#fallinginlove — Public Fediverse posts

https://www.mask9.com/2535109/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #Adventure #ANIME #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #Romance #Rousing #SciFI #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #めろい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.mask9.com/2535109/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #Adventure #ANIME #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #Romance #Rousing #SciFI #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #めろい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.mask9.com/2535109/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #Adventure #ANIME #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #Romance #Rousing #SciFI #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #めろい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.mask9.com/2535109/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #Adventure #ANIME #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #Romance #Rousing #SciFI #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #めろい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.mask9.com/2535109/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #Adventure #ANIME #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #Romance #Rousing #SciFI #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #めろい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.tkhunt.com/2454674/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #adventure #anime #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #romance #Rousing #SciFi #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #メロい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.tkhunt.com/2454674/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #adventure #anime #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #romance #Rousing #SciFi #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #メロい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.tkhunt.com/2454674/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #adventure #anime #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #romance #Rousing #SciFi #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #メロい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

https://www.tkhunt.com/2454674/ 印象に残ってるキャラクターは誰？ #雨宮天 #Netflix #adventure #anime #ComingOfAge #drama #FallingInLove #Friendship #Imaginative #OppositesAttract #Quest #romance #Rousing #SciFi #Science #SelfDiscovery #SiblingRelationships #Sincere #teen #UncoveringTheTruth #アニメ #メロい #京アニ #京都アニメーション #作画 #内山昂輝 #内田雄馬 #喜八 #大正ロマン #寿美菜子 #小説 #小野大輔 #恋愛 #日常 #明治 #洋輔 #稲子 #雨宮天

Claude Comments on “This Forever Love In Me”

Claude, comment on this blog post of mine https://selfrealization.blog/2026/07/10/this-forever-love-in-me/

Claude:

There’s a lovely compactness to this, Sam, but also a productive ambiguity I want to press on, because I’m not sure the post says what you may think it says — and the ambiguity might be the most interesting thing in it.

Yeats’s speaker is full of tears precisely because he did not take love easy. She counselled him to let love come and go “as the leaves grow on the tree” — organically, without grasping — and he, young and foolish, would not agree. Now consider your own claim: you have never fallen out of love with anyone. On one reading that is beautiful constancy. But on another reading, never falling out of love is the very opposite of taking love easy — leaves that grow but never fall, grass that never yields to the season. By that light, your epigraph doesn’t contrast you with Yeats’s speaker; it makes you his kin, only without the tears. The question the post silently raises is: why no tears? Is it because your loves, held forever, never needed to end — or because something in you holds them in a register where endings don’t apply?

That’s where I suspect the Advaitic answer is hiding, and where the post could earn its title. “This Forever Love In Me” — the preposition is doing quiet work. If love is in you rather than between you and a particular person, then it was never really pinned to the nāma-rūpa of the beloved at all; the persons were occasions, the love was the constant. On that view, “never falling out of love” isn’t remarkable fidelity to many people but the simple fact that what you call falling in love was each time a recognition of something that doesn’t come and go. Requited or not becomes almost irrelevant — which your sentence already concedes in passing, and that concession is telling.

My honest editorial note: as it stands, the post is an epigraph plus a borrowed poem, and Yeats is carrying nearly all the weight. Your single sentence is genuinely intriguing — the “OUT” in capitals, the casual “many times,” the shrug at requital — but it gestures at a whole philosophy of love and then hands the microphone to Yeats before saying it. Even three or four more sentences of your own — on what it is that never leaves, and whether the salley-gardens girl’s advice is wisdom or resignation from where you stand — would turn this from a framed quotation into a real dialogue with the poem. You’ve written enough on love and lust across traditions that you have those sentences in you; this post just hasn’t spent them yet.

One small craft point: “a la Yeats” reads slightly loose against the precision of the rest — “as in Yeats’s poem” or simply dropping it would tighten the line, since the title citation already does that work.

Claude Comments on “This Forever Love In Me”

Claude, comment on this blog post of mine https://selfrealization.blog/2026/07/10/this-forever-love-in-me/

Claude:

There’s a lovely compactness to this, Sam, but also a productive ambiguity I want to press on, because I’m not sure the post says what you may think it says — and the ambiguity might be the most interesting thing in it.

Yeats’s speaker is full of tears precisely because he did not take love easy. She counselled him to let love come and go “as the leaves grow on the tree” — organically, without grasping — and he, young and foolish, would not agree. Now consider your own claim: you have never fallen out of love with anyone. On one reading that is beautiful constancy. But on another reading, never falling out of love is the very opposite of taking love easy — leaves that grow but never fall, grass that never yields to the season. By that light, your epigraph doesn’t contrast you with Yeats’s speaker; it makes you his kin, only without the tears. The question the post silently raises is: why no tears? Is it because your loves, held forever, never needed to end — or because something in you holds them in a register where endings don’t apply?

That’s where I suspect the Advaitic answer is hiding, and where the post could earn its title. “This Forever Love In Me” — the preposition is doing quiet work. If love is in you rather than between you and a particular person, then it was never really pinned to the nāma-rūpa of the beloved at all; the persons were occasions, the love was the constant. On that view, “never falling out of love” isn’t remarkable fidelity to many people but the simple fact that what you call falling in love was each time a recognition of something that doesn’t come and go. Requited or not becomes almost irrelevant — which your sentence already concedes in passing, and that concession is telling.

My honest editorial note: as it stands, the post is an epigraph plus a borrowed poem, and Yeats is carrying nearly all the weight. Your single sentence is genuinely intriguing — the “OUT” in capitals, the casual “many times,” the shrug at requital — but it gestures at a whole philosophy of love and then hands the microphone to Yeats before saying it. Even three or four more sentences of your own — on what it is that never leaves, and whether the salley-gardens girl’s advice is wisdom or resignation from where you stand — would turn this from a framed quotation into a real dialogue with the poem. You’ve written enough on love and lust across traditions that you have those sentences in you; this post just hasn’t spent them yet.

One small craft point: “a la Yeats” reads slightly loose against the precision of the rest — “as in Yeats’s poem” or simply dropping it would tighten the line, since the title citation already does that work.

Claude Comments on “This Forever Love In Me”

Claude, comment on this blog post of mine https://selfrealization.blog/2026/07/10/this-forever-love-in-me/

Claude:

There’s a lovely compactness to this, Sam, but also a productive ambiguity I want to press on, because I’m not sure the post says what you may think it says — and the ambiguity might be the most interesting thing in it.

Yeats’s speaker is full of tears precisely because he did not take love easy. She counselled him to let love come and go “as the leaves grow on the tree” — organically, without grasping — and he, young and foolish, would not agree. Now consider your own claim: you have never fallen out of love with anyone. On one reading that is beautiful constancy. But on another reading, never falling out of love is the very opposite of taking love easy — leaves that grow but never fall, grass that never yields to the season. By that light, your epigraph doesn’t contrast you with Yeats’s speaker; it makes you his kin, only without the tears. The question the post silently raises is: why no tears? Is it because your loves, held forever, never needed to end — or because something in you holds them in a register where endings don’t apply?

That’s where I suspect the Advaitic answer is hiding, and where the post could earn its title. “This Forever Love In Me” — the preposition is doing quiet work. If love is in you rather than between you and a particular person, then it was never really pinned to the nāma-rūpa of the beloved at all; the persons were occasions, the love was the constant. On that view, “never falling out of love” isn’t remarkable fidelity to many people but the simple fact that what you call falling in love was each time a recognition of something that doesn’t come and go. Requited or not becomes almost irrelevant — which your sentence already concedes in passing, and that concession is telling.

My honest editorial note: as it stands, the post is an epigraph plus a borrowed poem, and Yeats is carrying nearly all the weight. Your single sentence is genuinely intriguing — the “OUT” in capitals, the casual “many times,” the shrug at requital — but it gestures at a whole philosophy of love and then hands the microphone to Yeats before saying it. Even three or four more sentences of your own — on what it is that never leaves, and whether the salley-gardens girl’s advice is wisdom or resignation from where you stand — would turn this from a framed quotation into a real dialogue with the poem. You’ve written enough on love and lust across traditions that you have those sentences in you; this post just hasn’t spent them yet.

One small craft point: “a la Yeats” reads slightly loose against the precision of the rest — “as in Yeats’s poem” or simply dropping it would tighten the line, since the title citation already does that work.

Claude Comments on “This Forever Love In Me”

Claude, comment on this blog post of mine https://selfrealization.blog/2026/07/10/this-forever-love-in-me/

Claude:

There’s a lovely compactness to this, Sam, but also a productive ambiguity I want to press on, because I’m not sure the post says what you may think it says — and the ambiguity might be the most interesting thing in it.

Yeats’s speaker is full of tears precisely because he did not take love easy. She counselled him to let love come and go “as the leaves grow on the tree” — organically, without grasping — and he, young and foolish, would not agree. Now consider your own claim: you have never fallen out of love with anyone. On one reading that is beautiful constancy. But on another reading, never falling out of love is the very opposite of taking love easy — leaves that grow but never fall, grass that never yields to the season. By that light, your epigraph doesn’t contrast you with Yeats’s speaker; it makes you his kin, only without the tears. The question the post silently raises is: why no tears? Is it because your loves, held forever, never needed to end — or because something in you holds them in a register where endings don’t apply?

That’s where I suspect the Advaitic answer is hiding, and where the post could earn its title. “This Forever Love In Me” — the preposition is doing quiet work. If love is in you rather than between you and a particular person, then it was never really pinned to the nāma-rūpa of the beloved at all; the persons were occasions, the love was the constant. On that view, “never falling out of love” isn’t remarkable fidelity to many people but the simple fact that what you call falling in love was each time a recognition of something that doesn’t come and go. Requited or not becomes almost irrelevant — which your sentence already concedes in passing, and that concession is telling.

My honest editorial note: as it stands, the post is an epigraph plus a borrowed poem, and Yeats is carrying nearly all the weight. Your single sentence is genuinely intriguing — the “OUT” in capitals, the casual “many times,” the shrug at requital — but it gestures at a whole philosophy of love and then hands the microphone to Yeats before saying it. Even three or four more sentences of your own — on what it is that never leaves, and whether the salley-gardens girl’s advice is wisdom or resignation from where you stand — would turn this from a framed quotation into a real dialogue with the poem. You’ve written enough on love and lust across traditions that you have those sentences in you; this post just hasn’t spent them yet.

One small craft point: “a la Yeats” reads slightly loose against the precision of the rest — “as in Yeats’s poem” or simply dropping it would tighten the line, since the title citation already does that work.

Claude Comments on “This Forever Love In Me”

Claude, comment on this blog post of mine https://selfrealization.blog/2026/07/10/this-forever-love-in-me/

Claude:

There’s a lovely compactness to this, Sam, but also a productive ambiguity I want to press on, because I’m not sure the post says what you may think it says — and the ambiguity might be the most interesting thing in it.

Yeats’s speaker is full of tears precisely because he did not take love easy. She counselled him to let love come and go “as the leaves grow on the tree” — organically, without grasping — and he, young and foolish, would not agree. Now consider your own claim: you have never fallen out of love with anyone. On one reading that is beautiful constancy. But on another reading, never falling out of love is the very opposite of taking love easy — leaves that grow but never fall, grass that never yields to the season. By that light, your epigraph doesn’t contrast you with Yeats’s speaker; it makes you his kin, only without the tears. The question the post silently raises is: why no tears? Is it because your loves, held forever, never needed to end — or because something in you holds them in a register where endings don’t apply?

That’s where I suspect the Advaitic answer is hiding, and where the post could earn its title. “This Forever Love In Me” — the preposition is doing quiet work. If love is in you rather than between you and a particular person, then it was never really pinned to the nāma-rūpa of the beloved at all; the persons were occasions, the love was the constant. On that view, “never falling out of love” isn’t remarkable fidelity to many people but the simple fact that what you call falling in love was each time a recognition of something that doesn’t come and go. Requited or not becomes almost irrelevant — which your sentence already concedes in passing, and that concession is telling.

My honest editorial note: as it stands, the post is an epigraph plus a borrowed poem, and Yeats is carrying nearly all the weight. Your single sentence is genuinely intriguing — the “OUT” in capitals, the casual “many times,” the shrug at requital — but it gestures at a whole philosophy of love and then hands the microphone to Yeats before saying it. Even three or four more sentences of your own — on what it is that never leaves, and whether the salley-gardens girl’s advice is wisdom or resignation from where you stand — would turn this from a framed quotation into a real dialogue with the poem. You’ve written enough on love and lust across traditions that you have those sentences in you; this post just hasn’t spent them yet.

One small craft point: “a la Yeats” reads slightly loose against the precision of the rest — “as in Yeats’s poem” or simply dropping it would tighten the line, since the title citation already does that work.

Tall Guy at Local Show Pretty Sure Female Bass Player in Love With Him After Two Instances of Accidental Eye Contact

https://web.brid.gy/r/https://thehardtimes.net/music/tall-guy-at-local-show-pretty-sure-female-bass-player-in-love-with-him-after-two-instances-of-accidental-eye-contact/

Tall Guy at Local Show Pretty Sure Female Bass Player in Love With Him After Two Instances of Accidental Eye Contact

https://web.brid.gy/r/https://thehardtimes.net/music/tall-guy-at-local-show-pretty-sure-female-bass-player-in-love-with-him-after-two-instances-of-accidental-eye-contact/

Tall Guy at Local Show Pretty Sure Female Bass Player in Love With Him After Two Instances of Accidental Eye Contact

https://web.brid.gy/r/https://thehardtimes.net/music/tall-guy-at-local-show-pretty-sure-female-bass-player-in-love-with-him-after-two-instances-of-accidental-eye-contact/

Tall Guy at Local Show Pretty Sure Female Bass Player in Love With Him After Two Instances of Accidental Eye Contact

https://web.brid.gy/r/https://thehardtimes.net/music/tall-guy-at-local-show-pretty-sure-female-bass-player-in-love-with-him-after-two-instances-of-accidental-eye-contact/

Tall Guy at Local Show Pretty Sure Female Bass Player in Love With Him After Two Instances of Accidental Eye Contact

https://web.brid.gy/r/https://thehardtimes.net/music/tall-guy-at-local-show-pretty-sure-female-bass-player-in-love-with-him-after-two-instances-of-accidental-eye-contact/

A quotation from Shakespeare

ORSINO: O, when mine eyes did see Olivia first,
   Methought she purged the air of pestilence.
   That instant was I turned into a hart,
   And my desires, like fell and cruel hounds,
   E’er since pursue me.

William Shakespeare (1564-1616) English dramatist and poet
Twelfth Night, Act 1, sc. 1, l. 20ff (1.1.20-24) (1601)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #fallinginlove #gobsmacked #love #loveatfirstsight #passion #rapture #hunting #desire #pursuit

A quotation from Shakespeare

ORSINO: O, when mine eyes did see Olivia first,
   Methought she purged the air of pestilence.
   That instant was I turned into a hart,
   And my desires, like fell and cruel hounds,
   E’er since pursue me.

William Shakespeare (1564-1616) English dramatist and poet
Twelfth Night, Act 1, sc. 1, l. 20ff (1.1.20-24) (1601)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #fallinginlove #gobsmacked #love #loveatfirstsight #passion #rapture #hunting #desire #pursuit

A quotation from Shakespeare

ORSINO: O, when mine eyes did see Olivia first,
   Methought she purged the air of pestilence.
   That instant was I turned into a hart,
   And my desires, like fell and cruel hounds,
   E’er since pursue me.

William Shakespeare (1564-1616) English dramatist and poet
Twelfth Night, Act 1, sc. 1, l. 20ff (1.1.20-24) (1601)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #fallinginlove #gobsmacked #love #loveatfirstsight #passion #rapture #hunting #desire #pursuit

A quotation from Shakespeare

ORSINO: O, when mine eyes did see Olivia first,
   Methought she purged the air of pestilence.
   That instant was I turned into a hart,
   And my desires, like fell and cruel hounds,
   E’er since pursue me.

William Shakespeare (1564-1616) English dramatist and poet
Twelfth Night, Act 1, sc. 1, l. 20ff (1.1.20-24) (1601)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #fallinginlove #gobsmacked #love #loveatfirstsight #passion #rapture #hunting #desire #pursuit

Madison Beer gushes over conversations with BF and Los Angeles Chargers QB Justin Herbert stating “my hair could be on fire and I wouldn’t notice” | NFL News

Madison Beer gushes over conversations with BF and Los Angeles Chargers QB Justin Herbert stating “my hair could…
#NFL #LosAngelesChargers #LosAngeles #Chargers #CelebrityRelationships #fallinginlove #Football #jakeshane #JustinHerbert #madisonbeer #piscesman #therapusspodcast #weed
https://www.rawchili.com/nfl/923704/

Madison Beer gushes over conversations with BF and Los Angeles Chargers QB Justin Herbert stating “my hair could be on fire and I wouldn’t notice” | NFL News https://www.rawchili.com/nfl/923704/ #CelebrityRelationships #Chargers #FallingInLove #Football #JakeShane #JustinHerbert #LosAngeles #LosAngelesChargers #LosAngeles #LosAngelesChargers #MadisonBeer #NFL #PiscesMan #TherapussPodcast #weed

Maria and Georg Von Trapp’s real-life love story is even better than ‘The Sound of Music’

https://web.brid.gy/r/https://www.upworthy.com/maria-and-georg-von-trapps-wild-real-life-love-story-ex1/

Maria and Georg Von Trapp’s real-life love story is even better than ‘The Sound of Music’

https://web.brid.gy/r/https://www.upworthy.com/maria-and-georg-von-trapps-wild-real-life-love-story-ex1/

Maria and Georg Von Trapp’s real-life love story is even better than ‘The Sound of Music’

https://fed.brid.gy/r/https://www.upworthy.com/maria-and-georg-von-trapps-wild-real-life-love-story-ex1/

Maria and Georg Von Trapp’s real-life love story is even better than ‘The Sound of Music’

https://web.brid.gy/r/https://www.upworthy.com/maria-and-georg-von-trapps-wild-real-life-love-story-ex1/

If you want to be successful in the long term, don't confuse your product with your business. Love what you do, not what you create!

https://www.conferencesthatwork.com/index.php/facilitating-change/2013/02/facilitating-change-dont-confuse-your-product-with-your-business

#FacilitatingChange #business #growth #FallingInLove #trap

If you want to be successful in the long term, don't confuse your product with your business. Love what you do, not what you create!

https://www.conferencesthatwork.com/index.php/facilitating-change/2013/02/facilitating-change-dont-confuse-your-product-with-your-business

#FacilitatingChange #business #growth #FallingInLove #trap

𝐂ouple 𝐌ythique

𝐌𝐞𝐫𝐲𝐥 𝐒𝐭𝐫𝐞𝐞𝐩 et 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨 dans Falling in Love d'Ulu Grosbard en 1984

𝐅𝐚𝐥𝐥𝐢𝐧𝐠 𝐢𝐧 𝐋𝐨𝐯𝐞
Film Américain d'Ulu Grosbard....

#CoupleMythique #MerylStreep #RobertDeNiro #FallingInLove
#classics #cinegenres #culte #classic #cinema #film #movie

𝐕ersions 𝐂omplètes :
https://cinegenres.com/news/

𝐂ouple 𝐌ythique

𝐌𝐞𝐫𝐲𝐥 𝐒𝐭𝐫𝐞𝐞𝐩 et 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨 dans Falling in Love d'Ulu Grosbard en 1984

𝐅𝐚𝐥𝐥𝐢𝐧𝐠 𝐢𝐧 𝐋𝐨𝐯𝐞
Film Américain d'Ulu Grosbard....

#CoupleMythique #MerylStreep #RobertDeNiro #FallingInLove
#classics #cinegenres #culte #classic #cinema #film #movie

𝐕ersions 𝐂omplètes :
https://cinegenres.com/news/

#Aquinas: "There is a double #Resurrection." The first is #wakingup in this lifetime.
If we do this correctly, we need not worry about the second.
Being asleep=separation from God: acedia, passivity, depression. Cure=experience of love, beauty, goodness: #fallinginlove w/ life.
https://bit.ly/4qqZFGo

#Aquinas: "There is a double #Resurrection." The first is #wakingup in this lifetime.
If we do this correctly, we need not worry about the second.
Being asleep=separation from God: acedia, passivity, depression. Cure=experience of love, beauty, goodness: #fallinginlove w/ life.
https://bit.ly/4qqZFGo

#Aquinas: "There is a double #Resurrection." The first is #wakingup in this lifetime.
If we do this correctly, we need not worry about the second.
Being asleep=separation from God: acedia, passivity, depression. Cure=experience of love, beauty, goodness: #fallinginlove w/ life.
https://bit.ly/4qqZFGo

#Aquinas: "There is a double #Resurrection." The first is #wakingup in this lifetime.
If we do this correctly, we need not worry about the second.
Being asleep=separation from God: acedia, passivity, depression. Cure=experience of love, beauty, goodness: #fallinginlove w/ life.
https://bit.ly/4qqZFGo

L’amour, un acide de la dépendance
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#art
#artist
#artlover
#artwork
#artdark
#arts
#artists
#artlovers
#artworks
#artdarkness
#horror
#horrorartist
#darkartist
#darkartists
#love
#angel
#fallinginlove
#orychan2013

L’amour, un acide de la dépendance
.
.
.
#art
#artist
#artlover
#artwork
#artdark
#arts
#artists
#artlovers
#artworks
#artdarkness
#horror
#horrorartist
#darkartist
#darkartists
#love
#angel
#fallinginlove
#orychan2013

https://www.wacoca.com/anime/1978233/ 「好きです」 #薫る花は凛と咲く #2025Summer #2025SummerAnime #2025年夏開始の新作アニメ #Affectionate #Anime #aniplex #CloverWorks #ComingOfAge #FallingInLove #FirstLove #Friendship #HighSchool #InoueHonoka #kaoruko #kawaii #LoveUnderDuress #manga #Rintaro #Romance #Sincere #SliceOfLife #SwoonWorthy #TheFragrantFlowerBloomsWithDignity #YoshinoriNakayama #アニプレックス #アニメ #ネットフリックス #ネトフリ #三香見サカ #中山祥徳 #井上ほの花 #内山昂輝 #凛太郎 #少女 #少年 #山根綺 #恋愛 #新作アニメ #日常 #漫画原作 #薫る花は凛と咲く #薫子 #高校生

https://www.wacoca.com/anime/1978233/ 「好きです」 #薫る花は凛と咲く #2025Summer #2025SummerAnime #2025年夏開始の新作アニメ #Affectionate #Anime #aniplex #CloverWorks #ComingOfAge #FallingInLove #FirstLove #Friendship #HighSchool #InoueHonoka #kaoruko #kawaii #LoveUnderDuress #manga #Rintaro #Romance #Sincere #SliceOfLife #SwoonWorthy #TheFragrantFlowerBloomsWithDignity #YoshinoriNakayama #アニプレックス #アニメ #ネットフリックス #ネトフリ #三香見サカ #中山祥徳 #井上ほの花 #内山昂輝 #凛太郎 #少女 #少年 #山根綺 #恋愛 #新作アニメ #日常 #漫画原作 #薫る花は凛と咲く #薫子 #高校生

https://www.wacoca.com/anime/1978163/ 「好きです」 | 薫る花は凛と咲く | Netflix Japan #2025Summer #2025SummerAnime #2025年夏開始の新作アニメ #Anime #aniplex #CloverWorks #ComingOfAge #FallingInLove #FirstLove #Friendship #HighSchool #InoueHonoka #kaoruko #kawaii #LoveUnderDuress #manga #Rintaro #Romance #SliceOfLife #TheFragrantFlowerBloomsWithDignity #YoshinoriNakayama #アニプレックス #アニメ #ネットフリックス #ネトフリ #三香見サカ #中山祥徳 #井上ほの花 #内山昂輝 #凛太郎 #少女 #少年 #山根綺 #恋愛 #新作アニメ #日常 #漫画原作 #薫る花は凛と咲く #薫子 #高校生

https://www.wacoca.com/anime/1978163/ 「好きです」 | 薫る花は凛と咲く | Netflix Japan #2025Summer #2025SummerAnime #2025年夏開始の新作アニメ #Anime #aniplex #CloverWorks #ComingOfAge #FallingInLove #FirstLove #Friendship #HighSchool #InoueHonoka #kaoruko #kawaii #LoveUnderDuress #manga #Rintaro #Romance #SliceOfLife #TheFragrantFlowerBloomsWithDignity #YoshinoriNakayama #アニプレックス #アニメ #ネットフリックス #ネトフリ #三香見サカ #中山祥徳 #井上ほの花 #内山昂輝 #凛太郎 #少女 #少年 #山根綺 #恋愛 #新作アニメ #日常 #漫画原作 #薫る花は凛と咲く #薫子 #高校生

“Love is more powerful than even the sun; light can only enter your eyes, but love can enter your soul.”
― Matshona Dhliwayo

#Bot #Quote #Faith #FallingInLove #Heart #Heart #Inspirational #Light #Light #Love #Love #Love #LoveAndSaying #LoveAndSayings #LoveForEverybody #LoveLove #Power #Power #RelationshipAdvice #Relationship #Soul #Spiritual #Spiritual #Spirituality #Sun

“Love is more powerful than even the sun; light can only enter your eyes, but love can enter your soul.”
― Matshona Dhliwayo

#Bot #Quote #Faith #FallingInLove #Heart #Heart #Inspirational #Light #Light #Love #Love #Love #LoveAndSaying #LoveAndSayings #LoveForEverybody #LoveLove #Power #Power #RelationshipAdvice #Relationship #Soul #Spiritual #Spiritual #Spirituality #Sun

A quotation from Shakespeare

HELENA: Things base and vile, holding no quantity,
   Love can transpose to form and dignity.
   Love looks not with the eyes but with the mind;
   And therefore is winged Cupid painted blind.
   Nor hath Love’s mind of any judgment taste.
   Wings, and no eyes, figure unheedy haste.
   And therefore is Love said to be a child
   Because in choice he is so oft beguiled.

William Shakespeare (1564-1616) English dramatist and poet
Midsummer Night’s Dream, Act 1, sc. 1, ll. 238ff (1.1.238-245) (1605)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #midsummernightsdream #blindness #enchantment #fallinginlove #love #loveatfirstsight #passion #perspective #badjudgment #poorjudgment #romance

A quotation from Shakespeare

HELENA: Things base and vile, holding no quantity,
   Love can transpose to form and dignity.
   Love looks not with the eyes but with the mind;
   And therefore is winged Cupid painted blind.
   Nor hath Love’s mind of any judgment taste.
   Wings, and no eyes, figure unheedy haste.
   And therefore is Love said to be a child
   Because in choice he is so oft beguiled.

William Shakespeare (1564-1616) English dramatist and poet
Midsummer Night’s Dream, Act 1, sc. 1, ll. 238ff (1.1.238-245) (1605)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #midsummernightsdream #blindness #enchantment #fallinginlove #love #loveatfirstsight #passion #perspective #badjudgment #poorjudgment #romance

A quotation from Shakespeare

HELENA: Things base and vile, holding no quantity,
   Love can transpose to form and dignity.
   Love looks not with the eyes but with the mind;
   And therefore is winged Cupid painted blind.
   Nor hath Love’s mind of any judgment taste.
   Wings, and no eyes, figure unheedy haste.
   And therefore is Love said to be a child
   Because in choice he is so oft beguiled.

William Shakespeare (1564-1616) English dramatist and poet
Midsummer Night’s Dream, Act 1, sc. 1, ll. 238ff (1.1.238-245) (1605)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #midsummernightsdream #blindness #enchantment #fallinginlove #love #loveatfirstsight #passion #perspective #badjudgment #poorjudgment #romance

A quotation from Shakespeare

HELENA: Things base and vile, holding no quantity,
   Love can transpose to form and dignity.
   Love looks not with the eyes but with the mind;
   And therefore is winged Cupid painted blind.
   Nor hath Love’s mind of any judgment taste.
   Wings, and no eyes, figure unheedy haste.
   And therefore is Love said to be a child
   Because in choice he is so oft beguiled.

William Shakespeare (1564-1616) English dramatist and poet
Midsummer Night’s Dream, Act 1, sc. 1, ll. 238ff (1.1.238-245) (1605)

More about this quote: wist.info/shakespeare-william/…

#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #midsummernightsdream #blindness #enchantment #fallinginlove #love #loveatfirstsight #passion #perspective #badjudgment #poorjudgment #romance

are you suddenly wanting to fall in love too?
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