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1000 results for “Christiana”
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#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchBabes #GorgeousWomen #BaywatchNights #ThiefInTheNight
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#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchBabes #GorgeousWomen #BaywatchNights #ThiefInTheNight
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#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchBabes #Sexy #HotChicks #GorgeousWomen #BaywatchNights #ThiefInTheNight
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#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchBabes #Sexy #HotChicks #GorgeousWomen #BaywatchNights #ThiefInTheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#DavidHasselhoff #ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #Love #FallingInLove #Romance #Seduction #ThiefInTheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#DavidHasselhoff #ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #Love #FallingInLove #Romance #Seduction #ThiefInTheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#DavidHasselhoff #ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #Love #FallingInLove #Romance #Seduction #ThiefInTheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#DavidHasselhoff #ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #Love #FallingInLove #Romance #Seduction #ThiefInTheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #ThiefintheNight
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Christiana D'Amore as Nina "Sexy Ears" Cutter
#ChristianaDAmore #ChristianaCapetillo
Baywatch Nights 1x15 - Thief in the Night
#RandomBaywatch #lvdlpx #Baywatch #BaywatchNights #ThiefintheNight
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John Piper’s beautiful window in the parish church of Aldeburgh, Suffolk. My photo this August.
#ChristianArt #stainedglass #JohnPiper -
WHICH IS BETTER? I've created this advert for bookshops and librarians in a "Bibles and devotionals" catalogue. But which version is better and do you have any other suggestions to make it better?
#Bible #biblestudy #biblecomic #biblecomics #biblecomicbook #biblecomicbooks #comics #bibleillustrations #biblicalart #christianart
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@Christiana many people join to the #BlockElon & #blockelonmusk movement, additionally I stopped using like/retweet function since Elon been on charge..
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@Christiana many people join to the #BlockElon & #blockelonmusk movement, additionally I stopped using like/retweet function since Elon been on charge..
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@Christiana many people join to the #BlockElon & #blockelonmusk movement, additionally I stopped using like/retweet function since Elon been on charge..
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Happy st Agatha !
Or how to transform a gruesome rape story into healing and cupcakes -
Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #PopStar #EllenVonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #PopStar #EllenVonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #PopStar #EllenVonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #PopStar #EllenVonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photography #SciFi
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Christina Aguilera from Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photography #SciFi
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Christina Aguilera. Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photo #Photography #SciFi
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Christina Aguilera. Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photo #Photography #SciFi
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Christina Aguilera. Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photo #Photography #SciFi
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Christina Aguilera. Ellen von Unwerth's photoshoot for "Keeps Gettin' Better: A Decade of Hits" (2008) #ChristianAguilera #Popstar #EllenvonUnwerth #Photo #Photography #SciFi
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American cities named for European nobility
Source: Pinterest.comProvided below is list of those American. cities and towns that are named for European nobility. The list does not include places named after other places that happen to be named for European nobility. For example, Fayetteville, Arkansas is named for Fayetteville, Tennessee, which is in turn named for Fayetteville, North Carolina. Two other examples are West Lafayette, Indiana and East St. Louis, Illinois.
Peace!
Marquis de Lafayette – Source: smithsonianmag.com——-
Albany, New York – Duke of York/James II of England and Ireland/James VII of Scotland: the Duke of Albany (Great Britain)
Albuquerque, New Mexico – Francisco Fernández de la Cueva, the Duke of Alburquerque (Spain)
Amelia Court House, Virginia – Princess Amelia (Great Britain)
Anna Maria, Florida – Queen Maria Anna (Spain)
Annapolis, Maryland – Lady Anne Arundel (England)
Augusta, Georgia – Princess Augusta of Saxe-Gotha/Princess of Wales (England)
Baltimore, Maryland – Cecil Calvert, 2nd Lord of Baltimore (England)
Brunswick, Maine – King George I and the House of Brunswick (England)
Cape Elizabeth, Maine – Queen Elizabeth of Bohemia
Charleroi, Pennsylvania – King Charles II (Spain)
Charleston, Mississippi – King Charles II (England)
Charleston, South Carolina – King Charles II (England)
Charlestown, Maryland – Charles Calvert, the 5th Lord Baron of Baltimore
Charlestown, Rhode Island – King Charles II (England)
Charlotte, North Carolina – Queen Consort Charlotte of Mecklenburg-Strelitz (England)
Charlottesville, Virginia – Princess Charlotte of Wales (England)
Chester, Vermont – King George IV/the Earl of Chester (England)
Chichester, New Hampshire – Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne (England)
Christiana, Delaware – Queen Christina (Sweden)
Christiana, Pennsylvania – Queen Christina (Sweden)
Cumberland, Maryland – Prince William/Duke of Cumberland (Great Britain)
Cumberland, Rhode Island – Prince William/Duke of Cumberland (Great Britain)
Fairfax, Virginia – Lord Fairfax of Cameron (Great Britain)
Fayetteville, Georgia – Marquis de Lafayette (France0
Fayetteville, North Carolina – Marquis de Lafayette (France)
Fernandina Beach, Florida – King Ferdinand VII (Spain)
Fort Ann, New York – Queen Anne (Great Britain)
Frederick, Maryland – Frederick Calvert, 6th Baron Baltimore/Frederick Louis, Prince of Wales (Great Britain)
Fredericksburg, Texas – Prince Frederick of Prussia/Friedrich Wilhelm Ludwig (Germany)
Fredericksburg, Virginia – Prince Frederick (Wales)
Hampton, Virginia – Henry Wriothesley, the 3rd Earl of Southampton (England)
Jamestown, Rhode Island – King James II (England)
Jamestown, Virginia – King James I (Great Britain)
King George, Virginia – King George I (Great Britain)
Kinston, North Carolina – King George III (Great Britain)
LaFayette, Georgia – Marquis de Lafayette (France)
Lafayette, Indiana – Marquis de Lafayette (France)
LaFayette, Kentucky – Marquis de Lafayette ( France)
Lafayette, Louisiana – Marquis de Lafayette (France)
Lafayette, Tennessee – Marquis de Lafayette (France)
Louisa, Virginia – Princess Louisa (Great Britain)
Louisville, Georgia – King Louis XVI (France)
Louisville, Kentucky – King Louis XVI (France)
Lunenburg, Massachusetts – King George II/Duke of Brunswick-Lüneburg (Great Britain)
Lunenburg, Vermont – Prince Charles William Ferdinand/Duke of Brunswick-Lüneburg (Great Britain)
Marietta, Ohio – Marie Antonette, Queen of France
Napoleon, Ohio – French Emperor Napoleon Bonaparte (France)
Napoleonville, Louisiana – French Emperor Napoleon Bonaparte (France)
New Brunswick, New Jersey – King George I/Duke of Brunswick (Great Britain)
Newcastle, Maine – Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne (Great Britain)
New Orleans, Louisiana – Philippe II, the Duke of Orleans (France)
New York City, New York – The Duke of York/King James II (England)
Orange, Connecticut – William III, Prince of Orange/King William III of England (England)
Orange, Massachusetts – William III, Prince of Orange/King William III (England)
Orangeburg, South Carolina – William III, Prince of Orange/King William III (England)
Orleans, Massachusetts – Louis Philippe II, Duke of Orléans (France)
Prince Frederick, Maryland – Prince Frederick (Wales)
Rochester, New Hampshire – Laurence Hyde, 1st Earl of Rochester (England)
Queen Anne, Maryland – Queen Anne (Great Britain)
Raleigh, North Carolina – Sir Walter Raleigh (England)
St. Louis, Missouri – King Louis IX (France)
Victoria, Kansas – Queen Victoria (Great Britain)
Victoria, Virginia – Queen Victoria (Great Britain)
Warwick, Rhode Island – 2nd Earl of Warwick (England)
Williamsburg, Virginia – King William III (England)
Wilmington, Delaware – Spencer Compton, the Earl of Wilmington (England)
Wilmington, North Carolina – Spenser Compton, the Earl of Wilmington (England)
York, Maine – The Duke of York, James/King James II (England)
SOURCES:
- gemini.google.ai
- personal knowledge
- en.wikipedia.org for each community
- https://en.wikipedia.org/wiki/List_of_places_in_the_United_States_named_after_royalty
#Baron #cities #Count #Duke #Earl #England #France #geography #GreatBritain #history #king #Marquis #prince #princess #queen #Spain #Sweden #travel #Viscount
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The Unknown God
A Sermon about the Idols of Yesterday and Today
Acts 17:16–31
(Note: Sermons can be heard in audio format at https://millersburgmennonite.org/worship/sermon-audio/)
In our scripture this morning, Paul walks into Athens, a city overflowing with religion, beauty, ideas, temples, shrines, altars, arguments, and gods.
Athens is not empty.
Athens is crowded.
And Paul is deeply troubled.
Paul is not troubled because Athens is secular. He is troubled because Athens is religious in all the wrong ways. The city is full of worship, but empty of surrender. Full of gods, but not the living God. Full of altars but still haunted by absence.
For among all those altars, Paul notices one inscription:
To an unknown god.
What a haunting phrase.
In the middle of all the Athenians’ certainty, there is still this admission: we may have missed something. We may not know as much as we think. There may still be a God we have not recognized.
And I wonder if that is not where many people are right now.
Not atheists necessarily. Not even irreligious. But uncertain. Searching. Guarded. Spiritual, yet suspicious of certainty. Curious yet afraid of being closed off or closed in. Open and yet not really able to surrender to truth. Religious and yet still missing God.
La Atenas de Pablo no es solamente historia antigua; también describe nuestro mundo de hoy.
So Athens is not just ancient history.
Athens is now.
Let us pray.
May the words of my mouth and the meditations of our hearts be acceptable in your sight, O God, our Rock and our Redeemer. Amen.
Homily
Like the Athens of Paul’s day, our world today is full of altars too.
Altars to nation. Altars to wealth. Altars to image. Altars to safety. Altars to tribe. Altars to ideology. Altars to the market. Altars to the screen. Altars to the self.
We, like the Athenians, have all kinds of gods.
One reason I think our public discourse feels so fractured is that we are not just arguing about small things. We are bringing completely different belief systems into the room.
In Athens there were Jews who worshiped the one living God; God-fearing Greeks drawn toward that God but not fully committed; Epicureans who sought calm and freedom from fear; Stoics who valued reason, virtue, order, and discipline; and this strange altar to an unknown god, an altar that says, “We do not want to miss the divine. We know there is more than we can name.”
Paul proclaims a God who is not vague, not distant, not merely a principle, not one more option in the marketplace of ideas. Paul proclaims the God who made the world and everything in it, the God who gives life and breath to all, the God who cannot be reduced to shrines or captured in gold or silver or stone or circuitry, the God who is near to all, the God who now calls all people everywhere to repent because God has raised Jesus from the dead.
Pablo anuncia que Dios no es una idea vaga ni un ídolo más, sino el Creador que da vida, aliento y resurrección.
Some may believe truth is revealed and binding. Others are spiritual, but indefinite. Others have been wounded by the church and do not know whether the word “God” is invitation or threat.
And into all of that, Christian witness says: the world belongs to its Creator, and history has turned in the resurrection of Jesus Christ.
When Paul is brought to the Areopagus, we might imagine a cozy invitation. Maybe there is curiosity there, but there is also something more serious. Paul is being examined. Tested. Weighed. Asked to explain himself in public.
Paul is heard, but under suspicion.
And how does he respond?
Not with coercion. Not with panic. Not with silence. Not with flattery. Not with domination.
He responds with witness.
Paul pays attention. He listens. He observes. He starts where the people are.
Pablo no responde con poder o miedo, sino con atención, humildad y testimonio.
Paul does not begin by quoting Moses. He does not begin where he is most comfortable. He begins with what his hearers can recognize: their altar, their poets, their longing, their language of divine nearness.
My friends, that is not compromise. That is faithful witness.
And this matters for us, because our witness cannot always sound exactly the same in every place, in every room, in every forum.
The gospel does not change. “Jesus Christ is Lord” – that doesn’t change either. The call to repentance, reconciliation, mercy, justice, truth, and abundant life this side of the resurrection does not change.
But the way we bear witness may depend on where we are and who is in front of us.
El evangelio no cambia, pero la manera de dar testimonio puede cambiar según el lugar y las personas.
When Paul is in the synagogue, he reasons from the scriptures. But when Paul is in Athens, among philosophers, idolaters, seekers, and skeptics, he begins somewhere else. He begins with creation. He begins with breath. He begins with longing. He begins with the altar they already have. He begins with the poetry they already know.
Paul does not start by asking them to enter his world. He first enters theirs.
That is not watering down the faith. That is speaking the truth in love. That is incarnation-shaped witness.
Pablo entra en el mundo de sus oyentes para poder anunciarles fielmente al Dios vivo.
Paul does not introduce Athens to a God who was absent until Paul arrived. Paul reveals the presence of a God they have already been brushing up against.
The God they called unknown has been waiting to be revealed.
Paul says this God gives to all mortals life and breath and all things. Paul says this God is not far from each one of us. Paul says, “In him we live and move and have our being.”
So maybe the question is not simply, “Will God show up?”
Maybe the deeper question is, “Will we recognize how God is already showing up?”
Which brings us to a question worth asking every day:
God, how are you going to show up today?
Not, “God, are you going to show up?”
But, “God, how are you going to show up?”
La pregunta no es solo si Dios aparecerá, sino si tendremos ojos para reconocer cómo Dios ya está presente.
Because Acts 17 reveals to us that God may already be present before people have the right language. God may already be at work before someone has the right doctrine. God may already be stirring longing before anyone knows how to name that longing.
God may already be there in the question. God may already be there in the difference. God may already be there in the ache. God may already be there in the crack in someone’s certainty.
Paul sees an altar to an unknown god, and he does not only see idolatry. He also sees longing. He sees an opening. He sees a place where witness can begin.
Dios puede estar obrando en la pregunta, en el dolor, en el anhelo, aun antes de que sepamos nombrarlo.
And then Paul does something just as important:
He does not stay there.
He builds a bridge, yes. But he also tells the truth.
He says, in effect, “The God you do not know is the God who made you. The God you have not recognized is the God who gives you breath. The God you have left unnamed is not contained in your temples. The God you seek cannot be reduced to your idols.”
Because idolatry is not just about statues.
Idolatry is whenever we try to bind God to our own systems of power and belief.
Idolatry is when nation becomes ultimate. Idolatry is when wealth becomes sacred. Idolatry is when violence is blessed. Idolatry is when “they” usurps “us.” Idolatry is when “my people” become more important than “humanity.” Idolatry is when our beliefs matter more than relationships. Idolatry is when our politics, grievances, fears, and identities begin to function as gods.
And let us be honest: the church is not exempt.
Athens is not only out there.
Athens is in here.
Athens is in us whenever we want a manageable god. Athens is in us whenever we want a useful god. Athens is in us whenever we want a god who blesses our side, confirms our assumptions, secures our system, and God forbid, never ever, disrupts our loyalties.
But Paul says the living God does not dwell in temples made by human hands.
That means God is not mine, yours, ours to manage.
Dios no pertenece a nuestros sistemas; nosotros pertenecemos al Dios vivo.
Which begs the question:
God, how are you going to show up?
Because we often want God to show up in familiar ways. Predictable ways. Comfortable ways. Worshipful, yes, but also manageable.
But what if the living God shows up in ways that unsettle us?
What if God shows up in the person we dismissed? What if God shows up in the hard conversation? What if God shows up in the exposure of an idol? What if God shows up in a call to repentance? What if God shows up not to decorate our little altars, but to overturn them?
There are some places where our witness begins with Scripture. Some where it begins with service. Some with silence. Some with apology. Some with saying, “Tell me more.”
There are some places where our witness begins not by answering a question no one is asking, but by noticing the altar in the room, the longing in the room, the wound in the room, the fear in the room, the unknown god in the room.
And yet, Christian witness does not end with vague spirituality.
Paul does not say, “Well, you have your gods, and I have mine, and maybe underneath it all we mean the same thing.”
No.
He moves to repentance.
He moves to judgment.
He moves to resurrection.
Because resurrection means God has shown up in Jesus Christ.
The unknown God is unknown no longer.
Not because we figured God out, but because God has acted. Because Christ has been raised.
El Dios desconocido se ha dado a conocer en Jesucristo, crucificado y resucitado.
Because death is not lord. Caesar is not lord. The economy is not lord. Violence is not lord. Fear is not lord. (Fill in the blank) is not lord. Like we say down South, those dogs don’t hunt.
Jesus Christ is Lord. Jesus Christ is Lord. Jesus Christ is Lord!
The Cosmic Christ is more than just our own personal Jesus. And that means resurrection is not just good news for me, or my private soul. Or you and your private soul. It is the announcement of a new humanity under a new Lord. A new community. A new allegiance. A new public witness.
La resurrección anuncia una nueva humanidad bajo el señorío de Cristo.
That is who the church is meant to be.
Not simply a chaplain to the culture. Not another little religious booth in the marketplace of ideas. Not a baptizer of empire. Not a slave to ideology.
The church is the gathering of a resurrection people.
A people who do not only say, “God, show up.”
But a people who say,
God, help us recognize how you are showing up.
La iglesia existe para reconocer y encarnar la presencia del Cristo resucitado en el mundo.
So ask the question.
Ask it every morning. Ask it before worship. Ask it before the meeting. Ask it before the conversation. Ask it before you enter the room.
God, how are you going to show up?
And then ask the next question:
God, how are you calling me to show up?
To show up in worship, to show up in our community, to show up in the public square, to show up in the hard conversation, to show up in the awkward silence, and to show up in the uncomfortable moment when it would be easier to walk away.
My friends, we are the church of God. We are resurrection people, and resurrection people do not hide behind rose-colored stained-glass windows.
We show up because God first showed up.
We show up not because we are fearless, but because we are faithful. We show up not because every moment is easy, but because love is present. We show up not because we control the outcome, but because Christ is Lord. We show up not to dominate, not to coerce, not to win, but to bear witness.
Nos presentamos no para dominar, sino para dar testimonio con fidelidad, amor, humildad y paz.
And our witness may look different depending on where we are.
In worship, we show up with praise. In the neighborhood, with service. In conflict, with humility. In public life, with truth and peace. Among the wounded, with gentleness. Among the arrogant, with courage. Among the uncertain, with patience. Among the idols, with discernment.
Paul showed up in Athens.
He showed up in a city full of idols, in misunderstanding, under scrutiny, in the awkwardness of difference.
He showed up with a witness shaped by the place he was in.
He did not abandon the gospel.
He embodied it.
He trusted that God was already there ahead of him.
Pablo confió en que Dios ya estaba presente antes de que él hablara.
Maybe that is our calling too.
Not to have every answer. Not to control every room. Not to force belief.
But to show up with courage, humility, truth, and love, because the God who seemed unknown has already come near.
So this week, before you enter the room, begin the conversation, make the assumption, or speak the word, ask:
God, how are you going to show up here, in this moment, today?
And then ask:
Lord Jesus, how are you calling me to show up, here, in this moment, today, with you?
Because the God who was unknown has been made known, and the God who has been made known is still showing up, in us and in the people around us, in our homes and in the homes next door, in our neighborhood and in the communities down the road, in our nation and in all the nations of the world.
May God grant us open eyes and willing hearts to see and serve.
Let us pray.
#Acts17 #anabaptist #Areopagus #biblicalPreaching #ChristianArt #ChristianWitness #ChurchAndSociety #Cross #discernment #faithAndCulture #faithfulWitness #falseGods #GodShowingUp #Idolatry #JesusChristIsLord #modernIdols #PaulInAthens #publicWitness #Repentance #resurrection #SacredImagery #sermonIllustration #spiritualLonging #UnknownGod