home.social

#cinemaanalysis — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #cinemaanalysis, aggregated by home.social.

  1. Disaster movies used to burn — now they barely smolder. On Fire and Faith in the Flames: The Nichole Jolly Story try to turn real wildfire trauma into spiritual spectacle, but end up revealing the limits of low-budget “true story” filmmaking.
    #FilmCriticism #Disaster #Film #FaithBased #MovieReview #CinemaAnalysis #TrueStory #CGI #Screenwriting
    pablohoneyfish.wordpress.com/2

  2. Disaster movies used to burn — now they barely smolder. On Fire and Faith in the Flames: The Nichole Jolly Story try to turn real wildfire trauma into spiritual spectacle, but end up revealing the limits of low-budget “true story” filmmaking.
    #FilmCriticism #Disaster #Film #FaithBased #MovieReview #CinemaAnalysis #TrueStory #CGI #Screenwriting
    pablohoneyfish.wordpress.com/2

  3. Disaster movies used to burn — now they barely smolder. On Fire and Faith in the Flames: The Nichole Jolly Story try to turn real wildfire trauma into spiritual spectacle, but end up revealing the limits of low-budget “true story” filmmaking.
    #FilmCriticism #Disaster #Film #FaithBased #MovieReview #CinemaAnalysis #TrueStory #CGI #Screenwriting
    pablohoneyfish.wordpress.com/2

  4. Disaster movies used to burn — now they barely smolder. On Fire and Faith in the Flames: The Nichole Jolly Story try to turn real wildfire trauma into spiritual spectacle, but end up revealing the limits of low-budget “true story” filmmaking.
    #FilmCriticism #Disaster #Film #FaithBased #MovieReview #CinemaAnalysis #TrueStory #CGI #Screenwriting
    pablohoneyfish.wordpress.com/2

  5. Disaster movies used to burn — now they barely smolder. On Fire and Faith in the Flames: The Nichole Jolly Story try to turn real wildfire trauma into spiritual spectacle, but end up revealing the limits of low-budget “true story” filmmaking.
    #FilmCriticism #Disaster #Film #FaithBased #MovieReview #CinemaAnalysis #TrueStory #CGI #Screenwriting
    pablohoneyfish.wordpress.com/2

  6. A frontier melodrama reaching for Greek tragedy but tripping over its own casting, The Unforgiven is a fascinating misfire—Huston’s attempt to interrogate the Western while still playing by its most stubborn rules.
    #JohnHuston #AudreyHepburn #BurtLancaster #TheUnforgiven1960 #WesternFilms #ClassicCinema #FilmHistory #CinemaAnalysis #HollywoodWesterns #AlanLeMay
    pablohoneyfish.wordpress.com/2

  7. Like many a shoestring, found-footage horror flick, Name the Demon (2024) exists somewhere between genuine boredom and contrived coincidence. I’ll buy that due to an increase in both the demand for the ritual and scrutiny over the Catholic Church, the Vatican requires that all exorcisms be recorded. What’s the excuse, though, for filming absolutely everything else?
    #NameTheDemon #FilmEssay #HorrorMovies #ExorcismFilm #CinemaAnalysis #FoundFootage
    pablohoneyfish.wordpress.com/2

  8. Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
    #FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
    pablohoneyfish.wordpress.com/2

  9. Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
    #FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
    pablohoneyfish.wordpress.com/2

  10. Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
    #FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
    pablohoneyfish.wordpress.com/2

  11. Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
    #FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
    pablohoneyfish.wordpress.com/2

  12. Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
    #FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
    pablohoneyfish.wordpress.com/2

  13. Bereavement boasts the nihilistic, anticathartic non-ending that afflicts most modern horror films (prequels and otherwise), but it’s the movie's unethical, pseudoscientific premise that truly puts the icing on the bullshit cake.
    #HorrorFail #FilmCritique #HorrorMovies #IndieHorror #CinemaAnalysis #BadScienceInMovies #MovieReview #Bereavement
    ninetypercentcrapmoviereviews.