#mariannevonwerefkin — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #mariannevonwerefkin, aggregated by home.social.
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Der Blaue Reiter ist zurück im Lenbachhaus
Selbst ein hinterbliebenes Plakat aus dem Kommunalwahlkampf vor der Eingangstür lässt sich lesen als Hinweis auf die neue…
#Muenchen #Munchen #Munich #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #München #AugustMacke #Bayern #FranzMarc #GabrieleMünter #Germany #Lenbachhaus #London #MariannevonWerefkin #NewYork #Paris #WassilyKandinsky
https://www.europesays.com/de/859001/ -
Der Blaue Reiter ist zurück im Lenbachhaus
Selbst ein hinterbliebenes Plakat aus dem Kommunalwahlkampf vor der Eingangstür lässt sich lesen als Hinweis auf die neue…
#Muenchen #Munchen #Munich #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #München #AugustMacke #Bayern #FranzMarc #GabrieleMünter #Germany #Lenbachhaus #London #MariannevonWerefkin #NewYork #Paris #WassilyKandinsky
https://www.europesays.com/de/858126/ -
Dagje Zwolle met (natuurlijk!) museum de Fundatie en de tentoonstelling Marianne von Werefkin - Pionier van het expressionisme. Prachtig! Stom en onterecht dat zoveel fantastische vrouwelijke kunstenaars niet net zo beroemd zijn als hun mannelijke tijdgenoten.
#museumdefundatie #zwolle #mariannevonwerefkin #beeldendekunst #expressionisme -
"Autumn," Marianne von Werefkin, c. 1907.
No, this isn't from the Madeline books by Ludwig Bemelmans, although it's certainly reminiscent. This is a few decades before that.
Russian-born von Werefkin (1860-1938) was a noted Expressionist painter who moved around a bit. She was from a noble Russian family, moved to Munich to immerse herself in the artistic and Expressionist scene (living on a pension from the Tsarist government), and fled to Switzerland at the outbreak of WWI, and experienced hardships after the October Revolution ended her pension and made her a stateless person. She passed away in the city of Ascona, where she is still a popular figure.
Here we have a scene of schoolgirls walking across a park as the sun sets. While cute on the surface, the paired-off students are all separate, and nobody seems to be talking or even looking at the other. Werefkin had a knack for depicting modern alienation, and despite her elite Tsarist background, would depict the common working man with dignity.
From the Museo Comunale d'Arte Moderna, Ascona, Italy.
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"Autumn," Marianne von Werefkin, c. 1907.
No, this isn't from the Madeline books by Ludwig Bemelmans, although it's certainly reminiscent. This is a few decades before that.
Russian-born von Werefkin (1860-1938) was a noted Expressionist painter who moved around a bit. She was from a noble Russian family, moved to Munich to immerse herself in the artistic and Expressionist scene (living on a pension from the Tsarist government), and fled to Switzerland at the outbreak of WWI, and experienced hardships after the October Revolution ended her pension and made her a stateless person. She passed away in the city of Ascona, where she is still a popular figure.
Here we have a scene of schoolgirls walking across a park as the sun sets. While cute on the surface, the paired-off students are all separate, and nobody seems to be talking or even looking at the other. Werefkin had a knack for depicting modern alienation, and despite her elite Tsarist background, would depict the common working man with dignity.
From the Museo Comunale d'Arte Moderna, Ascona, Italy.
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"Autumn," Marianne von Werefkin, c. 1907.
No, this isn't from the Madeline books by Ludwig Bemelmans, although it's certainly reminiscent. This is a few decades before that.
Russian-born von Werefkin (1860-1938) was a noted Expressionist painter who moved around a bit. She was from a noble Russian family, moved to Munich to immerse herself in the artistic and Expressionist scene (living on a pension from the Tsarist government), and fled to Switzerland at the outbreak of WWI, and experienced hardships after the October Revolution ended her pension and made her a stateless person. She passed away in the city of Ascona, where she is still a popular figure.
Here we have a scene of schoolgirls walking across a park as the sun sets. While cute on the surface, the paired-off students are all separate, and nobody seems to be talking or even looking at the other. Werefkin had a knack for depicting modern alienation, and despite her elite Tsarist background, would depict the common working man with dignity.
From the Museo Comunale d'Arte Moderna, Ascona, Italy.
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"Autumn," Marianne von Werefkin, c. 1907.
No, this isn't from the Madeline books by Ludwig Bemelmans, although it's certainly reminiscent. This is a few decades before that.
Russian-born von Werefkin (1860-1938) was a noted Expressionist painter who moved around a bit. She was from a noble Russian family, moved to Munich to immerse herself in the artistic and Expressionist scene (living on a pension from the Tsarist government), and fled to Switzerland at the outbreak of WWI, and experienced hardships after the October Revolution ended her pension and made her a stateless person. She passed away in the city of Ascona, where she is still a popular figure.
Here we have a scene of schoolgirls walking across a park as the sun sets. While cute on the surface, the paired-off students are all separate, and nobody seems to be talking or even looking at the other. Werefkin had a knack for depicting modern alienation, and despite her elite Tsarist background, would depict the common working man with dignity.
From the Museo Comunale d'Arte Moderna, Ascona, Italy.
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"Autumn," Marianne von Werefkin, c. 1907.
No, this isn't from the Madeline books by Ludwig Bemelmans, although it's certainly reminiscent. This is a few decades before that.
Russian-born von Werefkin (1860-1938) was a noted Expressionist painter who moved around a bit. She was from a noble Russian family, moved to Munich to immerse herself in the artistic and Expressionist scene (living on a pension from the Tsarist government), and fled to Switzerland at the outbreak of WWI, and experienced hardships after the October Revolution ended her pension and made her a stateless person. She passed away in the city of Ascona, where she is still a popular figure.
Here we have a scene of schoolgirls walking across a park as the sun sets. While cute on the surface, the paired-off students are all separate, and nobody seems to be talking or even looking at the other. Werefkin had a knack for depicting modern alienation, and despite her elite Tsarist background, would depict the common working man with dignity.
From the Museo Comunale d'Arte Moderna, Ascona, Italy.
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In that painting, ‘Storm’ (1907), you can feel the figures resisting, in a Blakean way. Pushing against the forms that threaten, together. Their will becoming a force, & that force taking form in the physical world, as barriers, shelters, torrents, winds, trees.
The craving for protection and agency that the work of the mind, will & imagination could give her. Here it is again in ‘The Red Tree’.
#mariannevonwerefkin #art #expressionism #tatemodern #expressionistart #artist #WilliamBlake
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In that painting, ‘Storm’ (1907), you can feel the figures resisting, in a Blakean way. Pushing against the forms that threaten, together. Their will becoming a force, & that force taking form in the physical world, as barriers, shelters, torrents, winds, trees.
The craving for protection and agency that the work of the mind, will & imagination could give her. Here it is again in ‘The Red Tree’.
#mariannevonwerefkin #art #expressionism #tatemodern #expressionistart #artist #WilliamBlake
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In that painting, ‘Storm’ (1907), you can feel the figures resisting, in a Blakean way. Pushing against the forms that threaten, together. Their will becoming a force, & that force taking form in the physical world, as barriers, shelters, torrents, winds, trees.
The craving for protection and agency that the work of the mind, will & imagination could give her. Here it is again in ‘The Red Tree’.
#mariannevonwerefkin #art #expressionism #tatemodern #expressionistart #artist #WilliamBlake
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In that painting, ‘Storm’ (1907), you can feel the figures resisting, in a Blakean way. Pushing against the forms that threaten, together. Their will becoming a force, & that force taking form in the physical world, as barriers, shelters, torrents, winds, trees.
The craving for protection and agency that the work of the mind, will & imagination could give her. Here it is again in ‘The Red Tree’.
#mariannevonwerefkin #art #expressionism #tatemodern #expressionistart #artist #WilliamBlake
-
In that painting, ‘Storm’ (1907), you can feel the figures resisting, in a Blakean way. Pushing against the forms that threaten, together. Their will becoming a force, & that force taking form in the physical world, as barriers, shelters, torrents, winds, trees.
The craving for protection and agency that the work of the mind, will & imagination could give her. Here it is again in ‘The Red Tree’.
#mariannevonwerefkin #art #expressionism #tatemodern #expressionistart #artist #WilliamBlake
