#josephswain — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #josephswain, aggregated by home.social.
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Comparison (made in 2009) posted on Flickr in 2010. (Segment from screenshot from https://www.flickr.com/photos/bonnetmaker/4479523700/in/dateposted-public/)
※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder. -
※ Left: The "Banker" after his encounter with the "#Bandersnatch", depicted in #HenryHoliday’s illustration (#woodcut by #JosephSwain) to the chapter "The Banker’s Fate" in #LewisCarroll’s "#TheHuntingOfTheSnark" (1876).
※ Right: A slightly horizontally compressed rendering of "The #Imagebreakers" (1566-1568), an etching by #MarcusGheeraertsTheElder. -
[1, left] #HenryHoliday (engraver: #JosephSwain), illustration to #TheHuntingOfTheSnark (#Lewis Carrol)
[1, right] Holiday’s #PreperatoryDraft[2] #JohnTheBaptist, #JohnEverettMillais (#Millais) #ChristInTheHouseHisParents (#TheCarpentersShop)
[3] #HenryVIII’s #bedpost, #EdwardVI and the Pope, #Reformation", #PaulIII
[4] #Ahasuerus consulting the records by #Philip Galle, #MaartenVanHeemskerck, #MargaretAston, #TheKings Bedpost, #Iconography, #Tudor GroupPortrait
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Left side: Two details from the illustration by #HenryHoliday to the chapter "The Hunting" in #LewisCarroll’s "#TheHuntingOfTheSnark" (woodcut by #JosephSwain)
Right side: The 1674 print depicting William III (#WilliamOfOrange) as well as the allegorical figures for “religion” and “liberty”, a “liberum belgium” motive.
Henry Holiday integrated three elements from that 1674 print into his illustration (1876). "Liberty" became "Hope" and "Religion" became "Care" (https://snrk.de/page_eagle-and-star/).