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#marcusgheeraertstheelder — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #marcusgheeraertstheelder, aggregated by home.social.

  1. Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from flickr.com/photos/bonnetmaker/)

    ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/knight-letter-links/kl

  2. Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from flickr.com/photos/bonnetmaker/)

    ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/knight-letter-links/kl

  3. Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from flickr.com/photos/bonnetmaker/)

    ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/knight-letter-links/kl

  4. Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from flickr.com/photos/bonnetmaker/)

    ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/knight-letter-links/kl

  5. Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from flickr.com/photos/bonnetmaker/)

    ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/knight-letter-links/kl

  6. Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

    For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

    Details: snrk.de/mudscapes-and-artistic

    #MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

  7. Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

    For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

    Details: snrk.de/mudscapes-and-artistic

    #MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

  8. Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

    For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

    Details: snrk.de/mudscapes-and-artistic

    #MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

  9. Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

    For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

    Details: snrk.de/mudscapes-and-artistic

    #MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

  10. Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

    For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

    Details: snrk.de/mudscapes-and-artistic

    #MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

  11. ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/flipping-the-nose/

    #Nose #Noses

  12. ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/flipping-the-nose/

    #Nose #Noses

  13. ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/flipping-the-nose/

    #Nose #Noses

  14. ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/flipping-the-nose/

    #Nose #Noses

  15. ※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
    ※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder.

    More: snrk.de/flipping-the-nose/

    #Nose #Noses

  16. @snark @destandaard

    The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

    Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

    The author didn't specify any source.

    See also: snrk.de/mudscapes-and-artistic

  17. @snark @destandaard

    The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

    Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

    The author didn't specify any source.

    See also: snrk.de/mudscapes-and-artistic

  18. @snark @destandaard

    The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

    Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

    The author didn't specify any source.

    See also: snrk.de/mudscapes-and-artistic

  19. @snark @destandaard

    The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

    Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

    The author didn't specify any source.

    See also: snrk.de/mudscapes-and-artistic

  20. @snark @destandaard

    The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

    Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

    The author didn't specify any source.

    See also: snrk.de/mudscapes-and-artistic

  21. Below you see probably the first reference in academia to my #Snark findings: "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" by #MarysaDemoor, Springer Nature, 2022-03-21.

    Prof. Deemor used my findings without specifying her source.

    #TheHuntingOfTheSnark #LewisCarroll #HenryHoliday #MarcusGheeraerts #MarcusGheeraertsTheElder #BelgianHistory #BritishHistory #CrossCultural #SpringerNature #ReligSnark

    (Image from snrk.de/wp-content/uploads/202)