#dawproject — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #dawproject, aggregated by home.social.
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n-Track Studio, a DAW which is available for #linuxaudio, now supports #dawproject files for easy project interchange between #daw (s) like #bitwigstudio, #studioone, #cubase, and now also #ntrackstudio.
https://ntrack.com/
https://github.com/bitwig/dawproject -
n-Track Studio, a DAW which is available for #linuxaudio, now supports #dawproject files for easy project interchange between #daw (s) like #bitwigstudio, #studioone, #cubase, and now also #ntrackstudio.
https://ntrack.com/
https://github.com/bitwig/dawproject -
n-Track Studio, a DAW which is available for #linuxaudio, now supports #dawproject files for easy project interchange between #daw (s) like #bitwigstudio, #studioone, #cubase, and now also #ntrackstudio.
https://ntrack.com/
https://github.com/bitwig/dawproject -
n-Track Studio, a DAW which is available for #linuxaudio, now supports #dawproject files for easy project interchange between #daw (s) like #bitwigstudio, #studioone, #cubase, and now also #ntrackstudio.
https://ntrack.com/
https://github.com/bitwig/dawproject -
n-Track Studio, a DAW which is available for #linuxaudio, now supports #dawproject files for easy project interchange between #daw (s) like #bitwigstudio, #studioone, #cubase, and now also #ntrackstudio.
https://ntrack.com/
https://github.com/bitwig/dawproject -
Estoy preparando la publicación de "Esa es la lucha (feat. Gabriela Bolten)". Mientras tanto, ahí va el proyecto abierto, en el nuevo formato #DAWproject y también en su versión original para #Bitwig. Licencia #CreativeCommons CC-BY-SA. Por si a alguien le interesa.
Muchas gracias a @anartist por su servicio #NextCloud (uno de los muchos que ofrece)
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Wheel out the new file format klaxon 📯 - the new #DAWproject File Format is an attempt to create an open exchange format for user data between Digital Audio Workstations (DAWs):
https://github.com/bitwig/dawproject
And some thoughts about the format by Peter Kirn: