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#climateart — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #climateart, aggregated by home.social.

  1. Messing around with animations of #Petrofuture maps.

    London, this time...and I added a couple of flourishes. What do you think? Too subtle?

    #London #England #UK #ClimateChange #ClimateArt

  2. Messing around with animations of #Petrofuture maps.

    London, this time...and I added a couple of flourishes. What do you think? Too subtle?

    #London #England #UK #ClimateChange #ClimateArt

  3. Messing around with animations of #Petrofuture maps.

    London, this time...and I added a couple of flourishes. What do you think? Too subtle?

    #London #England #UK #ClimateChange #ClimateArt

  4. Messing around with animations of #Petrofuture maps.

    London, this time...and I added a couple of flourishes. What do you think? Too subtle?

    #London #England #UK #ClimateChange #ClimateArt

  5. Messing around with animations of #Petrofuture maps.

    London, this time...and I added a couple of flourishes. What do you think? Too subtle?

    #London #England #UK #ClimateChange #ClimateArt

  6. AUDIOPHILE MAN - HiFi NEWS
    Coal-infused vinyl. Only 100 pressed. Ancestral Reverb captures the voices of North East mining families—curated by Jacob Polley, performed by Richard Dawson, documented by Andy Martin & Rachel Deakin. A striking fusion of heritage and climate art.
    Click: theaudiophileman.com/ancestral
    #Heritage #ArtsCulture #VinylCommunity #FolkMusic #ClimateArt #NorthEast #UKMusic

  7. AUDIOPHILE MAN - HiFi NEWS
    Coal-infused vinyl. Only 100 pressed. Ancestral Reverb captures the voices of North East mining families—curated by Jacob Polley, performed by Richard Dawson, documented by Andy Martin & Rachel Deakin. A striking fusion of heritage and climate art.
    Click: theaudiophileman.com/ancestral
    #Heritage #ArtsCulture #VinylCommunity #FolkMusic #ClimateArt #NorthEast #UKMusic

  8. AUDIOPHILE MAN - HiFi NEWS
    Coal-infused vinyl. Only 100 pressed. Ancestral Reverb captures the voices of North East mining families—curated by Jacob Polley, performed by Richard Dawson, documented by Andy Martin & Rachel Deakin. A striking fusion of heritage and climate art.
    Click: theaudiophileman.com/ancestral
    #Heritage #ArtsCulture #VinylCommunity #FolkMusic #ClimateArt #NorthEast #UKMusic

  9. Overconsumption called.
    It wants its entire living room back.

    Time to redecorate the future.

    Too-Too, Much-Much by Thomas Hirschhorn, 2010 (installation view, dimensions variable, found objects)

    #thomashirschhorn #ClimateArt #Degrowth #PostCapitalism #QueerEcology #MutualAid #Regeneration

  10. Overconsumption called.
    It wants its entire living room back.

    Time to redecorate the future.

    Too-Too, Much-Much by Thomas Hirschhorn, 2010 (installation view, dimensions variable, found objects)

    #thomashirschhorn #ClimateArt #Degrowth #PostCapitalism #QueerEcology #MutualAid #Regeneration

  11. Overconsumption called.
    It wants its entire living room back.

    Time to redecorate the future.

    Too-Too, Much-Much by Thomas Hirschhorn, 2010 (installation view, dimensions variable, found objects)

    #thomashirschhorn #ClimateArt #Degrowth #PostCapitalism #QueerEcology #MutualAid #Regeneration

  12. Overconsumption called.
    It wants its entire living room back.

    Time to redecorate the future.

    Too-Too, Much-Much by Thomas Hirschhorn, 2010 (installation view, dimensions variable, found objects)

    #thomashirschhorn #ClimateArt #Degrowth #PostCapitalism #QueerEcology #MutualAid #Regeneration

  13. Overconsumption called.
    It wants its entire living room back.

    Time to redecorate the future.

    Too-Too, Much-Much by Thomas Hirschhorn, 2010 (installation view, dimensions variable, found objects)

    #thomashirschhorn #ClimateArt #Degrowth #PostCapitalism #QueerEcology #MutualAid #Regeneration

  14. That moment when a painting finds its finish ✨

    Just varnished these two from the Roots of Change series and used a satin finish, because sometimes subtlety is the point.

    I usually skip varnish on paper, but this Fabriano Pittura stock drinks it beautifully. No patchy sheen, just an even finish that deepens the colour and adds a layer of endurance.

    #RootsOfChange #AcrylicPainting #ContemporaryArt #Resilience #Adaptation #CactusArt #SucculentLove #ClimateArt #HomeDecor

  15. Explore your connection to water through art, science, and storytelling with Jann Rosen-Queralt & Angelica Chavez Duckworth.

    📅 Sun, Sept 21, 2–3:30 PM
    📍 The Peale – Closing event for One Chiliad

    #ThePeale #BaltimoresCommunityMuseum #ClimateArt #InteractiveWorkshop #BaltimoreWorkshop

  16. „To Water Is to Be“ von Nanno Simonis zeigt Wasser als widersprüchliche Kraft: zugleich sanft und zerstörerisch, kontrolliert und doch unkontrollierbar. Eingesperrt im Glas, offenbart es seine wilde Dynamik. Ein Werk, das an die fragile Balance zwischen Natur, Klima und unseren Ökosystemen erinnert. Und einfach auch nur ästhetisch ist…

    #ArsElectronica #MediaArt #ToWaterIsToBe #ClimateArt #Linz

  17. „To Water Is to Be“ von Nanno Simonis zeigt Wasser als widersprüchliche Kraft: zugleich sanft und zerstörerisch, kontrolliert und doch unkontrollierbar. Eingesperrt im Glas, offenbart es seine wilde Dynamik. Ein Werk, das an die fragile Balance zwischen Natur, Klima und unseren Ökosystemen erinnert. Und einfach auch nur ästhetisch ist…

    #ArsElectronica #MediaArt #ToWaterIsToBe #ClimateArt #Linz

  18. „To Water Is to Be“ von Nanno Simonis zeigt Wasser als widersprüchliche Kraft: zugleich sanft und zerstörerisch, kontrolliert und doch unkontrollierbar. Eingesperrt im Glas, offenbart es seine wilde Dynamik. Ein Werk, das an die fragile Balance zwischen Natur, Klima und unseren Ökosystemen erinnert. Und einfach auch nur ästhetisch ist…

    #ArsElectronica #MediaArt #ToWaterIsToBe #ClimateArt #Linz

  19. „To Water Is to Be“ von Nanno Simonis zeigt Wasser als widersprüchliche Kraft: zugleich sanft und zerstörerisch, kontrolliert und doch unkontrollierbar. Eingesperrt im Glas, offenbart es seine wilde Dynamik. Ein Werk, das an die fragile Balance zwischen Natur, Klima und unseren Ökosystemen erinnert. Und einfach auch nur ästhetisch ist…

    #ArsElectronica #MediaArt #ToWaterIsToBe #ClimateArt #Linz

  20. „To Water Is to Be“ von Nanno Simonis zeigt Wasser als widersprüchliche Kraft: zugleich sanft und zerstörerisch, kontrolliert und doch unkontrollierbar. Eingesperrt im Glas, offenbart es seine wilde Dynamik. Ein Werk, das an die fragile Balance zwischen Natur, Klima und unseren Ökosystemen erinnert. Und einfach auch nur ästhetisch ist…

    #ArsElectronica #MediaArt #ToWaterIsToBe #ClimateArt #Linz

  21. 🌪️ One last taste of our #nextScienceArt series 🎨

    Over the past few years, the #nextGEMS project has blended climate science and creativity through #calendars filled with stunning visualizations from cutting-edge #EarthSystemSimulations.

    This year, we took a different path—celebrating new and past contest submissions with fresh artistic spotlights.

    🖼️ Below: “Stormstreaks” by Matthias Aengenheyster (ECMWF)
    This artwork visualizes 44 years (1980–2023) of extreme 10-meter #wind gusts from a high-res (~9 km) climate simulation (EERIE, tco1279 AMIP) using ESA-CCI sea surface temperature and sea ice data.

    📥 Explore all designs in our website’s media library or our Zenodo community

    ✨ All artwork was curated in the form of postcards - Download, print, and share the beauty of climate science—worldwide. 🌍💌

    #ClimateArt #ScienceVisualization #ClimateModeling #H2020 #ScienceCommunication

    @ECMWF
    @cinea_EU

  22. 🌪️ One last taste of our #nextScienceArt series 🎨

    Over the past few years, the #nextGEMS project has blended climate science and creativity through #calendars filled with stunning visualizations from cutting-edge #EarthSystemSimulations.

    This year, we took a different path—celebrating new and past contest submissions with fresh artistic spotlights.

    🖼️ Below: “Stormstreaks” by Matthias Aengenheyster (ECMWF)
    This artwork visualizes 44 years (1980–2023) of extreme 10-meter #wind gusts from a high-res (~9 km) climate simulation (EERIE, tco1279 AMIP) using ESA-CCI sea surface temperature and sea ice data.

    📥 Explore all designs in our website’s media library or our Zenodo community

    ✨ All artwork was curated in the form of postcards - Download, print, and share the beauty of climate science—worldwide. 🌍💌

    #ClimateArt #ScienceVisualization #ClimateModeling #H2020 #ScienceCommunication

    @ECMWF
    @cinea_EU

  23. 🌪️ One last taste of our #nextScienceArt series 🎨

    Over the past few years, the #nextGEMS project has blended climate science and creativity through #calendars filled with stunning visualizations from cutting-edge #EarthSystemSimulations.

    This year, we took a different path—celebrating new and past contest submissions with fresh artistic spotlights.

    🖼️ Below: “Stormstreaks” by Matthias Aengenheyster (ECMWF)
    This artwork visualizes 44 years (1980–2023) of extreme 10-meter #wind gusts from a high-res (~9 km) climate simulation (EERIE, tco1279 AMIP) using ESA-CCI sea surface temperature and sea ice data.

    📥 Explore all designs in our website’s media library or our Zenodo community

    ✨ All artwork was curated in the form of postcards - Download, print, and share the beauty of climate science—worldwide. 🌍💌

    #ClimateArt #ScienceVisualization #ClimateModeling #H2020 #ScienceCommunication

    @ECMWF
    @cinea_EU