow – along with “Going, Going, Gone” and “On a Night Like This.” Recorded in LA at Village Recorder and produced by Rob Fraboni.
My copy—via Electric Fetus in Minneapolis MN—is a Speciality Records pressing with the textured sleeve on Asylum labels.
#1970s #1974 #Asylum #BobDylan #ElectricFetus #GarthHudson #LevonHelm #MinneapolisMN #RichardManuel #RickDanko #RobbieRobertson #SpecialtyRecordPressing #vinyl #vinylcollection #vinylfinds -
Michelle Shocked, Captain Swing, 1989 on Mercury
This was Shocked’s third LP and the follow up to the massively successful Short Sharp Shocked which came out in 1988. It’s (deliberately) all over the place in genre but wonderful.
The “hidden” track is also present on the vinyl – “Russian Roulette” is not listed on the labels but plays after “Must Be Luff.”
My copy—via the Worcester Record Riot—is a Specialty Records pressing on Mercury labels.
#1980s #1989 #mercury #michelleShocked #specialtyRecordPressing #vinyl #vinylcollection #vinylfinds #worcesterMa #worcesterRecordRiot
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a-ha, Hunting High and Low, 1985 on Warner Bros.
Debut album from Norway’s a-ha, fronted by Morten Harket, with Magne Furuholmen and Pål Waaktaar-Savoy.
“Take On Me” with its animated video is the song everyone knows, but there’s a lot of great songs in the record (and their other records!). Definitely more than a one-hit wonder.
My copy—via A1 Records in NYC—is a 1985 pressing by Speciality for the RCA Music Service, as per the additional “R 114779” catalogue number on the labels and the additional “Mfd. By RCA Music Service under License” on the back.
#1980s #1985 #aHa #A1Records #Norway #NYC #RCAMusicService #SpecialtyRecordPressing #vinyl #vinylcollection #vinylfinds #WarnerBrothers
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a-ha, Hunting High and Low, 1985 on Warner Bros.
Debut album from Norway’s a-ha, fronted by Morten Harket, with Magne Furuholmen and Pål Waaktaar-Savoy.
“Take On Me” with its animated video is the song everyone knows, but there’s a lot of great songs in the record (and their other records!). Definitely more than a one-hit wonder.
My copy—via A1 Records in NYC—is a 1985 pressing by Speciality for the RCA Music Service, as per the additional “R 114779” catalogue number on the labels and the additional “Mfd. By RCA Music Service under License” on the back.
#1980s #1985 #aHa #A1Records #Norway #NYC #RCAMusicService #SpecialtyRecordPressing #vinyl #vinylcollection #vinylfinds #WarnerBrothers