#descent — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #descent, aggregated by home.social.
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Sierre-Zinal Kenyan double denied by Romanian star
Sierre-Zinal is one of trail running’s most legendary races, set against the stunning Swiss Alps. On Saturday, Kenya’s…
#Romania #RO #Europe #Europa #EU #Ascent #descent #elevationgain #MadalinaFlorea #philemonKiriago #romania #sierre-zinal #stiri #trailrunning #trail-featured #trail-news
https://www.europesays.com/3184591/ -
https://www.europesays.com/africa/370582/ Sierre-Zinal Kenyan double denied by Romanian star #ascent #descent #ElevationGain #Kenya #MadalinaFlorea #PhilemonKiriago #SierreZinal #TrailRunning #TrailFeatured #TrailNews
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Sierre-Zinal Kenyan double denied by Romanian star https://www.byteseu.com/2261461/ #Ascent #descent #ElevationGain #MadalinaFlorea #PhilemonKiriago #Romania #SierreZinal #TrailRunning #TrailFeatured #TrailNews
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Sysop-64 Descent Port Runs on Commodore 64 Hardware
#Commodore64 #C64 #Sysop64 #ChocolateDescent #Descent #RetroComputing #FPGA #BloodMosher
https://theoasisbbs.com/sysop-64-descent-port-runs-on-commodore-64-hardware/?fsp_sid=10588 -
Sysop-64 Descent Port Runs on Commodore 64 Hardware
#Commodore64 #C64 #Sysop64 #ChocolateDescent #Descent #RetroComputing #FPGA #BloodMosher
https://theoasisbbs.com/sysop-64-descent-port-runs-on-commodore-64-hardware/?fsp_sid=10588 -
Sysop-64 Descent Port Runs on Commodore 64 Hardware
#Commodore64 #C64 #Sysop64 #ChocolateDescent #Descent #RetroComputing #FPGA #BloodMosher
https://theoasisbbs.com/sysop-64-descent-port-runs-on-commodore-64-hardware/?fsp_sid=10588 -
Sysop-64 Descent Port Runs on Commodore 64 Hardware
#Commodore64 #C64 #Sysop64 #ChocolateDescent #Descent #RetroComputing #FPGA #BloodMosher
https://theoasisbbs.com/sysop-64-descent-port-runs-on-commodore-64-hardware/?fsp_sid=10588 -
Sysop-64 Descent Port Runs on Commodore 64 Hardware
#Commodore64 #C64 #Sysop64 #ChocolateDescent #Descent #RetroComputing #FPGA #BloodMosher
https://theoasisbbs.com/sysop-64-descent-port-runs-on-commodore-64-hardware/?fsp_sid=10588 -
Italy’s high court backs citizenship claims by emigrants’ descendants
ROME — Italy’s highest court ruled that children born with Italian citizenship do not automatically lose it when a parent…
#Italy #Europe #Europa #EU #child #citizen #citizenshipclaim #country #court #decision #descendant #Descent #emigrant #Italiancitizenship #mellone #parent #restrictiveinterpretation #ruling
https://www.europesays.com/italy/36490/ -
:cli: Remembering Descent, the once-popular, fully 3D 6DOF shooter
｢ My memory of the details is fuzzy, but as I recall, online matches were arranged through Kali, an MS-DOS emulator of the IPX protocol for TCP/IP connections. It was nontrivial to set up, but it could have been worse. ｣
https://arstechnica.com/gaming/2025/07/remembering-descent-the-once-popular-fully-3d-6dof-shooter/
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:cli: Remembering Descent, the once-popular, fully 3D 6DOF shooter
｢ My memory of the details is fuzzy, but as I recall, online matches were arranged through Kali, an MS-DOS emulator of the IPX protocol for TCP/IP connections. It was nontrivial to set up, but it could have been worse. ｣
https://arstechnica.com/gaming/2025/07/remembering-descent-the-once-popular-fully-3d-6dof-shooter/
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:cli: Remembering Descent, the once-popular, fully 3D 6DOF shooter
｢ My memory of the details is fuzzy, but as I recall, online matches were arranged through Kali, an MS-DOS emulator of the IPX protocol for TCP/IP connections. It was nontrivial to set up, but it could have been worse. ｣
https://arstechnica.com/gaming/2025/07/remembering-descent-the-once-popular-fully-3d-6dof-shooter/
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:cli: Remembering Descent, the once-popular, fully 3D 6DOF shooter
｢ My memory of the details is fuzzy, but as I recall, online matches were arranged through Kali, an MS-DOS emulator of the IPX protocol for TCP/IP connections. It was nontrivial to set up, but it could have been worse. ｣
https://arstechnica.com/gaming/2025/07/remembering-descent-the-once-popular-fully-3d-6dof-shooter/
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:cli: Remembering Descent, the once-popular, fully 3D 6DOF shooter
｢ My memory of the details is fuzzy, but as I recall, online matches were arranged through Kali, an MS-DOS emulator of the IPX protocol for TCP/IP connections. It was nontrivial to set up, but it could have been worse. ｣
https://arstechnica.com/gaming/2025/07/remembering-descent-the-once-popular-fully-3d-6dof-shooter/
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The view, or: The distance
A Sijo
these heights gather scattered paths into one broad field of motion; what I once touched seems distant now almost beyond discernment; perspective is not belonging— I begin my downward climb
Reena’s Xploration Challenge 439
For RXC, Reena invites us to compose poems inspired by this visual image of a solitary cottage and fruit tree perch atop a towering rock spire, overlooking a vast, distant landscape beneath a bright, cloud-dappled sky.
Sijo?
A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.
Let’s write poetry together!
When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.
–Ben Harper (b. 1969)Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!
#Belonging #Clarity #Descent #Distance #Perspective #Poem #Poetry #Realization #Return #Sijo -
#descent : an action of moving downward
- French: descente
- German: der Abstieg
- Italian: retrocessione
- Portuguese: descendente
- Spanish: descenso
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Word of The Hour's Annual Survey @ https://wordofthehour.org/r/form
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#descent : an action of moving downward
- French: descente
- German: der Abstieg
- Italian: retrocessione
- Portuguese: descendente
- Spanish: descenso
------------
Word of The Hour's Annual Survey @ https://wordofthehour.org/r/form
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#descent : an action of moving downward
- French: descente
- German: der Abstieg
- Italian: retrocessione
- Portuguese: descendente
- Spanish: descenso
------------
Word of The Hour's Annual Survey @ https://wordofthehour.org/r/form
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#descent : an action of moving downward
- French: descente
- German: der Abstieg
- Italian: retrocessione
- Portuguese: descendente
- Spanish: descenso
------------
Word of The Hour's Annual Survey @ https://wordofthehour.org/r/form
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Record(s) o’ the Month – April 2026
April breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket…
#NewsBeep #News #Music #2026 #ADarkPoemPartII:Sanguis #Apr26 #AttheGates #AU #Australia #descent #Entertainment #GreenCarnation #Immolation #Record(s)o'theMonth #TheGhostofaFutureDead
https://www.newsbeep.com/au/799737/ -
Record(s) o’ the Month – April 2026
April breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket…
#NewsBeep #News #Music #2026 #ADarkPoemPartII:Sanguis #Apr26 #AttheGates #AU #Australia #descent #Entertainment #GreenCarnation #Immolation #Record(s)o'theMonth #TheGhostofaFutureDead
https://www.newsbeep.com/au/799737/ -
Record(s) o’ the Month – April 2026 By Steel DruhmApril breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket releases and a collection of killer platters from lesser-known acts clogging the April voting sheets, it was a pretty fat month for extreme music. This caused consternation among staffers as loyalties to iconic bands clashed and lengthy histories of excellence were rehashed, compared, and contrasted. In the end, hard decisions were made, office furniture was hurled, and curses were invoked. This is the AMG way. Welcome back to April!
If one band exemplifies death metal majesty, decay, and consistency over 30-plus years, it’s New York’s own Immolation. Since launching their crusade of brutality way back in 1989, the band have become one of the most influential acts in the genre, with a sound that evolves and mutates but is always recognizably Immolation. April brought us the 12th installment in their legacy of ugliness, and Descent [out April 10th from Nuclear Blast (Bandcamp)] is another statement on what death metal should be. Wickedly heavy, technical as hell, and ugly as fook, it’s the kind of album that feels like a tanker full of anvils. It highlights the inventiveness of Immolation even as it revisits past eras of the band’s enormous catalog. As a well-impressed Steel Druhm pointed out, “Immolation remain a rare, altered beast among other repellent horrors, painting their uniquely disturbing soundscapes across history and time.” An equally gobsmacked Kenstrosity added, “This twelfth album, soon upon us, perpetuates that standard and may even prove, with time, to have elevated it once again.” Strong words for the Grand Titans of Death. All hail Immolation.
Runner(s) Up:
At the Gates // The Ghost of a Future Dead [April 24th, 2026 | Century Media | Bandcamp] — It’s very difficult to review an album that you know will be the last for a metal luminary. It’s the end of a life, an era, and a musical companion you’ve traveled with for years, even decades. Such was the dilemma facing Grymm when The Ghost of a Future Dead was released in the aftermath of the tragic passing of legendary vocalist Tomas Lindberg. At the Gates have had plenty of genre-defining moments over their career, and fortunately, what Tomas left us with here can stand proudly among their very best. It’s a vicious, face-melting slab of thrashy melodeath with hooks and fangs aplenty, showcasing the classic At the Gates sound and the caustic, corrosive vocals of a brave and ever-defiant Tomas. As Grymm astutely summarized, ” If this ends up being At The Gates’ swansong, this is a hell of a way to go out, as they dropped another classic on our sorry asses. Awesome job to all those involved. Rest in power, Tompa.” Journey on, metal brother.
Green Carnation // A Dark Poem Part II: Sanguis [April 3rd, 2026 | Season of Mist | Bandcamp] — Successor act of Norway’s In the Woods..., Green Carnation traveled a strange musical path since 2000, passing through death and Gothic metal to eventually arrive at a kind of progressive metal-lite. A Dark Poem Part II: Sanguis finds them continuing their Poem trilogy, offering hard-edged moments alongside plenty of sad, sullen set pieces sure to bring the feelz to the coldest of hearts. Musically, Sanguis explores some older Green Carnation sounds while also pushing their style forward into new spaces, always with quality songcraft at the forefront. There are some genuinely tear-jerking moments here if you like to feel unhappy. As the usually jaded, cynical, and cranky-assed Doc Grier gushed, “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you.” Flower power!
#2026 #ADarkPoemPartIISanguis #Apr26 #AtTheGates #Descent #GreenCarnation #Immolation #RecordSOTheMonth #TheGhostOfAFutureDead -
Record(s) o’ the Month – April 2026 By Steel DruhmApril breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket releases and a collection of killer platters from lesser-known acts clogging the April voting sheets, it was a pretty fat month for extreme music. This caused consternation among staffers as loyalties to iconic bands clashed and lengthy histories of excellence were rehashed, compared, and contrasted. In the end, hard decisions were made, office furniture was hurled, and curses were invoked. This is the AMG way. Welcome back to April!
If one band exemplifies death metal majesty, decay, and consistency over 30-plus years, it’s New York’s own Immolation. Since launching their crusade of brutality way back in 1989, the band have become one of the most influential acts in the genre, with a sound that evolves and mutates but is always recognizably Immolation. April brought us the 12th installment in their legacy of ugliness, and Descent [out April 10th from Nuclear Blast (Bandcamp)] is another statement on what death metal should be. Wickedly heavy, technical as hell, and ugly as fook, it’s the kind of album that feels like a tanker full of anvils. It highlights the inventiveness of Immolation even as it revisits past eras of the band’s enormous catalog. As a well-impressed Steel Druhm pointed out, “Immolation remain a rare, altered beast among other repellent horrors, painting their uniquely disturbing soundscapes across history and time.” An equally gobsmacked Kenstrosity added, “This twelfth album, soon upon us, perpetuates that standard and may even prove, with time, to have elevated it once again.” Strong words for the Grand Titans of Death. All hail Immolation.
Runner(s) Up:
At the Gates // The Ghost of a Future Dead [April 24th, 2026 | Century Media | Bandcamp] — It’s very difficult to review an album that you know will be the last for a metal luminary. It’s the end of a life, an era, and a musical companion you’ve traveled with for years, even decades. Such was the dilemma facing Grymm when The Ghost of a Future Dead was released in the aftermath of the tragic passing of legendary vocalist Tomas Lindberg. At the Gates have had plenty of genre-defining moments over their career, and fortunately, what Tomas left us with here can stand proudly among their very best. It’s a vicious, face-melting slab of thrashy melodeath with hooks and fangs aplenty, showcasing the classic At the Gates sound and the caustic, corrosive vocals of a brave and ever-defiant Tomas. As Grymm astutely summarized, ” If this ends up being At The Gates’ swansong, this is a hell of a way to go out, as they dropped another classic on our sorry asses. Awesome job to all those involved. Rest in power, Tompa.” Journey on, metal brother.
Green Carnation // A Dark Poem Part II: Sanguis [April 3rd, 2026 | Season of Mist | Bandcamp] — Successor act of Norway’s In the Woods..., Green Carnation traveled a strange musical path since 2000, passing through death and Gothic metal to eventually arrive at a kind of progressive metal-lite. A Dark Poem Part II: Sanguis finds them continuing their Poem trilogy, offering hard-edged moments alongside plenty of sad, sullen set pieces sure to bring the feelz to the coldest of hearts. Musically, Sanguis explores some older Green Carnation sounds while also pushing their style forward into new spaces, always with quality songcraft at the forefront. There are some genuinely tear-jerking moments here if you like to feel unhappy. As the usually jaded, cynical, and cranky-assed Doc Grier gushed, “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you.” Flower power!
#2026 #ADarkPoemPartIISanguis #Apr26 #AtTheGates #Descent #GreenCarnation #Immolation #RecordSOTheMonth #TheGhostOfAFutureDead -
Record(s) o’ the Month – April 2026 By Steel DruhmApril breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket releases and a collection of killer platters from lesser-known acts clogging the April voting sheets, it was a pretty fat month for extreme music. This caused consternation among staffers as loyalties to iconic bands clashed and lengthy histories of excellence were rehashed, compared, and contrasted. In the end, hard decisions were made, office furniture was hurled, and curses were invoked. This is the AMG way. Welcome back to April!
If one band exemplifies death metal majesty, decay, and consistency over 30-plus years, it’s New York’s own Immolation. Since launching their crusade of brutality way back in 1989, the band have become one of the most influential acts in the genre, with a sound that evolves and mutates but is always recognizably Immolation. April brought us the 12th installment in their legacy of ugliness, and Descent [out April 10th from Nuclear Blast (Bandcamp)] is another statement on what death metal should be. Wickedly heavy, technical as hell, and ugly as fook, it’s the kind of album that feels like a tanker full of anvils. It highlights the inventiveness of Immolation even as it revisits past eras of the band’s enormous catalog. As a well-impressed Steel Druhm pointed out, “Immolation remain a rare, altered beast among other repellent horrors, painting their uniquely disturbing soundscapes across history and time.” An equally gobsmacked Kenstrosity added, “This twelfth album, soon upon us, perpetuates that standard and may even prove, with time, to have elevated it once again.” Strong words for the Grand Titans of Death. All hail Immolation.
Runner(s) Up:
At the Gates // The Ghost of a Future Dead [April 24th, 2026 | Century Media | Bandcamp] — It’s very difficult to review an album that you know will be the last for a metal luminary. It’s the end of a life, an era, and a musical companion you’ve traveled with for years, even decades. Such was the dilemma facing Grymm when The Ghost of a Future Dead was released in the aftermath of the tragic passing of legendary vocalist Tomas Lindberg. At the Gates have had plenty of genre-defining moments over their career, and fortunately, what Tomas left us with here can stand proudly among their very best. It’s a vicious, face-melting slab of thrashy melodeath with hooks and fangs aplenty, showcasing the classic At the Gates sound and the caustic, corrosive vocals of a brave and ever-defiant Tomas. As Grymm astutely summarized, ” If this ends up being At The Gates’ swansong, this is a hell of a way to go out, as they dropped another classic on our sorry asses. Awesome job to all those involved. Rest in power, Tompa.” Journey on, metal brother.
Green Carnation // A Dark Poem Part II: Sanguis [April 3rd, 2026 | Season of Mist | Bandcamp] — Successor act of Norway’s In the Woods..., Green Carnation traveled a strange musical path since 2000, passing through death and Gothic metal to eventually arrive at a kind of progressive metal-lite. A Dark Poem Part II: Sanguis finds them continuing their Poem trilogy, offering hard-edged moments alongside plenty of sad, sullen set pieces sure to bring the feelz to the coldest of hearts. Musically, Sanguis explores some older Green Carnation sounds while also pushing their style forward into new spaces, always with quality songcraft at the forefront. There are some genuinely tear-jerking moments here if you like to feel unhappy. As the usually jaded, cynical, and cranky-assed Doc Grier gushed, “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you.” Flower power!
#2026 #ADarkPoemPartIISanguis #Apr26 #AtTheGates #Descent #GreenCarnation #Immolation #RecordSOTheMonth #TheGhostOfAFutureDead -
Record(s) o’ the Month – April 2026 By Steel DruhmApril breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket releases and a collection of killer platters from lesser-known acts clogging the April voting sheets, it was a pretty fat month for extreme music. This caused consternation among staffers as loyalties to iconic bands clashed and lengthy histories of excellence were rehashed, compared, and contrasted. In the end, hard decisions were made, office furniture was hurled, and curses were invoked. This is the AMG way. Welcome back to April!
If one band exemplifies death metal majesty, decay, and consistency over 30-plus years, it’s New York’s own Immolation. Since launching their crusade of brutality way back in 1989, the band have become one of the most influential acts in the genre, with a sound that evolves and mutates but is always recognizably Immolation. April brought us the 12th installment in their legacy of ugliness, and Descent [out April 10th from Nuclear Blast (Bandcamp)] is another statement on what death metal should be. Wickedly heavy, technical as hell, and ugly as fook, it’s the kind of album that feels like a tanker full of anvils. It highlights the inventiveness of Immolation even as it revisits past eras of the band’s enormous catalog. As a well-impressed Steel Druhm pointed out, “Immolation remain a rare, altered beast among other repellent horrors, painting their uniquely disturbing soundscapes across history and time.” An equally gobsmacked Kenstrosity added, “This twelfth album, soon upon us, perpetuates that standard and may even prove, with time, to have elevated it once again.” Strong words for the Grand Titans of Death. All hail Immolation.
Runner(s) Up:
At the Gates // The Ghost of a Future Dead [April 24th, 2026 | Century Media | Bandcamp] — It’s very difficult to review an album that you know will be the last for a metal luminary. It’s the end of a life, an era, and a musical companion you’ve traveled with for years, even decades. Such was the dilemma facing Grymm when The Ghost of a Future Dead was released in the aftermath of the tragic passing of legendary vocalist Tomas Lindberg. At the Gates have had plenty of genre-defining moments over their career, and fortunately, what Tomas left us with here can stand proudly among their very best. It’s a vicious, face-melting slab of thrashy melodeath with hooks and fangs aplenty, showcasing the classic At the Gates sound and the caustic, corrosive vocals of a brave and ever-defiant Tomas. As Grymm astutely summarized, ” If this ends up being At The Gates’ swansong, this is a hell of a way to go out, as they dropped another classic on our sorry asses. Awesome job to all those involved. Rest in power, Tompa.” Journey on, metal brother.
Green Carnation // A Dark Poem Part II: Sanguis [April 3rd, 2026 | Season of Mist | Bandcamp] — Successor act of Norway’s In the Woods..., Green Carnation traveled a strange musical path since 2000, passing through death and Gothic metal to eventually arrive at a kind of progressive metal-lite. A Dark Poem Part II: Sanguis finds them continuing their Poem trilogy, offering hard-edged moments alongside plenty of sad, sullen set pieces sure to bring the feelz to the coldest of hearts. Musically, Sanguis explores some older Green Carnation sounds while also pushing their style forward into new spaces, always with quality songcraft at the forefront. There are some genuinely tear-jerking moments here if you like to feel unhappy. As the usually jaded, cynical, and cranky-assed Doc Grier gushed, “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you.” Flower power!
#2026 #ADarkPoemPartIISanguis #Apr26 #AtTheGates #Descent #GreenCarnation #Immolation #RecordSOTheMonth #TheGhostOfAFutureDead -
Record(s) o’ the Month – April 2026 By Steel DruhmApril breezes are blowing across the AMG estates even though the summer heat reigns supreme. With several big-ticket releases and a collection of killer platters from lesser-known acts clogging the April voting sheets, it was a pretty fat month for extreme music. This caused consternation among staffers as loyalties to iconic bands clashed and lengthy histories of excellence were rehashed, compared, and contrasted. In the end, hard decisions were made, office furniture was hurled, and curses were invoked. This is the AMG way. Welcome back to April!
If one band exemplifies death metal majesty, decay, and consistency over 30-plus years, it’s New York’s own Immolation. Since launching their crusade of brutality way back in 1989, the band have become one of the most influential acts in the genre, with a sound that evolves and mutates but is always recognizably Immolation. April brought us the 12th installment in their legacy of ugliness, and Descent [out April 10th from Nuclear Blast (Bandcamp)] is another statement on what death metal should be. Wickedly heavy, technical as hell, and ugly as fook, it’s the kind of album that feels like a tanker full of anvils. It highlights the inventiveness of Immolation even as it revisits past eras of the band’s enormous catalog. As a well-impressed Steel Druhm pointed out, “Immolation remain a rare, altered beast among other repellent horrors, painting their uniquely disturbing soundscapes across history and time.” An equally gobsmacked Kenstrosity added, “This twelfth album, soon upon us, perpetuates that standard and may even prove, with time, to have elevated it once again.” Strong words for the Grand Titans of Death. All hail Immolation.
Runner(s) Up:
At the Gates // The Ghost of a Future Dead [April 24th, 2026 | Century Media | Bandcamp] — It’s very difficult to review an album that you know will be the last for a metal luminary. It’s the end of a life, an era, and a musical companion you’ve traveled with for years, even decades. Such was the dilemma facing Grymm when The Ghost of a Future Dead was released in the aftermath of the tragic passing of legendary vocalist Tomas Lindberg. At the Gates have had plenty of genre-defining moments over their career, and fortunately, what Tomas left us with here can stand proudly among their very best. It’s a vicious, face-melting slab of thrashy melodeath with hooks and fangs aplenty, showcasing the classic At the Gates sound and the caustic, corrosive vocals of a brave and ever-defiant Tomas. As Grymm astutely summarized, ” If this ends up being At The Gates’ swansong, this is a hell of a way to go out, as they dropped another classic on our sorry asses. Awesome job to all those involved. Rest in power, Tompa.” Journey on, metal brother.
Green Carnation // A Dark Poem Part II: Sanguis [April 3rd, 2026 | Season of Mist | Bandcamp] — Successor act of Norway’s In the Woods..., Green Carnation traveled a strange musical path since 2000, passing through death and Gothic metal to eventually arrive at a kind of progressive metal-lite. A Dark Poem Part II: Sanguis finds them continuing their Poem trilogy, offering hard-edged moments alongside plenty of sad, sullen set pieces sure to bring the feelz to the coldest of hearts. Musically, Sanguis explores some older Green Carnation sounds while also pushing their style forward into new spaces, always with quality songcraft at the forefront. There are some genuinely tear-jerking moments here if you like to feel unhappy. As the usually jaded, cynical, and cranky-assed Doc Grier gushed, “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you.” Flower power!
#2026 #ADarkPoemPartIISanguis #Apr26 #AtTheGates #Descent #GreenCarnation #Immolation #RecordSOTheMonth #TheGhostOfAFutureDead -
So I've been playing this game called Desecrators off and on since it came out. I'll do a number of runs then take a break from it and play other things then come back to it after some time. It has procedural generated maps, every run is different.
It got me thinking... I don't like A.I. generated crap, but I like this! It's a seed based generation. Why is this OK and A.I. is not for me? I do understand that the procedural stuff in Desecrators is seeded from rooms that are human crafted. The system can tweak the rooms size/shape/etc but it's not WHOLE CLOTH random/procedural. Maybe this is why? Or maybe it's just because it's a casual fun game and not "generated art". Like I KNOW what this game is and it's upfront about it, but gen AI just always feels like a lie and/or a cheat, not to mention very wasteful.
Thoughts? Comments? I've logged 80 hours in this game BTW! I love it! haha.
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So I've been playing this game called Desecrators off and on since it came out. I'll do a number of runs then take a break from it and play other things then come back to it after some time. It has procedural generated maps, every run is different.
It got me thinking... I don't like A.I. generated crap, but I like this! It's a seed based generation. Why is this OK and A.I. is not for me? I do understand that the procedural stuff in Desecrators is seeded from rooms that are human crafted. The system can tweak the rooms size/shape/etc but it's not WHOLE CLOTH random/procedural. Maybe this is why? Or maybe it's just because it's a casual fun game and not "generated art". Like I KNOW what this game is and it's upfront about it, but gen AI just always feels like a lie and/or a cheat, not to mention very wasteful.
Thoughts? Comments? I've logged 80 hours in this game BTW! I love it! haha.
-
So I've been playing this game called Desecrators off and on since it came out. I'll do a number of runs then take a break from it and play other things then come back to it after some time. It has procedural generated maps, every run is different.
It got me thinking... I don't like A.I. generated crap, but I like this! It's a seed based generation. Why is this OK and A.I. is not for me? I do understand that the procedural stuff in Desecrators is seeded from rooms that are human crafted. The system can tweak the rooms size/shape/etc but it's not WHOLE CLOTH random/procedural. Maybe this is why? Or maybe it's just because it's a casual fun game and not "generated art". Like I KNOW what this game is and it's upfront about it, but gen AI just always feels like a lie and/or a cheat, not to mention very wasteful.
Thoughts? Comments? I've logged 80 hours in this game BTW! I love it! haha.
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So I've been playing this game called Desecrators off and on since it came out. I'll do a number of runs then take a break from it and play other things then come back to it after some time. It has procedural generated maps, every run is different.
It got me thinking... I don't like A.I. generated crap, but I like this! It's a seed based generation. Why is this OK and A.I. is not for me? I do understand that the procedural stuff in Desecrators is seeded from rooms that are human crafted. The system can tweak the rooms size/shape/etc but it's not WHOLE CLOTH random/procedural. Maybe this is why? Or maybe it's just because it's a casual fun game and not "generated art". Like I KNOW what this game is and it's upfront about it, but gen AI just always feels like a lie and/or a cheat, not to mention very wasteful.
Thoughts? Comments? I've logged 80 hours in this game BTW! I love it! haha.
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So I've been playing this game called Desecrators off and on since it came out. I'll do a number of runs then take a break from it and play other things then come back to it after some time. It has procedural generated maps, every run is different.
It got me thinking... I don't like A.I. generated crap, but I like this! It's a seed based generation. Why is this OK and A.I. is not for me? I do understand that the procedural stuff in Desecrators is seeded from rooms that are human crafted. The system can tweak the rooms size/shape/etc but it's not WHOLE CLOTH random/procedural. Maybe this is why? Or maybe it's just because it's a casual fun game and not "generated art". Like I KNOW what this game is and it's upfront about it, but gen AI just always feels like a lie and/or a cheat, not to mention very wasteful.
Thoughts? Comments? I've logged 80 hours in this game BTW! I love it! haha.
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British man of Somali descent jailed in London for blackmail and sexual abuse of young men
Sunday June 21, 2026 London (HOL) — A London court sentenced Waleed Saeed to 16 years in prison…
#London #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Abuse #and #blackmail #Britain #British #descent #for #GreatBritain #in #jailed #london #man #Men #of #sexual #Somali #Young
https://www.europesays.com/uk/1041494/ -
Trying out DXX the Descent sourceport and my GOD is it so good to have a dual stick controller to play this with; playing the shareware as a kid with just the keyboard led me to getting all turned upside down lol
#Descent -
Trying out DXX the Descent sourceport and my GOD is it so good to have a dual stick controller to play this with; playing the shareware as a kid with just the keyboard led me to getting all turned upside down lol
#Descent -
Trying out DXX the Descent sourceport and my GOD is it so good to have a dual stick controller to play this with; playing the shareware as a kid with just the keyboard led me to getting all turned upside down lol
#Descent -
Trying out DXX the Descent sourceport and my GOD is it so good to have a dual stick controller to play this with; playing the shareware as a kid with just the keyboard led me to getting all turned upside down lol
#Descent -
Setting up "DOOM" to use the Sound Canvas SC-55 MIDI emulator in 86Box and comparing it to the Sound Blaster 16. Another massive improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up "DOOM" to use the Sound Canvas SC-55 MIDI emulator in 86Box and comparing it to the Sound Blaster 16. Another massive improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up "DOOM" to use the Sound Canvas SC-55 MIDI emulator in 86Box and comparing it to the Sound Blaster 16. Another massive improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up "DOOM" to use the Sound Canvas SC-55 MIDI emulator in 86Box and comparing it to the Sound Blaster 16. Another massive improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up the game "Descent" to use the Sound Canvas SC-55 emulator in 86Box.
Yeah, it's a bit of an improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up the game "Descent" to use the Sound Canvas SC-55 emulator in 86Box.
Yeah, it's a bit of an improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up the game "Descent" to use the Sound Canvas SC-55 emulator in 86Box.
Yeah, it's a bit of an improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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Setting up the game "Descent" to use the Sound Canvas SC-55 emulator in 86Box.
Yeah, it's a bit of an improvement! 😉
#RetroGaming #DOSGaming #Emulation #86Box #90s #Retro #Gaming #DOS #Descent #Roland #MIDI
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#LIST OF #PEOPLE OF #RAKHINE #DESCENT headlines-world.com?q=LIST%20OF%... Semantic BACKLINKS: The Bridge between Humans and Artificial Intelligence. Do you like AÉPIOT ( #aePiot ) semantics? Donate to the aéPiot semantic platform: www.paypal.com/donate?busin...
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