#woodcut — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #woodcut, aggregated by home.social.
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+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
+ LA DENSITÉ DES IMAGES +
A découvrir à l'école d'art de Mortagne-du-Nord (59)
Jusqu'au 12 juin.
Honorée de présenter ma première exposition personnelle dans ce lieu incroyable.#mortagnedunord
#artcontemporain
#gravure
#etching
#woodcut
#dessincobtemporain
#installationcontemporaine -
Sunlight fractures across the woodcut’s grain, catching the raised edges of horses mid-gallop and figures bent against the wind. Lepère’s September tide measures time in inked ridges—each wave a carved breath of autumn.
What does the tension between flat inscription and deep relief reveal about the sea’s weight?
#ClevelandMuseumofArt #Woodcut #19thCenturyPrints
https://clevelandart.org/art/1949.526 -
Sunlight fractures across the woodcut’s grain, catching the raised edges of horses mid-gallop and figures bent against the wind. Lepère’s September tide measures time in inked ridges—each wave a carved breath of autumn.
What does the tension between flat inscription and deep relief reveal about the sea’s weight?
#ClevelandMuseumofArt #Woodcut #19thCenturyPrints
https://clevelandart.org/art/1949.526 -
Sunlight fractures across the woodcut’s grain, catching the raised edges of horses mid-gallop and figures bent against the wind. Lepère’s September tide measures time in inked ridges—each wave a carved breath of autumn.
What does the tension between flat inscription and deep relief reveal about the sea’s weight?
#ClevelandMuseumofArt #Woodcut #19thCenturyPrints
https://clevelandart.org/art/1949.526 -
Sunlight fractures across the woodcut’s grain, catching the raised edges of horses mid-gallop and figures bent against the wind. Lepère’s September tide measures time in inked ridges—each wave a carved breath of autumn.
What does the tension between flat inscription and deep relief reveal about the sea’s weight?
#ClevelandMuseumofArt #Woodcut #19thCenturyPrints
https://clevelandart.org/art/1949.526 -
Lo que viene siendo una hidra capitalista... Y la voy a tallar 😤
#xilografía #xilografia #xilograbado #xilogravura #blockprinting #grabado #grabadomexicano #woodcut
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Lo que viene siendo una hidra capitalista... Y la voy a tallar 😤
#xilografía #xilografia #xilograbado #xilogravura #blockprinting #grabado #grabadomexicano #woodcut
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Lo que viene siendo una hidra capitalista... Y la voy a tallar 😤
#xilografía #xilografia #xilograbado #xilogravura #blockprinting #grabado #grabadomexicano #woodcut
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Lo que viene siendo una hidra capitalista... Y la voy a tallar 😤
#xilografía #xilografia #xilograbado #xilogravura #blockprinting #grabado #grabadomexicano #woodcut
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Crowd in Paris.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/paris-crowd/ -
Crowd in Paris.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/paris-crowd/ -
Crowd in Paris.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/paris-crowd/ -
Crowd in Paris.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/paris-crowd/ -
Crowd in Paris.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/paris-crowd/ -
A tight spot.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/tight-spot/ -
A tight spot.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/tight-spot/ -
A tight spot.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/tight-spot/ -
A tight spot.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/tight-spot/ -
A tight spot.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/tight-spot/ -
Poker.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/poker/ -
Poker.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/poker/ -
Poker.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/poker/ -
Poker.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/poker/ -
Poker.
Félix Vallotton, from "Félix Vallotton; biographie" by Julius Meier-Graefe, Berlin, Paris: 1898 #art #woodcut https://www.oldbookillustrations.com/illustrations/poker/ -
- PRÉPARATION DE L'EXPOSITION -
Dessins, gravures et installations sont en préparation pour ma prochaine exposition.
Je vous en dis plus bientôt.#gravurecontemporaine
#etching
#printmaking
#reig
#woodcut
#delfrom
#espacedudessin -
Painting on paper, 20 x 20 cm: Ambiguous impulses for your mental cinema!
#kunst #analogueArt #painting #mentalCinema #contemporaryArt #rubberStamp #reliefPrinting #inkjetPrint #mixedMedia #acrylicColours #climateActionNow #saveBioDiversity #systemChange #endFossilFuels #makeArtNotWar #NoRacism #noAFD #NoFascism #emblematy #baroque #renaissance #woodcut #antAndElephant #gameOfCards #gambling #poker #cardGames #surrealism #drippings #splatters #bloodStains -
Painting on paper, 20 x 20 cm: Ambiguous impulses for your mental cinema!
#kunst #analogueArt #painting #mentalCinema #contemporaryArt #rubberStamp #reliefPrinting #inkjetPrint #mixedMedia #acrylicColours #climateActionNow #saveBioDiversity #systemChange #endFossilFuels #makeArtNotWar #NoRacism #noAFD #NoFascism #emblematy #baroque #renaissance #woodcut #antAndElephant #gameOfCards #gambling #poker #cardGames #surrealism #drippings #splatters #bloodStains -
Painting on paper, 20 x 20 cm: Ambiguous impulses for your mental cinema!
#kunst #analogueArt #painting #mentalCinema #contemporaryArt #rubberStamp #reliefPrinting #inkjetPrint #mixedMedia #acrylicColours #climateActionNow #saveBioDiversity #systemChange #endFossilFuels #makeArtNotWar #NoRacism #noAFD #NoFascism #emblematy #baroque #renaissance #woodcut #antAndElephant #gameOfCards #gambling #poker #cardGames #surrealism #drippings #splatters #bloodStains -
Painting on paper, 20 x 20 cm: Ambiguous impulses for your mental cinema!
#kunst #analogueArt #painting #mentalCinema #contemporaryArt #rubberStamp #reliefPrinting #inkjetPrint #mixedMedia #acrylicColours #climateActionNow #saveBioDiversity #systemChange #endFossilFuels #makeArtNotWar #NoRacism #noAFD #NoFascism #emblematy #baroque #renaissance #woodcut #antAndElephant #gameOfCards #gambling #poker #cardGames #surrealism #drippings #splatters #bloodStains -
Painting on paper, 20 x 20 cm: Ambiguous impulses for your mental cinema!
#kunst #analogueArt #painting #mentalCinema #contemporaryArt #rubberStamp #reliefPrinting #inkjetPrint #mixedMedia #acrylicColours #climateActionNow #saveBioDiversity #systemChange #endFossilFuels #makeArtNotWar #NoRacism #noAFD #NoFascism #emblematy #baroque #renaissance #woodcut #antAndElephant #gameOfCards #gambling #poker #cardGames #surrealism #drippings #splatters #bloodStains -
God’s parted lips and raised hand command the cosmos into being, his words rendered as swirling vines and towering clouds. The orb in his grasp anchors the scene, a silent testament to divine order.
How does the tension between the delicate lines and the weight of creation shape the viewer’s sense of power?
#ClevelandMuseumofArt #Woodcut #DivineAuthority
https://clevelandart.org/art/1966.410 -
God’s parted lips and raised hand command the cosmos into being, his words rendered as swirling vines and towering clouds. The orb in his grasp anchors the scene, a silent testament to divine order.
How does the tension between the delicate lines and the weight of creation shape the viewer’s sense of power?
#ClevelandMuseumofArt #Woodcut #DivineAuthority
https://clevelandart.org/art/1966.410 -
God’s parted lips and raised hand command the cosmos into being, his words rendered as swirling vines and towering clouds. The orb in his grasp anchors the scene, a silent testament to divine order.
How does the tension between the delicate lines and the weight of creation shape the viewer’s sense of power?
#ClevelandMuseumofArt #Woodcut #DivineAuthority
https://clevelandart.org/art/1966.410 -
God’s parted lips and raised hand command the cosmos into being, his words rendered as swirling vines and towering clouds. The orb in his grasp anchors the scene, a silent testament to divine order.
How does the tension between the delicate lines and the weight of creation shape the viewer’s sense of power?
#ClevelandMuseumofArt #Woodcut #DivineAuthority
https://clevelandart.org/art/1966.410 -
"The Bath," Felix Vallotton, 1894.
Swiss-born painter, writer, and printmaker Vallotton (1865-1925) was a member of my favorite art movement, the Nabis,, but also an important figure in bringing woodcuts to the modern age.
His early work was very detailed, but in the 1890s he began to explore using simple black-and-white coloring and opting for outlines and blocks of shade, rather than detail....which the Nabis encouraged.
His woodcuts could contain elements of social satire and commentary, although none of that seems evident here. Other woodcuts showed assorted domestic scenes, images of couples (possibly in clandestine affairs), portraits that bordered on caricature, and a number of images of anarchist street demonstrations. He also did a number of prints as book illustrations and theater programs.
After the Nabis drifted apart in 1900, he stuck to painting, with great success, but thanks to him, other printmakers began to experiment with woodcuts, bringing into a new century.
From the Clark, Williamstown, MA.
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"The Bath," Felix Vallotton, 1894.
Swiss-born painter, writer, and printmaker Vallotton (1865-1925) was a member of my favorite art movement, the Nabis,, but also an important figure in bringing woodcuts to the modern age.
His early work was very detailed, but in the 1890s he began to explore using simple black-and-white coloring and opting for outlines and blocks of shade, rather than detail....which the Nabis encouraged.
His woodcuts could contain elements of social satire and commentary, although none of that seems evident here. Other woodcuts showed assorted domestic scenes, images of couples (possibly in clandestine affairs), portraits that bordered on caricature, and a number of images of anarchist street demonstrations. He also did a number of prints as book illustrations and theater programs.
After the Nabis drifted apart in 1900, he stuck to painting, with great success, but thanks to him, other printmakers began to experiment with woodcuts, bringing into a new century.
From the Clark, Williamstown, MA.
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"The Bath," Felix Vallotton, 1894.
Swiss-born painter, writer, and printmaker Vallotton (1865-1925) was a member of my favorite art movement, the Nabis,, but also an important figure in bringing woodcuts to the modern age.
His early work was very detailed, but in the 1890s he began to explore using simple black-and-white coloring and opting for outlines and blocks of shade, rather than detail....which the Nabis encouraged.
His woodcuts could contain elements of social satire and commentary, although none of that seems evident here. Other woodcuts showed assorted domestic scenes, images of couples (possibly in clandestine affairs), portraits that bordered on caricature, and a number of images of anarchist street demonstrations. He also did a number of prints as book illustrations and theater programs.
After the Nabis drifted apart in 1900, he stuck to painting, with great success, but thanks to him, other printmakers began to experiment with woodcuts, bringing into a new century.
From the Clark, Williamstown, MA.
-
"The Bath," Felix Vallotton, 1894.
Swiss-born painter, writer, and printmaker Vallotton (1865-1925) was a member of my favorite art movement, the Nabis,, but also an important figure in bringing woodcuts to the modern age.
His early work was very detailed, but in the 1890s he began to explore using simple black-and-white coloring and opting for outlines and blocks of shade, rather than detail....which the Nabis encouraged.
His woodcuts could contain elements of social satire and commentary, although none of that seems evident here. Other woodcuts showed assorted domestic scenes, images of couples (possibly in clandestine affairs), portraits that bordered on caricature, and a number of images of anarchist street demonstrations. He also did a number of prints as book illustrations and theater programs.
After the Nabis drifted apart in 1900, he stuck to painting, with great success, but thanks to him, other printmakers began to experiment with woodcuts, bringing into a new century.
From the Clark, Williamstown, MA.
-
"The Bath," Felix Vallotton, 1894.
Swiss-born painter, writer, and printmaker Vallotton (1865-1925) was a member of my favorite art movement, the Nabis,, but also an important figure in bringing woodcuts to the modern age.
His early work was very detailed, but in the 1890s he began to explore using simple black-and-white coloring and opting for outlines and blocks of shade, rather than detail....which the Nabis encouraged.
His woodcuts could contain elements of social satire and commentary, although none of that seems evident here. Other woodcuts showed assorted domestic scenes, images of couples (possibly in clandestine affairs), portraits that bordered on caricature, and a number of images of anarchist street demonstrations. He also did a number of prints as book illustrations and theater programs.
After the Nabis drifted apart in 1900, he stuck to painting, with great success, but thanks to him, other printmakers began to experiment with woodcuts, bringing into a new century.
From the Clark, Williamstown, MA.
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Accidentally posted this privately earlier: Working on #lookdev for a new #animation
Inspired by the #Woodcut #Shader from the Advanced Renderman Book, build almost exclusively with standard nodes.
https://youtu.be/Nkp_Db-RE9w
#b3d #Blender #Experiment #WIP #AnimatorsAnomymous -
Accidentally posted this privately earlier: Working on #lookdev for a new #animation
Inspired by the #Woodcut #Shader from the Advanced Renderman Book, build almost exclusively with standard nodes.
https://youtu.be/Nkp_Db-RE9w
#b3d #Blender #Experiment #WIP #AnimatorsAnomymous -
Accidentally posted this privately earlier: Working on #lookdev for a new #animation
Inspired by the #Woodcut #Shader from the Advanced Renderman Book, build almost exclusively with standard nodes.
https://youtu.be/Nkp_Db-RE9w
#b3d #Blender #Experiment #WIP #AnimatorsAnomymous -
Accidentally posted this privately earlier: Working on #lookdev for a new #animation
Inspired by the #Woodcut #Shader from the Advanced Renderman Book, build almost exclusively with standard nodes.
https://youtu.be/Nkp_Db-RE9w
#b3d #Blender #Experiment #WIP #AnimatorsAnomymous -
Accidentally posted this privately earlier: Working on #lookdev for a new #animation
Inspired by the #Woodcut #Shader from the Advanced Renderman Book, build almost exclusively with standard nodes.
https://youtu.be/Nkp_Db-RE9w
#b3d #Blender #Experiment #WIP #AnimatorsAnomymous -
"The Eye finds... the Hearte chusyth... the Hand binds... But Death ceasyth". Joseph Crawhall. #Death #woodcut #gothic #chapbook #Victorian @[email protected]
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Experience the serenity and power of the sea in Auguste Lepère's "The Breaking Waves, Tide of September 1901." This woodcut showcases his mastery and deep connection with nature. How does the ocean inspire your creativity?
#Art #Woodcut #ClevelandArt #AugusteLepere
https://clevelandart.org/art/1949.526