home.social

#filmcriticism — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #filmcriticism, aggregated by home.social.

fetched live
  1. Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
    By Oliver Milman

    The movie follows Digger Rockwell, whose drilling triggers a vast iceberg that’s five times the size of Washington DC

    theguardian.com/film/2026/oct/

    #Digger #Environment #TomCruise #Film #Culture #Filmcriticism #Climatecrisis #Fossilfuels #AlejandroGonzlezIrritu #Oil #TheGuardian #OliverMilman

  2. Ann Hornaday Dead: Washington Post Film Critic Was 66

    On Monday, after learning the sad news of Washington Post critic Ann Hornaday‘s death at age 66 from…
    #NewsBeep #News #Celebrities #AnnHornaday #CA #Canada #Entertainment #Film #FilmCriticism #reviews #WashingtonPost
    newsbeep.com/ca/939862/

  3. Ann Hornaday Dead: Washington Post Film Critic Was 66

    On Monday, after learning the sad news of Washington Post critic Ann Hornaday‘s death at age 66 from…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Celebrities #AnnHornaday #Entertainment #Film #FilmCriticism #reviews #WashingtonPost
    newsbeep.com/us/888560/

  4. It appears there is something better than “fugitive sex”: “the maid’s son got kidnapped by mistake and we’re being extorted for $7 million while Dana Scully is creeping around our mansion probably spying on us sex.”
    #Animals #MovieReview #Thriller #Crime #Drama #FilmCriticism
    pablohoneyfish.wordpress.com/2

  5. The Disciple: A Wu-Tang Fable review – Netflix doc on ‘secret album’ is strictly for super fans
    By Adrian Horton

    The lore of Once Upon a Time in Shaolin, once bought by Martin Shkreli, is explored in a rambling film produced by RZA

    theguardian.com/film/2026/oct/

    #Documentaryfilms #WuTangClan #Music #Culture #Film #MartinShkreli #Rap #BlackUSculture #Filmcriticism #Netflix #TheGuardian #AdrianHorton

  6. Dogmatic Nordic liberals v eastern family values: culture-clash drama Fjord touches nerves in Norway and Romania
    By Andrei Popoviciu and Magnus Nome

    Cristian Mungiu’s Cannes winner echoes the news story of a Romanian couple whose children were taken by the Norwegian government. As it heads to London film festival, two writers explain how the film exposes real hypocrisies

    theguardian.com/film/2026/oct/

    #Film #Cannesfilmfestival #Culture #Romania #Europe #Filmcriticism #Norway #Londonfilmfestival #Childprotection #TheGuardian #AndreiPopoviciu #MagnusNome

  7. Rebellion review – story of Bradford 12 revisits Britain’s ugly racist past
    By Peter Bradshaw

    Ken Fero and Tariq Mehmood’s documentary recalls the fight against racism in 1980s Britain – even if its account of solidarity has a notable omission

    theguardian.com/film/2026/oct/

    #Film #Documentaryfilms #Race #Culture #Worldnews #Londonfilmfestival #Festivals #Filmcriticism #Police #Bradford #Racereligion #Media #UKnews #TheGuardian #PeterBradshaw

  8. Big Girls Don’t Cry… They Get Even begins with an arrogant narrator looking at the camera to boast about how complex and edgy her family is. It finishes by trapping that narrator in a climax so mathematically unhinged that her initial diagnosis of her own life was completely wrong.
    #Comedy #MovieReview #ComingofAge #FilmCriticism
    pablohoneyfish.wordpress.com/2

  9. The Lotus Tea

    Catherine Liu took the stage in London on September 21 to talk about trauma. She was there for Traumatized: The New Politics of Public Suffering, new from Verso. The book argues that trauma has been commodified into a politics of permanent victimhood, and that its loudest merchants trade in something other than the true suffering of people. Midway through the conversation with Ash Sarkar on Novara Media's Downstream, Liu, a cultural critic and professor of film and media studies at UC Irvine, swerved into Christopher Nolan's The Odyssey. She apologized for the tangent, and her interviewer told her to keep going. "What a phenomenal tangent that was," she said when she surfaced. […]

    bolesblogs.com/2026/10/14/the-

  10. How we lost our appetite for eat-the-rich satire
    By Alastair Ryder

    Tom Cruise’s latest film could lose $250m (£190m) – could one reason be that audiences are tired of Hollywood telling them what they already know about the super-rich?

    theguardian.com/film/2026/oct/

    #Film #Digger #WarnerBros #Classissues #DonaldTrump #ParamountPictures #Saltburn #TomCruise #Inequality #Culture #Filmcriticism #AlejandroGonzlezIrritu #Filmindustry #TheGuardian #AlastairRyder

  11. Girls Like Girls proves Hayley Kiyoko is a better director than she’s a screenwriter. Directing someone else’s script would be her smartest next move.
    #GirlsLikeGirls #MovieReview #Drama #Romance #FilmCriticism
    pablohoneyfish.wordpress.com/2

  12. There’s precious little car washing in The Wash, and I most certainly didn’t need to see Dre rubbing his junk while eavesdropping on Snoop getting it on in the john.
    #TheWash #MovieReview #Comedy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  13. Deadstream (2022) is not as dumb as it first and last appears to be, and it first and last appears to be really fucking dumb — even by found footage standards.
    #Deadstream #MovieReview #Horror #Comedy #FoundFootage #FilmCriticism
    pablohoneyfish.wordpress.com/2

  14. I’m tempted to describe What Happens Later (2023) as The Langoliers of romantic dramedies, but then it isn’t all that spooky, or romantic, or dramatic, or funny.
    #WhatHappensLater #MovieReview #Romance #Comedy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  15. When a film doesn’t trust its material to be engaging on its own terms, it slaps a layer of ersatz auteur hipster gloss over a straightforward B-movie premise.
    #TheBabysitter #MovieReview #Horror #Comedy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  16. The Intruders treats its hidden space like a magician’s trapdoor. It’s just a trick to get a reaction out of the audience. Once the secret room is opened, the movie has nothing left to say.
    #TheIntruders #MovieReview #Mystery #Thriller #FilmCriticism
    pablohoneyfish.wordpress.com/2

  17. Shakespeare relied on the fatalistic urgency and fiery passion of teenagers. Ethan and Nadine are in their mid-to-late 30s and trying to get people to set sail inside giant pumpkins. Their sneaking around their parents somehow doesn’t have the same impact.
    #PumpkinRegattaRomance #MovieReview #Romance #Comedy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  18. Body of Influence (1993) feels partly inspired by The Three Faces of Eve, only instead of examining the complex plurality of the female psyche, it revolves around the diabolical fallacy that there exists but one many-faced woman.
    #BodyofInfluence #MovieReview #Erotic #Thriller #FilmCriticism
    pablohoneyfish.wordpress.com/2

  19. Nikita tries to be a sleek action thriller, an existential drama, a dark comedy, and a doomed romance all at once. By refusing to commit, the film undercuts its emotional stakes.
    #Nikita #MovieReview #Action #Thriller #Drama #FilmCriticism
    pablohoneyfish.wordpress.com/2

  20. Stacking secret long-lost relatives on top of secret long-lost relatives creates a feedback loop where every major character is fighting over the same dinner table, yet behaving as if they are navigating an epic saga.
    #TheStolenValley #MovieReview #Action #Drama #FilmCriticism
    pablohoneyfish.wordpress.com/2

  21. Abandoning the urge for an abrupt Shyamalan-style plot twist and leaning into dramatic irony, Last Survivors pivots from a trick-ending mystery toward a psychological study of indoctrination and emancipation.
    #LastSurvivors #MovieReview #Drama #Thriller #FilmCriticism
    pablohoneyfish.wordpress.com/2

  22. If you crack up every time you see a dog doing something disgusting, Strays is right up your alley. Also, you may be a fucking moron.
    #Strays #MovieReview #Comedy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  23. The Taking of Beverly Hills takes the “heist within a heist” formula and derails it with an economic model that defies every rule of finance, law, and basic accounting.
    #TheTakingofBeverlyHills #MovieReview #Action #Thriller #FilmCriticism
    pablohoneyfish.wordpress.com/2

  24. When a script stacks three unrelated killer archetypes — Child Prodigy Assassin, Late-Blooming Revenge Stalker, and Serial Body-Parts Artist — into a single dude working a minimum-wage valet shift, the narrative unravels.
    #TheRow #MovieReview #Horror #Slasher #FilmCriticism
    pablohoneyfish.wordpress.com/2

  25. The Dog Bite Murders (2025) claims to be “inspired by true events,” with “some of the dialogue” reflecting “actual words spoken.” That is technically correct. In fact, every single word in the script has been spoken. By someone. At some point.
    #TheDogBiteMurders #MovieReview #Drama #TrueStory #FilmCriticism
    pablohoneyfish.wordpress.com/2

  26. The problem with Nightmare Radio: The Night Stalker is right there in the title. It can’t decide whether it wants to be about a late-night radio program where people call to tell horror stories or about an unstable listener with a grudge against the DJ.
    #NightmareRadioTheNightStalker #MovieReview #Horror #Anthology #FilmCriticism
    pablohoneyfish.wordpress.com/2

  27. A vegetarian, ice-breathing dragon is counterintuitive to say the least, yet that’s what DragonHeart: Vengeance (2020) gives us: an oversized, computer-generated fire extinguisher.
    #DragonHeartVengeance #MovieReview #Adventure #Fantasy #FilmCriticism
    pablohoneyfish.wordpress.com/2

  28. The Black Windmill (1974) is a very British artifact — too British at times. Scriptwriter Leigh Vance must have thought his native humor was so dry that American director Don Siegel wouldn’t notice how some characters keep taking the piss in what otherwise aspires to be a tense thriller, and he may have been right.
    #TheBlackWindmill #MovieReview #Crime #Action #Thriller #FilmCriticism
    pablohoneyfish.wordpress.com/2

  29. Borderlands (2024) is exactly what you’d expect from a Dwayne Johnson-Kevin Hart sci-fi/fantasy adventure in which Cate Blanchett slums it in the Dwayne Johnson role.
    #Borderlands #MovieReview #Action #Adventure #FilmCriticism
    pablohoneyfish.wordpress.com/2

Share on Mastodon

Enter the server where you have an account.