#stray-from-the-path — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #stray-from-the-path, aggregated by home.social.
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Wolves – Self-Titled Review | Angry Metal Guy
Remember when hardcore was, like, hardcore? Wolves does. The generically named yet…
#NewsBeep #News #Music #2025 #3.0 #AU #Australia #BlackFlag #Botch #BritishMetal #Counterparts #Entertainment #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisontheWell #Post-Metal #review #reviews #RipcordRecords #Self-titled #Sep25 #sexpistols #StrayfromthePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
https://www.newsbeep.com/au/149860/ -
Wolves – Self-Titled Review | Angry Metal Guy
Remember when hardcore was, like, hardcore? Wolves …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.0 #BlackFlag #Botch #BritishMetal #Counterparts #Entertainment #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisontheWell #Post-Metal #review #reviews #RipcordRecords #Self-titled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
https://www.newsbeep.com/us/163209/ -
Wolves – Self-Titled Review | Angry Metal Guy
Remember when hardcore was, like, hardcore? Wolves …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.0 #BlackFlag #Botch #BritishMetal #Counterparts #Entertainment #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisontheWell #Post-Metal #review #reviews #RipcordRecords #Self-titled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
https://www.newsbeep.com/us/163209/ -
By Dear Hollow
Remember when hardcore was, like, hardcore? Wolves does. The generically named yet tongue-in-cheek UK hardcore gang makes antiestablishment music cool again, but not in the tired way. It’s not the noise-and-noise-only approach of early punk’s darlings Sex Pistols or Black Flag, but it ain’t pop-punk’s catchy anthem either. It’s jerky, jagged, unhinged, and doesn’t give a fuck about your feelings – it’s angular!1 But it’s also melodic, heartfelt, and overwhelmingly sincere. Calling out fascism and nationalism and the assholes who tote them, while getting personal and vulnerable with themes of parenthood and heartbreak, Wolves offers a scathing forty-eight minute romp through both the unfriendliness and melodicism of hardcore’s storied history.
Wolves is hardcore in a traditional way, but that doesn’t forego on experimentation. The quintet at its core recalls the hardcore fury of Gallows or Verse in their punky politically inclined foot on the gas, but they toss in a generous helping of post-hardcore, healthy cup of mathcore, and a drizzle of post-metal into their stew of titles. Furthermore, four out of five members are also vocalists2 and panic chord abuse runs rampant alongside a groovy swagger. It recalls Every Time I Die, The Dillinger Escape Plan, and Poison the Well without committing to them completely, creating a hardcore album that rides neatly on the borders with intensity when needed and thoughtful melody when the situation calls for it. Both bolstered and hindered by their four vocalists and a gratuitous runtime, Self-Titled is math-curious, -core-furious, and genre-spurious debut LP.
Wolves justifies its lengthy runtime with some tasteful experimentation. While the backbone of tempo-abusing furious hardcore punk, a hefty amount of melody adds a heartfelt ache to the tracks (“All or Something”), while post-metal’s dirge-like hypnotism appears to slow things down in a far more somber and dreary tone (“New Liver, Same Eagle”). These moments can be hit-or-miss, however, as the more Intronaut-inspired expanses that rely on clean vocals fall drearily flat (“A Stolen Horse”), the bluesy riffs can grate after so many reiterations (“A Guide to Accepting One’s Fate”), and the more chaotic mathcore faithful can derail the otherwise interesting grooves (“Nicaea to See You (To See You Nicaea)”). Furthermore, although the melodic nature recalls the yearning moments of Counterparts or The Ghost Inside, the four-vocal attack does not bode well, the fry vocals feeling particularly grating against the layered plucking (“All or Something,” “A Stolen Horse”).
Thankfully then, the bulk of Self-Titled is one hell of a beatdown romp that toes the line between its influences in a relentless blend of mathy and groovy. Wonky panic chords and dissonant technical sweeps courtesy of The Dillinger Escape Plan add a desperate and unhinged dimension (“LEECHES!,” “Emergency Equipment”), while bluesy swagger that recalls the heyday of Every Time I Die makes riffs sound “yuuuuge” against the backdrop of blistering hardcore tempos, resulting in some seriously mosh-worthy content (“Thirteen Crows and One Pigeon,” “The Rich Man and the Sea”). Second track “Reformed (Try Love)” is of special note, that while its groovy riffs are rad, the spoken word callout is the most hardcore thing I’ve heard this year, calling out those who are “one step from Nazi propaganda” and nationalism-flirting politicians, businessmen, and influencers, British and American: “Mate, they don’t give a fuck about you, but you′ve let them whisper in your ear… ’cause it′s easier to hate than to look in a fucking mirror.” In Wolves’ words, “Christ, what a shower of cunts.”
Wolves’ Self-Titled is all about balance, as their unapologetic brashness blends surprisingly well with their tongue-in-cheek vibe and vulnerable melodics. At its core, it’s a math-curious hardcore romp that fits neatly alongside the likes of both Gallows, Botch, and even Stray from the Path, so it’s easy to forgive the overloud vocals, mediocre cleans, periodically gratuitous repetition, and album length. When its experimental edge succeeds, it’s a home run, but that’s not the star of the show – its political edge and weaponized mathcore influence will rip you a new one. Wolves is here to make sure you’re not “duped by absolute scumbags” and have a rip-roaring time doing it.
Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Ripcord Records
Websites: theycalluswolves.bandcamp.com | facebook.com/theycalluswolves
Releases Worldwide: September 5th, 2025#2025 #30 #BlackFlag #Botch #BritishMetal #Counterparts #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisonTheWell #PostMetal #Review #Reviews #RipcordRecords #SelfTitled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
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By Dear Hollow
Remember when hardcore was, like, hardcore? Wolves does. The generically named yet tongue-in-cheek UK hardcore gang makes antiestablishment music cool again, but not in the tired way. It’s not the noise-and-noise-only approach of early punk’s darlings Sex Pistols or Black Flag, but it ain’t pop-punk’s catchy anthem either. It’s jerky, jagged, unhinged, and doesn’t give a fuck about your feelings – it’s angular!1 But it’s also melodic, heartfelt, and overwhelmingly sincere. Calling out fascism and nationalism and the assholes who tote them, while getting personal and vulnerable with themes of parenthood and heartbreak, Wolves offers a scathing forty-eight minute romp through both the unfriendliness and melodicism of hardcore’s storied history.
Wolves is hardcore in a traditional way, but that doesn’t forego on experimentation. The quintet at its core recalls the hardcore fury of Gallows or Verse in their punky politically inclined foot on the gas, but they toss in a generous helping of post-hardcore, healthy cup of mathcore, and a drizzle of post-metal into their stew of titles. Furthermore, four out of five members are also vocalists2 and panic chord abuse runs rampant alongside a groovy swagger. It recalls Every Time I Die, The Dillinger Escape Plan, and Poison the Well without committing to them completely, creating a hardcore album that rides neatly on the borders with intensity when needed and thoughtful melody when the situation calls for it. Both bolstered and hindered by their four vocalists and a gratuitous runtime, Self-Titled is math-curious, -core-furious, and genre-spurious debut LP.
Wolves justifies its lengthy runtime with some tasteful experimentation. While the backbone of tempo-abusing furious hardcore punk, a hefty amount of melody adds a heartfelt ache to the tracks (“All or Something”), while post-metal’s dirge-like hypnotism appears to slow things down in a far more somber and dreary tone (“New Liver, Same Eagle”). These moments can be hit-or-miss, however, as the more Intronaut-inspired expanses that rely on clean vocals fall drearily flat (“A Stolen Horse”), the bluesy riffs can grate after so many reiterations (“A Guide to Accepting One’s Fate”), and the more chaotic mathcore faithful can derail the otherwise interesting grooves (“Nicaea to See You (To See You Nicaea)”). Furthermore, although the melodic nature recalls the yearning moments of Counterparts or The Ghost Inside, the four-vocal attack does not bode well, the fry vocals feeling particularly grating against the layered plucking (“All or Something,” “A Stolen Horse”).
Thankfully then, the bulk of Self-Titled is one hell of a beatdown romp that toes the line between its influences in a relentless blend of mathy and groovy. Wonky panic chords and dissonant technical sweeps courtesy of The Dillinger Escape Plan add a desperate and unhinged dimension (“LEECHES!,” “Emergency Equipment”), while bluesy swagger that recalls the heyday of Every Time I Die makes riffs sound “yuuuuge” against the backdrop of blistering hardcore tempos, resulting in some seriously mosh-worthy content (“Thirteen Crows and One Pigeon,” “The Rich Man and the Sea”). Second track “Reformed (Try Love)” is of special note, that while its groovy riffs are rad, the spoken word callout is the most hardcore thing I’ve heard this year, calling out those who are “one step from Nazi propaganda” and nationalism-flirting politicians, businessmen, and influencers, British and American: “Mate, they don’t give a fuck about you, but you′ve let them whisper in your ear… ’cause it′s easier to hate than to look in a fucking mirror.” In Wolves’ words, “Christ, what a shower of cunts.”
Wolves’ Self-Titled is all about balance, as their unapologetic brashness blends surprisingly well with their tongue-in-cheek vibe and vulnerable melodics. At its core, it’s a math-curious hardcore romp that fits neatly alongside the likes of both Gallows, Botch, and even Stray from the Path, so it’s easy to forgive the overloud vocals, mediocre cleans, periodically gratuitous repetition, and album length. When its experimental edge succeeds, it’s a home run, but that’s not the star of the show – its political edge and weaponized mathcore influence will rip you a new one. Wolves is here to make sure you’re not “duped by absolute scumbags” and have a rip-roaring time doing it.
Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Ripcord Records
Websites: theycalluswolves.bandcamp.com | facebook.com/theycalluswolves
Releases Worldwide: September 5th, 2025#2025 #30 #BlackFlag #Botch #BritishMetal #Counterparts #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisonTheWell #PostMetal #Review #Reviews #RipcordRecords #SelfTitled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
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By Dear Hollow
Remember when hardcore was, like, hardcore? Wolves does. The generically named yet tongue-in-cheek UK hardcore gang makes antiestablishment music cool again, but not in the tired way. It’s not the noise-and-noise-only approach of early punk’s darlings Sex Pistols or Black Flag, but it ain’t pop-punk’s catchy anthem either. It’s jerky, jagged, unhinged, and doesn’t give a fuck about your feelings – it’s angular!1 But it’s also melodic, heartfelt, and overwhelmingly sincere. Calling out fascism and nationalism and the assholes who tote them, while getting personal and vulnerable with themes of parenthood and heartbreak, Wolves offers a scathing forty-eight minute romp through both the unfriendliness and melodicism of hardcore’s storied history.
Wolves is hardcore in a traditional way, but that doesn’t forego on experimentation. The quintet at its core recalls the hardcore fury of Gallows or Verse in their punky politically inclined foot on the gas, but they toss in a generous helping of post-hardcore, healthy cup of mathcore, and a drizzle of post-metal into their stew of titles. Furthermore, four out of five members are also vocalists2 and panic chord abuse runs rampant alongside a groovy swagger. It recalls Every Time I Die, The Dillinger Escape Plan, and Poison the Well without committing to them completely, creating a hardcore album that rides neatly on the borders with intensity when needed and thoughtful melody when the situation calls for it. Both bolstered and hindered by their four vocalists and a gratuitous runtime, Self-Titled is math-curious, -core-furious, and genre-spurious debut LP.
Wolves justifies its lengthy runtime with some tasteful experimentation. While the backbone of tempo-abusing furious hardcore punk, a hefty amount of melody adds a heartfelt ache to the tracks (“All or Something”), while post-metal’s dirge-like hypnotism appears to slow things down in a far more somber and dreary tone (“New Liver, Same Eagle”). These moments can be hit-or-miss, however, as the more Intronaut-inspired expanses that rely on clean vocals fall drearily flat (“A Stolen Horse”), the bluesy riffs can grate after so many reiterations (“A Guide to Accepting One’s Fate”), and the more chaotic mathcore faithful can derail the otherwise interesting grooves (“Nicaea to See You (To See You Nicaea)”). Furthermore, although the melodic nature recalls the yearning moments of Counterparts or The Ghost Inside, the four-vocal attack does not bode well, the fry vocals feeling particularly grating against the layered plucking (“All or Something,” “A Stolen Horse”).
Thankfully then, the bulk of Self-Titled is one hell of a beatdown romp that toes the line between its influences in a relentless blend of mathy and groovy. Wonky panic chords and dissonant technical sweeps courtesy of The Dillinger Escape Plan add a desperate and unhinged dimension (“LEECHES!,” “Emergency Equipment”), while bluesy swagger that recalls the heyday of Every Time I Die makes riffs sound “yuuuuge” against the backdrop of blistering hardcore tempos, resulting in some seriously mosh-worthy content (“Thirteen Crows and One Pigeon,” “The Rich Man and the Sea”). Second track “Reformed (Try Love)” is of special note, that while its groovy riffs are rad, the spoken word callout is the most hardcore thing I’ve heard this year, calling out those who are “one step from Nazi propaganda” and nationalism-flirting politicians, businessmen, and influencers, British and American: “Mate, they don’t give a fuck about you, but you′ve let them whisper in your ear… ’cause it′s easier to hate than to look in a fucking mirror.” In Wolves’ words, “Christ, what a shower of cunts.”
Wolves’ Self-Titled is all about balance, as their unapologetic brashness blends surprisingly well with their tongue-in-cheek vibe and vulnerable melodics. At its core, it’s a math-curious hardcore romp that fits neatly alongside the likes of both Gallows, Botch, and even Stray from the Path, so it’s easy to forgive the overloud vocals, mediocre cleans, periodically gratuitous repetition, and album length. When its experimental edge succeeds, it’s a home run, but that’s not the star of the show – its political edge and weaponized mathcore influence will rip you a new one. Wolves is here to make sure you’re not “duped by absolute scumbags” and have a rip-roaring time doing it.
Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Ripcord Records
Websites: theycalluswolves.bandcamp.com | facebook.com/theycalluswolves
Releases Worldwide: September 5th, 2025#2025 #30 #BlackFlag #Botch #BritishMetal #Counterparts #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisonTheWell #PostMetal #Review #Reviews #RipcordRecords #SelfTitled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
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By Dear Hollow
Remember when hardcore was, like, hardcore? Wolves does. The generically named yet tongue-in-cheek UK hardcore gang makes antiestablishment music cool again, but not in the tired way. It’s not the noise-and-noise-only approach of early punk’s darlings Sex Pistols or Black Flag, but it ain’t pop-punk’s catchy anthem either. It’s jerky, jagged, unhinged, and doesn’t give a fuck about your feelings – it’s angular!1 But it’s also melodic, heartfelt, and overwhelmingly sincere. Calling out fascism and nationalism and the assholes who tote them, while getting personal and vulnerable with themes of parenthood and heartbreak, Wolves offers a scathing forty-eight minute romp through both the unfriendliness and melodicism of hardcore’s storied history.
Wolves is hardcore in a traditional way, but that doesn’t forego on experimentation. The quintet at its core recalls the hardcore fury of Gallows or Verse in their punky politically inclined foot on the gas, but they toss in a generous helping of post-hardcore, healthy cup of mathcore, and a drizzle of post-metal into their stew of titles. Furthermore, four out of five members are also vocalists2 and panic chord abuse runs rampant alongside a groovy swagger. It recalls Every Time I Die, The Dillinger Escape Plan, and Poison the Well without committing to them completely, creating a hardcore album that rides neatly on the borders with intensity when needed and thoughtful melody when the situation calls for it. Both bolstered and hindered by their four vocalists and a gratuitous runtime, Self-Titled is math-curious, -core-furious, and genre-spurious debut LP.
Wolves justifies its lengthy runtime with some tasteful experimentation. While the backbone of tempo-abusing furious hardcore punk, a hefty amount of melody adds a heartfelt ache to the tracks (“All or Something”), while post-metal’s dirge-like hypnotism appears to slow things down in a far more somber and dreary tone (“New Liver, Same Eagle”). These moments can be hit-or-miss, however, as the more Intronaut-inspired expanses that rely on clean vocals fall drearily flat (“A Stolen Horse”), the bluesy riffs can grate after so many reiterations (“A Guide to Accepting One’s Fate”), and the more chaotic mathcore faithful can derail the otherwise interesting grooves (“Nicaea to See You (To See You Nicaea)”). Furthermore, although the melodic nature recalls the yearning moments of Counterparts or The Ghost Inside, the four-vocal attack does not bode well, the fry vocals feeling particularly grating against the layered plucking (“All or Something,” “A Stolen Horse”).
Thankfully then, the bulk of Self-Titled is one hell of a beatdown romp that toes the line between its influences in a relentless blend of mathy and groovy. Wonky panic chords and dissonant technical sweeps courtesy of The Dillinger Escape Plan add a desperate and unhinged dimension (“LEECHES!,” “Emergency Equipment”), while bluesy swagger that recalls the heyday of Every Time I Die makes riffs sound “yuuuuge” against the backdrop of blistering hardcore tempos, resulting in some seriously mosh-worthy content (“Thirteen Crows and One Pigeon,” “The Rich Man and the Sea”). Second track “Reformed (Try Love)” is of special note, that while its groovy riffs are rad, the spoken word callout is the most hardcore thing I’ve heard this year, calling out those who are “one step from Nazi propaganda” and nationalism-flirting politicians, businessmen, and influencers, British and American: “Mate, they don’t give a fuck about you, but you′ve let them whisper in your ear… ’cause it′s easier to hate than to look in a fucking mirror.” In Wolves’ words, “Christ, what a shower of cunts.”
Wolves’ Self-Titled is all about balance, as their unapologetic brashness blends surprisingly well with their tongue-in-cheek vibe and vulnerable melodics. At its core, it’s a math-curious hardcore romp that fits neatly alongside the likes of both Gallows, Botch, and even Stray from the Path, so it’s easy to forgive the overloud vocals, mediocre cleans, periodically gratuitous repetition, and album length. When its experimental edge succeeds, it’s a home run, but that’s not the star of the show – its political edge and weaponized mathcore influence will rip you a new one. Wolves is here to make sure you’re not “duped by absolute scumbags” and have a rip-roaring time doing it.
Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Ripcord Records
Websites: theycalluswolves.bandcamp.com | facebook.com/theycalluswolves
Releases Worldwide: September 5th, 2025#2025 #30 #BlackFlag #Botch #BritishMetal #Counterparts #EveryTimeIDie #Gallows #HardcorePunk #Intronaut #Mathcore #PoisonTheWell #PostMetal #Review #Reviews #RipcordRecords #SelfTitled #Sep25 #SexPistols #StrayFromThePath #TheDillingerEscapePlan #TheGhostInside #Verse #Wolves
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Top 5 bands #jeraonair 🫶
1) #whileshesleeps
2) #LANDMVRKS
3) #currents
4) #strayfromthepath
5) #guilttrip
Did you also see the #ParkwayDrive banner at #Jera?Did you already get your #ParkWayDrive tickets for their Ziggo Dome Show?😍
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Top 5 bands #jeraonair 🫶
1) #whileshesleeps
2) #LANDMVRKS
3) #currents
4) #strayfromthepath
5) #guilttrip
Did you also see the #ParkwayDrive banner at #Jera?Did you already get your #ParkWayDrive tickets for their Ziggo Dome Show?😍
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Top 5 bands #jeraonair 🫶
1) #whileshesleeps
2) #LANDMVRKS
3) #currents
4) #strayfromthepath
5) #guilttrip
Did you also see the #ParkwayDrive banner at #Jera?Did you already get your #ParkWayDrive tickets for their Ziggo Dome Show?😍
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Top 5 bands #jeraonair 🫶
1) #whileshesleeps
2) #LANDMVRKS
3) #currents
4) #strayfromthepath
5) #guilttrip
Did you also see the #ParkwayDrive banner at #Jera?Did you already get your #ParkWayDrive tickets for their Ziggo Dome Show?😍
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New post: Stray From The Path announce final UK dates as part of final tour supporting final album https://www.moshville.co.uk/news/tours/2025/06/stray-from-the-path-announce-final-uk-dates-as-part-of-final-tour-supporting-final-album/ #StrayFromThePath
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New post: Stray From The Path announce final UK dates as part of final tour supporting final album https://www.moshville.co.uk/news/tours/2025/06/stray-from-the-path-announce-final-uk-dates-as-part-of-final-tour-supporting-final-album/ #StrayFromThePath
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New post: Stray From The Path announce final UK dates as part of final tour supporting final album https://www.moshville.co.uk/news/tours/2025/06/stray-from-the-path-announce-final-uk-dates-as-part-of-final-tour-supporting-final-album/ #StrayFromThePath
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Stray From the Path drop surprise final album ‘Clockworked’
#StrayFromThePath #Clockworked #ShotCaller #NewAlbum #MayReleases #NewSingle #FinalAlbum
Link: https://metalinsider.net/video/stray-from-the-path-drop-surprise-final-album-clockworked
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Stray From the Path drop surprise final album ‘Clockworked’
#StrayFromThePath #Clockworked #ShotCaller #NewAlbum #MayReleases #NewSingle #FinalAlbum
Link: https://metalinsider.net/video/stray-from-the-path-drop-surprise-final-album-clockworked
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#spiritbox #periphery #strayfromthepath were awesome in Frankfurt yesterday (but very far away 😬)
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#spiritbox #periphery #strayfromthepath were awesome in Frankfurt yesterday (but very far away 😬)
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#spiritbox #periphery #strayfromthepath were awesome in Frankfurt yesterday (but very far away 😬)
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Ich habe ein Ticket über für morgen in Köln: #Spiritbox #Periphery #StrayfromthePath
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Ich habe ein Ticket über für morgen in Köln: #Spiritbox #Periphery #StrayfromthePath
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Ich habe ein Ticket über für morgen in Köln: #Spiritbox #Periphery #StrayfromthePath
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Ich habe ein Ticket über für morgen in Köln: #Spiritbox #Periphery #StrayfromthePath
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Ich habe ein Ticket über für morgen in Köln: #Spiritbox #Periphery #StrayfromthePath
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Slam Dunk 2025 announces 20 acts
Slam Dunk, the UK’s biggest independent rock festival is back for
https://www.moshville.co.uk/news/tours/2024/09/slam-dunk-2025-announces-20-acts/
#ToursLiveDates #ADayToRemember #AlkalineTrio #AllDownhillFromHere #DreamState #ElectricCallboy #HitTheLights #HotMulligan #KnucklePuck #LessThanJake #MouthCulture #Movements #MyFriendsOverYou #NeckDeep #NewFoundGlory #SlamDunk #SplitChain #StrayFromThePath #TheAtaris #TheStartingLine #TheUsed #Zebrahead
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Slam Dunk 2025 announces 20 acts
Slam Dunk, the UK’s biggest independent rock festival is back for
https://www.moshville.co.uk/news/tours/2024/09/slam-dunk-2025-announces-20-acts/
#ToursLiveDates #ADayToRemember #AlkalineTrio #AllDownhillFromHere #DreamState #ElectricCallboy #HitTheLights #HotMulligan #KnucklePuck #LessThanJake #MouthCulture #Movements #MyFriendsOverYou #NeckDeep #NewFoundGlory #SlamDunk #SplitChain #StrayFromThePath #TheAtaris #TheStartingLine #TheUsed #Zebrahead
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Slam Dunk 2025 announces 20 acts
Slam Dunk, the UK’s biggest independent rock festival is back for
https://www.moshville.co.uk/news/tours/2024/09/slam-dunk-2025-announces-20-acts/
#ToursLiveDates #ADayToRemember #AlkalineTrio #AllDownhillFromHere #DreamState #ElectricCallboy #HitTheLights #HotMulligan #KnucklePuck #LessThanJake #MouthCulture #Movements #MyFriendsOverYou #NeckDeep #NewFoundGlory #SlamDunk #SplitChain #StrayFromThePath #TheAtaris #TheStartingLine #TheUsed #Zebrahead
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Hello. Pls enjoy 30 seconds of me playing bass over "Fortune Teller" by Stray From The Path. (Yes, I know Anthony play this with a pick) #bass #bassist #basscover #strayfromthepath #fortuneteller
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Hello. Pls enjoy 30 seconds of me playing bass over "Fortune Teller" by Stray From The Path. (Yes, I know Anthony play this with a pick) #bass #bassist #basscover #strayfromthepath #fortuneteller
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Hello. Pls enjoy 30 seconds of me playing bass over "Fortune Teller" by Stray From The Path. (Yes, I know Anthony play this with a pick) #bass #bassist #basscover #strayfromthepath #fortuneteller
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Hello. Pls enjoy 30 seconds of me playing bass over "Fortune Teller" by Stray From The Path. (Yes, I know Anthony play this with a pick) #bass #bassist #basscover #strayfromthepath #fortuneteller
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Hello. Pls enjoy 30 seconds of me playing bass over "Fortune Teller" by Stray From The Path. (Yes, I know Anthony play this with a pick) #bass #bassist #basscover #strayfromthepath #fortuneteller
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„Thinking like everyone else, is not really thinking“ [Ring Leader - Stray From The Path]
Stay true to yourself.
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I finally went to a concert again at the weekend and I had the pleasure to enjoy Stray From The Path with Make Them Suffer and Void Of Vision 🥳
It was relaxing for my soul 😁
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Stray From The Path - Ring Leader (Live @ La Machine du Moulin Rouge)
#SFTP #StrayFromThePath -
Stray From The Path - III (Live @ La Machine du MoulinRouge)
#SFTP #StrayFromThePath -
Stray From The Path - Guillotine (Live @ La Machine du Moulin Rouge)
#SFTP #StrayFromThePath -
Stray from the Path @strayfromthepath ❤️🔥🤘 @ La Machine du Moulin Rouge
#Concert #SFTP #StrayFromThePath #MachineduMoulinRouge #Paris
https://www.instagram.com/p/Czj7Tclr_oO/?igshid=NGEwZGU0MjU5Mw== -
#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH's Drummer CRAIG REYNOLDS Will Play Again On Late Night With Seth Myers
Reynolds is doing it again#StrayFromThePath
#CraigReynolds
#LateNightAtSethMyers
#DrummerLife
#MetalMusic
# triumphantReturn
#InterviewWithSethMeyers -
#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH's Drummer CRAIG REYNOLDS Will Play Again On Late Night With Seth Myers
Reynolds is doing it again#StrayFromThePath
#CraigReynolds
#LateNightAtSethMyers
#DrummerLife
#MetalMusic
# triumphantReturn
#InterviewWithSethMeyers -
#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH's Drummer CRAIG REYNOLDS Will Play Again On Late Night With Seth Myers
Reynolds is doing it again#StrayFromThePath
#CraigReynolds
#LateNightAtSethMyers
#DrummerLife
#MetalMusic
# triumphantReturn
#InterviewWithSethMeyers -
#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH's Drummer CRAIG REYNOLDS Will Play Again On Late Night With Seth Myers
Reynolds is doing it again#StrayFromThePath
#CraigReynolds
#LateNightAtSethMyers
#DrummerLife
#MetalMusic
# triumphantReturn
#InterviewWithSethMeyers -
#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH's Drummer CRAIG REYNOLDS Will Play Again On Late Night With Seth Myers
Reynolds is doing it again#StrayFromThePath
#CraigReynolds
#LateNightAtSethMyers
#DrummerLife
#MetalMusic
# triumphantReturn
#InterviewWithSethMeyers -
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#MetalSucks
Sh*t That Comes Out Today – March 17, 2023
New releases for Saint Patrick's Day 2023 including Kamelot, Kruelty and Ecstatic Vision. The post Sh*t That Comes Out Today – March 17, 2023 appeared first on MetalSucks.https://www.metalsucks.net/2023/03/17/sht-that-comes-out-today-march-17-2023/
#MetalMusic #AlbumReleases #StrayFromThePath #Eyehategod #Trivium #Avatar #AtTheDriveIn
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#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – March 17, 2023
New releases for Saint Patrick's Day 2023 including Kamelot, Kruelty and Ecstatic Vision. The post Sh*t That Comes Out Today – March 17, 2023 appeared first on MetalSucks.https://www.metalsucks.net/2023/03/17/sht-that-comes-out-today-march-17-2023/
#MetalMusic #AlbumReleases #StrayFromThePath #Eyehategod #Trivium #Avatar #AtTheDriveIn
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#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – March 17, 2023
New releases for Saint Patrick's Day 2023 including Kamelot, Kruelty and Ecstatic Vision. The post Sh*t That Comes Out Today – March 17, 2023 appeared first on MetalSucks.https://www.metalsucks.net/2023/03/17/sht-that-comes-out-today-march-17-2023/
#MetalMusic #AlbumReleases #StrayFromThePath #Eyehategod #Trivium #Avatar #AtTheDriveIn
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#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – March 17, 2023
New releases for Saint Patrick's Day 2023 including Kamelot, Kruelty and Ecstatic Vision. The post Sh*t That Comes Out Today – March 17, 2023 appeared first on MetalSucks.https://www.metalsucks.net/2023/03/17/sht-that-comes-out-today-march-17-2023/
#MetalMusic #AlbumReleases #StrayFromThePath #Eyehategod #Trivium #Avatar #AtTheDriveIn
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#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – March 17, 2023
New releases for Saint Patrick's Day 2023 including Kamelot, Kruelty and Ecstatic Vision. The post Sh*t That Comes Out Today – March 17, 2023 appeared first on MetalSucks.https://www.metalsucks.net/2023/03/17/sht-that-comes-out-today-march-17-2023/
#MetalMusic #AlbumReleases #StrayFromThePath #Eyehategod #Trivium #Avatar #AtTheDriveIn
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#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH Drummer Explains Why The Merch Cut Situation At London Venue Is So Bad
The O2 Forum Kentish Town is rough.#StrayFromThePath #MerchCuts #ConcertSchemes #LondonVenue #LivePerformance #MusicIndustry #ItsJustBusiness #SellButtPlugsInstead
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#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH Drummer Explains Why The Merch Cut Situation At London Venue Is So Bad
The O2 Forum Kentish Town is rough.#StrayFromThePath #MerchCuts #ConcertSchemes #LondonVenue #LivePerformance #MusicIndustry #ItsJustBusiness #SellButtPlugsInstead
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#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH Drummer Explains Why The Merch Cut Situation At London Venue Is So Bad
The O2 Forum Kentish Town is rough.#StrayFromThePath #MerchCuts #ConcertSchemes #LondonVenue #LivePerformance #MusicIndustry #ItsJustBusiness #SellButtPlugsInstead
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#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH Drummer Explains Why The Merch Cut Situation At London Venue Is So Bad
The O2 Forum Kentish Town is rough.#StrayFromThePath #MerchCuts #ConcertSchemes #LondonVenue #LivePerformance #MusicIndustry #ItsJustBusiness #SellButtPlugsInstead
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#TheMetalDogArticleList
#MetalInjection
STRAY FROM THE PATH Drummer Explains Why The Merch Cut Situation At London Venue Is So Bad
The O2 Forum Kentish Town is rough.#StrayFromThePath #MerchCuts #ConcertSchemes #LondonVenue #LivePerformance #MusicIndustry #ItsJustBusiness #SellButtPlugsInstead
