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448 results for “flatpress”
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في أول “نزال احترافي” يخوضه منذ 20 سنة.. أسطورة الملاكمة تايسون يخسر أمام “يوتيوبر”
التفاصيل: https://buff.ly/40WpPHc
#جيك_بول #مايك_تايسون #نزال_احترافي #ملاكمة #الوزن_الثقيل #انتصار_جيك_بول #وسائل_التواصل_الاجتماعي #ملعب_آيه_تي_أند_تي #تكساس -
غانا تؤكد دعمها لمخطط الحكم الذاتي المغربي كحل وحيد لقضية الصحراء، خلال اجتماع مع وزير الخارجية المغربي في الرباط.
التفاصيل: https://go.fluxpress.net/QUodTW
#غانا #مخطط_الحكم_الذاتي #الصحراء_المغربية #الأمم_المتحدة #ملك_محمد_السادس -
يتواجد ثلاثة لاعبين مغاربة ضمن أغلى عشرة لاعبين عرب في كأس العالم للأندية، مع سفيان رحيمي في المركز الثالث بقيمة 7 ملايين يورو.
التفاصيل: https://go.fluxpress.net/r6JeHp
#سفيان_رحيمي #كأس_العالم_للأندية #لاعبون_عرب #ترانسفير_ماركت #الكرة_القدم -
طرابزون سبور يتفاوض مع حكيم زياش لتعزيز الفريق بعد فسخ عقده مع الدحيل، واللاعب يرحب بالعودة إلى الدوري التركي.
التفاصيل: https://go.fluxpress.net/LYhiZS
#طرابزون_سبور #حكيم_زياش #الدوري_التركي #الانتقالات_الصيفية #كرة_القدم -
ترأس ولي العهد الأمير مولاي الحسن حفل تسليم الجائزة الكبرى للقفز على الحواجز، ضمن الدوري الملكي المغربي، بمركز المعارض محمد السادس بالجديدة.
التفاصيل: https://go.fluxpress.net/k5Khqm
#توظيف #التعليم #الوزير_الجديد #شرط_30_سنة #الإصلاح -
رئيس الحكومة المغربية عزيز أخنوش يؤكد التزام حكومته بتنفيذ البرامج والمشاريع حتى نهاية الولاية، مع التركيز على تحسين الخدمات والتنمية الاقتصادية والاجتماعية.
التفاصيل: https://go.fluxpress.net/6feXwD
#المغرب #الحكومة #عزيز_أخنوش #التنمية #الإنجازات -
توترت علاقة زياش بإدارة غلطة سراي بسبب خلافات حول إنهاء عقده، مما يعرقل انتقاله إلى الفتح السعودي.
التفاصيل: https://go.fluxpress.net/L2Vb6C
#زياش #غلطة_سراي #الدوري_السعودي #انتقال #توتر_العلاقة -
»The Earth Is Flat«
by Sune Selsbæk-Reitz»[...] Flatness was intuitive. It matched what you saw. What you felt. What you could prove with your own two eyes.
And that’s the thing. Most people didn’t believe the Earth was flat because they were stupid. They believed it because it looked right.«
And so does AI to many people.
Only downside is that it was published on LinkedIn (walled garden) and Substack (Andreessen Horowitz) ...
https://open.substack.com/pub/deontologicaldesign/p/the-earth-is-flat
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برلمانية تستنكر تدهور الطريق الإقليمية رقم 3610 ببرشيد، وتطالب وزير التجهيز بإجراءات إصلاح لضمان سلامة تنقل السكان وتأمين الأنشطة الاقتصادية.
التفاصيل: https://go.fluxpress.net/KiIJ5L
#طريق_إقليمية #برشيد #بنية_تحتية #إصلاح #مساءلة -
إيلون ماسك يعلن استحواذ شركته xAI على منصة "إكس" (تويتر سابقاً) بقيمة 33 مليار دولار، مع توقعات بزيادة القيمة إلى 45 مليار دولار.
التفاصيل: https://go.fluxpress.net/tzYxCK
#إيلون_ماسك #ذكاء_اصطناعي #xAI #الاستحواذ #منصة_إكس -
دراسة بحثية تؤكد أن الحكم الذاتي لا يؤدي عادةً إلى الانفصال، بل يُعزز المطالب الإدارية ويقلل التوترات بين الجماعات.
التفاصيل: https://go.fluxpress.net/OGBIL0
#الحكم_الذاتي #الانفصال #تقرير_المصير #الأقاليم_الصحراوية #الاعتراف_الدولي -
أظهر تقرير الطبيب الشرعي أن مارادونا لم يكن يتعاطى مخدرات أو كحول وقت وفاته، ولكن تم العثور على أدوية مضادة للاكتئاب والصرع.
التفاصيل: https://go.fluxpress.net/R5GDxL
#مارادونا #أسطورة_كرة_القدم #الطب_الشرعي #الأدوية #وفاة_مارادونا -
تتهم المقال حكومة أخنوش بتمرير قانون يقيّد حق الإضراب، مما يعكس غياب الحوار والإصلاح، ويهدد الاستقرار الاجتماعي ويقوض حقوق العمال.
التفاصيل: https://go.fluxpress.net/1jCSTU
#حكومة_أخنوش #الإضراب #الحريات_النقابية #الاحتقان_الاجتماعي #الإصلاح -
By Thus Spoke
By quirk of circumstance, Antipole is the third French-language album I’ve reviewed in a row. Norilsk break the trend in one way, however, as they are Quebecois, not French. Antipole is also not a debut (as my other 2025 subjects have been); far from it, Norilsk being a fairly established name in the Canadian death/doom sphere. With an approach that broadly leans towards the grit and grime of the two genres—rather than the grandiosity or beautification of either—but a tendency to flirt with post, they have garnered appreciation as solid riff-deliverers who can still keep things a little interesting. As its name might suggest, Antipole is a study of opposites, with the promo sheet highlighting the dualities Norilsk explore both conceptually and literally through the music’s evolutions. Such polarities are, in fact, key.
If not granted much attention, Antipole is serviceable doom-y death; deviations from the template rare enough to be forgettable. But it was when my listens moved from passive to active that problems began to emerge. Under a camouflage of unremarkability—a problem in itself—the true colors make themselves plain if you really look. Most melodies become frustrating in their wasted potential; most riffs lack presence; the overuse of essentially spoken-word delivery of the growled vocals gets ever more grating. But the greatest issue, encompassing all others, is that the compositions feel flimsy whereas they ought to feel hefty—instrumental and vocal elements not harnessed to their full potential, and highs dropped in without justifying set-up. Duality is one thing, but disjointedness is another, and it is the former that characterizes Antipole. But it is not a dynamic kind of disjointed—such as one might find in overambitious technical extreme metal—but quite the opposite: an apathetic lack of follow-through that’s insidiously vague, but ultimately brings the above problems into even sharper relief.
Norlisk severely underuse key building blocks of both doom and death.1 Rather than harnessing song lengths to execute builds and releases, to hint, deliver, and reprise refrains, they often repeat empty phrases (“Antipole,” “La chute du géant”), and simply switch into unearned flourishes (“Locus Sanctus,” “La fonte”), or discard a melody for stripped-back flatness (“Nunataks,” “Un chant pour les morts”). Instead of complimenting weighty riffs with soaring themes, or doubling down in grimy dissonance, (most) melodies are thin, barely develop, and carry about as much emotion as a bank statement. The emphasis on spoken word and approximately spoken or whispered delivery for harsh vocals gives much of the music a disinterested, placid effect, while the instances of more aggressive barking come across as put-on if not passable—though they are soon supplanted by the dominating whisper-growl anyway. Individual pieces—a groove here (“D’ombre et de glace (l’asphysxie)”), a riff there (“Nunataks”), the rare appearance of coherent thematic development in a beautiful solo (“La chute du géant”)—are good. But while shrouding the disconnection and the tameness at first blush, soon they make more evident how exasperatingly under-developed the whole is. These highlights themselves lose their sheen like gold dust in a pile of ash–not worth getting excited about, when you have to trawl through the rest to catch them. Let not the embed fool you: it’s possibly the best track.
Everything contained within Antipole is serviceable, but those stand-out elements prove that Norilsk are capable of much more than serviceable. Where they flirt with post (“Un chant pour les morts”) or a more energetic melodeath (“Locus Sanctus”) the music gains a hint of intrigue, but it loses it just as quickly because Norilsk don’t do anything with it, and settle back into comfortable, unremarkable death-doom. Some inconsistencies in the mix possibly contribute to the album’s problems. Harsh vocals sometimes fall back behind the guitars and percussion, meaning that when they would otherwise sound very good, with their resonant growls, they instead end up a little choked and feel non-committal. However, the spoken-word vocals usually appear right at the front of the mix, though they do not possess the requisite gravity for this prominence, and it makes them and the music accompanying them feel somehow flat. When the music is neither crushing enough to warrant a dense production—though at times it pretends to be—nor dynamic enough to justify a spacious one—though, again, attempts are made—the mix never feels just right; to my ears anyway. Perhaps Antipole has just driven me insane.
With apparent appreciation for Norilsk in the underground scene, and some stand-out moments—particularly on the front end—the true face of Antipole turned out to be an immense disappointment. There are approximately ten minutes of good death-doom hidden amidst the full 48, and whether or not this suffices to give Antipole your time is up to you. Maybe Norilsk have fallen from grace; maybe the fans were simply wrong all along.2
Rating: Disappointing
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Hypnotic Dirge
Websites: Bandcamp | Facebook
Releases Worldwide: February 6th, 2025#20 #2025 #Antipole #CanadianMetal #DeathMetal #DeathDoomMetal #DoomMetal #Feb25 #HypnoticDirge #Norilsk #QuebecoisMetal #Review #Reviews
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By Thus Spoke
By quirk of circumstance, Antipole is the third French-language album I’ve reviewed in a row. Norilsk break the trend in one way, however, as they are Quebecois, not French. Antipole is also not a debut (as my other 2025 subjects have been); far from it, Norilsk being a fairly established name in the Canadian death/doom sphere. With an approach that broadly leans towards the grit and grime of the two genres—rather than the grandiosity or beautification of either—but a tendency to flirt with post, they have garnered appreciation as solid riff-deliverers who can still keep things a little interesting. As its name might suggest, Antipole is a study of opposites, with the promo sheet highlighting the dualities Norilsk explore both conceptually and literally through the music’s evolutions. Such polarities are, in fact, key.
If not granted much attention, Antipole is serviceable doom-y death; deviations from the template rare enough to be forgettable. But it was when my listens moved from passive to active that problems began to emerge. Under a camouflage of unremarkability—a problem in itself—the true colors make themselves plain if you really look. Most melodies become frustrating in their wasted potential; most riffs lack presence; the overuse of essentially spoken-word delivery of the growled vocals gets ever more grating. But the greatest issue, encompassing all others, is that the compositions feel flimsy whereas they ought to feel hefty—instrumental and vocal elements not harnessed to their full potential, and highs dropped in without justifying set-up. Duality is one thing, but disjointedness is another, and it is the former that characterizes Antipole. But it is not a dynamic kind of disjointed—such as one might find in overambitious technical extreme metal—but quite the opposite: an apathetic lack of follow-through that’s insidiously vague, but ultimately brings the above problems into even sharper relief.
Norlisk severely underuse key building blocks of both doom and death.1 Rather than harnessing song lengths to execute builds and releases, to hint, deliver, and reprise refrains, they often repeat empty phrases (“Antipole,” “La chute du géant”), and simply switch into unearned flourishes (“Locus Sanctus,” “La fonte”), or discard a melody for stripped-back flatness (“Nunataks,” “Un chant pour les morts”). Instead of complimenting weighty riffs with soaring themes, or doubling down in grimy dissonance, (most) melodies are thin, barely develop, and carry about as much emotion as a bank statement. The emphasis on spoken word and approximately spoken or whispered delivery for harsh vocals gives much of the music a disinterested, placid effect, while the instances of more aggressive barking come across as put-on if not passable—though they are soon supplanted by the dominating whisper-growl anyway. Individual pieces—a groove here (“D’ombre et de glace (l’asphysxie)”), a riff there (“Nunataks”), the rare appearance of coherent thematic development in a beautiful solo (“La chute du géant”)—are good. But while shrouding the disconnection and the tameness at first blush, soon they make more evident how exasperatingly under-developed the whole is. These highlights themselves lose their sheen like gold dust in a pile of ash–not worth getting excited about, when you have to trawl through the rest to catch them. Let not the embed fool you: it’s possibly the best track.
Everything contained within Antipole is serviceable, but those stand-out elements prove that Norilsk are capable of much more than serviceable. Where they flirt with post (“Un chant pour les morts”) or a more energetic melodeath (“Locus Sanctus”) the music gains a hint of intrigue, but it loses it just as quickly because Norilsk don’t do anything with it, and settle back into comfortable, unremarkable death-doom. Some inconsistencies in the mix possibly contribute to the album’s problems. Harsh vocals sometimes fall back behind the guitars and percussion, meaning that when they would otherwise sound very good, with their resonant growls, they instead end up a little choked and feel non-committal. However, the spoken-word vocals usually appear right at the front of the mix, though they do not possess the requisite gravity for this prominence, and it makes them and the music accompanying them feel somehow flat. When the music is neither crushing enough to warrant a dense production—though at times it pretends to be—nor dynamic enough to justify a spacious one—though, again, attempts are made—the mix never feels just right; to my ears anyway. Perhaps Antipole has just driven me insane.
With apparent appreciation for Norilsk in the underground scene, and some stand-out moments—particularly on the front end—the true face of Antipole turned out to be an immense disappointment. There are approximately ten minutes of good death-doom hidden amidst the full 48, and whether or not this suffices to give Antipole your time is up to you. Maybe Norilsk have fallen from grace; maybe the fans were simply wrong all along.2
Rating: Disappointing
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Hypnotic Dirge
Websites: Bandcamp | Facebook
Releases Worldwide: February 6th, 2025#20 #2025 #Antipole #CanadianMetal #DeathMetal #DeathDoomMetal #DoomMetal #Feb25 #HypnoticDirge #Norilsk #QuebecoisMetal #Review #Reviews
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By Thus Spoke
By quirk of circumstance, Antipole is the third French-language album I’ve reviewed in a row. Norilsk break the trend in one way, however, as they are Quebecois, not French. Antipole is also not a debut (as my other 2025 subjects have been); far from it, Norilsk being a fairly established name in the Canadian death/doom sphere. With an approach that broadly leans towards the grit and grime of the two genres—rather than the grandiosity or beautification of either—but a tendency to flirt with post, they have garnered appreciation as solid riff-deliverers who can still keep things a little interesting. As its name might suggest, Antipole is a study of opposites, with the promo sheet highlighting the dualities Norilsk explore both conceptually and literally through the music’s evolutions. Such polarities are, in fact, key.
If not granted much attention, Antipole is serviceable doom-y death; deviations from the template rare enough to be forgettable. But it was when my listens moved from passive to active that problems began to emerge. Under a camouflage of unremarkability—a problem in itself—the true colors make themselves plain if you really look. Most melodies become frustrating in their wasted potential; most riffs lack presence; the overuse of essentially spoken-word delivery of the growled vocals gets ever more grating. But the greatest issue, encompassing all others, is that the compositions feel flimsy whereas they ought to feel hefty—instrumental and vocal elements not harnessed to their full potential, and highs dropped in without justifying set-up. Duality is one thing, but disjointedness is another, and it is the former that characterizes Antipole. But it is not a dynamic kind of disjointed—such as one might find in overambitious technical extreme metal—but quite the opposite: an apathetic lack of follow-through that’s insidiously vague, but ultimately brings the above problems into even sharper relief.
Norlisk severely underuse key building blocks of both doom and death.1 Rather than harnessing song lengths to execute builds and releases, to hint, deliver, and reprise refrains, they often repeat empty phrases (“Antipole,” “La chute du géant”), and simply switch into unearned flourishes (“Locus Sanctus,” “La fonte”), or discard a melody for stripped-back flatness (“Nunataks,” “Un chant pour les morts”). Instead of complimenting weighty riffs with soaring themes, or doubling down in grimy dissonance, (most) melodies are thin, barely develop, and carry about as much emotion as a bank statement. The emphasis on spoken word and approximately spoken or whispered delivery for harsh vocals gives much of the music a disinterested, placid effect, while the instances of more aggressive barking come across as put-on if not passable—though they are soon supplanted by the dominating whisper-growl anyway. Individual pieces—a groove here (“D’ombre et de glace (l’asphysxie)”), a riff there (“Nunataks”), the rare appearance of coherent thematic development in a beautiful solo (“La chute du géant”)—are good. But while shrouding the disconnection and the tameness at first blush, soon they make more evident how exasperatingly under-developed the whole is. These highlights themselves lose their sheen like gold dust in a pile of ash–not worth getting excited about, when you have to trawl through the rest to catch them. Let not the embed fool you: it’s possibly the best track.
Everything contained within Antipole is serviceable, but those stand-out elements prove that Norilsk are capable of much more than serviceable. Where they flirt with post (“Un chant pour les morts”) or a more energetic melodeath (“Locus Sanctus”) the music gains a hint of intrigue, but it loses it just as quickly because Norilsk don’t do anything with it, and settle back into comfortable, unremarkable death-doom. Some inconsistencies in the mix possibly contribute to the album’s problems. Harsh vocals sometimes fall back behind the guitars and percussion, meaning that when they would otherwise sound very good, with their resonant growls, they instead end up a little choked and feel non-committal. However, the spoken-word vocals usually appear right at the front of the mix, though they do not possess the requisite gravity for this prominence, and it makes them and the music accompanying them feel somehow flat. When the music is neither crushing enough to warrant a dense production—though at times it pretends to be—nor dynamic enough to justify a spacious one—though, again, attempts are made—the mix never feels just right; to my ears anyway. Perhaps Antipole has just driven me insane.
With apparent appreciation for Norilsk in the underground scene, and some stand-out moments—particularly on the front end—the true face of Antipole turned out to be an immense disappointment. There are approximately ten minutes of good death-doom hidden amidst the full 48, and whether or not this suffices to give Antipole your time is up to you. Maybe Norilsk have fallen from grace; maybe the fans were simply wrong all along.2
Rating: Disappointing
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Hypnotic Dirge
Websites: Bandcamp | Facebook
Releases Worldwide: February 6th, 2025#20 #2025 #Antipole #CanadianMetal #DeathMetal #DeathDoomMetal #DoomMetal #Feb25 #HypnoticDirge #Norilsk #QuebecoisMetal #Review #Reviews
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مطالب لـ”اليويفا” بمعاقبة زياش بعد دعمه لأحداث أمستردام
التفاصيل: https://buff.ly/4ejV0zu
#حكيم_زياش #المغرب #القضية_الفلسطينية #هجوم_إعلامي #أنصار_مكابي_حيفا #أحداث_أمستردام #ريني_فان_دير_خيت #بي_إس_في_آيندهوفن #هيرينفين #إيران_زهافي #الاتحاد_الأوروبي_لكرة_القدم #طوفان_الأقصى #مجازر_إسرائيلية -
استنكر المكتب الوطني للنقابة الوطنية للتعليم العالي تمرير مشروع قانون 59.24 الذي يهدد الجامعة العمومية ويعزز الخصخصة دون إشراك المعنيين.
التفاصيل: https://go.fluxpress.net/YUzrH1
#التعليم_العالي #الجامعة_العمومية #مشروع_قانون #الخصوصية #السلم_الاجتماعي -
يقترح فريق إيلون ماسك استبدال موظفي وزارة التعليم الأميركية بروبوتات دردشة باستخدام الذكاء الاصطناعي، مما سيؤدي لتقليص التكاليف وتقليص القوى العاملة.
التفاصيل: https://go.fluxpress.net/78hVZP
#الذكاء_الاصطناعي #إيلون_ماسك #وزارة_التعليم #تقليص_التكاليف #الخصوصية -
ترأس ولي العهد الأمير مولاي الحسن حفل تسليم الجائزة الكبرى للقفز على الحواجز، ضمن الدوري الملكي المغربي، بمركز المعارض محمد السادس بالجديدة.
التفاصيل: https://go.fluxpress.net/HrDdkG
#العدل #المحاكم #الموارد_البشرية #الكفاءات #خريجو_القانون -
يونس السكوري يعفي مديرة "أنابيك" إيمان بلمعطي بسبب ضعف الأداء وعدم الوفاء بالتزامات إدماج الشباب في سوق العمل.
التفاصيل: https://go.fluxpress.net/HdyrcG
#الإدماج_الاقتصادي #الشغل #الكفاءات #البطالة #أنابيك -
#GeorgeSmoot III - Did Our #Universe Have a #Beginning?
https://www.youtube.com/watch?v=S2jnk3ZfUME
#Philosophy #PhilosophyOfScience #Science #PhilosophyOfCosmology #Cosmology #BigBang #CMB #CosmicMicrowaveBackground #CosmologicalPrinciple #Astronomy #Astrophysics #Complexity #Inflation #Curvature #Flatness #Geometry #Spacetime #GeorgeSmootIII #CloserToTruth #RobertKuhn
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#GeorgeSmoot III - Did Our #Universe Have a #Beginning?
https://www.youtube.com/watch?v=S2jnk3ZfUME
#Philosophy #PhilosophyOfScience #Science #PhilosophyOfCosmology #Cosmology #BigBang #CMB #CosmicMicrowaveBackground #CosmologicalPrinciple #Astronomy #Astrophysics #Complexity #Inflation #Curvature #Flatness #Geometry #Spacetime #GeorgeSmootIII #CloserToTruth #RobertKuhn
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#GeorgeSmoot III - Did Our #Universe Have a #Beginning?
https://www.youtube.com/watch?v=S2jnk3ZfUME
#Philosophy #PhilosophyOfScience #Science #PhilosophyOfCosmology #Cosmology #BigBang #CMB #CosmicMicrowaveBackground #CosmologicalPrinciple #Astronomy #Astrophysics #Complexity #Inflation #Curvature #Flatness #Geometry #Spacetime #GeorgeSmootIII #CloserToTruth #RobertKuhn
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#GeorgeSmoot III - Did Our #Universe Have a #Beginning?
https://www.youtube.com/watch?v=S2jnk3ZfUME
#Philosophy #PhilosophyOfScience #Science #PhilosophyOfCosmology #Cosmology #BigBang #CMB #CosmicMicrowaveBackground #CosmologicalPrinciple #Astronomy #Astrophysics #Complexity #Inflation #Curvature #Flatness #Geometry #Spacetime #GeorgeSmootIII #CloserToTruth #RobertKuhn
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ترأس ولي العهد الأمير مولاي الحسن حفل تسليم الجائزة الكبرى للقفز على الحواجز، ضمن الدوري الملكي المغربي، بمركز المعارض محمد السادس بالجديدة.
التفاصيل: https://go.fluxpress.net/tckjKe
#التجمع_الوطني_للأحرار #الاستقلال #حكومة_أخنوش #جيل_Z #احتجاجات -
دعت الأمم المتحدة لتحقيقات شاملة حول احتجاجات "جيل Z" في المغرب، مؤكدة على ضرورة محاسبة المسؤولين عن انتهاكات حقوق المتظاهرين السلميين.
التفاصيل: https://go.fluxpress.net/PX8eSW
#الأمم_المتحدة #جيل_Z #احتجاجات #حقوق_الإنسان #التعبير_السلمي -
عقدت الأغلبية الحكومية اجتماعًا طارئًا برئاسة أخنوش لمناقشة الاحتجاجات الشبابية المتصاعدة في المغرب.
التفاصيل: https://go.fluxpress.net/0fH9Zw
#اجتماع_طارئ #الأغلبية_الحكومية #احتجاجات #جيل_Z #المغرب -
مجلس الحكومة المغربية يطلع على اتفاقية لتسليم المطلوبين مع السعودية، تم توقيعها في 13 نوفمبر 2024، ويوافق على مشروع قانون متعلق بها.
التفاصيل: https://go.fluxpress.net/ox7sQN
#المغرب #السعودية #اتفاقية #المطلوبين #الحكومة