#new-order — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #new-order, aggregated by home.social.
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#NowPlaying #MondayCovers #NewOrder
#CobraVerde - "Temptation" (2005)
oh you've got green eyes
oh you've got blue eyes
oh you've got grey eyes -
🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 Bizarre Love Trianglehttps://waldodj.bandcamp.com/track/new-order-bizarre-love-triangle-waldo-edit-2022
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🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 Bizarre Love Trianglehttps://waldodj.bandcamp.com/track/new-order-bizarre-love-triangle-waldo-edit-2022
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🇺🇦 #NowPlaying on #BBC6Music's #CraigCharles
New Order:
🎵 World In Motionhttps://hotpiscis.bandcamp.com/track/new-order-world-in-motion-hot-piscis-re-touch
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🇺🇦 #NowPlaying on #BBC6Music's #CraigCharles
New Order:
🎵 World In Motionhttps://hotpiscis.bandcamp.com/track/new-order-world-in-motion-hot-piscis-re-touch
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All right, time to go to bed. Nope, I'm not going to wake up at 4 a.m. (I didn't even do it last night) but I'm leaving you with this (ignore the super tacky video, and enjoy one of the best songs about football ever):
youtu.be/Re4aDJL3heA?...
#music #NewOrder #FIFAWorldCup #England
New Order - World In Motion (O... -
All right, time to go to bed. Nope, I'm not going to wake up at 4 a.m. (I didn't even do it last night) but I'm leaving you with this (ignore the super tacky video, and enjoy one of the best songs about football ever):
youtu.be/Re4aDJL3heA?...
#music #NewOrder #FIFAWorldCup #England
New Order - World In Motion (O... -
All right, time to go to bed. Nope, I'm not going to wake up at 4 a.m. (I didn't even do it last night) but I'm leaving you with this (ignore the super tacky video, and enjoy one of the best songs about football ever):
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All right, time to go to bed. Nope, I'm not going to wake up at 4 a.m. (I didn't even do it last night) but I'm leaving you with this (ignore the super tacky video, and enjoy one of the best songs about football ever):
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Hit That Perfect Beat: The London Records Story – an awesome compilation of pop and indie rock songs of the ’80s and ’90s
I haven’t received a compilation CD to review in quite a while. The digital nature of music distribution today means most of my sampling of what’s new on the music scene – including the release of reissues and anniversary issues of classic albums – is pretty much all done online. So it was nice to receive a copy of the CD compilation Hit That Perfect Beat: The London Records Story – an engaging collection of songs that highlights the remarkable breadth of London Records during the 1980s and 1990s. Finally, a quality CD I can play in my car!
Scanning the tracklisting of this double-disc set and you might be surprised by the sheer diversity of artists who were on the London Records label. From Bananarama to Bronski Beat, All Saints to New Order, every genre of the times – from pop to early EDM – makes an appearance.
A lot of these songs I’ve heard before, of course, most of them actually, and it’s so good to hear them again, seemingly mastered so that I’m hearing subtle nuances that I didn’t pick up when they were first heard. Blancmange’s Living On The Ceiling kicks the proceedings off and the version of that song alone reveals beeps and buzzes I’d not picked up on previously. Bananarama’s Cruel Summer follows – a pop classic if ever there was one. And then everything Jimmy Somerville has touched appears to follow – LGBT-proud anthems by Bronski Beat, absolute grooves by the Communards, and even a Somerville solo single. You might suspect, actually, that Jimmy had shares in the production of this compilation, his vocals appear so regularly.
Then there are the huge hits – like Fine Young Cannibals’ She Drives Me Crazy; Armand van Helden’s You Don’t Know Me (a massive one in the clubs that one was); Shakespears Sister’s You’re History, All Saints’ Never Ever, and Sugarbabes’ Overload.
And if the songs themselves don’t seem like they’ve left a major mark on the pop and indie maps, the artists certainly do. New Order’s Regret kicks off CD two with that guitar riff, and while it wasn’t as big a hit as, say, Bizarre Love Triangle or the band’s legendary Blue Monday, it has all the hallmarks of a New Order classic and it’s a nice surprise to see on here (I had forgotten the band had links to London Records). Then there’s Happy Mondays’ rave favourite Stinkin’ Thinkin’; Echo And The Bunnymen’s dream pop gem Nothing Lasts Forever; Gay Dad’s alt-rock ode To Earth With Love; and Dannii Minogue’s classic club staple I Begin To Wonder. Even without Dead Or Alive’s You Spin Me Round Like A Record – which features on an alternative version of that latter song, it’s still a good, hooky number that sits nicely amid the broad artistry here.
That sheer diversity of London Records artists also meant artists were free to move around, test the solo life, move into other fields. It’s because of the chilled vibe of the label that lead singer of Fine Young Cannibals, Roland Gift, was able to go do runway work for big designer labels; why Siobhan Faye of Bananarama was given the chance to move on from her bubblegum blonde roots and into darker, gothic-romantic territory as half of Shakespears Sister (their name taken from a Smiths song, the apostrophe and letter ‘e’ purposely missing); why the Mike Flower Pops were allowed to absolutely crucify Oasis’ sacred Wonderwall (that’s on here, too).
The London Records Story moves confidently through synth-pop, nu-wave, indie rock, dance, electronica, ska, and other alternative sounds, demonstrating how the label consistently embraced artists who reflected bold and changing musical trends.
Familiar hits sit comfortably alongside deeper cuts, making the collection appealing to both casual listeners and longtime fans.
The sequencing keeps the energy flowing, with polished pop anthems giving way to club classics and guitar-driven tracks that capture the evolving tastes of two transformative decades. The mastering is generally strong, allowing songs from different years to coexist without sounding jarring. More importantly, the compilation illustrates how London Records balanced commercial success with artistic ambition, signing acts that often influenced the direction of popular music, not merely followed it.
As a summary of the 1980s and 1990s, however, it is best viewed through the lens of one label rather than as a complete portrait of either era. What this compilation does well is capture many defining styles and moods but inevitably omitting major movements and artists released elsewhere (not much New Romantic on here, put it that way). Even so, it succeeds as a vivid snapshot of its catalogue and an enjoyable journey through two decades of memorable music.
A great double-disc set that’s still regularly rotating on the car stereo.
‘Hit That Perfect Beat: The London Records Story’ is available on CD and in digital format through London Records (naturally).
The label also presents a beaut podcast which you can subscribe to here.
Curating the Ultimate Luxury Weekend Getaway in the Heart of Sydney
Still loving this track.
Hands in the air for a ‘Romy and Michele’ movie sequel is finally in production
Rate this:
#AllSaints #ANTONINOTATI #bananarama #BREATHE #breatheRedux #bronskiBeat #communards #compilationAlbums #compilationCds #CREAMMAGAZINE #DanniiMinogue #e #echoAndTheBunnymen #happyMondays #hitThatPerfectBeat #indiePop #indieRock #jimmySomerville #londonRecords #marcellaDetroit #MUSIC #musicReviews #newOrder #POPCULTURE #popMusic #popReviews #REVIEWS #shakespearsSister #siobhanFahey -
Hit That Perfect Beat: The London Records Story – an awesome compilation of pop and indie rock songs of the ’80s and ’90s
I haven’t received a compilation CD to review in quite a while. The digital nature of music distribution today means most of my sampling of what’s new on the music scene – including the release of reissues and anniversary issues of classic albums – is pretty much all done online. So it was nice to receive a copy of the CD compilation Hit That Perfect Beat: The London Records Story – an engaging collection of songs that highlights the remarkable breadth of London Records during the 1980s and 1990s. Finally, a quality CD I can play in my car!
Scanning the tracklisting of this double-disc set and you might be surprised by the sheer diversity of artists who were on the London Records label. From Bananarama to Bronski Beat, All Saints to New Order, every genre of the times – from pop to early EDM – makes an appearance.
A lot of these songs I’ve heard before, of course, most of them actually, and it’s so good to hear them again, seemingly mastered so that I’m hearing subtle nuances that I didn’t pick up when they were first heard. Blancmange’s Living On The Ceiling kicks the proceedings off and the version of that song alone reveals beeps and buzzes I’d not picked up on previously. Bananarama’s Cruel Summer follows – a pop classic if ever there was one. And then everything Jimmy Somerville has touched appears to follow – LGBT-proud anthems by Bronski Beat, absolute grooves by the Communards, and even a Somerville solo single. You might suspect, actually, that Jimmy had shares in the production of this compilation, his vocals appear so regularly.
Then there are the huge hits – like Fine Young Cannibals’ She Drives Me Crazy; Armand van Helden’s You Don’t Know Me (a massive one in the clubs that one was); Shakespears Sister’s You’re History, All Saints’ Never Ever, and Sugarbabes’ Overload.
And if the songs themselves don’t seem like they’ve left a major mark on the pop and indie maps, the artists certainly do. New Order’s Regret kicks off CD two with that guitar riff, and while it wasn’t as big a hit as, say, Bizarre Love Triangle or the band’s legendary Blue Monday, it has all the hallmarks of a New Order classic and it’s a nice surprise to see on here (I had forgotten the band had links to London Records). Then there’s Happy Mondays’ rave favourite Stinkin’ Thinkin’; Echo And The Bunnymen’s dream pop gem Nothing Lasts Forever; Gay Dad’s alt-rock ode To Earth With Love; and Dannii Minogue’s classic club staple I Begin To Wonder. Even without Dead Or Alive’s You Spin Me Round Like A Record – which features on an alternative version of that latter song, it’s still a good, hooky number that sits nicely amid the broad artistry here.
That sheer diversity of London Records artists also meant artists were free to move around, test the solo life, move into other fields. It’s because of the chilled vibe of the label that lead singer of Fine Young Cannibals, Roland Gift, was able to go do runway work for big designer labels; why Siobhan Faye of Bananarama was given the chance to move on from her bubblegum blonde roots and into darker, gothic-romantic territory as half of Shakespears Sister (their name taken from a Smiths song, the apostrophe and letter ‘e’ purposely missing); why the Mike Flower Pops were allowed to absolutely crucify Oasis’ sacred Wonderwall (that’s on here, too).
The London Records Story moves confidently through synth-pop, nu-wave, indie rock, dance, electronica, ska, and other alternative sounds, demonstrating how the label consistently embraced artists who reflected bold and changing musical trends.
Familiar hits sit comfortably alongside deeper cuts, making the collection appealing to both casual listeners and longtime fans.
The sequencing keeps the energy flowing, with polished pop anthems giving way to club classics and guitar-driven tracks that capture the evolving tastes of two transformative decades. The mastering is generally strong, allowing songs from different years to coexist without sounding jarring. More importantly, the compilation illustrates how London Records balanced commercial success with artistic ambition, signing acts that often influenced the direction of popular music, not merely followed it.
As a summary of the 1980s and 1990s, however, it is best viewed through the lens of one label rather than as a complete portrait of either era. What this compilation does well is capture many defining styles and moods but inevitably omitting major movements and artists released elsewhere (not much New Romantic on here, put it that way). Even so, it succeeds as a vivid snapshot of its catalogue and an enjoyable journey through two decades of memorable music.
A great double-disc set that’s still regularly rotating on the car stereo.
‘Hit That Perfect Beat: The London Records Story’ is available on CD and in digital format through London Records (naturally).
The label also presents a beaut podcast which you can subscribe to here.
Curating the Ultimate Luxury Weekend Getaway in the Heart of Sydney
Still loving this track.
Hands in the air for a ‘Romy and Michele’ movie sequel is finally in production
Rate this:
#AllSaints #ANTONINOTATI #bananarama #BREATHE #breatheRedux #bronskiBeat #communards #compilationAlbums #compilationCds #CREAMMAGAZINE #DanniiMinogue #e #echoAndTheBunnymen #happyMondays #hitThatPerfectBeat #indiePop #indieRock #jimmySomerville #londonRecords #marcellaDetroit #MUSIC #musicReviews #newOrder #POPCULTURE #popMusic #popReviews #REVIEWS #shakespearsSister #siobhanFahey -
DiscogsDienstag: New Order – Brotherhood
Dienstags stelle ich ein Stück aus meiner Tonträgersammlung vor, das mir Discogs zufällig ausgewählt hat, dafür gibt es dort einen Button.
New Order haben nach ihrer Transformation von Joy Division einen ordentlichen Spannungsbogen gespannt. Vom Debütalbum „Movement“, das 1981 noch im düsteren Schatten von Joy Division (ent-)stand, über den überraschenden Erfolg von „Blue Monday“ und das Album „Power, Corruption & Lies“ (1983), mit denen sie die Düsternis ablegten und sich als Pioniere der elektronischen Tanzmusik zeigten, und „Low-Life“ (1985), das endgültig die Gothic- und Darkwave-Szene mit der aufkommenden Clubkultur verband, bis zu dem Album, um das es heute gehen soll: „Brotherhood“ aus dem Jahre 1986.
Für mich ist „Brotherhood“ ein besonderes Album, zunächst ist es für mich der Prototyp eines New Order-Albums, gleichzeitig war es vor 40 Jahren mein erstes New Order-Album und ich habe es damals sehr geliebt und oft gehört. Es betont die Vielfalt der Band und das auf ganz besondere Weise. Drummer Stephen Morris wird in der englischen Wikipedia zitiert, das Album „was kind of done in a schizophrenic mood that we were trying to do one side synthesizers and one side guitars“, was er in der Nachbetrachtung für nicht gelungen hält. Ganz im Gegensatz zu mir, denn die Reihenfolge der Songs war für mich nie ausschlaggebend. Tatsächlich hören wir auf der A-Seite mit den Songs „Paradise“, „Weirdo“, „As It Is When It Was“, „Broken Promise“ und „Way Of Life“ hauptsächlich Bernard Sumners und Gillian Gilberts Gitarren sowie Peter Hooks prägnanten Bass mit Stephan Morris‘ echtem Schlagzeug. Die Lieder bewegen sich zwischen Post-Punk und Gitarren-Wave.
Die B-Seite wird stilecht mit „Bizarre Love Triangle“ eröffnet, das nur mit Synthesizern und Sequenzern erstellt wurde, mit Ausnahme von Gesang und Bassmelodie. „Bizarre Love Triangle“ wurde als Single veröffentlicht und war recht erfolgreich. „All Day Long“ ist ebenso ein Meisterwerk, mit klassischen Elementen, die von Richard Wagner entliehen wurden. „Angel Dust“ ist ein tanzbarer Synth-Pop-Song, der mit einem melancholischen Gesang kombiniert wird. Auch hier dominieren Synths und Sequenzer. „Every Little Counts“ zum Abschluss ist ein weiterer besonderer Song, hauptsächlich wegen Bernhard Sumners Gesang, der hier fast ein Sprechgesang ist und mehrfach durch Lachanfälle des Sängers unterbrochen wird. Musikalisch ist es ein ruhiges Lied, das durch die Kombination aus Bass-Lauf, cleane Gitarre und Synthesizer getragen wird. Am Ende hören wir, wie eine Plattennadel über die Schallplatte rutscht und kurz ein ganz anderes Lied spielt. Zusammen mit dem Video zu „Touched By The Hand Of God“ ist „Every Little Counts“ der humorvollste New Order-Moment.
„Brotherhood“ empfinde ich als das herausragende Album von New Order, weil es die Post-Punk-Seite der Band mit der elektronischen Seite verbindet, und das ja sogar nach A- und B-Seite unterteilt. Mich interessiert, ob andere New Order-Fans das genauso sehen oder ob „Power, Corruption & Lies“, Low-Life“ oder eines der späteren Alben höher eingeschätzt werden.
#Discogs #DiscogsDienstag #NewOrder #PostPunk #SynthPop -
DiscogsDienstag: New Order – Brotherhood
Dienstags stelle ich ein Stück aus meiner Tonträgersammlung vor, das mir Discogs zufällig ausgewählt hat, dafür gibt es dort einen Button.
New Order haben nach ihrer Transformation von Joy Division einen ordentlichen Spannungsbogen gespannt. Vom Debütalbum „Movement“, das 1981 noch im düsteren Schatten von Joy Division (ent-)stand, über den überraschenden Erfolg von „Blue Monday“ und das Album „Power, Corruption & Lies“ (1983), mit denen sie die Düsternis ablegten und sich als Pioniere der elektronischen Tanzmusik zeigten, und „Low-Life“ (1985), das endgültig die Gothic- und Darkwave-Szene mit der aufkommenden Clubkultur verband, bis zu dem Album, um das es heute gehen soll: „Brotherhood“ aus dem Jahre 1986.
Für mich ist „Brotherhood“ ein besonderes Album, zunächst ist es für mich der Prototyp eines New Order-Albums, gleichzeitig war es vor 40 Jahren mein erstes New Order-Album und ich habe es damals sehr geliebt und oft gehört. Es betont die Vielfalt der Band und das auf ganz besondere Weise. Drummer Stephen Morris wird in der englischen Wikipedia zitiert, das Album „was kind of done in a schizophrenic mood that we were trying to do one side synthesizers and one side guitars“, was er in der Nachbetrachtung für nicht gelungen hält. Ganz im Gegensatz zu mir, denn die Reihenfolge der Songs war für mich nie ausschlaggebend. Tatsächlich hören wir auf der A-Seite mit den Songs „Paradise“, „Weirdo“, „As It Is When It Was“, „Broken Promise“ und „Way Of Life“ hauptsächlich Bernard Sumners und Gillian Gilberts Gitarren sowie Peter Hooks prägnanten Bass mit Stephan Morris‘ echtem Schlagzeug. Die Lieder bewegen sich zwischen Post-Punk und Gitarren-Wave.
Die B-Seite wird stilecht mit „Bizarre Love Triangle“ eröffnet, das nur mit Synthesizern und Sequenzern erstellt wurde, mit Ausnahme von Gesang und Bassmelodie. „Bizarre Love Triangle“ wurde als Single veröffentlicht und war recht erfolgreich. „All Day Long“ ist ebenso ein Meisterwerk, mit klassischen Elementen, die von Richard Wagner entliehen wurden. „Angel Dust“ ist ein tanzbarer Synth-Pop-Song, der mit einem melancholischen Gesang kombiniert wird. Auch hier dominieren Synths und Sequenzer. „Every Little Counts“ zum Abschluss ist ein weiterer besonderer Song, hauptsächlich wegen Bernhard Sumners Gesang, der hier fast ein Sprechgesang ist und mehrfach durch Lachanfälle des Sängers unterbrochen wird. Musikalisch ist es ein ruhiges Lied, das durch die Kombination aus Bass-Lauf, cleane Gitarre und Synthesizer getragen wird. Am Ende hören wir, wie eine Plattennadel über die Schallplatte rutscht und kurz ein ganz anderes Lied spielt. Zusammen mit dem Video zu „Touched By The Hand Of God“ ist „Every Little Counts“ der humorvollste New Order-Moment.
„Brotherhood“ empfinde ich als das herausragende Album von New Order, weil es die Post-Punk-Seite der Band mit der elektronischen Seite verbindet, und das ja sogar nach A- und B-Seite unterteilt. Mich interessiert, ob andere New Order-Fans das genauso sehen oder ob „Power, Corruption & Lies“, Low-Life“ oder eines der späteren Alben höher eingeschätzt werden.
#Discogs #DiscogsDienstag #NewOrder #PostPunk #SynthPop -
🇺🇦 #NowPlaying on #BBC6Music's #MaryAnneHobbs
New Order:
🎵 Everything's Gone Greenhttps://volumeplaylist.bandcamp.com/track/everythings-gone-green-advent-remix
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🇺🇦 #NowPlaying on #BBC6Music's #MaryAnneHobbs
New Order:
🎵 Everything's Gone Greenhttps://volumeplaylist.bandcamp.com/track/everythings-gone-green-advent-remix
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🇺🇦 #NowPlaying on #BBC6Music's #MaryAnneHobbs
New Order:
🎵 In a Lonely Placehttps://neworder.bandcamp.com/track/in-a-lonely-place-live-at-mif
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🇺🇦 #NowPlaying on #BBC6Music's #MaryAnneHobbs
New Order:
🎵 In a Lonely Placehttps://neworder.bandcamp.com/track/in-a-lonely-place-live-at-mif
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🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 Vanishing Pointhttps://theartsmixof2.bandcamp.com/track/new-order-vanishing-point-the-art-mix-edit-kzp
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🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 Vanishing Pointhttps://theartsmixof2.bandcamp.com/track/new-order-vanishing-point-the-art-mix-edit-kzp
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Bizarre Love Triangle (Extended Dance Mix)
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Bizarre Love Triangle (Extended Dance Mix)
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New Order - Blue Monday (Live at Alexandra Palace)
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New Order - Blue Monday (Live at Alexandra Palace)
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🇬🇧 New Order "Movement" – 1981
A remarkable debut born from loss and reinvention, Movement bridges the final chapter of Joy Division and the beginning of New Order’s own identity. The songs are understated yet emotionally powerful, capturing a band finding its voice while honouring its origins...
Listening to this for the first time on my tube setup. WOW - just WOW!#neworder #postpunk #newwave #synthpop #alternativerock #vinyl #music #vinylrecords #nowspinningonvinyl #nowspinning #nowlistening
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🇬🇧 New Order "Movement" – 1981
A remarkable debut born from loss and reinvention, Movement bridges the final chapter of Joy Division and the beginning of New Order’s own identity. The songs are understated yet emotionally powerful, capturing a band finding its voice while honouring its origins...
Listening to this for the first time on my tube setup. WOW - just WOW!#neworder #postpunk #newwave #synthpop #alternativerock #vinyl #music #vinylrecords #nowspinningonvinyl #nowspinning #nowlistening
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Two Members of New Order Step Away From Touring ‘Due to Personal Health Reasons’
#Variety #News #JoyDivision #NewOrderhttps://variety.com/2026/music/news/new-order-members-step-away-touring-health-reasons-1236798930/
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Two Members of New Order Step Away From Touring ‘Due to Personal Health Reasons’
#Variety #News #JoyDivision #NewOrderhttps://variety.com/2026/music/news/new-order-members-step-away-touring-health-reasons-1236798930/
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Massive Joy Division Boxed Set of Concert Recordings Due in September
#Variety #News #JoyDivision #NewOrderhttps://variety.com/2026/music/news/joy-division-live-boxed-set-september-1236790015/
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Massive Joy Division Boxed Set of Concert Recordings Due in September
#Variety #News #JoyDivision #NewOrderhttps://variety.com/2026/music/news/joy-division-live-boxed-set-september-1236790015/
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🔴 LIVE NOW ON VORTEX
📻 Vortex Rewind ⏪ (80s extended versions, maxi singles, long versions)
──────────────
🎵 New Order - Blue Monday (Complete Original 12" Version)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Rewind ⏪ (80s extended versions, maxi singles, long versions)
──────────────
🎵 New Order - Blue Monday (Complete Original 12" Version)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
TNO – Fool's Errand
#Alternative #DarkWave #JoyDivision #TheCure #coldwave #interpol #neworder #progressive #thechameleons #thesound #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/fools-errand -
TNO – Fool's Errand
#Alternative #DarkWave #JoyDivision #TheCure #coldwave #interpol #neworder #progressive #thechameleons #thesound #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/fools-errand -
CW: New Order - Temptation (Extended Version)
New Order - Temptation (Extended Version)
"Temptation" erschien 1982 und ist einer der bekanntesten Songs von New Order. Die Band war aus den Resten von Joy Division entstanden, nachdem deren Sänger Ian Curtis gestorben war. Mit "Temptation" zeigte New Order eine neue, hellere und tanzbarere Seite. Das Lied war ihre vierte Single und die erste, die sie selbst produzierten.
Anfangs gehörte der Song zu keinem Album, sondern erschien für sich allein. In England kam er bis auf Platz 29 der Charts. Diese längere Fassung ist die sogenannte 12-Inch-Version. Sie ist ausführlicher und treibender als die kürzere Single und betont vor allem den elektronischen Rhythmus.
Im Text geht es um eine verlorene Liebe und um die Bitte, nicht ganz den Halt zu verlieren. Bernard Sumner singt dazu die wiederkehrende Zeile "Up, down, turn around".Eckdaten
Titel: Temptation (Extended Version)
Künstler: New Order
Jahr: 1982
Label: Factory Records
Laufzeit: rund 8 Minuten (12-Inch-Fassung) -
CW: New Order - Temptation (Extended Version)
New Order - Temptation (Extended Version)
"Temptation" erschien 1982 und ist einer der bekanntesten Songs von New Order. Die Band war aus den Resten von Joy Division entstanden, nachdem deren Sänger Ian Curtis gestorben war. Mit "Temptation" zeigte New Order eine neue, hellere und tanzbarere Seite. Das Lied war ihre vierte Single und die erste, die sie selbst produzierten.
Anfangs gehörte der Song zu keinem Album, sondern erschien für sich allein. In England kam er bis auf Platz 29 der Charts. Diese längere Fassung ist die sogenannte 12-Inch-Version. Sie ist ausführlicher und treibender als die kürzere Single und betont vor allem den elektronischen Rhythmus.
Im Text geht es um eine verlorene Liebe und um die Bitte, nicht ganz den Halt zu verlieren. Bernard Sumner singt dazu die wiederkehrende Zeile "Up, down, turn around".Eckdaten
Titel: Temptation (Extended Version)
Künstler: New Order
Jahr: 1982
Label: Factory Records
Laufzeit: rund 8 Minuten (12-Inch-Fassung) -
🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 World In Motionhttps://hotpiscis.bandcamp.com/track/new-order-world-in-motion-hot-piscis-re-touch
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🇺🇦 #NowPlaying on #BBC6Music's #NickGrimshaw
New Order:
🎵 World In Motionhttps://hotpiscis.bandcamp.com/track/new-order-world-in-motion-hot-piscis-re-touch
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New Order - Love Will Tear Us Apart HD (Glastonbury , Worthy Farm, Pilton, England, 25.06.16.)
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New Order - Love Will Tear Us Apart HD (Glastonbury , Worthy Farm, Pilton, England, 25.06.16.)
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G-Nitro’s Daily Music Wrap-Up – 6/15/26
I check out an album by New Order.
Favorite Videos include Bubba Sparxxx on Cadillac Chronicles, Little Glee Monster on The First Take, and more!
https://g-nitro.com/g-nitros-daily-music-wrap-up-6-15-26
#Music #1001albums #NewOrder #BubbaSparxxx #CadillacChronicles #LittleGleeMonster #TheFirstTake
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G-Nitro’s Daily Music Wrap-Up – 6/15/26
I check out an album by New Order.
Favorite Videos include Bubba Sparxxx on Cadillac Chronicles, Little Glee Monster on The First Take, and more!
https://g-nitro.com/g-nitros-daily-music-wrap-up-6-15-26
#Music #1001albums #NewOrder #BubbaSparxxx #CadillacChronicles #LittleGleeMonster #TheFirstTake
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Confusion (Pump Panel Reconstruction Mix)
https://www.youtube.com/watch?v=-9dsrmGG4_o
#Confusion #PumpPanelReconstructionMix #Music #NewOrder #Blade
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Confusion (Pump Panel Reconstruction Mix)
https://www.youtube.com/watch?v=-9dsrmGG4_o
#Confusion #PumpPanelReconstructionMix #Music #NewOrder #Blade
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this is a music post rather than a football post but obviously it is connected to football.
I was a student in Manchester in 1990 and #NewOrder singing the England World Cup song was peak crossover. "E for England" indeed.
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this is a music post rather than a football post but obviously it is connected to football.
I was a student in Manchester in 1990 and #NewOrder singing the England World Cup song was peak crossover. "E for England" indeed.
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🇺🇦 #NowPlaying on #BBC6Music's #LaurenLaverne
New Order:
🎵 World In Motionhttps://hotpiscis.bandcamp.com/track/new-order-world-in-motion-hot-piscis-re-touch
