#photocomposition — Public Fediverse posts

keadamander (@[email protected])

https://pixelfed.social/p/keadamander/984501481868872905

> Orange Canopy #photography #helios #helios44 #helios44m #UmbrellaArt #OrangeAesthetic #UrbanPhotography #ArchitecturePhotography #AbstractPhotography #GeometricPhotography #PatternPhotography #ColorPhotography #CreativePhotography #VisualRhythm #UrbanDetails #MinimalMood #PhotoComposition #FineArtPhotography #StreetPhotography

keadamander (@[email protected])

https://pixelfed.social/p/keadamander/984501481868872905

> Orange Canopy #photography #helios #helios44 #helios44m #UmbrellaArt #OrangeAesthetic #UrbanPhotography #ArchitecturePhotography #AbstractPhotography #GeometricPhotography #PatternPhotography #ColorPhotography #CreativePhotography #VisualRhythm #UrbanDetails #MinimalMood #PhotoComposition #FineArtPhotography #StreetPhotography

keadamander (@[email protected])

https://pixelfed.social/p/keadamander/984501481868872905

> Orange Canopy #photography #helios #helios44 #helios44m #UmbrellaArt #OrangeAesthetic #UrbanPhotography #ArchitecturePhotography #AbstractPhotography #GeometricPhotography #PatternPhotography #ColorPhotography #CreativePhotography #VisualRhythm #UrbanDetails #MinimalMood #PhotoComposition #FineArtPhotography #StreetPhotography

keadamander (@[email protected])

https://pixelfed.social/p/keadamander/984501481868872905

> Orange Canopy #photography #helios #helios44 #helios44m #UmbrellaArt #OrangeAesthetic #UrbanPhotography #ArchitecturePhotography #AbstractPhotography #GeometricPhotography #PatternPhotography #ColorPhotography #CreativePhotography #VisualRhythm #UrbanDetails #MinimalMood #PhotoComposition #FineArtPhotography #StreetPhotography

keadamander (@[email protected])

https://pixelfed.social/p/keadamander/984501481868872905

> Orange Canopy #photography #helios #helios44 #helios44m #UmbrellaArt #OrangeAesthetic #UrbanPhotography #ArchitecturePhotography #AbstractPhotography #GeometricPhotography #PatternPhotography #ColorPhotography #CreativePhotography #VisualRhythm #UrbanDetails #MinimalMood #PhotoComposition #FineArtPhotography #StreetPhotography

Partly because of our #MetaPost workshop of next week at #AutomaticType #anrt @ANRT https://automatic-type-design.anrt-nancy.fr with @Ludi @eugbidaut @AntoineGelgon I'm reading an old brochure on (the always incredibly rich) archive.org about the "#Compugraphic Modular Composition System"
https://ia801000.us.archive.org/29/items/bitsavers_compugraphphicModularCompositionSystemBrochure_14979239/Compugraphic_Modular_Composition_System_Brochure_text.pdf
#photocomposition #typography
(lot of text in the alt of pictures)
According to the Compugraphic page on wikipedia "Following the success of the EditWriter, Compugraphic introduced [somewhere in the 70's] the Modular Composition System, known as the "MCS". The entire system was modular, including the software, which was delivered on 5" floppy disks. As the product matured, a "#WYSIWYG" (what-you-see-is-what-you-get) display was added (the PreView) so that a user could see a "soft" view of a job before it was typeset. This was followed up by the PowerView whereby the user worked directly on a "WYSIWYG" display. The MCS was a huge success, and also marked a change in technology from 8bit to 16bit (Intel 8086) cpu hardware."

Partly because of our #MetaPost workshop of next week at #AutomaticType #anrt @ANRT https://automatic-type-design.anrt-nancy.fr with @Ludi @eugbidaut @AntoineGelgon I'm reading an old brochure on (the always incredibly rich) archive.org about the "#Compugraphic Modular Composition System"
https://ia801000.us.archive.org/29/items/bitsavers_compugraphphicModularCompositionSystemBrochure_14979239/Compugraphic_Modular_Composition_System_Brochure_text.pdf
#photocomposition #typography
(lot of text in the alt of pictures)
According to the Compugraphic page on wikipedia "Following the success of the EditWriter, Compugraphic introduced [somewhere in the 70's] the Modular Composition System, known as the "MCS". The entire system was modular, including the software, which was delivered on 5" floppy disks. As the product matured, a "#WYSIWYG" (what-you-see-is-what-you-get) display was added (the PreView) so that a user could see a "soft" view of a job before it was typeset. This was followed up by the PowerView whereby the user worked directly on a "WYSIWYG" display. The MCS was a huge success, and also marked a change in technology from 8bit to 16bit (Intel 8086) cpu hardware."

Partly because of our #MetaPost workshop of next week at #AutomaticTypo https://automatic-type-design.anrt-nancy.fr with @Ludi @eugbidaut @AntoineGelgon I'm reading an old brochure on (the always incredibly rich) archive.org about the "#Compugraphic Modular Composition System"
https://ia801000.us.archive.org/29/items/bitsavers_compugraphphicModularCompositionSystemBrochure_14979239/Compugraphic_Modular_Composition_System_Brochure_text.pdf
#photocomposition #typography
(lot of text in the alt of pictures)
According to the Compugraphic page on wikipedia "Following the success of the EditWriter, Compugraphic introduced [somewhere in the 70's] the Modular Composition System, known as the "MCS". The entire system was modular, including the software, which was delivered on 5" floppy disks. As the product matured, a "#WYSIWYG" (what-you-see-is-what-you-get) display was added (the PreView) so that a user could see a "soft" view of a job before it was typeset. This was followed up by the PowerView whereby the user worked directly on a "WYSIWYG" display. The MCS was a huge success, and also marked a change in technology from 8bit to 16bit (Intel 8086) cpu hardware."

Partly because of our #MetaPost workshop of next week at #AutomaticType #anrt @ANRT https://automatic-type-design.anrt-nancy.fr with @Ludi @eugbidaut @AntoineGelgon I'm reading an old brochure on (the always incredibly rich) archive.org about the "#Compugraphic Modular Composition System"
https://ia801000.us.archive.org/29/items/bitsavers_compugraphphicModularCompositionSystemBrochure_14979239/Compugraphic_Modular_Composition_System_Brochure_text.pdf
#photocomposition #typography
(lot of text in the alt of pictures)
According to the Compugraphic page on wikipedia "Following the success of the EditWriter, Compugraphic introduced [somewhere in the 70's] the Modular Composition System, known as the "MCS". The entire system was modular, including the software, which was delivered on 5" floppy disks. As the product matured, a "#WYSIWYG" (what-you-see-is-what-you-get) display was added (the PreView) so that a user could see a "soft" view of a job before it was typeset. This was followed up by the PowerView whereby the user worked directly on a "WYSIWYG" display. The MCS was a huge success, and also marked a change in technology from 8bit to 16bit (Intel 8086) cpu hardware."

Partly because of our #MetaPost workshop of next week at #AutomaticType #anrt @ANRT https://automatic-type-design.anrt-nancy.fr with @Ludi @eugbidaut @AntoineGelgon I'm reading an old brochure on (the always incredibly rich) archive.org about the "#Compugraphic Modular Composition System"
https://ia801000.us.archive.org/29/items/bitsavers_compugraphphicModularCompositionSystemBrochure_14979239/Compugraphic_Modular_Composition_System_Brochure_text.pdf
#photocomposition #typography
(lot of text in the alt of pictures)
According to the Compugraphic page on wikipedia "Following the success of the EditWriter, Compugraphic introduced [somewhere in the 70's] the Modular Composition System, known as the "MCS". The entire system was modular, including the software, which was delivered on 5" floppy disks. As the product matured, a "#WYSIWYG" (what-you-see-is-what-you-get) display was added (the PreView) so that a user could see a "soft" view of a job before it was typeset. This was followed up by the PowerView whereby the user worked directly on a "WYSIWYG" display. The MCS was a huge success, and also marked a change in technology from 8bit to 16bit (Intel 8086) cpu hardware."

ERRE - Photographisme

While walking on the Highline, I noticed the sweeping, organic curves of the benches and how the armrests created frames within frames. I wanted to capture this in an interesting way. Next time, rather than focusing on the organic path leading inward within the frame, I’d like to find a subject that could be framed by it, letting the frames complement the subject rather than being the focus themselves. #HighlineNYC #StreetPhotography #ArtInEveryday #PhotoComposition #NYCPhotography #PublicSpaces

While walking on the Highline, I noticed the sweeping, organic curves of the benches and how the armrests created frames within frames. I wanted to capture this in an interesting way. Next time, rather than focusing on the organic path leading inward within the frame, I’d like to find a subject that could be framed by it, letting the frames complement the subject rather than being the focus themselves. #HighlineNYC #StreetPhotography #ArtInEveryday #PhotoComposition #NYCPhotography #PublicSpaces

While walking on the Highline, I noticed the sweeping, organic curves of the benches and how the armrests created frames within frames. I wanted to capture this in an interesting way. Next time, rather than focusing on the organic path leading inward within the frame, I’d like to find a subject that could be framed by it, letting the frames complement the subject rather than being the focus themselves. #HighlineNYC #StreetPhotography #ArtInEveryday #PhotoComposition #NYCPhotography #PublicSpaces

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

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#sciencefiction #midjourney #photocomposition #gimp

#streetart #pixelart #NuancesDeGris #Paris #VictorHugo #Tribute #Hommage

1/3

En arrivant sur la place des Vosges, dans le 3ème, on est accueilli par cet étonnante représentation du visage de Victor Hugo.
Pour la petite histoire, sa maison/musée est à moins de 200m.

Ce qui me bluffe, chaque fois que je passe devant cette œuvre, depuis au moins 6 ans, qu'elle est là, c'est qu'en s'approchant, on distingue bien un travail de "pixelisation", "pointillisme", or quoi-la-baise-tu-appelles-le.

Mon grand-père avait une imprimerie dans les 70's, je me souviens de ce genre de vue quand il est passé à la #photocomposition