#premierecf — Public Fediverse posts

CF Signals: Mxm Fernandez – Fiesta Retro Future [Cucurbitacea]

Cucurbitacea, the Chilean imprint founded by Edward Yatiri in Matanzas, continues shaping an identity where techno operates as both physical ritual and connection to a deeply Latin American sensibility. Its name, derived from the botanical family of pumpkins and squash, extends far beyond aesthetic symbolism: it informs the label’s entire philosophy through ideas of roots, underground growth, and organic expansion. From that perspective, Cucurbitacea has developed a curatorial line focused on hypnotic percussion, dark atmospheres, and evolving structures that treat the dancefloor as a collective space of perceptual transformation.

The label’s latest release comes from Chilean producer and DJ Mxm Fernandez, founder of Gooze Lab, member of Loco Blue, and contributor to labels such as Melcure, Drumma Records, Binary Sound, and Non Stop. His trajectory within the Chilean electronic circuit has been defined by a balance between technical exploration and club-oriented instinct, developing a language where experimentation never loses contact with movement or bodily response.

https://clubfuries.com.mx/2024/02/15/club-furies-mix-series-cintas-furiosas-present-mxmliano/

With Style Over Scores, a three-track EP, Mxm Fernandez fully embraces that tension between structure and deviation. The release unfolds through rough analog textures and experimental impulses that continuously bend the groove without ever completely breaking it apart. Rhythmic forms seem slightly displaced from their center, generating a controlled instability that keeps the listener suspended inside the flow. There is a distinctly nocturnal quality throughout the EP: an understanding of the club as a space where time softens and repetition begins reshaping sonic matter itself.

“Fiesta Retro Future” captures that conceptual and physical direction with remarkable precision. The track moves through a compact and persistent current where multiple layers coexist within the same rhythmic architecture, creating a texture that feels simultaneously fragmented and unified. Refreshing electricity, heavy metallic pulses hanging in the air, and low-end movements crawling beneath the concrete shape a continuous motion that never collapses under its own weight.

https://soundcloud.com/clubfuriess/cfs-mxm-fernandez-fiesta-retro-future-cucubitacea

As the track progresses, tension emerges gradually rather than explosively. The sound does not chase immediate impact; instead, it embeds itself slowly into perception through pressure, repetition, and subtle transformation. Elements appear and dissolve with surgical timing, like mechanical fragments reorganizing inside an unstable system. One of the track’s strongest qualities lies precisely there: transforming structural complexity into immediate physical sensation. Sustained groove, controlled density, and an energy that remains permanently open, unfolding across the dancefloor in discreet spirals.

Artist: Mxm Fernandez
Title: Style Over Scores
Label: Cucurbitacea
Catalogue: EP 002
Format: Digital

Release Date: May 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Fiesta Retro Future
2. Skateboarding Es Vida
3. Filosofía de Vida

Mxm Fernandez

SoundCloud | Instagram | Facebook | Bandcamp

Cucurbitacea

Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mxm Fernandez – Fiesta Retro Future [Cucurbitacea]

Cucurbitacea, the Chilean imprint founded by Edward Yatiri in Matanzas, continues shaping an identity where techno operates as both physical ritual and connection to a deeply Latin American sensibility. Its name, derived from the botanical family of pumpkins and squash, extends far beyond aesthetic symbolism: it informs the label’s entire philosophy through ideas of roots, underground growth, and organic expansion. From that perspective, Cucurbitacea has developed a curatorial line focused on hypnotic percussion, dark atmospheres, and evolving structures that treat the dancefloor as a collective space of perceptual transformation.

The label’s latest release comes from Chilean producer and DJ Mxm Fernandez, founder of Gooze Lab, member of Loco Blue, and contributor to labels such as Melcure, Drumma Records, Binary Sound, and Non Stop. His trajectory within the Chilean electronic circuit has been defined by a balance between technical exploration and club-oriented instinct, developing a language where experimentation never loses contact with movement or bodily response.

https://clubfuries.com.mx/2024/02/15/club-furies-mix-series-cintas-furiosas-present-mxmliano/

With Style Over Scores, a three-track EP, Mxm Fernandez fully embraces that tension between structure and deviation. The release unfolds through rough analog textures and experimental impulses that continuously bend the groove without ever completely breaking it apart. Rhythmic forms seem slightly displaced from their center, generating a controlled instability that keeps the listener suspended inside the flow. There is a distinctly nocturnal quality throughout the EP: an understanding of the club as a space where time softens and repetition begins reshaping sonic matter itself.

“Fiesta Retro Future” captures that conceptual and physical direction with remarkable precision. The track moves through a compact and persistent current where multiple layers coexist within the same rhythmic architecture, creating a texture that feels simultaneously fragmented and unified. Refreshing electricity, heavy metallic pulses hanging in the air, and low-end movements crawling beneath the concrete shape a continuous motion that never collapses under its own weight.

https://soundcloud.com/clubfuriess/cfs-mxm-fernandez-fiesta-retro-future-cucubitacea

As the track progresses, tension emerges gradually rather than explosively. The sound does not chase immediate impact; instead, it embeds itself slowly into perception through pressure, repetition, and subtle transformation. Elements appear and dissolve with surgical timing, like mechanical fragments reorganizing inside an unstable system. One of the track’s strongest qualities lies precisely there: transforming structural complexity into immediate physical sensation. Sustained groove, controlled density, and an energy that remains permanently open, unfolding across the dancefloor in discreet spirals.

Artist: Mxm Fernandez
Title: Style Over Scores
Label: Cucurbitacea
Catalogue: EP 002
Format: Digital

Release Date: May 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Fiesta Retro Future
2. Skateboarding Es Vida
3. Filosofía de Vida

Mxm Fernandez

SoundCloud | Instagram | Facebook | Bandcamp

Cucurbitacea

Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mxm Fernandez – Fiesta Retro Future [Cucurbitacea]

Cucurbitacea, the Chilean imprint founded by Edward Yatiri in Matanzas, continues shaping an identity where techno operates as both physical ritual and connection to a deeply Latin American sensibility. Its name, derived from the botanical family of pumpkins and squash, extends far beyond aesthetic symbolism: it informs the label’s entire philosophy through ideas of roots, underground growth, and organic expansion. From that perspective, Cucurbitacea has developed a curatorial line focused on hypnotic percussion, dark atmospheres, and evolving structures that treat the dancefloor as a collective space of perceptual transformation.

The label’s latest release comes from Chilean producer and DJ Mxm Fernandez, founder of Gooze Lab, member of Loco Blue, and contributor to labels such as Melcure, Drumma Records, Binary Sound, and Non Stop. His trajectory within the Chilean electronic circuit has been defined by a balance between technical exploration and club-oriented instinct, developing a language where experimentation never loses contact with movement or bodily response.

https://clubfuries.com.mx/2024/02/15/club-furies-mix-series-cintas-furiosas-present-mxmliano/

With Style Over Scores, a three-track EP, Mxm Fernandez fully embraces that tension between structure and deviation. The release unfolds through rough analog textures and experimental impulses that continuously bend the groove without ever completely breaking it apart. Rhythmic forms seem slightly displaced from their center, generating a controlled instability that keeps the listener suspended inside the flow. There is a distinctly nocturnal quality throughout the EP: an understanding of the club as a space where time softens and repetition begins reshaping sonic matter itself.

“Fiesta Retro Future” captures that conceptual and physical direction with remarkable precision. The track moves through a compact and persistent current where multiple layers coexist within the same rhythmic architecture, creating a texture that feels simultaneously fragmented and unified. Refreshing electricity, heavy metallic pulses hanging in the air, and low-end movements crawling beneath the concrete shape a continuous motion that never collapses under its own weight.

https://soundcloud.com/clubfuriess/cfs-mxm-fernandez-fiesta-retro-future-cucubitacea

As the track progresses, tension emerges gradually rather than explosively. The sound does not chase immediate impact; instead, it embeds itself slowly into perception through pressure, repetition, and subtle transformation. Elements appear and dissolve with surgical timing, like mechanical fragments reorganizing inside an unstable system. One of the track’s strongest qualities lies precisely there: transforming structural complexity into immediate physical sensation. Sustained groove, controlled density, and an energy that remains permanently open, unfolding across the dancefloor in discreet spirals.

Artist: Mxm Fernandez
Title: Style Over Scores
Label: Cucurbitacea
Catalogue: EP 002
Format: Digital

Release Date: May 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Fiesta Retro Future
2. Skateboarding Es Vida
3. Filosofía de Vida

Mxm Fernandez

SoundCloud | Instagram | Facebook | Bandcamp

Cucurbitacea

Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mxm Fernandez – Fiesta Retro Future [Cucurbitacea]

Cucurbitacea, the Chilean imprint founded by Edward Yatiri in Matanzas, continues shaping an identity where techno operates as both physical ritual and connection to a deeply Latin American sensibility. Its name, derived from the botanical family of pumpkins and squash, extends far beyond aesthetic symbolism: it informs the label’s entire philosophy through ideas of roots, underground growth, and organic expansion. From that perspective, Cucurbitacea has developed a curatorial line focused on hypnotic percussion, dark atmospheres, and evolving structures that treat the dancefloor as a collective space of perceptual transformation.

The label’s latest release comes from Chilean producer and DJ Mxm Fernandez, founder of Gooze Lab, member of Loco Blue, and contributor to labels such as Melcure, Drumma Records, Binary Sound, and Non Stop. His trajectory within the Chilean electronic circuit has been defined by a balance between technical exploration and club-oriented instinct, developing a language where experimentation never loses contact with movement or bodily response.

https://clubfuries.com.mx/2024/02/15/club-furies-mix-series-cintas-furiosas-present-mxmliano/

With Style Over Scores, a three-track EP, Mxm Fernandez fully embraces that tension between structure and deviation. The release unfolds through rough analog textures and experimental impulses that continuously bend the groove without ever completely breaking it apart. Rhythmic forms seem slightly displaced from their center, generating a controlled instability that keeps the listener suspended inside the flow. There is a distinctly nocturnal quality throughout the EP: an understanding of the club as a space where time softens and repetition begins reshaping sonic matter itself.

“Fiesta Retro Future” captures that conceptual and physical direction with remarkable precision. The track moves through a compact and persistent current where multiple layers coexist within the same rhythmic architecture, creating a texture that feels simultaneously fragmented and unified. Refreshing electricity, heavy metallic pulses hanging in the air, and low-end movements crawling beneath the concrete shape a continuous motion that never collapses under its own weight.

https://soundcloud.com/clubfuriess/cfs-mxm-fernandez-fiesta-retro-future-cucubitacea

As the track progresses, tension emerges gradually rather than explosively. The sound does not chase immediate impact; instead, it embeds itself slowly into perception through pressure, repetition, and subtle transformation. Elements appear and dissolve with surgical timing, like mechanical fragments reorganizing inside an unstable system. One of the track’s strongest qualities lies precisely there: transforming structural complexity into immediate physical sensation. Sustained groove, controlled density, and an energy that remains permanently open, unfolding across the dancefloor in discreet spirals.

Artist: Mxm Fernandez
Title: Style Over Scores
Label: Cucurbitacea
Catalogue: EP 002
Format: Digital

Release Date: May 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Fiesta Retro Future
2. Skateboarding Es Vida
3. Filosofía de Vida

Mxm Fernandez

SoundCloud | Instagram | Facebook | Bandcamp

Cucurbitacea

Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mxm Fernandez – Fiesta Retro Future [Cucurbitacea]

Cucurbitacea, the Chilean imprint founded by Edward Yatiri in Matanzas, continues shaping an identity where techno operates as both physical ritual and connection to a deeply Latin American sensibility. Its name, derived from the botanical family of pumpkins and squash, extends far beyond aesthetic symbolism: it informs the label’s entire philosophy through ideas of roots, underground growth, and organic expansion. From that perspective, Cucurbitacea has developed a curatorial line focused on hypnotic percussion, dark atmospheres, and evolving structures that treat the dancefloor as a collective space of perceptual transformation.

The label’s latest release comes from Chilean producer and DJ Mxm Fernandez, founder of Gooze Lab, member of Loco Blue, and contributor to labels such as Melcure, Drumma Records, Binary Sound, and Non Stop. His trajectory within the Chilean electronic circuit has been defined by a balance between technical exploration and club-oriented instinct, developing a language where experimentation never loses contact with movement or bodily response.

https://clubfuries.com.mx/2024/02/15/club-furies-mix-series-cintas-furiosas-present-mxmliano/

With Style Over Scores, a three-track EP, Mxm Fernandez fully embraces that tension between structure and deviation. The release unfolds through rough analog textures and experimental impulses that continuously bend the groove without ever completely breaking it apart. Rhythmic forms seem slightly displaced from their center, generating a controlled instability that keeps the listener suspended inside the flow. There is a distinctly nocturnal quality throughout the EP: an understanding of the club as a space where time softens and repetition begins reshaping sonic matter itself.

“Fiesta Retro Future” captures that conceptual and physical direction with remarkable precision. The track moves through a compact and persistent current where multiple layers coexist within the same rhythmic architecture, creating a texture that feels simultaneously fragmented and unified. Refreshing electricity, heavy metallic pulses hanging in the air, and low-end movements crawling beneath the concrete shape a continuous motion that never collapses under its own weight.

https://soundcloud.com/clubfuriess/cfs-mxm-fernandez-fiesta-retro-future-cucubitacea

As the track progresses, tension emerges gradually rather than explosively. The sound does not chase immediate impact; instead, it embeds itself slowly into perception through pressure, repetition, and subtle transformation. Elements appear and dissolve with surgical timing, like mechanical fragments reorganizing inside an unstable system. One of the track’s strongest qualities lies precisely there: transforming structural complexity into immediate physical sensation. Sustained groove, controlled density, and an energy that remains permanently open, unfolding across the dancefloor in discreet spirals.

Artist: Mxm Fernandez
Title: Style Over Scores
Label: Cucurbitacea
Catalogue: EP 002
Format: Digital

Release Date: May 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Fiesta Retro Future
2. Skateboarding Es Vida
3. Filosofía de Vida

Mxm Fernandez

SoundCloud | Instagram | Facebook | Bandcamp

Cucurbitacea

Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Giorgio Brindesi – On My Mind [Behind The Noise]

Behind The Noise, the Mexican electronic music label focused on underground and crossover-oriented sounds, continues strengthening an identity built around openness and sonic exploration. More than simply functioning as a record label, the project operates as a support network for both emerging and established artists interested in developing music with a clear sense of personality, whether through experimental structures or direct dancefloor functionality. Across its catalog, one element remains constant: releases where groove and sonic identity converge without sacrificing freshness or direction.

https://clubfuries.com.mx/2026/05/05/cfp-youthindrvgs-darkness-behind-the-noise/

For one of its latest releases, the label introduces Giorgio Brindesi, presenting “Love and Frequencies”, a project rooted in Indie Dance, Dark Disco, and Italo Disco aesthetics. Within that framework emerges ‘On My Mind’, a double-tracker driven by electric energy, nocturnal propulsion, and a sensual tension sustained from beginning to end. The release unfolds through luminous darkness — wet neon surfaces, reflective textures, and rhythms that gradually acquire a physical dimension of their own.

https://soundcloud.com/clubfuriess/cfs-giorgio-brindesi-on-my-mind-behind-the-noise

The title track immediately establishes its dancefloor-oriented force. Built around 128 BPM in F Major, “On My Mind” combines deep, highly mobile basslines with textures drawing from minimal bass and bass house, while a sharply constructed groove maintains constant momentum throughout the track. Female vocals move through the center of the mix like hypnotic transmissions, carrying emotional tones that fluctuate between desire, chemical euphoria, and psychological tension. Conceptually, the track revolves around substances, altered perception, and the lingering sensory residue left behind after the rave itself — the moment when the body leaves the space while the mind remains trapped inside the pulse.

From the very beginning, the sound feels electric, piercing, and physically overwhelming. Neon darkness slowly floods the atmosphere while purple flashes and metallic frequencies spread across the body like synchronized voltage. The vocals emerge through dense synthetic layers, breathing against the groove with an almost ritualistic intensity. Everything unfolds like a carefully engineered sonic spell: movement takes control immediately, and the body gradually dissolves into a current where rhythm, desire, and perception collapse into the same frequency.

Label: Behind The Noise
Artist: Giorgio Brindesi
Title: On My Mind
Catalogue: 112026BTN

Release Date: May 15, 2026
Support & Buy: Beatport

Tracklist
1. On My Mind 05:33
2. I Wanna Taste It 05:58

Giorgio Brindesi

SoundCloud | Instagram | Facebook | Beatport  

Behind The Noise

SoundCloud | Instagram | Bandcamp | Beatport | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: PETRU KSS – Tuplet Puppet (Saytek Remix) [Kolibri Space Shuttle Records]

Kolibri Live Part 6 brings closure to a process shaped through layers, variations, and real-time decisions. At its core is PETRU KSS, Corsican-born, shaping a language where driving techno intertwines with a sustained narrative. His practice rests on rhythmic precision and structural contrast, generating a continuous tension between body and perception. Hardware is not secondary—it organizes gesture, defines time, and shapes how sound breathes.

In this sixth installment, the trajectory reaches a point of condensation. The EP weaves original material and reinterpretations into a unified operational system, with live execution keeping the pulse active. “Liminal Orbit” and “Tuplet Puppet” act as anchors, structuring the flow through contrast and intensity. Club energy remains present throughout, threaded by a narrative that extends beyond function into a deeper sonic continuity.

https://clubfuries.com.mx/2026/03/08/cfr-2026-01-kolibri-petru-kss-lp-01/

The reinterpretations broaden the field while preserving cohesion. SAYTEK brings a Detroit-rooted groove into “Tuplet Puppet,” driven by moving chords and a raw physicality that retains its performative core. Ross Harper amplifies repetition and pressure, pushing the track into a more industrial zone. Meanwhile, Alinep & Mica reshape “Liminal Orbit” through a hypnotic lens, grounded in rough textures and restrained acidity, while Ømen directs the material toward peak-time territory, balancing rhythmic impact with melodic lift.

The closing section shifts the listening state. Beatless versions of “Genesis” and “Landing” suspend the pulse, opening a descent into ambient space. Time stretches, structure dissolves, and sound expands outward. The sensation becomes one of slow movement, as accumulated energy finds release through spatial diffusion. The project’s arc completes itself in this transition, leaving a resonance that lingers beyond rhythm.

https://soundcloud.com/clubfuriess/cfp-petru-kss-saytek-tuplet-puppet-kss-lp01f-d

Within this framework, “Tuplet Puppet (SAYTEK Remix)” holds a distinct presence. The track advances with a firm groove, shaped by fluid chord movement and sustained inertia. Energy rolls forward continuously, guided by a design that avoids rigidity. Layers vibrate, shift, and morph, maintaining a heightened sense of attention.

SAYTEK’s approach is evident throughout. His live, no-postproduction method introduces an organic quality where potential imperfection becomes part of the flow. There is a direct relationship between gesture and outcome, translating action into sound in real time. This dynamic introduces a human dimension within a mechanical structure, balancing precision with immediacy.

In Kolibri Live Part 6, this affinity with PETRU KSS’s vision becomes fully apparent. Techno unfolds as a performative field, where machines extend intention and time is constructed in the moment. The ending does not close—it leaves the system in motion, still resonating.

EP Credits
Artist: PETRU KSS
Remixers: SAYTEK, Alinep and Mica, Ømen, Ross Harper
Title: Kolibri Live Part 6
Mastering: Calyx, Arnaud Le Texier, Wavewalker Studio
Artwork: Baptiste Bianciot
Label: Kolibri Space Shuttle Records
Catalogue: KSS-LP01f-D

Release Date: June 5, 2026
Support & Buy: www.petru.live/kolibri-live-part6

Tracklist
1. Liminal Orbit (Alinep & Mica Remix)
2. Liminal Orbit (Ømen Remix)
3. Tuplet Puppet (SAYTEK Remix)
4. Tuplet Puppet (Ross Harper Remix)
5. Genesis (Beatless)
6. Landing (Beatless)

SAYTEK (LIVE)

SoundCloud | Instagram

PETRU KSS & Kolibri Space Shuttle Records

Website | SoundCloud | Instagram | Bandcamp | Facebook | KSS

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | apaull: «Do you have the gunfactor?» On Furnace Room Recordings

Some albums arrive with a concept so precisely articulated that the music barely needs defending. Gunfactor, apaull’s new record on Furnace Room Recordings, is one of them. Ten tracks navigating the pathways to fame — and infamy — across a sonic palette that moves from techno to synthwave by way of industrial, always with an economy of means that signals someone who knows exactly what they’re doing. The title lettering is by Al Diaz, a past collaborator of Jean-Michel Basquiat. The photographs are by Dave Clarke. We spoke with apaull about the album, its contradictions, and the questions it leaves unanswered.

Club Furies: The title operates simultaneously in two languages with meanings that don’t contradict each other but pull in different directions. Was that tension intentional from the start, or did the linguistic ambiguity emerge during the process and you decided to let it do its work?

apaull: The tension was intentional. The Dutch meaning came first, though. I was having coffee with a Dutch booking agent and she said you need produce good music but also have the “gunfactor”, this intangible ’it factor’ to become successful (and famous). The immediate question is how does one achieve that “it factor”. The theme developed from there. Either you have exceptional talent which leads to fame or you are somehow notorious, which leads to infamy.

https://soundcloud.com/apaull_music/sets/gunfactor-8-tracks

Club Furies: The album draws an implicit distinction between earned fame and inflicted fame. Tracks like «Veilig» or «King Dome» seem to inhabit that grey zone where recognition arrives through circumstances no one would have chosen. How do you construct that difference narratively without collapsing into moral judgment?

apaull: Great question. While I have strong personal views I try to present things agnostically. I create perspectives in my tracks, that sometimes belie my personal views, but are really there to ask the listener what they think. It’s like listening to a painting. What do you hear and what do you think about it?

Club Furies: «Finishing School» summons something from another era that, by your own notes, «might still hold true today.» What strikes you as more unsettling: that those ideas persist, or that we still have to keep saying so?

apaull: “Finishing School” is a tongue in cheek examination of societal structure. In previous eras, roles were more clearly defined than they are today, if not over the top rigid. Today we find ourselves in jello, where structure has been systematically removed. We now live in an open concept society, if not over the top lax. “Finishing School’s” light hearted question is do we need some of that structure back.

Club Furies: The album has very specific geographies: Berlin in January, Detroit, New York implicit in «Veilig.» Do those physical contexts affect the compositional process technically — in the sound, the tempo, the processing — or do they function more as states of mind?

apaull: Both. I absorb where I am and this influences my state of mind and how I write. I write music almost continually and love writing in hotel rooms. For instance, the album track “Fang Mich” (Catch Me) was written and produced in Berlin. It captures the vibes I soaked in from the winter weather, Tresor & Berghain techno forays, a cold and jet lag. I live two hours from Detroit, the birthplace of techno, and go there for Movement each year. Detroit techno is pretty straight ahead but with indelible flashes of house. It is warmer than Berlin techno. The track “Veilig” (Safe) was written about something that happened in New York. I have been there many times and carry the vibe of this ‘infinite city’ with me.

Club Furies: «Cartel» proposes a kind of inverse moral relativism. It’s arguably the album’s most conceptually exposed position. What was the writing process like for that track: did you start from the concept or arrive at it through the music?

apaull: I came accross the vocal sample first and used it as the track’s foundation. I wrote the music around this sample (normally I do it the other way around). I found it interesting that a politician would compare a global body (World Economic Forum) to Columbian drug cartels, the point being that the espoused global organizations are cartels, in there own right. The pandemic made clear that this is the case.

https://open.spotify.com/intl-es/album/2zoMok0136WpNuiulxOrXq

Club Furies: «True Though» suggests that sufficient fame functions as a shield. What’s interesting is that the track doesn’t sound like furious critique — it sounds more like resignation. Is that emotional ambiguity deliberate, or is it what came out?

apaull: My song writing is about providing a perspective, without the proselytizing that fury might evoke. I create these track perspectives to be there subliminally, that is you will only hear them if you listen deeply and far away from the club. “True Though” is about how Canada’s now former prime minister could not remember how many times he had donned ‘black face’, was somehow not cancelled and was still able to ascend this high office. While I’m a firm believer in redemption, I doubt that other politicians would have received this benefit of the doubt.

Club Furies: You close the album with «Altamont Joy,» which ends on «You’re gonna look real crazy, being on the other side of that line.» That line can be read as a warning, a statement of fact, or an irony. Did you want it to be all three at once?

apaull: The sample, in question, was delivered, by the speaker, as an omimous warning. It presents two perspectives, the speaker’s and the other, across some imaginary dotted line into a philosophical ‘no mans land’. The point of the track is that we cannot function with this level of polarization because the ability to discuss and reach consensus is lost.

https://soundcloud.com/apaull_music/gunfactor-demo

Club Furies: Bringing in Al Diaz for the title lettering places the record in a visual conversation with eighties street art and everything that history implies. How did you come to him, and what did you want that choice to communicate?

apaull: I met him through my friend and artist, Jason Maclean, on one of my trips to New York, and was mesmerized by his history and works. I was quite taken by his lettering (assembled from New York Metropolitan Transit Authority posters). For the purposes of creating visual artistic continuity between my releases I thought this lettering would work well.

Club Furies: Every track on the album has a remix. That’s a structural decision, not an accessory one. What interests you about the dialogue between your version and another artist’s reinterpretation? Are there tracks where that tension feels particularly generative?

apaull: I made a decision, early on, to release on my own label because I was new, wanted full control of my music and didn’t think the slog of attracting label interest was a good use of my time. Working with remixers was a good alternative to labels. I work with remixers for two reasons: 1. To have them create more danceable and club friendly versions of a track; and 2. To introduce my music to their audiences. The bonus is that I have been able to work with artists who I respect and admire, and learn from them.

https://clubfuries.com.mx/2026/02/22/cfp-apaull-king-dome-pyrame-frr034/

Club Furies: Your music operates in a space where peak time and after-hours aren’t opposites but continuities. That implies a certain resistance to the kind of specialization the market tends to reward. How do you think about that position in relation to how electronic music circulates today?

apaull: I see my music as art. While notionally it fits into the techno genre, I spend no time trying to get it to fit what is being played in clubs. While I enjoy club music, I see what is produced as being derivitive more than specialization. Clubgoers enjoy this musical continuity and for producers it can be a pathway to success. There is nothing wrong with that. I work diligently to create a sound, that is grounded but unique, and then work even harder to find the right audience. My work with club friendly remixers, as described above, is an invitation to their audience to become part of mine. Over time, what I produce will continue to work its way into clubs and other venues.

Club Furies: Furnace Room Recordings is now thirty-six releases in. What does running your own label mean for a project like yours? Does the autonomy change what you’re willing to sign off on?

apaull: The label means I get to release what I want and build a solid catalog that I control. It is a platform that now allows me to present my music to potential labels, remixers and venues and work to attract their interest. My goal is to write and professionally produce interesting tracks. I only sign off on and release  tracks after my team has given their stamp of approval.

Club Furies: If the album asks «do you have the gunfactor?» — what’s your answer?

apaull: Ultimately, that is for others to decide, but, to save them some time I would say, YES.

https://youtu.be/xuALldIl4Uw

Gunfactor is not a comfortable record, and it doesn’t try to be. It is a work that observes, with clinical detachment, the mechanisms by which the world rewards, ignores, or destroys people — and has the honesty not to offer solutions. In a circuit that often consumes itself in its own effervescence, apaull builds something slower and more durable: a body of work with edges, with conceptual texture, with the kind of coherence that can only come from someone who has been at this long enough not to need to impress anyone.

The question that titles the album stays open. Perhaps that is the only honest answer there is.

Gunfactor is released April 24, 2026 on Furnace Room Recordings (frr036), distributed by Superstition and available on all platforms. Remixes accompany the album as single and EP releases.

As a complement to the Gunfactor release, the inclusion of the Dina Summer Remix, set to be released on May 22, adds a significant layer of contemporary energy to the project. This remix not only reinterprets apaull’s sonic vision but also serves as a strategic bridge for listeners to further explore the creative process detailed in this interview.

artist: apaull
Album: Gunfactor
Release Format: Digital
Cat. No. frr036
Distribution: Superstition, all online platforms

Release Date: April 24, 2026
Pre Order FurnaceRoomRecords.lnk.to/Gunfactor

apaull- writing, producing, mixing
Abe Duque- Executive Producer, mastering

Tracklist
1. Fang Mich 04:07
2. King Dome 05:20
3. Push the Button 06:10
4. Veilig 04:38
5. Finishing School 05:05
6. Gunfactor 05:34
7. Cartel 07:11
8. True Though 05:04
9. Payload 05:32
10. Altamont Joy 07:30

apaull

Website | SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Furnace Room Records

Instagram | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Avilynn – Faster Than AI [Systolic]

Avilynn positions herself as a sound artist working across multiple fronts: production, DJing, and curation converge into a practice where sound is treated as a system. Based in Berlin, her approach constructs immersive environments where tension and detail sustain a continuous narrative. Each alias becomes a reconfiguration of language, shifting her center without losing direction.

Her presence within the underground circuit has grown through that logic. Rather than a fixed aesthetic, what emerges is a consistent way of shaping space and experience. Sound operates as a moving architecture, where every element is calibrated to produce an enveloping, time-based perception.

This approach extends beyond the booth. The limited-edition modular cases she designs function as objects that carry her sonic thinking into the physical realm. They are not accessories, but components of the same system, integrating material and auditory dimensions within a practice grounded in applied experimentation.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic/

Within this framework, Archive Series on Systolic appears as a record in motion. The selection gathers previously unreleased tracks produced over recent years, condensing an earlier phase without fixing it as a closed past. The archive becomes active—organizing, connecting, and revealing the lines that shape her evolution.

The release signals a shift toward a new stage centered on hardware, live recording, and a more defined sonic language. These pieces act as traces of a system in transition, retaining relevance through their repositioning in the present. There is a sense of closure, accompanied by a controlled opening toward what follows.

https://soundcloud.com/clubfuriess/cfp-avilynn-faster-than-ai-systolic

Within the collection, “Faster Than AI” stands out with particular clarity. The track translates states associated with contemporary anxiety and uncertainty about the future into a structure that intensifies progressively. Tension builds from an initial pulse, accumulating pressure into a sustained rise toward overflow.

Beyond that peak, the piece moves into a more diffuse zone. Rhythm remains, yet perception shifts: a liminal quality emerges, suspended between what has just unfolded and what has yet to settle. The sound becomes lighter, less defined, carrying a resonance that extends the impact without repeating it.

What remains is not resolution, but persistence. Archive Series settles as a threshold—simultaneously memory and projection, where the archive does not preserve; it reshapes.

Label: Systolic
Title: Archive Series ep
Artist: Avilynn
Catalogue:

Release Date: May 7th, 2026
Support & Buy: Bandcamp

Tracklist
1. Avilynn – Faster Than AI
2. Avilynn – Hash
3. Avilynn – Vortex

Credits
Music: Avilynn
Mastering: Ddroga
Artwork: Adrian Gambin

Avilynn

Website | SoundCloud | Instagram | YouTube

Systolic

SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Carara – Narcotics [Ecstasy State]

Based in London, Ecstasy State has shaped an identity defined by the consistency of its vision. Since 2017, the label has maintained a curatorial approach where techno unfolds across multiple registers without losing coherence, building a catalog that prioritizes intention and meaning over saturation. Music becomes a field of expression where each release carries a clear direction, refined through careful selection and attention to detail.

Within this framework, Carara presents Signals, an EP that operates through its immediate function. Energy is structured with precision, sustaining a constant pressure that runs through each composition. The sonic language is built on analog synth lines, dark tonalities, and a rhythmic architecture that maintains forward motion with control. Every element is placed with purpose, contributing to a tightly organized system.

https://clubfuries.com.mx/2026/04/29/cfp-carara-valentin-zad-natural-resources-trm388/

The internal logic of the release relies on repetition and subtle variation, reshaping the flow without breaking it. Tension accumulates gradually, creating a sense of continuity that envelops the listener. There is a clear discipline in how intensity is handled, avoiding excess while maintaining a strong and persistent presence.

Within this structure, “Narcotics” stands out as one of the EP’s most incisive moments. The track unfolds through sustained frenzy, carrying an internal velocity that runs from beginning to end without losing clarity. Its sound design introduces an unexpected quality: intensity feels polished, almost smooth, like a surface that absorbs impact rather than scattering it. A certain softness emerges in how elements merge, creating an enveloping sensation that contrasts with the force driving it.

https://soundcloud.com/clubfuriess/cfp-carara-narcotics-ecsy070

Layers interlock with precision, each contributing subtle shifts that enrich the overall texture. The progression builds toward moments of concentrated tension, where the body becomes locked into a continuous state of propulsion. Energy redistributes across the structure, reaching elevated peaks before settling again into motion.

Narcotics leaves an imprint that extends beyond its immediate context. Its construction points toward a form of functional timelessness, where the sound remains relevant beyond passing trends. As a whole, Signals reinforces both Carara’s direction and Ecstasy State’s vision: focused techno shaped through precision, consistency, and clarity of intent.

Artist: Carara
Title: Signals
Label: Ecstasy State
Catalogue: ECSY070

Release Date: May 7th, 2026
Support & Buy: ecstasystate.bandcamp.com

Tracklist:
1 – Dark Ambience
2 – Genetics
3 – Narcotics
4 – Planetare Masse
5 – Signals

Carara

SoundCloud | Instagram | Facebook | Beatport

Ecstasy State

SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Carara, Valentin Zad – Natural Resources [trau-ma]

Some collaborations add. Others multiply. This is the second kind. When two artists with such distinct individual talent decide to work together, the result could go in any direction —and here it goes in exactly the right one. We’re talking about Carara and Valentin Zad, two Germany-based artists whose union for this release doesn’t sound like an experiment or an opportunity: it sounds like something that had to happen.

The label hosting them says everything about the level of the bet. Trau-ma is one of those imprints that exists in the circuit for the right reasons —not for volume of releases but for consistency of judgment and quality of catalog. That Carara and Valentin Zad choose this space to present their collaboration is, in itself, a statement of intent. Two top-tier talents on one of the best labels in the circuit: the equation is as simple as it is powerful.

https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

The result is titled Delusión —a three-track original collection: Delusion, Hidden Pains, and Natural Resources. Few tracks, no filler, all the density concentrated in exactly the right space. This is the kind of EP that doesn’t need length to justify itself —it justifies itself track by track, layer by layer.

https://soundcloud.com/clubfuriess/cfp-carara-valentin-zad-natural-resources-trm388

«Natural Resources» carries a sobriety in its name that the sound confirms from the very first second. Its sounds are constant, precise, and piercing —they don’t run loose, don’t frenzy easily, don’t reach for easy impact. But that contained edge strikes with a certain violence mediated by impeccable sound design that knows exactly how much pressure to apply and when to release.

The track stabilizes at very high notes of intensity, and from there its climax doesn’t explode —it becomes an ethereal valley, interrupted in time and space as if someone had paused the universe for an instant. What follows is the synthesis of multiple determinations converging into a final texture, built on a parallel running through the entire sonic structure and its layers that, somehow, seem to have frozen in time, advancing in an alternate manner —neither forward nor backward, but in a direction only this track knows.

Artist:
Carara, Valentin Zad
Label: trauma
Title: Delusion
Format: Digital

Catalogue:
TRM388

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklist:


1. Delusion
2. Hidden Pains
3. Natural Resources

Carara

SoundCloud | Instagram | Facebook | Beatport

Valentin Zad

SoundCloud | Instagram

trau-ma

SoundCloud | Instagram | YouTube | Facebook | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Melina Genchi – Fuego [Behind The Noise]

Behind The Noise, based in Mexico, operates beyond the traditional idea of a label. Its catalog unfolds as an expanding network, bringing together underground explorations and more open dancefloor readings, guided by a sense of sonic clarity and curatorial openness. There’s a sense of movement within its structure—artists from different contexts converge here, shaping and projecting their sound.

From Necochea, Melina Genchi develops a trajectory that moves across various electronic territories before settling into a refined balance. Her language is built on the coexistence of melody and drive, a tension that remains active rather than resolved. Darkness within her sound doesn’t weigh down; it circulates, becoming rhythm.

https://clubfuries.com.mx/2026/04/09/cfp-badwolf-see-my-eyes-btn/

Her approach blends deep melodic layers with dense atmospheres and a groove that moves with steady magnetism. Positioned between Indie Dance, Melodic Techno, and Peak Time, her sound creates an enveloping field, where vocals—filtered, almost mechanical—thread through the structure. The dancefloor becomes a continuous space, sustained by an energy that persists.

With releases across labels in Italy, Romania, and Brazil, her production work reinforces an identity rooted in melodic tension and rhythmic clarity. Each track unfolds as a moving surface, where elements align with precision and a dark tonal core remains present.

https://soundcloud.com/clubfuriess/cfp-melina-genchi-fuego-202026btn

On Behind The Noise, she presents Fuego, a two-tracker that condenses this direction. The title track unfolds in a space where Indie Dance and Dark Disco intertwine, with a techno pulse running through its core. The groove establishes itself firmly, anchoring the body early on.

The vocal line carries a direct presence, infused with a sensual tone that integrates seamlessly into the rhythm. Its repetition builds familiarity, grounding the listener as surrounding layers expand outward. There’s an incandescent warmth within the texture, a vibration that sustains and spreads across the dancefloor.

The track finds its strength in this combination: a clear structure, a steady rhythm, and an atmosphere that envelops without excess. Fuego stands as a piece designed for movement, where the body aligns with an energy that remains active, circling within its own continuous flow.

Club Furies Signals 1794

Label: Behind The Noise
Artist: Melina Genchi
Title: Fuego
Catalogue: 202026BTN

Release Date: May 1, 2026
Support & Buy: Bandcamp

Tracklist
1. Fuego
2. Tormenta Exótica

Melina Genchi

SoundCloud | Instagram | Threads | TikTok | Beatport | Linktree

Behind The Noise

SoundCloud | Instagram | Bandcamp | Beatport | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: KURIR – Midnight Gardener [Tlaloc Records]

There’s something genuinely comforting about watching one of your favorite labels return to its natural rhythm. Tlaloc Records —rooted deep in Mexico and curated with a steady hand by the accomplished Mexican producer Mogo— is back with the regularity and quality that have made it one of the names we follow with real enthusiasm. This is not a label that publishes for the sake of publishing: every release has a reason, an intention behind it, and that comes through in every track that bears its name.

https://clubfuries.com.mx/2025/05/11/cfp-kurir-stadig-seremonia-by-eabe/

For its most recent release, Tlaloc Records presents Finnish producer KURIR with Machina, a four-track original collection that functions as a double mirror: it reflects both the sound of this Nordic peninsula artist and the kind of curation that defines the Mexican label. That Mogo found in KURIR a kindred voice is no coincidence of genres —it’s an affinity of sensibilities that transcends geography. Finland and Mexico are not the most obvious meeting point for a sonic encounter, and yet here it sounds completely natural.

https://clubfuries.com.mx/2026/04/07/cfp-tesino-glomizer-tlr159/

«Midnight Gardener» is a title that already promises something —and the sound delivers on that promise from the very first bars. The opening is powerful and thick, carrying an energy that seems to want to run at full speed but which the sound design modulates with intelligence, letting it advance only «just enough» —that exact amount that generates tension without exhausting it. Caught in constant bleeps, the track builds a cybernetic cage that doesn’t oppress but contains, promising resistances and revolutions calibrated to its own internal tempo. There is something almost organic in how this metallic structure breathes.

https://soundcloud.com/clubfuriess/cfp-kurir-midnight-gardener-tlr160

The moorings become perennially latent, allowing the rest of the sonic layers to take the foreground —a dual and very well-carried sound that in its final consequences reaches something unexpectedly beautiful: velvety notes amid fleeting electric pulses. That duality between the soft and the electric, between warmth and the coldness of the circuit, is the track’s beating heart. Midnight Gardener is not the garden you expected —it’s one that grows at night, with cable roots and flowers that flicker.

Label: Tlaloc Records
Artist: KURIR
Title: Machina
Catalog: TLR160

Release Date: April 30th, 2026
Support & Buy: Bandcamp

Tracklist
1. Midnight Gardener 06:34
2. Last But Most 07:24
3. Durex 06:41
4. 2 in 10 06:38

KURIR

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Tlaloc Records

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: n-trip – Amplify [Armen Crew]

ntrip² doesn’t start from a fixed place: it builds itself in the in-between space. It doesn’t seek to define itself but to displace —and that, precisely, is its clearest statement of intent. From there, n-trip arrives at Armen Crew with a four-track EP that moves along the edges: electro, techno, and breakbeat in constant tension, without settling into any one of them. This is not indecision —it’s a deliberate stance against the comfort of categories.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

Composed on Gadigal land, the release works from a clear idea: movement within ambiguity. Rhythms mutate, textures collide, and tension accumulates at that precise point where structure ceases to be rigid and flow takes control. There is no linearity here, only transitions —and that difference is not a small one. Each track operates as an open system in permanent adjustment, responding to its own unfolding rather than to any preset form. The result is music you can’t fully anticipate, and which for that very reason keeps attention alive from beginning to end.

https://clubfuries.com.mx/2024/04/01/club-furies-premiere-ert-introspection-armen-crew/

The expansion arrives with remixes from Ritmu, Interimm, and Capon, which don’t reinterpret but reconfigure. From a minimalist and cognitive precision to passages that are more melodic and emotionally charged, each version shifts the axis without breaking the continuity of the whole. These aren’t alternative readings of the same material: they are sonic states in transformation, where boundaries dissolve and energy remains in constant motion. An EP that grows beyond itself.

https://soundcloud.com/clubfuriess/cfp-n-trip-amplify-arm009

«Amplify» functions as exactly what its name announces —an amplifier. But it does so from a completely unexpected place: not through volume or raw intensity, but through a patient, sober, and masterfully handled sound design that amplifies from within, almost in silence. Throughout the entire track, electro and techno blur subtly into a connivance so natural it never feels forced —they coexist as if they had always spoken the same language. And when the synthesis arrives, it does so amid cybernetic decouplings in the sonic circuits that don’t close the track but open it toward another dimension —one the ear takes a second to recognize, but the body grasps immediately.

Label: Armen Crew
Artist: n-trip
Title: ntrip² EP
Catalogue: ARM009
Remixes: Ritmu, Interimm, Capon
Genre: Techno, Electronic Breakbeat
Digital Only

Release Date: April 30th, 2026
Support & Buy: Bandcamp

Tracklist
1. Limit
2. Amplify
3. de-esc2b
4. Ionosphere
5. Ionosphere (Ritmu remix)
6. Limit (Interimm Forest remix)
7. Ionosphere (Capon remix)

Credits
Mastering: Simon Hamelin @ HDN Mastering
Ritmu remix > Mastered @ Booker Audio
Artwork & Design : n-trip & Formanoire}

n-trip

Instagram | Linktree

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

Club Furies Mix Series: Cintas Furiosas Present PETRU KSS – Die Technologen Berlin (April 2026 Set)

PETRU KSS shapes a language where driving techno merges with a carefully structured narrative. Born in Corsica, his practice combines rhythmic precision and structural contrast, creating a tense balance between physical intensity and cinematic depth. Every element enters with intent, organizing energy within a system where tension unfolds with clarity and continuity.

His approach is grounded in a hardware-centric logic, where performance becomes an essential dimension. This extends into his research project THRiPPS (Techno, Hardware-centric, Real-time, Improvisation, Production and Performance Study), focused on real-time improvisation and the interaction between body, machine, and sound. This trajectory earned him the Richie Hawtin PhD Scholarship in Electronic Music, reinforcing a practice where theory and dancefloor experience converge seamlessly.

https://clubfuries.com.mx/2026/03/08/cfr-2026-01-kolibri-petru-kss-lp-01/

Recently, PETRU KSS performed at an event hosted by Die Technologen Berlin, an organization dedicated to promoting techno as a cultural form with social relevance. Based in Berlin, their work fosters community, visibility, and support for emerging talent, creating an environment where sound operates collectively.

Our Cintas Furiosas —“Furious Tapes” in English— series continues to explore this relationship between identity and energy. Inspired by the Baseball Furies from The Warriors and the figure of Furiosa in the Mad Max universe, each installment unfolds as a tape where fury exists both as metaphor and sonic process. PETRU’s set fits precisely within this framework: an intensity shaped and sustained over time.

https://www.petru.live/connect-brasil-dj-set/

The opening unfolds with an ethereal, almost liquid quality. Early layers wrap the listener in a diffused warmth, guiding the body gently into alignment with the pulse. This initial softness evolves gradually, shifting toward a more defined pressure. The transition remains continuous, moving internally rather than through abrupt change.

As the set progresses, the terrain becomes less stable. Sonic plains begin to tremble, introducing variations that keep perception in constant recalibration. The rhythm modulates its intensity with precision, maintaining a texture rich in nuance. The experience oscillates between containment and expansion, unfolding through layered perception.

https://soundcloud.com/clubfuriess/cfmx-cf-present-petru-kss

The core of the set arrives without announcement. Duration and experience converge into a point where energy reaches a distinct density. Aggression is channeled with control, expressed through measured sweeps and progressive development that sustain focus. The flow tightens, drawing the listener into a zone of sustained attention.

The climax emerges with clarity, activating the dancefloor through an intensity that expands in multiple directions. BPM shifts interact with the perception of time, accelerating the body’s response while maintaining structural coherence. The sensation resembles traversing shifting terrains—steep ascents, sudden drops, trajectories that demand full engagement.

https://www.whenwedip.com/2026/01/prima-lux-petru-kss/

In the final stretch, the sound moves into deeper zones. Textures darken, space narrows, and immersion intensifies. Sonic cavities appear, spaces where resonance lingers, and exit points remain deferred. The set reaches a closing that doesn’t fully resolve, leaving behind a vibration that extends beyond its runtime.

This PETRU set within Furious Tapes leaves a distinct imprint on the series: a reading of techno as a continuous process where energy, body, and machine align with precision. The experience extends beyond the dancefloor, settling into a lingering resonance—a way of listening that continues to operate even in silence.

Tracklist
01. HYBRID LEISURELAND – 8mm (Mix) [Sonar Library]
02. NICOLAS MASSEYEFF – Melancolie d’Avril [Boxer]
03. ALINEP – Kilig (Axel Karakasis Remix) [Sleaze]
04. GAT SDR – Shattering Farewells
05. JONAS XENON – Nailik Ivory [Oura]
06. DUSTY KID – Kore (Original Mix) [Boxer]
07. STEPHAN BODZIN – Wir [Herzblut]
08. PETRU KSS – Kasioppea [Kolibri Space Shuttle]
09. MAXIME DANGLES – John Conrad [Erratöm]
10. PETRU KSS – Liminal Orbit (BONDE Remix) [Kolibri Space Shuttle]
11. JOHN DAHLBACK – World Of Love (Pig & Dan Remix) [Pickadoll]
12. HERTZ & OSCAR ESCAPA – Habemus [Sway]
13. PETRU KSS – Trappist [Kolibri Space Shuttle]
14. RENE AMESZ – Ploert (DJ Remy & Roland Klinkenberg Remix) [Noir Music]
15. SAYTEK – Procedure Unknown (Live) [Resilient]
16. NACHTWAKER – Dageraad [KSR]
17. DJ DEXTRO – Lenga Lenga (Original Mix) [Korpus 9]
18. CHRISTIAN SMITH – Total Departure (Cirez D Remix) [Drumcode]
19. ANNE – The Freeway At Dawn [Vault]
20. WAVESLAVE – Groove Agent
21. OLIVIER GIACOMOTTO & DJ TONIO – Eat What You Kill (Kiko Remix) [Definitive]
22. MAXIME DANGLES – Alkaline (Microdinamic Remix) [Polar Noise]
23. PLASTIKMAN – Spastik [NovaMute]
24. MICHAEL WELLS aka GTO – Astronaut [Urban Kickz]
25. KONSTANTIN SCHARF – Threshold [Grab The Groove]
26. XPANSUL & MASSI DL – Nerd Soul [Soma]
27. INWARDS – Feelings Of Unreality [Small Pond]
28. NATHAN FAKE – Outhouse (Fluffy Mix) [Border Community]

PETRU KSS & Kolibri Space Shuttle Records

Website | SoundCloud | Instagram | Bandcamp | Facebook | KSS

Club Furies

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CF Premiere: THISISTHX – IC 4351 [Illegal Alien Records]

THISISTHX does not arrive as a newcomer—he returns with intent and a sharper sense of direction. His second appearance on Illegal Alien Records is not a repetition but a statement of progression, reinforcing a trajectory that has been both consistent and deliberate. From Portugal, his project has taken shape through a clear vision: forward-driven, precise techno with no detours or compromises. The evolution is evident—a defined artistic identity and sustained momentum that places him within a new generation that doesn’t wait for space, but actively builds it.

https://clubfuries.com.mx/2025/09/02/cfp-thisisthx-unknown-balances-cfs10/

His sound operates within a clearly defined field: raw, tense, and stripped of ornamentation. Percussive rhythms push forward with force, supported by a mental layer that maintains constant pressure and an energy that refuses to dissipate. There are no unnecessary peaks here—only control, measured intensity, and a sharp understanding of techno’s essential dynamics. Each track reflects this balance, delivering both physical impact and conceptual clarity.

https://clubfuries.com.mx/2026/04/14/cfp-dj-dextro-sintetico-iarltdt021/

With Point of No Return, a four-track EP, THISISTHX further solidifies this language. These are tracks built for high-impact environments, yet grounded in structural coherence and discipline. Rather than a final destination, the EP acts as a threshold—a decisive step forward that projects his evolution while reinforcing his place within contemporary techno. On Illegal Alien Records, the relationship doesn’t repeat—it deepens. The result is a collection of brutal, hypnotic cuts moving in parallel through unknown territories, somewhere between ancestral deserts and unexplored sonic landscapes.

https://soundcloud.com/clubfuriess/cfp-thisisthx-ic-4351-iar396

IC 4351 unfolds as a smooth yet deeply hypnotic piece. Subtle layers accumulate with effortless fluidity as the rhythm progresses toward what feels like purple-tinted, almost utopian terrains. The climax arrives quickly, yet in a gradual, velvety manner. Beyond that point, the sound dissolves into ethereal atmospheres and suspended time, where body and mind remain motionless, absorbed. This state extends ad infinitum, ultimately taking full control over both psyche and physical response.

Label: Illegal Alien Records
Artist: THISISTHX
Title: Point of No Return
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR396
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: April 24th, 2026
Support & Buy: Bandcamp

Tracklist
1. Hydra
2. IC 4351
3. Point Of No Return
4. Regor

THISISTHX

SoundCloud | Instagram | Bandcamp | Linktree

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Sarah Kay – Daughters Of The Drums [KVLTÖ Records]

One of our favorite labels is back in action —and as always, with judgment. KVLTÖ Records proudly welcomes Sarah Kay, a new voice in the catalog arriving from Canada with a proposition that from the very first track makes clear we’re not dealing with a risky bet but with genuine talent and a meticulously designed proposal for the dance floor. Labels we know well rarely get these additions wrong —and this one is no exception.

https://clubfuries.com.mx/2026/02/20/cfp-vauna-first-encounter-kv078/

Her first release within the LTD series is titled Daughters Of The Drums —and the name already carries a declaration: something ancient, feminine, percussive, ritual. The EP achieves what very few debut releases manage: a perfect balance between renewed energy and the pure essence of techno.

There is none of the excess of someone trying to impress on first listen, nor the timidity of someone who hasn’t yet learned to trust their voice. What’s here is a dynamic, texturally rich interpretation with a deep rhythmic identity that doesn’t imitate anything already existing —it has its own way of moving, its own pulse. A new milestone in the LTD series, without question.

https://soundcloud.com/clubfuriess/cfp-sarah-kay-daughters-of-the-drums-kvltd014

The title track opens with tinkling beginnings that dissolve time from the very first seconds, carrying us toward mysterious and unknown coordinates with a slowness that isn’t hesitation but confidence —the confidence of someone who knows exactly where they’re going even if they don’t tell you. Those tinkling sounds multiply and interweave until they create a progressively suggestive and mysterious texture, as if something ancient were taking shape in the present.

The sonic synthesis that emerges from all of this arrives loaded with deliriums of ancient times and eternal curses that don’t weigh but float —integrated into a texture that completes itself perfectly between artistic performance, well-grounded concepts, and deep meaning. A debut that isn’t easily forgotten.

Label: KVLTÖ Records
Catalogue: KVLTD014
Artist: Sarah Kay
Title: Daughters Of The Drums

Release Date: April 25th, 2026
Support & Buy: Bandcamp

Tracklist
1. Fremitus
2. Chant In Reverse
3. Daughters Of The Drums
4. Rise Again

Credits
Written by Sarah Kay
Mastered by Octte
Artwork by 7 Times 7 Design

Sarah Kay

SoundCloud | Instagram

KVLTÖ Records

SoundCloud | Instagram | Facebook | Bandcamp | Formaviva | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: R/D/V – Bad Timing [Prophet Recordings]

Prophet Recordings presents its next release with someone who has been quietly building something solid from Amsterdam: R/D/V, the alias under which Luca Redivo operates —a sound engineer and DJ/producer based in the Netherlands. The artistic name already hints at a way of understanding music —fragmented, in process, never quite finished— and that same quality permeates every production bearing his name. Known for his inclination toward an introspective, energetic, and textural sound, Luca channels his energy into the creation of hypnotic techno and ambient with a coherence that isn’t accidental: it’s the result of years of deep listening and sustained technical work.

https://clubfuries.com.mx/2024/02/15/club-furies-premiere-r-d-v-odd-primitive-state-records/

Because what distinguishes R/D/V from many other producers of his generation isn’t only what he does in the studio as an artist —it’s what he does in the studio as an engineer. Luca works across multiple studios and concert halls, participates in collaborative projects that push the limits of sonic exploration, and that double life between art and technique is, in many ways, the key to his sound. When someone understands sound from the inside —from its physics, from its architecture— what they produce sounds different. More precise. More conscious. More honest.

https://clubfuries.com.mx/2025/12/11/cfp-rostom-scientific-boundaries-prph039/

For his label release, R/D/V presents Bad Timing, a four-track original collection completed by a remix from Booz. An EP that needs no more space than it occupies to say what it has to say —each track serves a precise function within the whole, and the closing remix adds an outside perspective that enriches without deflecting. The internal logic of the work is solid, and you feel it from the very first listen.

https://soundcloud.com/clubfuriess/cfp-rdv-bad-timing-prph041

The title track opens with taciturn, soporific beginnings —and that’s meant as a compliment. There is an almost hypnagogic quality to how it starts: those visual correlates that place us in the depths of night and the psyche, in that threshold between waking and sleep where perception becomes porous.

The sonic layers swirl perfectly around that initial core, and from there begin the torsions and drills that elevate the rhythm and complicate the sound layer by layer, with a patience that knows exactly when to accelerate and when to hold back. The result is the final sonic synthesis —the perfect texture the track had been building from the very beginning, without you realizing you were already inside it.

Label: Prophet Recordings
Artist: R/D/V
Title: Bad Timing
Catalogue: PRPH041
Remixes: Booz
Mastering: Dave Brody
Artwork: Karembeu
Format: Digital

Release Date: April 18th, 2026 on Bandcamp & Formaviva,
Worldwide Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklist:
1 – R/D/V – Bad Timing
2 – R/D/V – Rupture
3 – R/D/V – Rupture (Booz Remix)
4 – R/D/V – Vague Intent
5 – R/D/V – Lysis

R/D/V

Website | SoundCloud | Instagram | Facebook  | Linktree

Prophet Recordings

SoundCloud | Bandcamp | Instagram | Facebook | Formaviva | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree